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As a nonprofit theater serving New York receive additional discounts, invitations City for the past 20 years, Rattlestick to private events, benefits and more. For Presents Playwrights Theater relies on the gener- more information, or to make a contri- osity of its patrons who donate through- bution, visit our website at out the season. Our Patron Program is a www.rattlestick.org/donatetorattlestick THE FEW new initiative for our most dedicated or contact: supporters to become a vital part of the Hannah Baxter by Rattlestick family, with seven levels of Individual Giving Manager giving tailored to fit all of our patrons, [email protected] Samuel D. Hunter no matter your budget. Please consider

making a donation to Rattlestick and directed by 1. Friend—$75 Davis McCallum 25% discount on tickets to shows throughout the season

2. Donor—$150 50% discounts on tickets to shows throughout the season with 3. Patron—$300 One complimentary ticket to each of the shows throughout the season Gideon Glick 50% off additional tickets to shows throughout the season Michael Laurence Invitation to selected play readings Tasha Lawrence 4. Sustaining Patron—$500 2 complimentary tickets to each of the shows throughout the season 50% off additional tickets to shows throughout the season set design Dane Laffrey Invitation to selected play readings costume design Jessica Pabst Invitation to one opening night show and after-party with cast and crew Recognition in lighting design Eric Southern 5. Sponsor—$1,000 sound design Daniel Kluger 4 complimentary tickets to each of the shows throughout the season props designers Andrew Diaz 50% off additional tickets to shows throughout the season Invitation to all public play readings production manager Eugenia Furneaux Invitation to two opening night shows and after-parties with cast and crew production stage manager Katharine Whitney Invitation to two closing night shows and after-parties with cast and crew assistant stage manager Emily Cates A script from Rattlestick’s current season (upon request) Recognition in Playbill publicity Don Summa, Richard Kornberg & Assoc. 6. Benefactor—$5,000 casting by Calleri Casting Complimentary tickets to each of the shows throughout the season graphic design Achilles Lavidis Invitation to all public play readings Invitation to all opening night shows and after-parties with cast and crew cover image Samuel D. Hunter Invitation to all closing night shows and after-parties with cast and crew A script from Rattlestick’s current season (upon request) Recognition in Playbill The Few will be performed without an intermission. Private dinner with Rattlestick’s Artistic Director and Managing Director The restroom will be unavailable during the performance. 7. Leader—$10,000+ All of the above Invitation to meet and greets with Rattlestick alums Recognition in the annual report Private dinner twice a year with Artistic Director, Managing Director, Playwright, and other theater artists SPONSORS SAMUEL D. HUNTER (Playwright) Samuel D. Hunter’s plays include The ($1,000 & above) Whale (2013 , 2013 Lucille Lortel Award for Outstanding Play, 2013 GLAAD Media Award, Drama League and Outer Critics Circle nomi- nations for Best Play), A Bright New Boise (2011 for Playwriting, 2011 Allan Arffa Jesse Eisenberg Drama Desk nomination for Best Play), and his newest plays, The Few, A Great Alliance Bernstein Jim and Susie Perakis Wilderness and Rest. His plays have been produced by theaters such as Playwrights Anastasia Barzee John Huneke Horizons, South Coast Rep, The Old Globe, Seattle Rep, Victory Gardens, Wool- Brian Polovoy John and Nina Darnton ly Mammoth Theatre Company, Denver Center Theatre Company, Clubbed Catherine A. Gellert Laura Danforth Thumb, and Page 73. His work has been developed at the O’Neill Playwrights Catherine Schmidt Manda D’Agata Conference, the Ojai Playwrights Conference, Seven Devils, and elsewhere. Sam Charles and Susan Tribbitt Michael Margitich is the winner of a 2012 Whiting Writers Award, the 2013 Otis Guernsey New Chris and Ann Stack Murray and Clare Stadmauer Voices Award, the 2011 Sky Cooper Prize, and the 2008-2009 PONY Fellowship. Craig Wright Nevin Steinberg He is a member of New Dramatists, an Ensemble Playwright at Victory Gardens, Daniel Romanow Patricia Heller a Core Member of The Playwrights’ Center, a member of Partial Comfort Produc- Dorothy Strelsin Foundation Paul Ciasullo tions, and was a 2013 Resident Playwright at Arena Stage. A native of northern Frieda and Roy Furman Peter Wilderotter Idaho, Sam lives in NYC. He holds degrees in playwriting from NYU, The Iowa Jeffrey Steinman Sarah Plath Playwrights Workshop, and Juilliard.

Davis McCallum recently directed John van Druten’s London Wall at the Mint SUSTAINING PATRONS Theater Company (2014 Lucille Lortel Nomination for Best Revival). Previously ($500 & above) with Sam Hunter: The Few (The Old Globe), The Whale (; 2013 Lucille Lortel Award for Outstanding Play), A Bright New Boise (Partial Com- Colleen Jones J. Saferstein Nicola Walter fort; Drama Desk Nominations for Best Play and Best Director), and Five Gen- Dan & Allison Markley John Gellert Raymond Gregorczyk coides (Clubbed Thumb). NEW YORK: Water By The Spoonful (Second Stage, Deborah Whitmore John Guare Robert Freeman 2012 Pulitzer Prize), February House (Public Theater), This Is My Office (Play Com- Doris Tolins John Koski Smarttix.com pany), Melancholy Play (13P), Sex Lives of Our Parents (Second Stage Uptown), punk- Doug Nevin Karen Roberts Stacey Mindich play (Clubbed Thumb), Queens Boulevard (Signature Theater), Elliot: A Soldier’s Ed Forstein Keith Lobert Stephen Belber Fugue (P73; Pulitzer Prize Finalist), Henry IV, Part One (The Pearl), Henry V (New Edmund Schwesinger Lisa & Peter Bellamy Terrency McNally Victory), Jane Eyre, The Tempest, The Turn Of The Screw (The Acting Company). Fred Kornberg Lisa Smith Tom Kirdahy REGIONAL: the Guthrie, the Old Globe, Humana, Hartford Stage, Long Matthew McClanahan Van Hengel Family Fund Wharf, Oregon Shakespeare Festival, Williamstown, Alliance, Chautauqua, the O’Neill, Playmakers Rep, Two River, New York Stage & Film, others. OTHER: Drama League Alum; NEA/TCG Career Development Program; Boris Sagal Fel- lowship; Princess Grace Honoree. He was recently appointed Artistic Director of Subsidized studio space graciously provided by the A.R.T./New York the Hudson Valley Shakespeare Festival in Cold Spring, NY Creative Space Grant, supported by the Andrew W. Mellon Foundation (www.hvshakespeare.org).

GIDEON GLICK (Matthew) B’way: ’s Spider-Man: Turn off the Dark SPECIAL THANKS TO: 1.0, Spring Awakening (original cast). Off B’way: Jack in (Public/ Kip Fagan, Casey Stangl, Wyatt Fenner, Adam Rapp; Robert Drake, Neil Holmes, and ), Wild Animals You Should Know (MCC Theater), Speech and Paul Peterson at the Old Globe for their generous help and support in this production; Debate (Roundabout Theater), Spring Awakening (Atlantic Theater). Regionally he New York State Department of Cultural Affairs. has worked at Fringe NYC, Culture Project, Ensemble Studio Theater, Prince This program is supported, in part, by the public funds from the New York State De- Music Theater, Wilma Theater,. He appeared in the world premiere of The Few at partment of Cultural Affairs in partnership with the City Council The Old Globe. Film: One Last Thing…, A Case of You, Gods Behaving Badly, Song

One. TV: “Devious Maids” (recur). Webseries: It Could Be Worse. Rattlestick would like to thank its donors, without whose MICHAEL LAURENCE (Bryan) Theatre credits include (), support none of this great work would be possible. Appropriate (Signature), The Few (Old Globe), The Morini Strad (Primary Stages), Krapp,39 (Drama Desk nom, Soho Playhouse-NY/ Tristan Bates-London), Desire Under the Elms (Broadway), Opus (Primary Stages), Horsedreams (Rattlestick), Diary of a Teenage Girl (New Georges/3LD), Two Rooms (Lion/ Theatre Row), Tooth of LEADERS Crime (Signature), Book of Days (Signature), Hands In Wartime (LaMama), John ($10,000 & above) Proctor in The Crucible (Hartford Stage), Mikey Dillon in Good People (Huntington), Starbuck in The Rainmaker (Arena), Eric Bogosian’s Humpty Dump- Anonymous ty (McCarter), The Pavilion (Westport), NYTW, Seattle Rep, Shakespeare Thea- Andrew W. Mellon Foundation New York Theater Program tre, Portland Center Stage, Wilma, Humana, others. He is the playwright of Abbe & Dan Klores In Bed (upcoming) and the aforementioned Krapp, 39. His television Axe-Houghton Foundation Bloomberg Philanthropies credits include The Heart She Holler (recurring), Damages (recurring), The Good Dan Shaheen Wife, Elementary, Person Of Interest, Third Watch, Johnny Zero, FX, GhostStories, Diane & Adam E. Max others. His film credits include One For the Money, Man On A Ledge, The Opera- Donald & Maggie Buchwald tor, Follow Me Outside, Room314, Escape Artists, Claire Dolan, Love God, Particles of The Frederic R. Coudert Foundation Truth, other indies. Henry Van Ameringen Foundation TASHA LAWRENCE (QZ) THEATRE BROADWAY: Wilder Wilder Wilder, Lucille Lortel Foundation Matthew Weiner (dir. Ed Berkley) Good People, (dir. Daniel Sullivan). Proof, (nat'l tour, dir. Dan- Mike Skipper iel Sullivan). OFF BROADWAY/REGIONAL: Lucy Thurber’s Ashville (dir. National Endowment for the arts Karen Allen). Sam Hunter's The Whale, (Drama Desk Nomination, Dir. Davis Department of Cultural Affairs McCallum). Keith Reddin's Human Error (dir. Tracey Brigden). Daisy Foote's New York State Council on the Arts Bhutan, (dir. Evan Ynoulis). Dangerous Liasons, (dir. Daniel Goldstein) Betrayal, Ted Snowdon Productions (dir. Ken Kimmons). Theresa Rebeck's Bad Dates ( dir. Alice Jankell). Craig The Fan Fox & Leslie R. Samuels Foundation Wright's The Pavilion, (dir. Lucy Tiberghen). Drama Department's June Moon, The Harold & Mimi Steinberg Charitable Trust ( dir. Mark Nelson). FILM/TELEVISION: Hangnail ( Slamdance 2011). Pooka The Shubert Foundation (dir. Murray Loeffler) Romance and Cigarettes,(dir. John Turturro), Law and Order The Tony Randall Theatrical Fund (classic, criminal intent & SVU), Third Watch (recurring), Deadline, Kevin Venturous Theater Fund of the Tides Foundation Hill,Royal Pains, Life of Boys, The Line (ACTRA, Geminii Nominations, Best Ac- Wendy vanden Huevel tress). Upcoming: Williamstown Theater Festival’s production of Samuel D. Hunter’s A Great Wilderness. BENEFACTORS ($5,000 & above) JACOB PERKINS (Matthew u/s) New York: 4000 Miles (Hudson Stage), The Rise and Fall of a Teenage Cyberqueen (Access Theater, NYIT Award), The Austerity Anthony Thompson John N. Blackman Sr. Founda- of Hope (June Havoc & Fresh Fruit Festival). Regional: Shakespeare Theatre of A.R. Gurney tion DC: Two Gentlemen of Verona, Much Ado About Nothing, The Heir Apparent, Guth- The Barbro Osher Pro Suecia Jonathan Tisch Fund rie Theater: Macbeth, Reverb, Riverside Theatre: Richard III, A Midsummer Night’s Foundation Lura Myers Dream. U of M/Guthrie: Undiscovered Country, The Seagull, The Gamester, Henry The Dramatists Guild Fund, Inc. Manda D’Agata VI Pts. 1-3 (Shakespeare’s Globe), As You Like It, Book of Days. Film/TV: In Ses- Elizabeth & Jim Libby Marie & James B. Rosenwald Jr. sion, Boy Meets Girl. Training: University of Minnesota/Guthrie Theater BFA Gay & Harry Abrams Nancy P. Durr Actor Training Program, South Carolina Governor’s School for the Arts and Jean Donovan Fisher Richard P. Seeger Humanities. Joanne Jacobson Sandra Carter John Golden Fund Susan Peterson Kennedy

DANE LAFFREY (Set Designer) recent off-Broadway and other NYC credits include: set and/or costumes for Bad Jews and Tigers Be Still (Roundabout), Dis- graced (Lincoln Center Theatre), Arlington () American Hero and The Talls (2ST), The Maids (Red Bull), I Remember Mama, The Patsy, The Boys in the Band, See Rock City (Transport Group), The Other Place (MCC), Sixty Miles to Silver Lake (SoHo Rep.), Rag and Bone (Rattlestick), Bad Jazz (Play Company), 12 Would especially like to thank the: Chairs and Exit (Keigwin + Co, The Joyce Theatre), Gabriel Kahane’s Gabriel’s Guide to the 48 States (Orpheus Chamber Orchestra) and others. US regional: The Old Globe, Huntington Theatre Company, The Humana Festival, Denver Center Theatre, Baltimore Center Stage, Dallas Theatre Center, New York Stage & Film, Asolo Rep., Signature, Yale Opera, Two River Theatre, others. Interna- tional work in Tokyo, Oslo, Osaka and throughout Australia, including The for its generous support, extraordinary Roast, airing nightly on ABC2. Nominations for a Drama Desk Award, 3 Henry Hewes Awards and a Theatre Award. Dane is a founding editor of leadership and meaningful commitment to our mission and Chance magazine. www.danelaffrey.com developmental process.

JESSICA PABST (Costume Design) Recent NYC credits include: The Correspond- ent (Rattlestick Theater), Taking Care of Baby ( Theater Club), How to Make Friends and Then Kill Them ( Rattlestick Playwrights Theater) , Somewhere Fun, The Metal Children (The Vineyard Theatre); Murder Ballad (Manhattan Thea- tre Club/Union Square Theatre); The Whale (Lucille Lortel Award), Assistance (Playwrights Horizons); Nobody Loves You, Warrior Class, The Bad Guys (Second Stage); Buyer and Cellar (Barrow Street); 3 Pianos, (New Work- shop). Regional: The Few (Old Globe); 3 Pianos (American Repertory Theatre). Her work has also appeared at P73, , The Juilliard School, St. Ann’s Warehouse,Princeton University. Drama Desk Nomination, Henry Hewes De- sign Nomination.

ERIC SOUTHERN (Lighting Design): Recent New York Projects include: The Correspondent (Rattlestick Theater), Buyer and Cellar (Barrow Street Theater, Rat- tlestick Theater, National Tour); Collected Stories with David Lang (Carnegie Hall); The Record, Empire City, Everyone is Chanting Your Name (600 Highway- men); Good Television, 10x25 (), Play/Pause, with chore- ographer Susan Marshall and Composer David Lang (BAM Next Wave Festi- val), Paul's Case (Urban Arias, Prototype Festival);The Secret Agent, (The Danny Kaye Playhouse, Avignon Opera House, Armel International Opera Festi- val). Regional: The Messiah fully staged (Pittsburgh Symphony Orchestra) Die Fledermaus (Virginia Opera), Cymbeline, Venus in Fur, (Portland Center Stage) Corriolanus,Two Gentlemen of Verona, The Last Will (Commonwealth Shakespeare Company), Water by the Spoonful, (The Arden The- ater), Bruja, The Other Place, Burried Child, Every 5 Minutes (The Magic Thea- ter),The History of Kisses (Kansas City Rep). BFA,MFA:NYU

DANIEL KLUGER (Sounds Design) NEW YORK: The Correspondent (Rattlestick Theater), Women or Nothing (Atlantic Theater Company), Nikolai and the Other (Lincoln Center), Somewhere Fun, The North Pool (Vineyard), Tribes, Hit the Wall (), House For Sale (Transport Group), A (radically condensed and expanded) SUPPOSEDLY FUN THING I’LL NEVER DO AGAIN.. After David Foster Wallce (directed by Daniel Fish), The Common Pursuit STAFF (Roundabout), A Map of Virtue (13P), Lidless (Page73), There Are No More Big Secrets (Rattlestick), The Temperamentals (Daryl Roth), Enjoy! (The Play Co), Jail- bait (Cherry Lane), Uncle Vanya, Ivanov, Platonov, The Seagull (Brian Mertes, Artistic Director…………………………………………………………………….…David Van Asselt Lake Lucille) REGIONAL: The Old Globe, Mark Taper Forum, La Jolla Play- house, Pig Iron, The Arden Theatre Company, Two River Theatre Company, Managing Director…………………………………………………………….…….….…….Brian Long People’s Light & Theatre, TheatreWorks Silicon Valley, American Players The- ater. www.danielkluger.com Production Manager………………………………………………...….…….…...Eugenia Furneaux

Finance Manager……………………………………………………………....….……...Lori Singleton KATHARINE WHITNEY (production stage manager) Credits include Broad- way: Once; Off-Broadway: Hamlet and Saint Joan (BEDLAM), Tina Packer's Finance Associate………………………………………………..………………..…..Garett Bonasorte Women of Will the Complete Journey (The Gym At Judson),RENT (New World

Stages); Other: The Best of Everything (HERE Arts Center), The Gallatin Theatre Marketing Director……………………………………………………….….……..Vera Khodasevich Troupe, Illusions of Grandeur—A Magic Show (Donn Laughlin Theater,

WA), Submissions Only, and work with Jujamcyn Theaters. Proud member of Marketing Associate……………………………………………………….…..…...Stephanie Pezzello AEA. Graduate of NYU, Gallatin. Thanks to GGx5TLCC and Henry. Development Director……………………………………….…………………...……..…..Emily Daly EMILY CATES (assistant stage manager) Broadway: Soul Doctor (Circle in the

Square); Regional: Dr. Seuss’ How the Grinch Stole Christmas! (The Old Development Associate……………………………………………….………………..Hannah Baxter Globe), The Last Goodbye (The Old Globe), Glengarry Glen Ross (La Jolla Play- house), How I Learned to Drive (Capital Stage Co.); Other:Broadway Back- Literary Managers……………………………………………….………..Denis Butkus, Julie Kline, wards (Broadway Cares/Equity Fights Aids) Proud member of AEA. Graduate Daniel Talbott of UC Davis, Dramatic Arts. Heartfelt thanks to my family and friends – spe- Literary Associates……………………………………………….…Brian Miskell, Sanford Wilson cial thanks to Tali and Katie. Education Associate……………………………………...…………………………………...Jaime Jaget ANDREW DIAZ (Properties Master) is a set and props designer making prop magic out of his living room in Brooklyn. Recent credits include: The Heir Ap- Marketing and Development Intern………………………………………...Mathias Goldstein parent (Classic Stage); Love & Information, What's It All About? (New York Thea- tre Workshop); The Tribute Artist (Primary Stages); Grasses Of A Thousand Col- ors, The Designated Mourner (/TFANA); Becoming Dr. Ruth (Westside Theater); The Hatmaker's Wife (The Playwright's Realm); Infallibility (NYFringe); Buyer & Cellar,The Revisionist (Rattlestick). BFA University of Arizona School Of Theater Arts

JUDY MERRICK (associate properties master) works in all aspects of the thea- The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional Actors and Stage tre to help make the page come alive both on and off the page. Recently seen Managers in the United States. in The Cheaters Club (Abrons Art Center) w/ The Amoralists for which she also did props and set dressing. Other Amoralists credits include: PSM, Props, Set dress- The Director is a member of the society of Stage Directors and Choreog- raphers, an independent national labor union. ing for Pied Pipers of the Lower East Side, Rantoul and Die (Cherry Lane), The Bad Up Next at Rattlestick... and the Better, Adam Rapp's Ghost in the Cotton Woods, Happy in the Poor House, Bring Us The Head of Your Daughter, and Hotel/Motel. Other Credits: Miss Lead (59e59). Assistant Director on 4000 Miles (Amy Hertzog). Her work with Rattlestick Playwrights Theater includes PA, scenic artist, and props assistant on The Hallway Trilogy, Jesse Eisenberg's Asuncion, Horse Dreams, and Yosemite.

ACHILLES LAVIDIS (Graphic Designer) is a “visualist” at heart. His company Five Zoo Concepts and Design Inc. works within five distinct strands: Graphic, Product, Environment, Stage and Exhibition where he has won several design awards. His clients include Hasbro, Disney, Golden Books, Itsy Bitsy Entertain- ment, Unlimited Concepts, Pink Inc, Coco La Vu Candy, Sweet Heaven Fami- ly Spa, Guggenheim and MoMA. Past theatre company involvement includes LABryinth, Connection Theatre, Princeton Rep Shakespeare Festival and The Private Theatre Company's production of Hedda Gabler performed in a NYC townhouse. Achilles also studied Film Direction as a postgraduate in Mel- bourne, Australia, and has extensive experience as an actor and director. He continues his ongoing commitment with Rattlestick Playwrights Theater de- signing the company's 2013-2014 season and brochure.

EUGENIA FURNEAUX (Production Manager) Recent productions include: Ode to Joy, How To Make Friends and then Kill Them, One Night, The Hill Town Plays (a 5-play cycle by Lucy Thurber as part of Rattlestick’s Theater: Village), Charles Ives Take me Home, Buyer & Cellar, Basilica, The Revisionist, A Summer Day, Through The Yellow Hour, 3C, Massacre (Sing to Your Children), Yosemite and Asuncion for Rattlestick, The Tenant with Woodshed Collective. Selected Scenic Designs include: Lake Water (IRT/Neighborhood Prod.), Eightythree Down (Hard Sparks), Squealer (Lesser America & Theatre for the New City), The Um- brella Plays (teacup company & The Tank), User 927 (Reverie), Keep Your Bag- gage (Theatre for the New City), Daddy (The Barrow Group). Selected Proper- A Fable is the epic adventure of Jonny, an idealist spurred on by love ties work includes: Bullet for Adolf (), The Hallway Trilogy, to right a long-forgotten wrong. Follow his encounters with a whole There Are No More Big Secrets and The Aliens (Rattlestick), Hillary: A Modern cast of characters – colorful and corrupt, lucky and ill-fated – as they Greek Tragedy (New Georges). Eugenia is the Technical Director/Adjunct Pro- each grope their way through a landscape of nationwide strife and cor- fessor for LaGuardia Community College's Theater program. porate greed. A play of dualities, A Fable takes into question how each CALLERI CASTING (James Calleri, Paul Davis, Erica Jensen) choice we make can drastically change our ending. Current Broadway Of Mice & Men, Hedwig and The Angry Inch. Current Off Bway: Murder for Two, Satchmo at The Waldorf, Buyer & Cellar. Past Broad- way: Venus in Fur, 33 Variations, Raisin in the Sun, Chicago, James Joyce’s The Dead. Some past Off Bway includes: The Hill Town Plays, The Revisionist, All in the Timing, Passion, My Name is Asher Lev, Fuerza Bruta, Silence! The PREVIEWS BEGIN: MAY 3RD Musical, Playwrights Horizons (ten seasons). Also Casting Directors for CSC, Williamstown Theater Festival, The Flea, Long Wharf, Keen Co., McCarter, OPENING NIGHT: MAY 22ND Berkeley Rep. TV: Army Wives, Lipstick Jungle, Monk, Hope & Faith, Ed. Lots of film including Mike Cahill’s I Origins, Sundance 2014. Awarded 12 Artios Additional Staff for The Few Awards for Outstanding Casting Achievement. Member CSA. www.callericasting.com Associate Set Designer…………………….…………………………..Scott Tedmon-Jones Set Design Assistant………………………………………………….……..Brandon McNeel BRAD RAIMONDO (Assistant Director) Recent NYC directing credits in- Assistant Lighting Designer……..………………………………….………….Will Delorm clude Mark William Lindberg’s performance of T.S. Eliot’s The Waste Assistant Sound Designer………………………………...……………...….Elliot Davoren Land (United Solo Festival 2013) and Whale Song Or: Learning to Live With Production Carpenter………………………………….………….…………...……….AJ Cote Mobyphobia by Claire Kiechel (Dremscape Theatre/FringeNYC, 2011). Brad Carpenters…………………..….…Nick Monroy, Cory Asinofsky, Jordan Asinofsky, earned his MFA at the New School for Drama where his productions includ- Keegan Wilson, Dan Bernardi ed Hamlet, Othello and the world premiere of Claire Kiechel’s Some Dark Places Scenic Charge Artist……………………………….……………………….…..Brian Howard of the Earth. In December Brad will direct In Fields Where They Lay a play with Video Consultant…………………………………….………………………...David Tennent music by Ricardo Pérez González commemorating the 100th anniversary of the Video Technicians……………………………………...…….Paul Piekarz, Josh Higgason World War I Christmas Truce. Brad is a proud member of the New Victory Video Content Designed By………………………….……………………....Paul Peterson Theater’s Teaching Artist Ensemble. www.bradraimondo.com Audio Technicians…………………………………………………..…….……….Paul Piekarz Master Electrician…………………………………………....……………….Rebecca McCoy Scenic Artists……………………………………………....Jacqueline Marolt, Misty Pelas, RATTLESTICK PLAYWRIGHTS THEATER (Producer) is a multiaward- Tara Daino winning company which has produced over sixty world premieres in the past eighteen Scenery Built By………….……...….Center Line Studios, Inc., New Windsor, NY seasons and was the recipient of the 2007 Ross Wetzsteon Memorial OBIE Award for Lighting Provided By……………………...……………………...The Lighting Syndicate developing new and innovative work. Previous plays includeTwo Boys in a Bed, Message to Michael, Carpool, Volunteer Man, A Trip to the Beach, Ascendancy, Stuck, Vick’s Boy, The Messenger, Saved or Destroyed, Neil’s Garden, My Special Friend, Faster,Bliss, THE FEW was developed in part at the Playwrights Center in Minneap- St. Crispin’s Day, Where We’re Born, Five Flights, Boise, Finer Noble Gases, That olis, Minneasota, the JAW West Festival at Portland Center Stage in Pretty Pretty; or, The Rape Play, God Hates The Irish: The Ballad of Armless Johnny, Portland, Oregon, the Pacific Playwrights Festival at South Coast Rep in Miss Julie, Acts ofMercy: passion-play, Cagelove, It Goes Without Saying, Dark Mat- Costa Mesa, California, and the Perry Mansfield Performing Arts School ters, Stay, American Sligo, Rag and Bone, War, Geometry of Fire, The Amish Project, and Camp in Steamboat Springs, Colorado. Killers and Other Family, Post No Bills, Blind, Little Doc, underneathmybed, There Are No More Big Secrets, The Hallway Trilogy, Carson McCullers Talks About Love, The Wood, Asuncion, Horsedreams, Yosemite, Massacre (Sing to Your Children), 3C, Through the Yellow Hour, A Summer Day, The Revisionist starring Vanessa Red- grave and Jesse Eisenberg, Buyer & Cellar (2013 Drama Desk and Outer Critic Circle Awards for Outstanding ), Basilica, Charles Ives Take Me Home, The Hilltown Plays, One Night…, How to Make Friends and then Kill Them, the Off-Broadway GLAAD Award-nominated hit The Last Sunday in June, Craig Wright’s The Pavilion (Drama Desk nominee—Outstanding Play of We Present this Performance 2005) and Lady(Drama Desk nominee—Outstanding Play of 2008), as well In Memory of as The Aliens by Annie Baker (2010 Obie Award winner for Best New American Seamus Raphael O'Bryan Play). www.rattlestick.org. June 5, 1981 - January 31, 2014