Beowulf by All Community Translation and Workbook
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“What Is the Use of a Book Without Pictures?” an Exploration of The
Children’s Literature in Education DOI 10.1007/s10583-016-9279-1 ORIGINAL PAPER ‘‘What is the Use of a Book Without Pictures?’’ An Exploration of the Impact of Illustrations on Reading Experience in A Monster Calls Jen Aggleton1 Ó The Author(s) 2016. This article is published with open access at Springerlink.com Abstract This article examines the effect of Jim Kay’s illustrations on the experience of reading A Monster Calls by Patrick Ness. The author compares the responses of six Key Stage Three children (11–14 years old), three of whom were given an illustrated version of the text, and three a non-illustrated version. The children with an illustrated copy engaged with the text more deeply and critically than the others. They were also more likely to relate the story to their own lives. The illustrations were found to work alongside the participants’ own visualisations rather than replacing them, and opened up further possible interpretations rather than limiting them. The illustrations did not appear to have influenced the partici- pants’ overall enjoyment of the book, nor did they significantly alter the readers’ views on key themes and ideas of the text. Keywords Illustrations Á A Monster Calls Á Reading Experience Á Literacy Education In 2011, Walker Books published A Monster Calls, a young adult novel written by Patrick Ness, based on an original idea by Siobhan Dowd, who tragically died from cancer before being able to write the book herself. Dowd’s publishers asked Ness to fulfil the original concept, and commissioned Jim Kay to illustrate it. -
Beowulf to Ancient Greece: It Is T^E First Great Work of a Nationai Literature
\eowulf is to England what Hcmer's ///ac/ and Odyssey are Beowulf to ancient Greece: it is t^e first great work of a nationai literature. Becwulf is the mythical and literary record of a formative stage of English civilization; it is also an epic of the heroic sources of English cuitu-e. As such, it uses a host of tra- ditional motifs associated with heroic literature all over the world. Liks most early heroic literature. Beowulf is oral art. it was hanaes down, with changes, and embe'lishrnents. from one min- strel to another. The stories of Beowulf, like those of all oral epics, are traditional ones, familiar to tne audiences who crowded around the harp:st-bards in the communal halls at night. The tales in the Beowulf epic are the stories of dream and legend, of monsters and of god-fashioned weapons, of descents to the underworld and of fights with dragons, of the hero's quest and of a community threat- ened by the powers of evil. Beowulf was composed in Old English, probably in Northumbria in northeast England, sometime between the years 700 and 750. The world it depicts, however, is much older, that of the early sixth century. Much of the material of the poem is based on early folk legends—some Celtic, some Scandinavian. Since the scenery de- scribes tne coast of Northumbna. not of Scandinavia, it has been A Celtic caldron. MKer-plateci assumed that the poet who wrote the version that has come down i Nl ccnlun, B.C.). to us was Northumbrian. -
An Examination of Scandinavian War Cults in Medieval Narratives of Northwestern Europe from the Late Antiquity to the Middle Ages
PETTIT, MATTHEW JOSEPH, M.A. Removing the Christian Mask: An Examination of Scandinavian War Cults in Medieval Narratives of Northwestern Europe From the Late Antiquity to the Middle Ages. (2008) Directed by Dr. Amy Vines. 85 pp. The aim of this thesis is to de-center Christianity from medieval scholarship in a study of canonized northwestern European war narratives from the late antiquity to the late Middle Ages by unraveling three complex theological frameworks interweaved with Scandinavian polytheistic beliefs. These frameworks are presented in three chapters concerning warrior cults, war rituals, and battle iconography. Beowulf, The History of the Kings of Britain, and additional passages from The Wanderer and The Dream of the Rood are recognized as the primary texts in the study with supporting evidence from An Ecclesiastical History of the English People, eighth-century eddaic poetry, thirteenth- century Icelandic and Nordic sagas, and Le Morte d’Arthur. The study consistently found that it is necessary to alter current pedagogical habits in order to better develop the study of theology in medieval literature by avoiding the conciliatory practice of reading for Christian hegemony. REMOVING THE CHRISTIAN MASK: AN EXAMINATION OF SCANDINAVIAN WAR CULTS IN MEDIEVAL NARRATIVES OF NORTHWESTERN EUROPE FROM THE LATE ANTIQUITY TO THE MIDDLE AGES by Matthew Joseph Pettit A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 2008 Approved by ______________________________ Committee Chair APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
Introduction the Waste-Ern Literary Canon in the Waste-Ern Tradition
Notes Introduction The Waste-ern Literary Canon in the Waste-ern Tradition 1 . Zygmunt Bauman, Wasted Lives: Modernity and Its Outcasts (Cambridge: Polity Press, 2004), 26. 2 . M a r y D o u g las, Purity and Danger: An Analysis of the Concepts of Pollution and Taboo (London: Routledge, 1966/2002), 2, 44. 3 . S usan Signe Morrison, E xcrement in the Late Middle Ages: Sacred Filth and Chaucer’s Fecopoeticss (New York: Palgrave Macmillan, 2008), 153–158. The book enacts what Dana Phillips labels “excremental ecocriticism.” “Excremental Ecocriticism and the Global Sanitation Crisis,” in M aterial Ecocriticism , ed. Serenella Iovino and Serpil Oppermann (Bloomington: Indiana University Press, 2014), 184. 4 . M o r r i s o n , Excrementt , 123. 5 . Dana Phillips and Heather I. Sullivan, “Material Ecocriticism: Dirt, Waste, Bodies, Food, and Other Matter,” Interdisci plinary Studies in Literature and Environment 19.3 (Summer 2012): 447. “Our trash is not ‘away’ in landfills but generating lively streams of chemicals and volatile winds of methane as we speak.” Jane Bennett, Vibrant Matter: A Political Ecology of Things (Durham: Duke University Press, 2010), vii. 6 . B e n n e t t , Vibrant Matterr , viii. 7 . I b i d . , vii. 8 . S e e F i gures 1 and 2 in Vincent B. Leitch, Literary Criticism in the 21st Century: Theory Renaissancee (London: Bloomsbury, 2014). 9 . Pippa Marland and John Parham, “Remaindering: The Material Ecology of Junk and Composting,” Green Letters: Studies in Ecocriticism 18.1 (2014): 1. 1 0 . S c o t t S lovic, “Editor’s Note,” Interdisciplinary Studies in Literature and Environment 20.3 (2013): 456. -
Introduction to Beowulf the Action of Beowulf "Beowulf" Seamus Heaney
Introduction to Beowulf 3182 lines in length, Beowulf is the longest surviving Old English poem. It survives in a single manuscript, thought to date from the turn of the eleventh century, though the composition of the poem is usually placed in the eighth or early ninth centuries, perhaps in an Anglian region. The action is set in Scandinavia, and the poem is chiefly concerned with the Geats (inhabitants of Southern Sweden), Danes and Swedes. It falls into two main sections, lls. 1-2199, which describe young Beowulf's defeat of two monsters, Grendel and his mother, at the request of King Hrothgar, and lls. 2200-3182, in which an aged Beowulf, now king, defeats a fire-breathing dragon but is mortally wounded and dies. This coursepack includes three short excerpts from the poem: Beowulf's fight with Grendel (ll. 702b-897), the so-called 'Lament of the Last Survivor' (2247-2266), and the poet's description of Beowulf's funeral (3156-3182). The former consists of the approach of Grendel to Heorot, and his hand-to-hand combat with Beowulf. The second contains the elegaic reflections of a warrior whom the poet imagines to be the sole remnant of a great tribe that once held the treasure now guarded by the dragon which threatens Beowulf's people. The poet powerfully conveys his nostalgia for dead companions and sense that treasure without an owner is worthless. The account of Beowulf's funeral describes a pagan cremation and records the Geats' epitaph for their dead leader. The Action of Beowulf Beowulf opens with a description of the origin and history of the Scylding dynasty, tracing its descent down to Hrothgar, who builds Heorot, a great hall. -
The Middle Ages. 449- 1485 Life and Culture • Middle Ages Is the Period of Time
The Middle Ages 449-1485 The Middle Ages The Middle Ages. 449- 1485 Life and culture • Middle Ages is the period of time Art that extends between the ancient classical period and the Language history Renaissance • Middle Ages extends from the The spread of Christianity Roman withdrawal and the Anglo Saxon invasion in 5th century to the accession of the House of Tudor in Beowulf th the late 15 century 1 Maspa Sadari The Middle Ages 449-1485 The Middle Ages The earlier part of this period is called The dark Ages • Middle Ages is divided in two parts: the first is named Anglo Saxon Period or Old English Period (449-1066); the second is named the Anglo Norman Period or Middle English period (1066- 1485) 2 Maspa Sadari The Middle Ages 449-1485 Anglo Saxon or Old English period (449-1066) • In 449 the tribes of Jutes, angles and Saxons from Denmark and Northern Germany started to invade Britain defeating original Celtic people who escaped to Cornwall, Wales and Scotland. 3 Maspa Sadari The Middle Ages 449-1485 The language of these tribes was the Anglo- Saxon • The country was divided into 7 kingdoms, which soon had to face Viking invasions. The joined the forces and managed to defeat Vikings 4 Maspa Sadari The Middle Ages 449-1485 Life and culture • Life in Saxon England: society was based on the family unit, the clan, the tribe • The code of values was based on courage, loyalty to the ruler, generosity. The most important hero in a poem of this period is Beowulf 5 Maspa Sadari The Middle Ages 449-1485 The culture was military, based on war -
Coventry in the Oxford Dictionary of National Biography
Coventry in the Oxford Dictionary of National Biography The Oxford Dictionary of National Biography is the national record of people who have shaped British history, worldwide, from the Romans to the 21st century. The Oxford DNB (ODNB) currently includes the life stories of over 60,000 men and women who died in or before 2017. Over 1,300 of those lives contain references to Coventry, whether of events, offices, institutions, people, places, or sources preserved there. Of these, over 160 men and women in ODNB were either born, baptized, educated, died, or buried there. Many more, of course, spent periods of their life in Coventry and left their mark on the city’s history and its built environment. This survey brings together over 300 lives in ODNB connected with Coventry, ranging over ten centuries, extracted using the advanced search ‘life event’ and ‘full text’ features on the online site (www.oxforddnb.com). The same search functions can be used to explore the biographical histories of other places in the Coventry region: Kenilworth produces references in 229 articles, including 44 key life events; Leamington, 235 and 95; and Nuneaton, 69 and 17, for example. Most public libraries across the UK subscribe to ODNB, which means that the complete dictionary can be accessed for free via a local library. Libraries also offer 'remote access' which makes it possible to log in at any time at home (or anywhere that has internet access). Elsewhere, the ODNB is available online in schools, colleges, universities, and other institutions worldwide. Early benefactors: Godgifu [Godiva] and Leofric The benefactors of Coventry before the Norman conquest, Godgifu [Godiva] (d. -
Chapter28 He Made Them Welcome
48 BEOWULF 49 armor glistened in the sun. This time he did not greet them roughly, but he rode toward them eagerly. The coast watcher hailed them with cheerful greetings, and Chapter28 he made them welcome. The warriors would be Beowulf went marching with his army of warriors welcome in their home country, he declared . from the sea. Above them the world-candle shone On the beach, the ship was laden with war gear. It bright from the south. They had survived the sea sat heavy with treasure and horses . The mast stood journey, and now they went in quickly to where they high over the hoard of gold-first Hrothgar's, and now knew their protector, king Hygelac, lived with his theirs . Beowulf rewarded the boat's watchman, who warriors and shar ed his treasure. had stayed behind, by giving him a sword bound with Hygelac was told of their arrival, that Beowulf had gold. The weapon would bring the watchman honor. come home . Bench es were quickly readied to receive The ship felt the wind and left the cliffs of the warriors and their leader Beowulf. Hygelac now Denmark. They traveled in deep water, the wind fierce sat, ready to greet them in his court. and straining at the sails, making the deck timbers Then Beowulf sat down with Hygelac, the nephew creak. No hindrance stopped the ship as it boomed with his uncle. Hygelac offered words of welcome, and through the sea, skimmed on the water, winged over Beowulf greeted his king with loyal words. Hygd, waves. -
Source Notes for the Library by Stuart Kells (Text Publishing, Melbourne, 2017)
Source Notes for The Library by Stuart Kells (Text Publishing, Melbourne, 2017) p. 6. ‘My company is gone, so that now I hope to enjoy my selfe and books againe, which are the true pleasures of my life, all else is but vanity and noyse.’: Peter Beal, ‘“My Books are the Great Joy of My Life”. Sir William Boothby, Seventeenth-Century Bibliophile’, in Nicholas Barker (ed.), The Pleasures of Bibliophily, (London & New Castle: British Library/Oak Knoll Press, 2003), p. 285. p. 6. ‘the existence within his dwelling-place of any book not of his own special kind, would impart to him the sort of feeling of uneasy horror which a bee is said to feel when an earwig comes into its cell’: John Hill Burton, The Book-Hunter etc, (Edinburgh & London: William Blackwood & Sons, 1885), p. 21. p. 8. ‘menial and dismal’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 153. p. 8. ‘filled with tears’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 153. p. 8. ‘On that miraculous day, she looked up from reading C. S. Lewis, noticing he had begun to cry. In perfect speech, he told her, “I’m crying because I understand”.’: Elizabeth Hyde Stevens, ‘Borges and $: The parable of the literary master and the coin’, Longreads, June 2016. p. 8: ‘a nightmare version or magnification’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 154. p. 9. -
Beowulf Timeline
Beowulf Timeline Retell the key events in Beowulf in chronological order. Background The epic poem, Beowulf, is over 3000 lines long! The main events include the building of Heorot, Beowulf’s battle with the monster, Grendel, and his time as King of Geatland. Instructions 1. Cut out the events. 2. Put them in the correct order to retell the story. 3. Draw a picture to illustrate each event on your story timeline. Beowulf returned Hrothgar built Beowulf fought Grendel attacked home to Heorot. Grendel’s mother. Heorot. Geatland. Beowulf was Beowulf’s Beowulf fought Beowulf travelled crowned King of funeral. Grendel. to Denmark the Geats. Beowulf fought Heorot lay silent. the dragon. 1. Stick Text Here 3. Stick Text Here 5. Stick Text Here 7. Stick Text Here 9. Stick Text Here 2. Stick Text Here 4. Stick Text Here 6. Stick Text Here 8. Stick Text Here 10. Stick Text Here Beowulf Timeline Retell the key events in Beowulf in chronological order. Background The epic poem, Beowulf, is over 3000 lines long! The main events include the building of Heorot, Beowulf’s battle with the monster, Grendel, and his time as King of Geatland. Instructions 1. Cut out the events. 2. Put them in the correct order to retell the story. 3. Write an extra sentence or two about each event. 4. Draw a picture to illustrate each event on your story timeline. Beowulf returned Hrothgar built Beowulf fought Grendel attacked home to Geatland. Heorot. Grendel’s mother. Heorot. Beowulf was Beowulf’s funeral. Beowulf fought Beowulf travelled crowned King of Grendel. -
The Intertextuality of Beowulf, Cynewulf and Andreas1
The departure of the hero in a ship: The intertextuality of Beowulf , Cynewulf and Andreas 1 Francis Leneghan University of Oxford This article identifies a new Old English poetic motif, ‘The Departure of the Hero in a Ship’, and discusses the implications of its presence in Beowulf , the signed poems of Cynewulf and Andreas , a group of texts already linked by shared lexis, imagery and themes. It argues that the Beowulf -poet used this motif to frame his work, foregrounding the question of royal succession. Cynewulf and the Andreas -poet then adapted this Beowulfian motif in a knowing and allusive manner for a new purpose: to glorify the church and to condemn its enemies. Investigation of this motif provides further evidence for the intertextuality of these works. Keywords : Old English poetry; Beowulf , Cynewulf; Andreas ; Anglo-Saxon literature 1. Introduction Scholars have identified a number of ‘motifs’, ‘themes’ or ‘type scenes’ in Old English poetry. Two of the best-known such motifs are ‘the beasts of battle’, typically featuring the carrion eagle, wolf and raven, anticipating or rejoicing in slaughter (Magoun 1955, Bonjour 1957, Griffith 1993), and ‘the hero on the beach’, wherein a hero is depicted with his retainers in the presence of a flashing light, as a sea-journey is completed (or begun), usually at dawn 1 I would like to thank Daniel Anlezark, Hugh Magennis, Richard North, Andy Orchard, Rafael Pascual and Daniel Thomas for their helpful comments on earlier versions of this article. Francis Leneghan, Selim24 (2019): 105 –132. ISSN 1132-631X / DOI https://doi.org/10.17811/selim.24.2019.105-134 106 Francis Leneghan (Crowne 1960: 368; Fry 1966, 1971).2 Broadening the focus to consider both Old English verse and prose, Mercedes Salvador Bello identified the ‘leitmotif’ of ‘the arrival of the hero in a ship’ in the Anglo-Saxon Chronicle and Beowulf , featuring “a recurrent thematic pattern which presents the story of the heroes (or the hero) who arrive from northern lands in a boat and become the ancestors of Anglo-Saxon dynasties” (1998: 214). -
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BOW WINDOWS BOOKSHOP 175 High Street, Lewes, Sussex, BN7 1YE T: +44 (0)1273 480 780 F: +44 (0)1273 486 686 [email protected] bowwindows.com CATALOGUE TWO HUNDRED AND ELEVEN Literature - First Editions, Classics, Private Press 1 - 89 Children's and Illustrated Books 90 - 107 Natural History 108 - 137 Maps 138 - 154 Travel and Topography 155 - 208 Art and Architecture 209 - 238 General Subjects - History, Theology, Militaria 239 - 264 Cover images – nos. 93 & 125 All items are pictured on our website and further images can be emailed on request. All books are collated and described as carefully as possible. Payment may be made by cheque, drawn on a sterling account, Visa, MasterCard or direct transfer to Account No. 40009652 at HSBC Bank, Eastbourne, sort code 40-20-69. Our IBAN code is GB02 HBUK40206940009652; SWIFTBIC is MIDL GB22. Postage will be charged at cost. Foreign orders will be sent by airmail unless requested otherwise. Our shop hours are 9.30 a.m. to 5 p.m., Monday to Saturday; an answerphone operates outside of these times. Items may also be ordered via our website. Ric Latham and Jonathan Menezes General Data Protection Regulation We hold on our computer our customers names and addresses, and in some cases phone numbers and email addresses. We do not share this information with third parties. We assume that you will be happy to continue to receive these catalogues and for us to hold this information; should you wish to change anything or come off our mailing list please let us know. LITERATURE FIRST EDITIONS, CLASSICS, PRIVATE PRESS 1.