Released in December 1957, the TR-63 Was Sony's First Pocket-Size Transistor Radio
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Creativity Or Imitation:Japanese Success in VCR Technology Jeanine M
Lehigh University Lehigh Preserve Perspectives on business and economics Perspectives on Business and Economics 1-1-1989 Creativity or Imitation:Japanese Success in VCR Technology Jeanine M. Kasulis Lehigh University Follow this and additional works at: http://preserve.lehigh.edu/perspectives-v07 Recommended Citation Kasulis, Jeanine M., "Creativity or Imitation:Japanese Success in VCR Technology" (1989). Perspectives on business and economics. Paper 1. http://preserve.lehigh.edu/perspectives-v07/1 This Article is brought to you for free and open access by the Perspectives on Business and Economics at Lehigh Preserve. It has been accepted for inclusion in Perspectives on business and economics by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. CREATIVITY OR IMITATION: JAPANESE SUCCESS IN VCR TECHNOLOGY Jeanine M. Kasulis Introduction corder (VCR), a popular electronics device found Until the late 1960s, U.S. industry enjoyed in two out of five American homes, was origin a preeminent position in technology and com ally invented as a broadcasting tool by a Cali manded a significant market share in the field fornia-based American firm named Ampex in for industrial and commercial products. Dur 1956 (Television and Video Almanac, 1988, p. ing the decades that have followed, however, 433). The invention evolved over the next two competitive strides by the Japanese have made decades into a product that could be used in stunning impacts on world and domestic mar the home; but Ampex in particular, and the kets alike. Superior Japanese performance has American electronics industry in general, fell been a growing concern in a wide array of out of competition. -
Warburton, John Henry. (2010). Picture Radio
! ∀# ∃ !∃%& ∋ ! (()(∗( Picture Radio: Will pictures, with the change to digital, transform radio? John Henry Warburton Master of Philosophy Southampton Solent University Faculty of Media, Arts and Society July 2010 Tutor Mike Richards 3 of 3 Picture Radio: Will pictures, with the change to digital, transform radio? By John Henry Warburton Abstract This work looking at radio over the last 80 years and digital radio today will consider picture radio, one way that the recently introduced DAB1 terrestrial digital radio could be used. Chapter one considers the radio history including early picture radio and television, plus shows how radio has come from the crystal set, with one pair of headphones, to the mains powered wireless with built in speakers. These radios became the main family entertainment in the home until television takes over that role in the mid 1950s. Then radio changed to a portable medium with the coming of transistor radios, to become the personal entertainment medium it is today. Chapter two and three considers the new terrestrial digital mediums of DAB and DRM2 plus how it works, what it is capable of plus a look at some of the other digital radio platforms. Chapter four examines how sound is perceived by the listener and that radio broadcasters will need to understand the relationship between sound and vision. We receive sound and then make pictures in the mind but to make sense of sound we need codes to know what it is and make sense of it. Chapter five will critically examine the issues of commercial success in radio and where pictures could help improve the radio experience as there are some things that radio is restricted to as a sound only medium. -
03371101.Pdf
C/64-10 RADIO AND TELEVISION IN THE SOVIET UNION F. Gayle Durham Research Program on Problems of International Communication and Security Center for International Studies Massachusetts Institute of Technology Cambridge, Massachusetts June, 1965 Table of Contents Prefatory Remarks I. The Broadcasting Network.............. A. Radiobroadcasting.. .................... B. Broadcasting Stations................... .6 C. Television Broadcasting.................. .8 D. Number of Television Stations............ .13 E. Radio and Television in Rural Localities. .15 II. Production and Repair of Radio and Television Sets.21 A. Radio Se s . .. .. .. .2 C. Future Radio and Television Sets...............34 D. Subscription Fees..........................,..41 E. Repair of Radio and Television Sets........,...42 III. The Administration of Soviet Radio and Television..47 A. Structural Apparatus of the Broadcasting BAFudton o eAinistration................. B. Functions of the Administration................50 IV. Programs and Hours of Broadcasting........ .54 . .54 B. Television................ .57 C. Educational Television in the USSR..... .59 D. Radio and Television in Dnepropetrovsk, Ukrainian SSR...................... * a ... 62 E. Recording of Broadcasts.................. .. .. .64 V. INTERVISION............................... ... .68 VI. The Soviet Audience....................... .74 A. Size of the . Audience..................... .74 B. Nature of the . .0 . Audience.................. .75 C. Audience Feedback and Listenincg Behavior. .0 . .77 Maps, Tables -
80 the MARKET Sony Corporation Is a Leading
THE MARKET a very small group of young peo- Sony Corporation is a leading man- ple with the energy and passion for ufacturer of audio, video, communi- unlimited creation. cations, and information technology This passion and creativity products for the consumer and pro- eventually led to the development of fessional markets. Additionally, the Sony’s Trinitron TV in 1968, which company’s music, motion picture, set the world standard for high television-production, game, and quality in home theater products. online businesses make Sony one of As a proponent of global oper- the most comprehensive entertain- ations based on a local presence, ment companies in the world. Morita set up manufacturing plants all over the world. Its Trinitron® ACHIEVEMENTS color television assembly plant Today, Sony employs almost 170,000 in San Diego, California, built in people worldwide, with almost 1972, was the first consumer elec- 22,000 working in the United States. tronics manufacturing facility built For fiscal year 2001, Sony Corpor- in the United States by a Japanese- ation had total sales of more than based company. $56.9 billion, with the electronics Morita’s deep confidence in segment making up more than two- another legendary Sony product, thirds of the revenues. the Walkman personal stereo, was Sony Electronics Inc. (SEL), the key factor in its ultimate formerly known as Sony Corpor- success. While retailers were ation of America, was established in initially resistant, the Walkman 1960 to oversee Sony’s sales and stereo’s compact size and excel- marketing activities in the United lent sound quality attracted con- States. -
Case Analysis.1
Management of Technology & Entrepreneurship (MTE) Technology Venturing & Entrepreneurship Sony Betamax Case Analysis GROUP 2 Patrick Hammer, Oliver Stampfli, Marcel Sutter, Thomas Thalmann, Donato Verardi [firstname.lastname]@epfl.ch Professor: Christopher L. Tucci Assistant: Farah Abdallah January 14, 2007 TSE - Sony Betamax - Case Analysis Group 2 Table of Content Summary of case report.................................................................... 2 Related topics and class sessions.................................................... 2 Format war (primary subject)............................................................................. 2 Customer needs............................................................................................... 2 Attacker’s advantage........................................................................................ 3 List of discussion questions.............................................................. 3 Brief answers..................................................................................... 3 Detailed answers............................................................................... 4 Recommendations.......................................................................... 10 Lessons learned.............................................................................. 10 Exhibits ............................................................................................11 Seven Key assets by Shapiro & Varian [6] [7] ................................................. -
Annual Report 2011
Contents 02-19 Letter to Shareholders: A Message from Howard Stringer, CEO Dear Shareholders Operating Results in Fiscal Year 2010 Focus Areas for Growth Networked Products and Services 3D World Competitive Advantages through Differentiated Technologies Emerging Markets 06 10 Expanding 3D World Networked Products 3D World and Services 12 15 Competitive Advantages through Emerging Markets Differentiated Technologies 20 26 Special Feature: Special Feature: Sony’s “Exmor RTM” Sony in India 34 40 Financial Highlights Products, Services and Content 50 51 Board of Directors and Financial Section Corporate Executive Officers 64 65 Stock Information Investor Information ©2011 Columbia Pictures Industries, Inc., All Rights Reserved. For more information on Sony’s financial performance, corporate governance, CSR and Financial Services business, please refer to the following websites. 2011 Annual Report on Form 20-F http://www.sony.net/SonyInfo/IR/library/sec.html Corporate Governance Structure http://www.sony.net/SonyInfo/csr/governance/index.html CSR Report http://www.sony.net/SonyInfo/Environment/index.html Financial Services Business http://www.sonyfh.co.jp/index_en.html (Sony Financial Holdings Inc.) Artist: Adele Photo credit: Mari Sarai 01 Letter to Shareholders: A Message from Howard Stringer, CEO 02 Dear Shareholders, A review of the fiscal year ended March 31, 2011 (fiscal year 2010) must first mention the Great East Japan Earthquake, which occurred near the end of the fiscal year. On March 11, at 2:46 p.m. local time, East Japan was struck by a 9.0-magnitude earthquake, immedi- ately followed by a giant tsunami, which had, in addition to the tragic loss of life and property, a profound psychological and financial impact on the people of Japan. -
Download Issue
BRAZIL: Booming, Busting … and Now? TALENT + LEADERSHIP ISSUE NO. 3 0 Are Leaders Doomed? The Coolest Jobs $14.95 US / CAN / $14.95 US Will Humans Matter? IT’S WHERE YOUR GREATEST SOURCE OF VALUE CAN DRIVE YOUR BUSINESS PERFORMANCE. Maximizing performance in your organization today and tomorrow comes down to releasing the full potential of your greatest source of value. And, contrary to what many may believe, technology isn’t it. At Korn Ferry, we conducted in depth, quantifiable research to uncover the truth about the future of work. Are you placing your bets wisely? Get your organization to UP. Kornferry.com/futureofwork IT’S WHERE YOUR GREATEST SOURCE OF VALUE CAN DRIVE YOUR BUSINESS PERFORMANCE. Maximizing performance in your organization today and tomorrow comes down to releasing the full potential of your greatest source of value. And, contrary to what many may believe, technology isn’t it. At Korn Ferry, we conducted in depth, quantifiable research to uncover the truth about the future of work. Are you placing your bets wisely? Get your organization to UP. Kornferry.com/futureofwork Gary Burnison Thought leadership. Timely insights. And more. Chief Executive Officer UP. IT’S WHERE STRATEGY AND kornferryinstitute.com Michael Distefano PURPOSE MEET PEOPLE Chief Marketing Officer & President, Korn Ferry Institute AND EXECUTION. The Toughest Job to Fill Jonathan Dahl The improving economy has made qualified Editor-in-Chief You’re looking for new pathways to drive talent harder to find. You’ll never guess the sustainable, profi table growth. role that thousands of the world’s top talent Russell Pearlman acquisition professionals say is now the toughest Managing Editor to recruit. -
"Made in Japan" by Akio Morita
MADE IN JAPAN Akio Morita and SONY AKIO MORITA, EDWIN REINGOLD, MITSUKO SHIMOMURA SUMMARIES.COM is a concentrated business information service. Every week, subscribers are e-mailed a concise summary of a different business book. Each summary is about 8 pages long and contains the stripped-down essential ideas from the entire book in a time-saving format. By investing less than one hour per week in these summaries, subscribers gain a working knowledge of the top business titles. Subscriptions are available on a monthly or yearly basis. Further information is available at http://www.summaries.com. Made in Japan - Page 1 1. Finally, in 1950, the company released it’s first tape recorder -- a big, boxy machine weighing 35 kg (approx. 75 pounds) priced On May 7, 1946, a new company was formed in Tokyo called at 170,000 yen (about US$470). The machine worked well, but Tokyo Tsushin Kogyo or Tokyo Telecommunications nobody knew what a tape recorder was or what they could do Engineering Corporation. Today, that company, renamed as with one. Sony Corporation, is one of the world’s most successful ‘‘I then realized that having a unique technology and being able consumer electronics company, but at the time of establishment, to make unique products are not enough to keep a business the company’s prospects seemed far from certain. going. You have to sell the products, and to do that you have to The founders of the company were Masaru Ibuka, a 38-year old show the potential buyer the real value of what you are selling. -
Made in New Zealand: the Pacemaker Transistor Radio
By Dr Hugo Holden called an 'additive mixer'. However, Made in New Zealand: the this is misleading because the mixing process involves multiplication of the Pacemaker transistor radio incoming signal with the oscillator signal, not addition. plus a look at mixers, RF stages & image rejection The fundamental principle of the superheterodyne (or superhet) radio involves frequency conversion. This is done by converting the received signal frequency down to a lower frequency called the 'intermediate frequency' or IF. This is why mixers are sometimes also called 'converters'. In typical transistor radios, the IF is nominally 455kHz. The following IF amplifier stage is usually composed of two transistors and three IF trans- formers but some radios, such as the Pacemaker, only have one IF transistor and two IF transformers. Most of a transistor radio's signal gain and selectivity is in the IF am- plifier. While the IF transformers are tuned to a centre frequency of 455kHz, their bandwidth is still wide enough to pass audio frequencies through to the detector. This bandwidth is typically between ±3kHz and ±5kHz. The preceding converter stage usu- ally takes one of two forms: either A vital part of any AM superhet transistor a mixer transistor with a separate oscillator transistor feeding it or, radio is the mixer or mixer-oscillator and more commonly, a single-transistor this month we take a look at how these oscillator which also acts as a mixer. The latter is commonly referred to as circuits work. We also describe the New a 'mixer-oscillator'. Zealand-made Pacemaker Transportable When the received (ie, tuned) signal is 'mixed' with the oscillator signal, radio and compare its main features with sum and difference components of the Sony TR-72 described last month. -
FY2018 Corporate Strategy Meeting
Corporate Strategy Meeting May 22, 2018 Sony Corporation • Good morning. My name is Kenichiro Yoshida. In April, I was appointed President and CEO. Thank you for coming today. • I am the 11th President in our company’s 72-year history. • As you may know, Sony was founded by Masaru Ibuka and Akio Morita. • My predecessor, Mr. Hirai, and I are from a generation that did not work directly with our founders. Just once, however, I had an opportunity to talk closely with Mr. Morita. That was in New York, where I was assigned at the time, in September 1993, just two months before Mr. Morita suffered a brain hemorrhage. • Mr. Morita told me, “Up until now, Sony has learned many things from the United States. Some Japanese companies might even think that we have surpassed the U.S. But Sony needs to be humble and learn from the U.S. again.” • When I think back on this conversation, I believe the sense of urgency that Mr. Morita felt in 1993 was about the internet. In fact, the internet browser Netscape and the company Amazon both emerged just a year later in 1994. • In the following years, Sony achieved record profit in 1997, and the internet began to have a serious impact on Sony’s business as we entered the 21st century. • Now once again, I feel a sense of management urgency, a need for humility and the importance of a long-term view. 1 1. Business Portfolio 2. Corporate Direction 3. Initiatives of Each Business Segment 4. Financial Targets 5. -
The Transistor Radio 43 Typical Transistor Radio
SERVICING TRANSISTOR RADIOS f LEONARD D'AIRO GERNSBACK LIBRARY, INC. NEW YORK 11, N. Y. TO MY PARENTS My mother, for her patience, and my father for teaching me the mys teries and enjoyment of electronics. First Printing - November, 19.~8 Second Printing - January, 19.~9 © 1958 Gernsback Library, Inc. All rights reserved under Universal International, and Pan-American Copyright Conventions. Library of Congress Catalog Card No. 58-13795 chapter page 7 Transistor fundamentals Semiconductor theory. Crystalline materials. Donor and acceptor impurities. Current flow: holes and electrons. The p-n junction: diode action. Forward and reverse bias. The transistor. Junction transistors. Transistor configurations. Transistor characteristics. Basic parameters. Current amplification. Power gain. Transistor l biasing. Bias stabilization. Frequency capabilities. Effects of tem perature. Transistor power requirements. The transistor radio 43 Typical transistor radio. The rf amplifier. Selectivity. FeedbacK components. Neutralizing the rf amplifier. The transistor mixer. Conversion gain. The transistor oscillator and converter. Interme diate-frequency amplifier. The reflex if amplifier. The detector. Automatic gain control. Special age circuits. The audio amplifier. 2 Class-B power output amplifier. Class-A driver amplifier. Placement of tone controls. Class-A power amplifiers. Servicing techniques 71 Test instruments. Af signal generator. Transformer turns ratio. Capacitor checker. Rf signal generator. De vacuum-tube voltmeter. Ac vacuum-tube voltmeter. Ohmmeter. Capacitor decade (substi tution box). Resistance decade (substitution box). Substitute speaker. Signal tracer. Transistor power supply. Component sub 3 stitution. Printed circuits. Printed-circuit repair. Servicing precau tions. Protecting and salvaging transistors. Servicing transistor radios 99 Checking suspected defective transistors. Disabling the age line. Test points in a typical transistor radio. -
Phonograph Gramophone Compact Cassette
LIFE North Pointe – Wednesday, March 16, 2016 – 7 From the phonograph to TIDAL, the distribution of music is ever changing. The way people listen to music not only alters lifestyles, but the entire music industry. By Abbey Cadieux & Lindsey Ramsdell THE EVOLUTION OF ASSISTANT EDITORS While attempting to make improvements to the tele- graph and telephone, 1877 Thomas Edison created the PHONOGRAPH phonograph, one of the first devices specifically used for sound recording and playing back Emile Berliner founded the audio. Edison’s invention US Gramophone Company started a long path of audio in Washington D.C. Concert engineering and innovation bands and artists would that carried into the 21st come to the company head- century. quarters to record their piec- es which would be produced ELECTROSPECTIVEMUSIC.COM and sold by Berliner’s compa- ny. They often had multiple Victor Talking Machine Com- artists record the same song pany and Columbia Records since popular songs would 1925 1895 sell out quickly and making COMPACT CASSETTE licensed the electrical record GRAMOPHONE playing system developed by duplicates difficult. Western Electric. They began WIKIPEDIA.COM issuing electrical vinyl records. With the invention of the radio These records became the receiver came the transistor ra- dominant method for music dio. These were small, portable 1954TRANSISTOR distribution throughout the radios that revolutionized the RADIO mid 1900s, and remained at the way people listened to music by top even with the development allowing them to tune in any- of the Compact Cassette. where. Although first produced OBSELETEMEDIA.ORG by Texas Instruments, Japanese companies like Sony and Toshi- The Learjet Stereo 8-track cartridge was developed by ba soon began to dominate the Richard Kraus, the Lear doubled the storage of the four- U.S.