The Missing Women of the Beowulf-Manuscript
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Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
© 2018 Kyle Joseph Williams
ã 2018 Kyle Joseph Williams THE ASSEMBLED BODY: ANATOMICAL ENUMERATION AND EMBODIMENT IN ANGLO-SAXON DEVOTIONAL TEXTS BY KYLE JOSEPH WILLIAMS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Renée R. Trilling, Chair Professor Charles D. Wright Professor Martin Camargo Associate Professor Jim Hansen ABSTRACT “The Assembled Body: Anatomical Enumeration and Embodiment in Anglo- Saxon Devotional Texts” argues that Anglo-Saxon Christians viewed the material body as a potent site for spiritual transformation. This notion finds its fullest expression in the rhetorical scheme of anatomical enumeration which appears across a diverse collection of Old English and Anglo-Latin devotional forms that range from the seventh to eleventh century, such as anonymous personal protective charms and prayers, confessional formulae, monastic execrations, scientific writing and diagrams produced Byrhtferth, as well as a number of Ælfric of Eynsham’s vernacular homilies. This project demonstrates how Anglo-Saxon authors employed such enumerative anatomical catalogs to highlight the vibrancy of the flesh at moments spiritual uncertainty. Casting the material body as an assemblage of agents, this rhetorical disarticulation of the flesh enables readers to envision the realignment and reintegration of their disordered and disobedient limbs into the unity of Christ’s spiritual body. ii ACKNOWLEDGEMENTS This project was completed through the generous help of many kind people. My greatest debt is to my dissertation supervisor, Renée Trilling. Her meticulous and challenging feedback, unceasing patience to allow me the (many) opportunities to learn from my mistakes, and hearty encouragement gave me both the enthusiasm and nerve to complete this task. -
Introduction to Beowulf the Action of Beowulf "Beowulf" Seamus Heaney
Introduction to Beowulf 3182 lines in length, Beowulf is the longest surviving Old English poem. It survives in a single manuscript, thought to date from the turn of the eleventh century, though the composition of the poem is usually placed in the eighth or early ninth centuries, perhaps in an Anglian region. The action is set in Scandinavia, and the poem is chiefly concerned with the Geats (inhabitants of Southern Sweden), Danes and Swedes. It falls into two main sections, lls. 1-2199, which describe young Beowulf's defeat of two monsters, Grendel and his mother, at the request of King Hrothgar, and lls. 2200-3182, in which an aged Beowulf, now king, defeats a fire-breathing dragon but is mortally wounded and dies. This coursepack includes three short excerpts from the poem: Beowulf's fight with Grendel (ll. 702b-897), the so-called 'Lament of the Last Survivor' (2247-2266), and the poet's description of Beowulf's funeral (3156-3182). The former consists of the approach of Grendel to Heorot, and his hand-to-hand combat with Beowulf. The second contains the elegaic reflections of a warrior whom the poet imagines to be the sole remnant of a great tribe that once held the treasure now guarded by the dragon which threatens Beowulf's people. The poet powerfully conveys his nostalgia for dead companions and sense that treasure without an owner is worthless. The account of Beowulf's funeral describes a pagan cremation and records the Geats' epitaph for their dead leader. The Action of Beowulf Beowulf opens with a description of the origin and history of the Scylding dynasty, tracing its descent down to Hrothgar, who builds Heorot, a great hall. -
Coventry in the Oxford Dictionary of National Biography
Coventry in the Oxford Dictionary of National Biography The Oxford Dictionary of National Biography is the national record of people who have shaped British history, worldwide, from the Romans to the 21st century. The Oxford DNB (ODNB) currently includes the life stories of over 60,000 men and women who died in or before 2017. Over 1,300 of those lives contain references to Coventry, whether of events, offices, institutions, people, places, or sources preserved there. Of these, over 160 men and women in ODNB were either born, baptized, educated, died, or buried there. Many more, of course, spent periods of their life in Coventry and left their mark on the city’s history and its built environment. This survey brings together over 300 lives in ODNB connected with Coventry, ranging over ten centuries, extracted using the advanced search ‘life event’ and ‘full text’ features on the online site (www.oxforddnb.com). The same search functions can be used to explore the biographical histories of other places in the Coventry region: Kenilworth produces references in 229 articles, including 44 key life events; Leamington, 235 and 95; and Nuneaton, 69 and 17, for example. Most public libraries across the UK subscribe to ODNB, which means that the complete dictionary can be accessed for free via a local library. Libraries also offer 'remote access' which makes it possible to log in at any time at home (or anywhere that has internet access). Elsewhere, the ODNB is available online in schools, colleges, universities, and other institutions worldwide. Early benefactors: Godgifu [Godiva] and Leofric The benefactors of Coventry before the Norman conquest, Godgifu [Godiva] (d. -
The Beowulf Manuscript Free
FREE THE BEOWULF MANUSCRIPT PDF R. D. Fulk | 400 pages | 04 May 2011 | HARVARD UNIVERSITY PRESS | 9780674052956 | English | Cambridge, Mass, United States The Beowulf Manuscript What we can do is pay attention to top scholars in The Beowulf Manuscript field and make some pretty good guesses. Rather than being composed at a specific time, the poem probably developed out of various influences, especially folk tales and traditions. Parts of it may have originally been performed by court poets or The Beowulf Manuscript bards scops, pronounced "shops," in the Anglo-Saxon who would have sung or chanted their poems to the accompaniment of a The Beowulf Manuscript instrument such as a The Beowulf Manuscript. We can conclude, then, that the work grew out of popular art forms, that various influences worked together, and that the The Beowulf Manuscript may have changed as it developed. During the late s and early s, an American scholar named Milman Parry revolutionized the The Beowulf Manuscript of live performances of epics. He demonstrated convincingly that ancient Greek poems the Iliad and the Odyssey were composed in an oral-formulaic style based on tradition and designed to help the performer produce a long piece from memory or improvise material as he went along. Francis P. Magoun, Jr. XXVIII,demonstrates that the poems were recited The Beowulf Manuscript, more likely, sung or chanted, to audiences in the way that similar works are presented in Beowulf. An example The Beowulf Manuscript the epic itself is the performance of The Finnsburh Episode lines ff. Magoun points out that the bards relied on language specifically developed for the poetry, formulas worked out over a long period The Beowulf Manuscript time and designed to fit the The Beowulf Manuscript demands of a given line while expressing whatever ideas the poet wished to communicate. -
Source Notes for the Library by Stuart Kells (Text Publishing, Melbourne, 2017)
Source Notes for The Library by Stuart Kells (Text Publishing, Melbourne, 2017) p. 6. ‘My company is gone, so that now I hope to enjoy my selfe and books againe, which are the true pleasures of my life, all else is but vanity and noyse.’: Peter Beal, ‘“My Books are the Great Joy of My Life”. Sir William Boothby, Seventeenth-Century Bibliophile’, in Nicholas Barker (ed.), The Pleasures of Bibliophily, (London & New Castle: British Library/Oak Knoll Press, 2003), p. 285. p. 6. ‘the existence within his dwelling-place of any book not of his own special kind, would impart to him the sort of feeling of uneasy horror which a bee is said to feel when an earwig comes into its cell’: John Hill Burton, The Book-Hunter etc, (Edinburgh & London: William Blackwood & Sons, 1885), p. 21. p. 8. ‘menial and dismal’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 153. p. 8. ‘filled with tears’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 153. p. 8. ‘On that miraculous day, she looked up from reading C. S. Lewis, noticing he had begun to cry. In perfect speech, he told her, “I’m crying because I understand”.’: Elizabeth Hyde Stevens, ‘Borges and $: The parable of the literary master and the coin’, Longreads, June 2016. p. 8: ‘a nightmare version or magnification’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 154. p. 9. -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
The Representation of Animals and the Natural World in Late-Medieval
The Representation of Animals and the Natural World in Late-Medieval Hagiography and Romance Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by David Salter BA (Leicester) Department of English University of Leicester September 1998 UMI Number: U113229 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U113229 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Animals and the Natural World in Late-Medieval Hagiography and Romance ABSTRACT This thesis takes as its subject the representation of animals and the natural world in two key genres of medieval literature: hagiography and romance. Focusing on the early Lives of St. Francis of Assisi, the romances Sir Gowther, Octavian, and Sir Orfeo, the Middle English Alexander Romances, and the Collatio Alexandri cum Dindimo, it examines the diverse ways in which animals are portrayed in these texts, and the range of mimetic, symbolic, and representative functions that they fulfil. Rather than endorsing the view that medieval culture was characterised by a unified and homogenous attitude towards nature and the natural, the thesis draws out the diversity of opinion and outlook evident in the imaginative literature of the period, and demonstrates in detail the crucial role of genre in determining the representative strategies of individual texts. -
Inconceivable Beasts: E Wonders of the East in the Beowulf Manuscript
Inconceivable Beasts: !e Wonders of the East in the Beowulf Manuscript Mittman.indb 1 1/31/13 4:43:26 PM MEDIEVAL AND RENAISSANCE TEXTS AND STUDIES VOLUME 433 Mittman.indb 2 1/31/13 4:43:26 PM Inconceivable Beasts: !e Wonders of the East in the Beowulf Manuscript Asa Simon Mittman Department of Art and Art History, California State University, Chico and Susan M. Kim Department of English, Illinois State University Tempe, Arizona 2013 Mittman.indb 3 1/31/13 4:43:26 PM Published by ACMRS (Arizona Center for Medieval and Renaissance Studies), Tempe, Arizona. ©2013 Arizona Board of Regents for Arizona State University. All Rights Reserved. Library of Congress Cataloging-in-Publication Data Publication of this book has been aided by a grant from the Millard Meiss Publication Fund of the College Art Association ∞ This book is made to last. It is set in Adobe Caslon Pro, smyth-sewn and printed on acid-free paper to library specifications. Printed in the United States of America Mittman.indb 4 1/31/13 4:43:26 PM To Christina von Nolcken and Suzanne Lewis: Thank you for teaching and inspiring us. Mittman.indb 5 1/31/13 4:43:26 PM Mittman.indb 6 1/31/13 4:43:26 PM T C List of Figures ix Acknowledgments xiii 1. Introduction: Conceiving of the Inconceivable 1 2. The Wonders of the East 25 Unworthy Bodies: Editing the Female Wonders of the East Foliation Chart Facsimile Transcription and Literal Translation Translation 3. The Dittology of the Tripled Double Men 73 4. -
51St International Congress on Medieval Studies
51st lntemational Congress on Medieval Studies May 12-15,2016 51st International Congress on Medieval Studies May 12–15, 2016 Medieval Institute College of Arts and Sciences Western Michigan University Kalamazoo, MI 49008-5432 wmich.edu/medieval 2016 Table of Contents Welcome Letter iii Registration iv-v On-Campus Housing vi Off-Campus Accommodations vii Travel viii Driving and Parking ix Food x-xi Campus Shuttles xii Construction xiii Hotel Shuttles xiv Hotel Shuttle Schedules xv Facilities xvi Logistics xvii Varia xviii Lecture/Performance xix Exhibits Hall xx Exhibitors xxi Plenary Lectures xxii Advance Notice—2017 Congress xxiii The Congress: How It Works xxiv Travel Awards xxv Richard Rawlinson Center xxvi Center for Cistercian and Monastic Studies xxvii M.A. Program in Medieval Studies xxviii Medieval Institute Affiliated Faculty xxix Medieval Institute Publications xxx–xxxi About Western Michigan University xxxii Endowment and Gift Funds xxxiii The Otto Gründler Book Prize xxxiv 2016 Congress Schedule of Events 1–175 Index of Sponsoring Organizations 177–183 Index of Participants 185–205 List of Advertisers A-1 Advertising A-2 – A-48 Maps M-1 – M-7 ii The Medieval Institute College of Arts and Sciences Dear Colleague, Summer passed with the Call for Papers; fall came with a change of colors to Kalamazoo and the organization of sessions; we are now in winter here at Western Michigan University, starting to look forward to the spring and the arrival of you, our fellow medievalists, to the 51st International Congress on Medieval Studies. The Valley III cafeteria and adjoining rooms will host booksellers and vendors; cafeteria meals will be served in Valley II’s dining hall. -
Rędende Iudithše: the Heroic, Mythological and Christian Elements in the Old English Poem Judith
University of San Diego Digital USD Undergraduate Honors Theses Theses and Dissertations Fall 12-22-2015 Rædende Iudithðe: The eH roic, Mythological and Christian Elements in the Old English Poem Judith Judith Caywood Follow this and additional works at: https://digital.sandiego.edu/honors_theses Part of the European Languages and Societies Commons, and the Literature in English, British Isles Commons Digital USD Citation Caywood, Judith, "Rædende Iudithðe: The eH roic, Mythological and Christian Elements in the Old English Poem Judith" (2015). Undergraduate Honors Theses. 15. https://digital.sandiego.edu/honors_theses/15 This Undergraduate Honors Thesis is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital USD. For more information, please contact [email protected]. Rædende Iudithðe: The Heroic, Mythological and Christian Elements in the Old English Poem Judith ______________________ A Thesis Presented to The Faculty and the Honors Program Of the University of San Diego ______________________ By Jude Caywood Interdisciplinary Humanities 2015 Caywood 2 Judith is a character born from the complex multicultural forces that shaped Anglo-Saxon society, existing liminally between the mythological, the heroic and the Christian. Simultaneously Germanic warrior, pagan demi-goddess or supernatural figure, and Christian saint, Judith arbitrates amongst the seemingly incompatible forces that shaped the poet’s world, allowing the poem to serve as an important site for the making of a new Anglo-Saxon identity, one which would eventually come to be the united English identity. She becomes a single figure who is able to reconcile these opposing forces within herself and thereby does important cultural work for the world for which the poem was written. -
Beowulf by All Community Translation and Workbook
FOUNDATIONS Advisory Board Robert E. Bjork, Arizona State University Alessandra Bucossi, Università Ca’ Foscari, Venezia Chris Jones, University of Canterbury / Te Whare Wānanga o Waitaha Sharon Kinoshita, University of California, Santa Cruz Matthew Cheung Salisbury, University of Oxford FOR PRIVATE AND NON-COMMERCIAL USE ONLY BEOWULF BY ALL COMMUNITY TRANSLATION AND WORKBOOK Edited by JEAN ABBOTT, ELAINE TREHARNE, and MATEUSZ FAFINSKI British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2021, Arc Humanities Press, Leeds This work is licensed under Creative Commons licence CCBYNCND 4.0. Permission to use brief excerpts from this work in scholarly and educational works is hereby The authors assert their moral right to be identified as the authors of their part of this work. granted provided that the source is acknowledged. Any use of material in this work that is an exception or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/29/EC) or would be determined to be “fair use” under Section 107 of the U.S. Copyright Act September 2010 Page 2 or that satisfies the conditions specified in Section 108 of the U.S. Copy right Act (17 USC §108, as revised by P.L. 94553) does not require the Publisher’s permission. ISBN (hardback): 9781641894708 ISBN (paperback): 9781641894715 eISBN (PDF): 9781641894746 www.arc-humanities.org Printed and bound in the UK (by CPI Group [UK) Ltd), USA (by Bookmasters), and elsewhere using print-on-demand technology. FOR PRIVATE AND NON-COMMERCIAL USE ONLY CONTENTS Preface ....................................................................................