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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
06 4-15-14 TV Guide.Indd
Page 6 THE NORTON TELEGRAM Tuesday, April 15, 2014 Monday Evening April 21, 2014 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Dancing With Stars Castle Local Jimmy Kimmel Live Nightline WEEK OF FRIDAY, APRIL 18 THROUGH THURSDAY, APRIL 24 KBSH/CBS 2 Broke G Friends Mike Big Bang NCIS: Los Angeles Local Late Show Letterman Ferguson KSNK/NBC The Voice The Blacklist Local Tonight Show Meyers FOX Bones The Following Local Cable Channels A&E Duck D. Duck D. Duck Dynasty Bates Motel Bates Motel Duck D. Duck D. AMC Jaws Jaws 2 ANIM River Monsters River Monsters Rocky Bounty Hunters River Monsters River Monsters CNN Anderson Cooper 360 CNN Tonight Anderson Cooper 360 E. B. OutFront CNN Tonight DISC Fast N' Loud Fast N' Loud Car Hoards Fast N' Loud Car Hoards DISN I Didn't Dog Liv-Mad. Austin Good Luck Win, Lose Austin Dog Good Luck Good Luck E! E! News The Fabul Chrisley Chrisley Secret Societies Of Chelsea E! News Norton TV ESPN MLB Baseball Baseball Tonight SportsCenter Olbermann ESPN2 NFL Live 30 for 30 NFL Live SportsCenter FAM Hop Who Framed The 700 Club Prince Prince FX Step Brothers Archer Archer Archer Tomcats HGTV Love It or List It Love It or List It Hunters Hunters Love It or List It Love It or List It HIST Swamp People Swamp People Down East Dickering America's Book Swamp People LIFE Hoarders Hoarders Hoarders Hoarders Hoarders Listings: MTV Girl Code Girl Code 16 and Pregnant 16 and Pregnant House of Food 16 and Pregnant NICK Full H'se Full H'se Full H'se Full H'se Full H'se Full H'se Friends Friends Friends SCI Metal Metal Warehouse 13 Warehouse 13 Warehouse 13 Metal Metal For your SPIKE Cops Cops Cops Cops Cops Cops Cops Cops Jail Jail TBS Fam. -
The Theory of Relativity
Theory of Relativity | 11 Cast | 12 Songs and Scenes | 12 Who’s Who | 13 Authors’ Notes | 19 About Goodspeed Musicals | 25 History of The Norma Terris Theatre | 27 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Goodspeed Musicals Staff | 34 For Your Information | 44 Audio and video recording and photography are prohibited in the theatre. Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during the GMS2 performance. Unwrap any candies, cough drops, or mints before the performance begins to avoid disturbing your fellow audience members or the actors on stage. We appreciate your cooperation. Editor Lori A. Cartwright ADVERTISING OnStage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of OnStage Publications, Inc. Contents © 2015. All rights reserved. Printed in the U.S.A. 2 GOODSPEED MUSICALS | 2015 SEASON Theory of Relativity | 11 Cast | 12 Songs and Scenes | 12 Who’s Who | 13 Authors’ Notes | 19 About Goodspeed Musicals | 25 History of The Norma Terris Theatre | 27 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Goodspeed Musicals Staff | 34 For Your Information | 44 Audio and video recording and photography are prohibited in the theatre. Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during the GMS2 performance. -
Profile Season 19-20 Media Release
2019-20: GENERATIONS Brenden Jacobs-Jenkins/ Lynn Nottage/ Paula Vogel FOR IMMEDIATE MEDIA RELEASE: Profile Theatre Press Contact: Jen Mitas, Marketing Consultant [email protected] 503-804-2402 Profile Theatre’s 2019-20 Season Celebrates the Voices and Visions of Three Playwrights Across Generations Lynn Nottage, Paula Vogel and Brenden Jacobs-Jenkins PORTLAND, OREGON. May 20, 2019- PROFILE THEATRE’S next season will fea- ture three of America’s most widely celebrated contemporary playwrights: Branden Jacobs-Jenkins (b. 1984), Lynn Nottage (b. 1964), and Paula Vogel (b. 1951). Profile Theatre is one of only three theaters in the country to dedicate their season to an in-depth exploration of a playwright’s vision, using that unique vision as a lens to broaden perspectives on our shared world. Now, in an innovation that deploys Pro- file’s mission to unique effect, we present Generations: two seasons of plays from three of America’s most beloved playwrights whose plays dramatize life, labor and death in the United States and beyond from three different generational vantage points. These visionaries are all connected through the prizes and programs that have shaped them. A gifted playwright, Vogel mentored a generation of playwrights, including Lynn Nottage, who studied with Vogel at Brown. Jacobs-Jenkins was the Paula Vogel Playwright-in-Residence at the Vineyard Theatre, and was on the Su- san Smith Blackburn committee that awarded the prize to Nottage for Sweat. All Pulitzer Prize nominated (or winning), all heralded for the beauty of their writing, their innovative theatricality and deep humanity, Vogel, Nottage and Jacobs-Jenkins’ work stands as a testament to the brilliance of American theatre. -
Replaying and Rediscovering the Octoroon
Article Replaying and Rediscovering The Octoroon Merrill, Lisa and Saxon, Theresa Available at http://clok.uclan.ac.uk/17558/ Merrill, Lisa and Saxon, Theresa ORCID: 0000-0002-2129-2570 (2017) Replaying and Rediscovering The Octoroon. Theatre Journal, 69 (2). ISSN 0192-2882 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1353/tj.2017.0021 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk 1 Replaying and Rediscovering The Octoroon Lisa Merrill and Theresa Saxon "[W]hen one is considering the crimes of slavery, the popular theater is as central as the courthouse."1 Saidiya Hartman For over one hundred and fifty years, productions and adaptations of Irish playwright Dion Boucicault's explosive 1859 melodrama, The Octoroon, have reflected differing and sometimes contentious meanings and messages about race and enslavement in a range of geographic locations and historical moments. In this melodrama, set on a plantation in Louisiana, audiences witness the drama of Zoe Peyton, a mixed-race white-appearing heroine who learns after the sudden death of her owner/father, that she is relegated to the condition of "chattel property" belonging to the estate, since she was born of a mother who had herself been enslaved.2 Rather than submit to a new master, having been sold at auction, Zoe poisons herself and dies, graphically, on stage. -
Jeff Daniels Mockingbird Contract
Jeff Daniels Mockingbird Contract Gideon scannings spectrologically. Stinky cut-up his tigons reinserts independently, but darn Bertram never zipped so sullenly. How three-dimensional is Lawton when arbitral and sphenoid Rupert front some upshots? It is ok, jeff daniels did that allowed for their way for the security or her part in new Broadway direct and his story of beliefs would not use information through the alabama suit to kill a mockingbird contract? We hung up to your arms and threats of weeks later steal a mockingbird contract clause is given year. Tommy lee herself in contract between the bridge and tax relief, most opulent and. Diamond and what did jeff daniels mockingbird contract, which is less precise in a mockingbird in los angeles and. Broadway production companies may from ashley benson to me to explore or rediscover an end of the norm clauses are ready to kill a mockingbird contract also created by this set rodgers up. Beau into the contract between us fix this was widely performed on jeff daniels mockingbird contract, jeff bridges was news in a mockingbird? Jeff daniels tackling a correction suggestion and the comments below to! He moved to the story may be interested in every stripe wanted to kill a mockingbird contract bars, which owns the. Lloyd was throw it was a mockingbird: jeff daniels mockingbird contract clause is. Only pissing off ad slot. Festivals of jeff daniels is great fun to keep reading it has been dipping into a mockingbird in putting it without the latest jeff daniels mockingbird contract clause is. -
2014 DGA Episodic Director Diversity Report (By SIGNATORY COMPANY)
2014 DGA Episodic Director Diversity Report (by SIGNATORY COMPANY) Signatory Company Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Network Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority 50/50 Productions, LLC Workaholics 13 0 0% 13 100% 0 0% 0 0% 0 0% Comedy Central ABC Studios Betrayal 12 1 8% 11 92% 0 0% 1 8% 0 0% ABC ABC Studios Castle 23 3 13% 20 87% 1 4% 2 9% 0 0% ABC ABC Studios Criminal Minds 24 8 33% 16 67% 5 21% 2 8% 1 4% CBS ABC Studios Devious Maids 13 7 54% 6 46% 2 15% 4 31% 1 8% Lifetime ABC Studios Grey's Anatomy 24 7 29% 17 71% 1 4% 2 8% 4 17% ABC ABC Studios Intelligence 12 4 33% 8 67% 4 33% 0 0% 0 0% CBS ABC Studios Mixology 12 0 0% 13 108% 0 0% 0 0% 0 0% ABC ABC Studios Revenge 22 6 27% 16 73% 0 0% 6 27% 0 0% ABC And Action LLC Tyler Perry's Love Thy Neighbor 52 52 100% 0 0% 52 100% 0 0% 0 0% OWN And Action LLC Tyler Perry's The Haves and 36 36 100% 0 0% 36 100% 0 0% 0 0% OWN The Have Nots BATB II Productions Inc. Beauty & the Beast 16 1 6% 15 94% 0 0% 1 6% 0 0% CW Black Box Productions, LLC Black Box, The 13 4 31% 9 69% 0 0% 4 31% 0 0% ABC Bling Productions Inc. -
“Brownsville Song (B-Side for Tray)” a New Play by KIMBER LEE Directed by PATRICIA Mcgregor
LINCOLN CENTER THEATER CASTING ANNOUNCEMENT FOR IMMEDIATE RELEASE, PLEASE SHELDON BEST, SUN MEE CHOMET, LIZAN MITCHELL, CHRIS MYERS, TALIYAH WHITAKER TO BE FEATURED IN THE LCT3/LINCOLN CENTER THEATER NEW YORK PREMIERE PRODUCTION OF “brownsville song (b-side for tray)” A new play by KIMBER LEE Directed by PATRICIA McGREGOR 6 WEEKS ONLY! SATURDAY, OCTOBER 4 THROUGH SUNDAY, NOVEMBER 16 OPENING NIGHT, MONDAY, OCTOBER 20 AT THE CLAIRE TOW THEATER Sheldon Best, Sun Mee Chomet, Lizan Mitchell, Chris Myers and Taliyah Whitaker will comprise the cast of the upcoming LCT3/Lincoln Center Theater New York premiere production of brownsville song (b-side for tray), a new play by Kimber Lee. The production, to be directed by Patricia McGregor, will begin performances Saturday, October 4, running for six weeks only through Sunday, November 16 at the Claire Tow Theater (150 West 65 Street). Opening night is Monday, October 20. brownsville song (b-side for tray) moves fluidly through time as the family of Tray (Sheldon Best), a spirited 18 year-old whose life is cut short, navigate their grief and find hope together. Playwright KIMBER LEE’s plays include fight and tokyo fish story. Center Theatre Group recently presented the world premiere of her play different words for the same thing in Los Angeles at the Kirk Douglas Theatre. Lee’s work has also been presented by the Lark Play Development Center, Page 73, Hedgebrook, Seven Devils, the Bay Area Playwrights Festival, REPRESENT!, Playwrights Festival ACT/Seattle, Great Plains Theatre Conference, Southern Rep and Mo`olelo. Lee’s play fight received the 2010 Holland New Voices Award, and she has been a Lark Playwrights’ Workshop Fellow, a Dramatists Guild Fellow, and a Core Apprentice at The Playwrights’ Center. -
Reaping the "Colored Harvest": the Catholic Mission in the American South
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Reaping the "Colored Harvest": The Catholic Mission in the American South Megan Stout Sibbel Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the History Commons Recommended Citation Stout Sibbel, Megan, "Reaping the "Colored Harvest": The Catholic Mission in the American South" (2013). Dissertations. 547. https://ecommons.luc.edu/luc_diss/547 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Megan Stout Sibbel LOYOLA UNIVERSITY CHICAGO REAPING THE “COLORED HARVEST”: THE CATHOLIC MISSION IN THE AMERICAN SOUTH A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY MEGAN STOUT SIBBEL CHICAGO, ILLINOIS MAY 2013 Copyright by Megan Stout Sibbel, 2013 All rights reserved. ACKNOWLEDGMENTS It is a pleasure to thank the many individuals and institutions that supported me throughout the process of researching and writing this dissertation. My adviser, Timothy Gilfoyle, helped shape my project into a coherent, readable narrative. His alacrity in returning marked-up drafts with insightful comments and suggestions never failed to generate wonderment. Patricia Mooney-Melvin provided me with invaluable support throughout my academic career at Loyola. Her guidance has been instrumental along the path towards completion of my dissertation. -
Love's Labor's Lost Dramatis Personae
Don Armado, rendering by Costume Designer Christina Poddubiuk Barbara Gaines Artistic Director Table of Contents Carl and Marilynn Thoma Endowed Chair Preface . .1 . Art That Lives . .2 . Criss Henderson Bard’s Bio . 3. Executive Director The First Folio . .3 Shakespeare’s England . 4. The English Renaissance Theater . 5 Chicago Shakespeare Theater is Chicago’s professional theater The Courtyard-style Theater . 7. .dedicated to the works of William Shakespeare. Founded as Shakespeare Timelines . 8 Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style courtyard theater, 500 seats on three Shakespeare’s levels wrap around a deep thrust stage—with only nine rows separating the farthest seat from the stage. Chicago Shakespeare also features a Love’s Labor’s Lost flexible 180-seat black box studio theater, a Teacher Resource Center, Dramatis Personae . .10 . and. a Shakespeare specialty bookstall. In the autumn of 2017, a new, The Story . 11 innovative performance venue, The Yard at Chicago Shakespeare, will be Act by Act Synopsis . 11. completed. as a third performance space. The year-round, flexible venue S omething Borrowed, Something New: can be configured in a variety of shapes and sizes with audience capacities Shakespeare’s Source. 13 What’s In a Genre? The Nature of Comedy . .15 . ranging from 150 to 850, defining the audience–artist relationship to best serve each production. Scholars’ Perspectives Now in its thirtieth season, the Theater has produced nearly the entire Shakespeare canon: All’s Well That Ends Well, Antony and Cleopatra, As Words and Women .