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Reaping the "Colored Harvest": the Catholic Mission in the American South
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Reaping the "Colored Harvest": The Catholic Mission in the American South Megan Stout Sibbel Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the History Commons Recommended Citation Stout Sibbel, Megan, "Reaping the "Colored Harvest": The Catholic Mission in the American South" (2013). Dissertations. 547. https://ecommons.luc.edu/luc_diss/547 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Megan Stout Sibbel LOYOLA UNIVERSITY CHICAGO REAPING THE “COLORED HARVEST”: THE CATHOLIC MISSION IN THE AMERICAN SOUTH A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY MEGAN STOUT SIBBEL CHICAGO, ILLINOIS MAY 2013 Copyright by Megan Stout Sibbel, 2013 All rights reserved. ACKNOWLEDGMENTS It is a pleasure to thank the many individuals and institutions that supported me throughout the process of researching and writing this dissertation. My adviser, Timothy Gilfoyle, helped shape my project into a coherent, readable narrative. His alacrity in returning marked-up drafts with insightful comments and suggestions never failed to generate wonderment. Patricia Mooney-Melvin provided me with invaluable support throughout my academic career at Loyola. Her guidance has been instrumental along the path towards completion of my dissertation. -
You Are Viewing an Archived Copy from the New Jersey State Library for THREE CENTU IES PEOPLE/ PURPOSE / PROGRESS
You are Viewing an Archived Copy from the New Jersey State Library FOR THREE CENTU IES PEOPLE/ PURPOSE / PROGRESS Design/layout: Howard Goldstein You are Viewing an Archived Copy from the New Jersey State Library THE NEW JERSE~ TERCENTENARY 1664-1964 REPORT OF THE NEW JERSEY TERCENTENA'RY COMM,ISSION Trenton 1966 You are Viewing an Archived Copy from the New Jersey State Library You are Viewing an Archived Copy from the New Jersey State Library STATE OF NEW .JERSEY TERCENTENARY COMMISSION D~ 1664-1964 / For Three CenturieJ People PmpoJe ProgreJs Richard J. Hughes Governor STATE HOUSE, TRENTON EXPORT 2-2131, EXTENSION 300 December 1, 1966 His Excellency Covernor Richard J. Hughes and the Honorable Members of the Senate and General Assembly of the State of New Jersey: I have the honor to transmit to you herewith the Report of the State of New Jersey Tercentenary Commission. This report describee the activities of the Commission from its establishment on June 24, 1958 to the completion of its work on December 31, 1964. It was the task of the Commission to organize a program of events that Would appropriately commemorate the three hundredth anniversary of the founding of New Jersey in 1664. I believe this report will show that the Commission effectively met its responsibility, and that the ~ercentenary obs~rvance instilled in the people of our state a renewfd spirit of pride in the New Jersey heritage. It is particularly gratifying to the Commission that the idea of the Tercentenary caught the imagination of so large a proportior. of New Jersey's citizens, inspiring many thousands of persons, young and old, to volunteer their efforts. -
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
A German Newspaper in America During World War I
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1979 Montana Staats-Zeitung 1914-1917: A German newspaper in America during World War I Marian Holter Brod The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Brod, Marian Holter, "Montana Staats-Zeitung 1914-1917: A German newspaper in America during World War I" (1979). Graduate Student Theses, Dissertations, & Professional Papers. 5048. https://scholarworks.umt.edu/etd/5048 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 This is an unpublished m a n u s c r i p t in wh i c h c o p y r i g h t s u b s i s t s . Any further r e p r i n t i n g of its c o n ten t s m u s t be a p p r o v e d BY THE AUTHOR. Ma n s f i e l d Library Un i v e r s i t y of Mo n t a n a Da t e : __ 1 9 7 9_______ THE MONTANA STAATS-ZEITUNG 191^-191?: A GERMAN NEWSPAPER IN AMERICA DURING WORLD WAR I By Marian Holter Brod B.A., University of Montana, 1969 Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1979 Chalrmi UMI Number: EP40512 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Announcing the HARVEST
FOR IMMEDIATE RELEASE, PLEASE LCT3/LINCOLN CENTER THEATER WILL PRESENT THE WORLD PREMIERE OF “THE HARVEST” by SAMUEL D. HUNTER directed by DAVIS MCCALLUM CAST WILL FEATURE GIDEON GLICK, SCOTT JAECK, LEAH KARPEL, MADELEINE MARTIN, PETER MARK KENDALL, CHRISTOPHER SEARS, ZOË WINTERS Saturday, October 8 through Sunday, November 20 Opening Night is Monday, October 24 AT THE CLAIRE TOW THEATER LCT3/Lincoln Center Theater will open its 2016-2017 season with the world premiere of THE HARVEST, by Samuel D. Hunter, directed by Davis McCallum. THE HARVEST, whose cast will feature Gideon Glick, Scott Jaeck, Leah Karpel, Madeleine Martin, Peter Mark Kendall, Christopher Sears, and Zoë Winters, will begin performances Saturday, October 8th, and run for six weeks only through Sunday, November 20th at the Claire Tow Theater. Opening Night is Monday, October 24th. In the basement of a small evangelical church in Southeastern Idaho, a group of young missionaries is preparing to go to the Middle East. One of them—a young man (to be played by Peter Mark Kendall) who has recently lost his father—has bought a one-way ticket. But his plans are complicated when his estranged sister (to be played by Leah Karpel) returns home and makes it her mission to keep him there. THE HARVEST was commissioned by LCT3. SAMUEL D. HUNTER’s plays include The Whale (Lucille Lortel, Drama Desk, GLAAD Media awards; Drama League, Outer Critics Circle nominations), A Bright New Boise (Obie Award; Drama Desk nomination), The Few, A Great Wilderness, Rest, Pocatello, Lewiston, Clarkston, and most recently, The Healing. He is the recipient of a 2014 MacArthur “Genius Grant” Fellowship, a 2012 Whiting Writers Award, the 2008 PoNY/Lark Fellowship, and an honorary doctorate from the University of Idaho. -
The United States As Seen Through French and Italian Eyes
FANTASY AMERICA: THE UNITED STATES AS SEEN THROUGH FRENCH AND ITALIAN EYES by MARK HARRIS M.A., The University of British Columbia, 1992 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Programme in Comparative Literature) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1998 © Mark Robert Harris, 1998 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The University of British Columbia Vancouver, Canada DE-6 (2/88) - i i - Abstract For the past two decades, scholars have been reassessing the ways in which Western writers and intellectuals have traditionally misrepresented the non-white world for their own ideological purposes. Orientalism, Edward Said's ground-breaking study of the ways in which Europeans projected their own social problems onto the nations of the Near East in an attempt to take their minds off the same phenomena as they occurred closer to home, was largely responsible for this shift in emphasis. Fantasy America: The United States as Seen Through French and Italian Eyes is an exploration of a parallel occurrence that could easily be dubbed "Occidentalism." More specifically, it is a study of the ways in which French and Italian writers and filmmakers have sought to situate the New World within an Old World context. -
The Grapes of Wrath
Rethinking the Politics of The Grapes of Wrath Charles Cunningham Paradoxically, The Grapes of Wrath is both an exemplary radical analysis of the exploitation of agricultural workers and the culmination in the thirties of an implicitly racist focus on whites as victims. The novel scarcely mentions the Mexican and Filipino migrant workers who dominated the California fields and orchards into the late thirties, instead implying that Anglo-Saxon whites were the only subjects worthy of treatment. This focus also seems to join contemporary journalistic representations in mythologizing the Okies as quintessential American pioneers -- an ideological convention that resonated with the implicit white supremacism of Jeffersonian agrarianism and of manifest destiny.1 Yet, the novel also attacks the very assumptions about private property and class difference on which the social order rests ideologically. Far from being merely racist, it presents one of the most radical critiques of the social order in all of popular -- and canonical -- literature. Thus, its political intervention was -- and is -- contradictory. In fact, The Grapes of Wrath (along the Okie mythology in general) arguably became a site of confrontation between the thirties anti-capitalist consciousness and the American racist tradition -- between manifest destiny and manifest exploitation and dispossession. Copyright © 2002 by Charles Cunningham and Cultural Logic, ISSN 1097-3087 Cunningham 2 Ironically, we can see vestiges of this confrontation in comparing recent criticism of the novel with its reception in 1939. Michael Denning has lately remarked the implicit racism of The Grapes of Wrath in his encyclopedic account of thirties left cultural production, The Cultural Front: The Laboring of American Culture in the Twentieth Century -- a work that has been reshaping the field. -
TCHAIKOVSKY EDITION Liner Notes and Sung Texts
TCHAIKOVSKY EDITION Liner notes and sung texts Liner notes A RICH, HUMANE LEGACY: THE MUSIC OF PYOTR ILYICH of Mozart’s spirit that he later paid homage in so many works TCHAIKOVSKY which turned out to be neo‐Classical avant la lettre. As Julian Barnes so elegantly demonstrated in his novel Flaubert’s Parrot, you can provide a number of selective, conflicting Even this is to limit the sheer encyclopaedic breadth of biographies around a great creative artist’s life, and any one of Tchaikovsky’s composing genius. He wrote in every medium them will be true. By those standards, one could counter Harold conceivable at the time, and if not every opus can possibly be at C. Schonberg’s thumbnail sketch of Pyotr Ilyich Tchaikovsky as ‘a his highest level of inspiration, there are masterpieces in each nervous, hypochondriacal, unhappy man – unhappy at home, genre: opera, song, symphonic music, occasion‐pieces (which unhappy away from home’, with a portrait of the composer as an includes the ‘1812 Overture’ – much‐maligned, but does what it older man: confident, healthy, a keen traveller, a generous spirit says on the tin), chamber works and choral settings of the who had come to terms with his demons even if they occasionally Russian Orthodox service, which it was then regarded as popped up to haunt him, and a lover of the Russian landscape pioneering to even attempt to promote. who was very much at peace with the natural beauty of the country surroundings he had chosen as his dwelling. His first fully fledged steps in composition contradict one perceived dichotomy: between his association with the Neither image is, of course, the whole story, and it is only slowly Germanically motivated founder‐brothers of Russia’s two that the public is learning, thanks to a wider retrospective on academic institutions – the St Petersburg Conservatoire founded Tchaikovsky’s genius in the round, to balance the tabloidised first by Anton Rubinstein in 1862, and its Moscow counterpart portrait with the less sensationalised second. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Reassessing a Legacy: Rachmaninoff in America, 1918–43 A dissertation submitted to the Division of Graduate Studies and Research of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2008 by Robin S. Gehl B.M., St. Olaf College, 1983 M.A., University of Minnesota, 1990 Advisor: bruce d. mcclung, Ph.D. ABSTRACT A successful composer and conductor, Sergei Rachmaninoff (1873–1943) fled Russia at the time of the Bolshevik Revolution never to return. Rachmaninoff, at the age of forty-four, transformed himself by necessity into a concert pianist and toured America for a quarter of a century from 1918 until his death in 1943, becoming one of the greatest pianists of the day. Despite Rachmaninoff‘s immense talents, musicologists have largely dismissed him as a touring virtuoso and conservative, part-time composer. Rather than using mid-twentieth-century paradigms that classify Rachmaninoff as a minor, post-Romantic, figure, a recent revisionist approach would classify Rachmaninoff as an innovator. As one of the first major performer-composers in America to embrace recording and reproducing technology, along with the permanence and repetition it offered, Rachmaninoff successfully utilized mass media for twenty-five years. Already regarded as a conductor and composer of appealing music, Rachmaninoff extended his fame by recording and performing his own works, and those of others. -
Episode Guide
Episode Guide Episodes 001–075 Last episode aired Wednesday May 30, 2018 www.fxnetworks.com c c 2018 www.tv.com c 2018 c 2018 www.imdb.com c 2018 www.fxnetworks.com televisionwithoutpity. com c 2018 www. c 2018 www.ew.com celebdirtylaundry.com The summaries and recaps of all the The Americans episodes were downloaded from http://www.tv.com and http:// www.fxnetworks.com and http://www.imdb.com and http://televisionwithoutpity.com and http://www.celebdirtylaundry. com and http://www.ew.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on June 1, 2018 by footstep11 with create_eps_guide v0.61 Contents Season 1 1 1 Pilot ...............................................3 2 The Clock . .7 3 Gregory . 11 4 In Control . 15 5 COMINT . 19 6 TrustMe ............................................ 23 7 Duty and Honor . 27 8 Mutually Assured Destruction . 29 9 Safe House . 33 10 Only You . 37 11 Covert War . 41 12 The Oath . 45 13 The Colonel . 49 Season 2 53 1 Comrades . 55 2 Cardinal . 61 3 The Walk In . 67 4 A Little Night Music . 73 5 The Deal . 79 6 Behind the Red Door . 81 7 ARPANET . 85 8 NewCar............................................. 89 9 Martial Eagle . 93 10 Yousaf . 97 11 Stealth . 101 12 Operation Chronicle . 105 13 Echo............................................... 107 Season 3 111 1 ESTMen ............................................ 113 2 Baggage . 115 3 Open House . 117 4 Dimebag . 119 5 Salang Pass . 121 6 Born Again . 123 7 Walter Taffet . -
US-Syrian Relations, 1920-1967: the Bitter Harvest of a Flawed Policy
Athens Journal of History - Volume 6, Issue 3, July 2020 – Pages 175-198 US-Syrian Relations, 1920-1967: The Bitter Harvest of a Flawed Policy By Jacob Abadi This essay explores the course of US-Syrian relations from the end of World War I until the Six Day War of 1967. It argues that despite the early understanding between the two countries the US government never managed to develop a robust foreign policy toward this country and always regarded it as part of greater strategic and ideological concerns, which occupied the minds of the policy makers in Washington at that time such as the competition with the Soviet Union over the Middle East, which loomed large in US defense policy during the Cold War and the struggle against pan-Arabism. In addition, the author attributes this failure to the deference which the US government had toward French interests in the region and to its tendency to regard Syria as a mere participant in the Arab-Israeli conflict and above all, to intervene in Syrian affairs with a deliberate intent to overthrow the regime and install pro-US leaders in Syria. The attempts to interfere in Syria began soon after the country's independence and had a negative effect of the future of the bilateral relations. In addition, the author argues that Syria's leaders tended to rely on Soviet aid and thereby put little efforts in the attempt to convince Washington to adopt a more balanced policy in the Israeli-Syrian conflict. The author shows how the flawed foundations of the bilateral relations culminated in the hostility which brought Syria to sever it relations in the aftermath of the Six Day War of 1967.