Phonograph Gramophone Compact Cassette
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DVD/CD Rewritable Drive
IT 2-636-779-12 (1) 4F.B5U12.012 DVD/CD Rewritable Drive Operating Instructions JP FR DE ES IT CS DRU-810A © 2005 Sony Corporation Safety Regulations WARNING You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. CAUTION: As the laser beam in the DRU-810A is harmful to the eyes, do not attempt to disassemble the cabinet. Refer servicing to qualified personnel only. The use of optical instruments with this product will increase eye hazard. The use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This label is located on the bottom of the drive unit enclosure. Dieses Etikett befindet sich auf der Unterseite des Laufwerksgehäuses. 2 The DRU-810A is classified as a CLASS 1 LASER PRODUCT. The CLASS 1 LASER PRODUCT label is located at the bottom of the enclosure. Bei diesem DRU-810A handelt es sich um ein Laser-Produkt der Klasse 1. Das Etikett mit der Aufschrift LASER KLASSE 1 PRODUKT befindet sich auf der Unterseite des Gehäses. CLASS 1 LUOKAN 1 LASERLAITE LASER PRODUCT LASER KLASSE 1 KLASS 1 LASER APPARAT PRODUKT Compliance Statements Disposal of Old Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. -
The Emergence of the Compact Disc Hans B
IEEE A Communications Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page BEF MaGS HISTORY OF COMMUNICATIONS EDITED BY MISCHA SCHWARTZ INTRODUCTION BY EDITOR The article following on the history of the development of the development process, but of the pitfalls and difficulties encoun- CD, written especially for this column by one of the engineers tered and eventually overcome before the system could be who participated in the development effort, should be of interest deemed successful. As another reviewer noted, “ I also appreciat- to all readers of this magazine. As one of the reviewers of the ed the depiction of the human elements that are invariably part article noted, “CDs and successor optical discs are so much a of these projects,” in this case the initial naming of the project or part of our lives, it is fascinating to read about their genesis.” As the reasons for the choice of the final dimensions of the CD. The he goes on to note, “As an engineer, it is equally fascinating and ability of two major companies, Philips and Sony, from two dif- insightful to see how technologies which now seem so obvious ferent parts of the world, to collaborate and come up with such a and inevitable were once open to debate.” I venture to guess that successful product is another fascinating lesson taught by this this is true of almost all technologies, whether large systems or particular history. I suggest you read on to see all of this for your- devices within systems. This is what makes reading about the his- self. -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
The Dave Brubeck Quartet Featuring Paul Desmond – Brubeck Time
The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 HOME ∠ JAZZ CD REVIEWS ∠ SITE SEARCH " Search the site The Dave Brubeck Quartet Click on the category Featuring Paul Desmond – below to see that genre of Brubeck Time – Columbia reviews. Records/Speakers Corner SACD & Other Hi- Res Reviews by Audiophile Audition / August 18, 2018 / Jazz CD Reviews,, Audio News SACD & Other Hi-Res Reviews Classical CD Reviews The Dave Brubeck Quartet Classical Reissue Reviews Featuring Paul Desmond – DVD & Blu-ray Brubeck Time – Columbia Video Reviews JazzJazz CDCD ReviewsReviews Records CL622 Pop/Rock/World (1954)/Speakers Corner (2018) 180-gram CD Reviews Special Features mono vinyl, 40:00 ****1/2: Component Reviews (Dave Brubeck – piano; Paul Desmond – alto saxophone; Bob Bates – double bass; Joe Dodge (drums) Editorial Reader Feedback Dave Brubeck’s legacy as a pianist and composer is unique. Having Best of the Year studied classical and jazz composition at the University Of The Pacific https://www.audaud.com/brubeck-time-paul-desmond-columbia-records-speakers-corner/ Seite 1 von 6 The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 and Mills College, he approached his vision as a musician with complexity. In 1959, he integrated asymmetric meter into the album Take Five. With a unique time signature (5/4), the title song became a standard bearer for jazz crossover. Other compositions like “Blue Rondo A La Turk” (written in 9/8) are further examples of the unconventional use of time signatures. -
Warburton, John Henry. (2010). Picture Radio
! ∀# ∃ !∃%& ∋ ! (()(∗( Picture Radio: Will pictures, with the change to digital, transform radio? John Henry Warburton Master of Philosophy Southampton Solent University Faculty of Media, Arts and Society July 2010 Tutor Mike Richards 3 of 3 Picture Radio: Will pictures, with the change to digital, transform radio? By John Henry Warburton Abstract This work looking at radio over the last 80 years and digital radio today will consider picture radio, one way that the recently introduced DAB1 terrestrial digital radio could be used. Chapter one considers the radio history including early picture radio and television, plus shows how radio has come from the crystal set, with one pair of headphones, to the mains powered wireless with built in speakers. These radios became the main family entertainment in the home until television takes over that role in the mid 1950s. Then radio changed to a portable medium with the coming of transistor radios, to become the personal entertainment medium it is today. Chapter two and three considers the new terrestrial digital mediums of DAB and DRM2 plus how it works, what it is capable of plus a look at some of the other digital radio platforms. Chapter four examines how sound is perceived by the listener and that radio broadcasters will need to understand the relationship between sound and vision. We receive sound and then make pictures in the mind but to make sense of sound we need codes to know what it is and make sense of it. Chapter five will critically examine the issues of commercial success in radio and where pictures could help improve the radio experience as there are some things that radio is restricted to as a sound only medium. -
Released in December 1957, the TR-63 Was Sony's First Pocket-Size Transistor Radio
Released in December 1957, the TR-63 was Sony's first pocket-size transistor radio. It's a 6-transistor superhet design with some interesting design features, including the use of Sony-manufactured NPN transistors in the circuit. Masaru Ibuka served with the Impe- used in schools and courts. much discussion, Sony's research labo- rial Navy Wartime Research Committee Following Ibuka's visionary 1952 ratory head, Mikato Kikuchi, suggested during World War 2, leaving in 1946 to trip to the USA to sign a licence with dropping Bells' preferred doping agent, join Akio Morita to form Tokyo Tsushin Western Electric, Sony acquired pat- indium, and substituting phosphorus Kogyo Kabushiki Kaisha, "Totsuko". ent rights for the transistor and subse- instead. When that didn't work, Morita Morita, a physics graduate, had served quently began manufacturing portable called for "more doping"! alongside Ibuka in the Research Com- radios in 1955. It soon paid off and Sony were able mittee, and their friendship laid the to produce the transistors used in their foundations for the international pow- Early difficulties first solid-state radios. Their TR-55 erhouse we now know simply as Sony. Sony preferred NPN transistors be- model, released in 1955, is now a rarity Tokyo Tsushin Kogyo's first prod- cause of their better high-frequency and the last one to be listed online some uct, a rice cooker, says a lot about the response but were initially unable to years ago had a price tag of $US1500. company. Japan had suffered massive produce working examples. One can only imagine the energy destruction during World War 2 due to NPN devices exploit the fact that invested by Sony to leap from Ibuka's bombing and people needed utensils to electrons move more quickly than licensing agreement to a marketable cook their staple food, which was rice. -
AZ1025 CD Sound Machine • Bass Reflex Speaker System Acoustic System That Enhances the Upper Bass Tones to Provide a Warmer, Punchier Bass Sound
CD sound machine AZ1025 CD sound machine • Bass reflex speaker system Acoustic system that enhances the upper bass tones to provide a warmer, punchier bass sound. • Dynamic bass boost Enhances bass tone frequencies to give deep, rich sounds. • Digital tuner with 29 presets Provides fast, accurate tuning to your favourite stations.You can store up to 29 FM and MW stations in memory for fast, easy access. • CD synchro start recording Synchronises the start of a recording on audio cassette with the start of a CD at the touch of a button. • Compact disc digital audio player • Stereo cassette deck • 20-Track programmable • 14-key remote control CD sound machine Standard product information Amplifier AZ1025 • Output power : 2 x 1.6 W RMS • Dynamic bass boost • Up/down digital volume control Sound system Product highlights • 2 x 4" full range speakers • Bass reflex speaker system • Compact disc digital audio player • Metal speaker grilles Compact Disc technology that combines superb digital sound quality with the convenience of random track access and CD functions like CD programme, CD player Shuffle Play and Repeat. • Top loader • 20-Track programmable • 20 track CD programme Stores up to 20 of your favourite CD tracks for playing back in your order of • CD programme, shuffle and repeat function preference. • CD synchro start recording • Shuffle play • Search/Skip/review Plays disc selection randomly, giving you a new sequence of tracks each time. • Repeat one/all Cassette deck Repeats the current track, the total CD, or your pre-selected programme. • Single stereo cassette deck • CD next/previous track search • Normal tape type Plays the next or previous track at the touch of a button. -
Use External Storage Devices Like Pen Drives, Cds, and Dvds
External Intel® Learn Easy Steps Activity Card Storage Devices Using external storage devices like Pen Drives, CDs, and DVDs loading Videos Since the advent of computers, there has been a need to transfer data between devices and/or store them permanently. You may want to look at a file that you have created or an image that you have taken today one year later. For this it has to be stored somewhere securely. Similarly, you may want to give a document you have created or a digital picture you have taken to someone you know. There are many ways of doing this – online and offline. While online data transfer or storage requires the use of Internet, offline storage can be managed with minimum resources. The only requirement in this case would be a storage device. Earlier data storage devices used to mainly be Floppy drives which had a small storage space. However, with the development of computer technology, we today have pen drives, CD/DVD devices and other removable media to store and transfer data. With these, you store/save/copy files and folders containing data, pictures, videos, audio, etc. from your computer and even transfer them to another computer. They are called secondary storage devices. To access the data stored in these devices, you have to attach them to a computer and access the stored data. Some of the examples of external storage devices are- Pen drives, CDs, and DVDs. Introduction to Pen Drive/CD/DVD A pen drive is a small self-powered drive that connects to a computer directly through a USB port. -
Compact Disc Minidisc Deck
3-856-489-32(1) Compact Disc MiniDisc Deck Operating Instructions EN GB Mode d’emploi F f MXD-D1 1996 by Sony Corporation Sony Corporation Printed in Japan On cleaning WARNING Precautions Clean the cabinet, panel and controls with a soft cloth slightly moistened with To prevent fire or shock a mild detergent solution. Do not use On safety any type of abrasive pad, scouring hazard, do not expose the unit Should any solid object or liquid fall powder or solvent such as alcohol or to rain or moisture. into the cabinet, unplug the unit and benzine. To avoid electrical shock, do have it checked by qualified personnel before operating it any further. If you have any questions or problems not open the cabinet. Refer concerning your unit, please consult your nearest Sony dealer. servicing to qualified On power sources personnel only. • Before operating the unit, check that the operating voltage of the unit is identical with your local power The laser component in this product is supply. The operating voltage is capable of emitting radiation exceeding the limit for Class 1. indicated on the nameplate at the rear of the unit. • If you are not going to use the unit for a long time, be sure to disconnect the CAUTION unit from the wall outlet. To TO PREVENT ELECTRIC SHOCK, DO disconnect the AC power cord, grasp NOT USE THIS POLARIZED AC PLUG the plug itself; never pull the cord. WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY On condensation in the unit INSERTED TO PREVENT BLADE If the unit is brought directly from a EXPOSURE. -
Marketing in the Music Industry
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Marketing in the Music Industry (Bakalářská práce) Autor: Jan Kašpír Studijní obor: Angličtina se zaměřením na aplikovanou ekonomii Vedoucí práce: Joseph James Ference Dr. Olomouc 2012 I declare that I elaborated this paper independently and that I mentioned the absolute list of works cited In Olomouc on the day I hereby express my deepest gratitude towards Dr. Joseph Ference for his constant guidance, advice and patience in the development of this bachelor thesis. List of Abbreviations Used in the Thesis A&R – artist and repertoire ARC – American Record Corporation BBC – British Broadcasting Company BMG – Bertelsmann Music Group CBS – Columbia Broadcasting System CD – compact disc CD-R – recordable compact disc CD-ROM – Compact Disc Read-only memory – preprinted CD containing data readable by a computer CEO – chief executive officer DAT – Digital Audio Tape DMCA – Digital Millennium Copyright Act DNS – Domain Name System DRM – Digital Rights Management EMI – Electrical and Musical Industries e-tailer – electronic (internet) retailer GE – General Electric IFPI – International Federation of the Phonographic Industry IP – internet protocol ISP – internet service provider LP – long play record M. C. – music cassette MCA – Music Corporation of America mp3 – MPEG2 Audio Layer III – audio compression format P2P – peer-to-peer: computer internet network allowing users to share files PIPA - PROTECT IP Act - Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 R&B – Rhythm and Blues SME – Sony Music Entertainment SOPA – Stop Online Piracy Act UMG – Universal Music Group VCR – video cassette recorder WEA – Warner-Elektra-Atlantic WMG – Warner Music Group Table of Contents 1 Introduction .................................................................................................... -
03371101.Pdf
C/64-10 RADIO AND TELEVISION IN THE SOVIET UNION F. Gayle Durham Research Program on Problems of International Communication and Security Center for International Studies Massachusetts Institute of Technology Cambridge, Massachusetts June, 1965 Table of Contents Prefatory Remarks I. The Broadcasting Network.............. A. Radiobroadcasting.. .................... B. Broadcasting Stations................... .6 C. Television Broadcasting.................. .8 D. Number of Television Stations............ .13 E. Radio and Television in Rural Localities. .15 II. Production and Repair of Radio and Television Sets.21 A. Radio Se s . .. .. .. .2 C. Future Radio and Television Sets...............34 D. Subscription Fees..........................,..41 E. Repair of Radio and Television Sets........,...42 III. The Administration of Soviet Radio and Television..47 A. Structural Apparatus of the Broadcasting BAFudton o eAinistration................. B. Functions of the Administration................50 IV. Programs and Hours of Broadcasting........ .54 . .54 B. Television................ .57 C. Educational Television in the USSR..... .59 D. Radio and Television in Dnepropetrovsk, Ukrainian SSR...................... * a ... 62 E. Recording of Broadcasts.................. .. .. .64 V. INTERVISION............................... ... .68 VI. The Soviet Audience....................... .74 A. Size of the . Audience..................... .74 B. Nature of the . .0 . Audience.................. .75 C. Audience Feedback and Listenincg Behavior. .0 . .77 Maps, Tables -
Testament Live at the Fillmore Dvd
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