Exploring Union Square's Landmarked Buildings
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READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K þ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _______ to ______ Commission File No. 1-8625 READING INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 95-3885184 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 5995 Sepulveda Boulevard, Suite 300 Culver City, CA 90230 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including Area Code: (213) 235-2240 Securities Registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Class A Nonvoting Common Stock, $0.01 par value RDI NASDAQ Class B Voting Common Stock, $0.01 par value RDIB NASDAQ Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No þ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes ¨ No þ Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act of 1934 during the preceding 12 months (or for shorter period than the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Union Square 14Th Street District Vision Plan
UNION SQUARE 14TH STREET DISTRICT VISION PLAN DESIGN PARTNER JANUARY 2021 In dedication to the Union Square-14th Street community, and all who contributed to the Visioning process. This is just the beginning. We look forward to future engagement with our neighborhood and agency partners as we move forward in our planning, programming, and design initiatives to bring this vision to reality. Lynne Brown William Abramson Jennifer Falk Ed Janoff President + Co-Chair Co-Chair Executive Director Deputy Director CONTENTS Preface 7 Introduction 8 Union Square: Past, Present and Future 15 The Vision 31 Vision Goals Major Projects Park Infrastructure Streetscape Toolkit Implementation 93 Conclusion 102 Appendix 107 Community Engagement Transit Considerations 4 UNION SQUARE PARTNERSHIP | VISIONING PLAN EXECUTIVE SUMMARY 5 6 UNION SQUARE PARTNERSHIP | VISIONING PLAN Photo: Jane Kratochvil A NEW ERA FOR UNION SQUARE DEAR FRIENDS, For 45 years, the Union Square Partnership has been improving the neighborhood for our 75,000 residents, 150,000 daily workers, and millions of annual visitors. Our efforts in sanitation, security, horticulture, and placemaking have sustained and accelerated growth for decades. But our neighborhood’s growth is not over. With more than 1 million square feet of planned development underway, it is time to re-invest for tomorrow. The projects and programs detailed in the Union Square-14th Street District Vision Plan will not just focus on the neighborhood’s competitive advantage but continue to make the area a resource for all New Yorkers for generations to come. This plan is a jumping-off point for collaboration with our constituents. At its center, the vision proposes a dramatic 33% expansion of public space. -
In This Corner
Welcome UPCOMING Dear Friends, On behalf of my colleagues, Jerry Patch and Darko Tresnjak, and all of our staff SEA OF and artists, I welcome you to The Old TRANQUILITY Globe for this set of new plays in the Jan 12 - Feb 10, 2008 Cassius Carter Centre Stage and the Old Globe Theatre Old Globe Theatre. OOO Our Co-Artistic Director, Jerry Patch, THE has been closely connected with the development of both In This Corner , an Old Globe- AMERICAN PLAN commissioned script, and Sea of Tranquility , a recent work by our Playwright-in-Residence Feb 23 - Mar 30, 2008 Howard Korder, and we couldn’t be more proud of what you will be seeing. Both plays set Cassius Carter Centre Stage the stage for an exciting 2008, filled with new work, familiar works produced with new insight, and a grand new musical ( Dancing in the Dark ) based on a classic MGM musical OOO from the golden age of Hollywood. DANCING Our team plans to continue to pursue artistic excellence at the level expected of this IN THE DARK institution and build upon the legacy of Jack O’Brien and Craig Noel. I’ve had the joy and (Based on the classic honor of leading the Globe since 2002, and I believe we have been successful in our MGM musical “The Band Wagon”) attempt to broaden what we do, keep the level of work at the highest of standards, and make Mar 4 - April 13, 2008 certain that our finances are healthy enough to support our artistic ambitions. With our Old Globe Theatre Board, we have implemented a $75 million campaign that will not only revitalize our campus but will also provide critical funding for the long-term stability of the Globe for OOO future generations. -
Download Report (PDF)
Dear Community Partners, “Challenging” seems both an accurate and yet inadequate word to describe the last year as we confronted - as a nation and as a community - a series of crises from public health and economic dislocation to reckonings over racial justice and equity. Through it all, the Union Square Partnership played an important role in seeking to keep residents and businesses informed and connected, guiding them to resources, and working with relevant city agencies to support the district. What started as a COVID response turned to a COVID recovery agenda and by the fall of 2020, we released the #USQNext District Recovery Plan. This plan was aimed at accelerating the resumption of business activity and introducing quality of life improvements to continue the upward trend the neighborhood was enjoying prior to the pandemic. UNION SQUARE-14TH STREET HAS DEMONSTRATED INCREDIBLE RESILIENCE OVER THE PAST YEAR, AND THE DISTRICT IS WELL-POSITIONED TO REBOUND This year’s Annual Report is organized around the five pillars of the recovery plan, including reemphasizing core services like sanitation, beautification, and public safety coordination, bolstering our marketing efforts, and pursuing exciting new projects in the bold District Vision Plan released this past January. Most important, we would like to take a moment to express gratitude for the tireless dedication of frontline workers and essential service providers who kept our city functioning and to acknowledge the loss of loved ones that has affected so many. We hold each of you in our hearts. We are committed to championing the district’s recovery With spring blooming in our area, vaccinations on the rise, and life through the vital programs outlined in our #USQNext District Recovery Plan. -
Design Forecast 2016 from the Co-Ceos
Design Forecast 2016 From the Co-CEOs We always look ahead. For 2016’s Design Forecast, we challenged ourselves to look out 10 years. Design shapes the future of human experience to create a better world. This credo is the basis of our Design Forecast. For 2016, we asked our global teams to consider how people will live, work, and play in the cities of 2025. Their insights will give our clients an insider view of the issues design will confront in the next decade. Finding opportunities requires insight and imagination. Our newly opened Shanghai Tower speaks to how we help our clients reframe the present to meet the needs of tomorrow. Design is how we do it. It makes insight actionable, creates meaningful innovation, and calls a thriving future into being. Andy Cohen, FAIA, IIDA Diane Hoskins, FAIA, IIDA, LEED AP Co-CEO Co-CEO Shanghai Tower, Shanghai on the cover: The Tower at PNC Plaza, Pittsburgh ii 1 Gensler Design Forecast 2016 Metatrends Embracing shaping the our iHumanity. 1 Digital will be such an integral part of daily life that world of 2025. we’ll leverage it much more fully. We’ll accept how it interacts with us, consciously feeding its data streams to make our lives better. Our iHumanity Looking across our markets, will be a shared, global phenomenon, but different we see six metatrends that will locales and generations will give it their own spin. transform how we live, work, and play in the next decade. Leading “smarter” lives. 2 We’ll live in a “made” environment, not just a “built” one. -
June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
BOOK &MUSIC by Joe Kinosian BOOK
BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 -
CITYLAND NEW FILINGS & DECISIONS | August 2015
CITYLAND NEW FILINGS & DECISIONS | August 2015 CITY PLANNING PIPELINE New Applications Filed with DCP — August 1 to August 31, 2015 APPLICANT PROJECT/ADDRESS DESCRIPTION ULURP NO. REPResentatiVE ZONING TEXT AND MAP AMENDMENTS 385 Gold Property Investors 141 Willoughby Street, BK Private application for a zoning map amendment, 160029 ZRK; Greenberg Traurig street demapping, and a zoning text change to 160030 ZMK facilitate a new 310,065 SF mixed-use development, including 62,013 SF of retail and office, and 248,052 SF of residential (270 dwelling units) including 74,416 SF of affordable residential (81 DUs). Gleitman Realty Associates Seagirt Blvd at Fernside Place, Zoning change to facilitate construction of an 160033ZMQ Holland & Knight QN approximately 5,629 SF, one-story commercial building with 14 parking spaces and to facilitate construction of a five-story, approximately 31,850 SF residential building with 29 spaces and zoning change to establish a C1-3 commercial overlay. SPECIAL PERMITS/OTHER ACTIONS Hamilton Plaza Associates 1-37 12th Street, BK Applicants would like to amend the conditions of the 780389BZSK Sheldon Lobel Goya special permit to allow non-warehouse and non-office uses on the third floor of the building to allow them to build a physical culture establishment. Buffalo Ave. Realty Associates 170 Buffalo Avenue, BK St. Mary’s Hospital Nursing Home special permit to 160028ZSK Eric Palatnik allow for the repurposing of the former St. Mary’s Hospital as a Use Group 3 nursing home. Hamilton Plaza Associates 1-37 12th Street, BK Certification by the Chairperson, pursuant to ZR 62- 160026ZCK Sheldon Lobel 811 waterfront public access and visual corridors. -
The Virtual Vaudeville Prototype
392 From (Archival) Page to (Virtual) Stage: The Virtual Vaudeville Prototype Tonia Sutherland ABSTRACT This article explores the difficulties archivists face in capturing, preserving, and representing performance and other ephemeral or intangible cultural expressions. It also examines the applicability of existing archival theory and practice for recon- structing historical performances in digital environments. Using the Virtual Vaudeville Prototype as a case study, the research considers the efficacy of new media technologies for those who strive to capture performative expressions to redress erasures and silences in the historical record. The article provides brief historical context for vaudeville as a mode of performance at the turn of the twentieth century, discusses the Virtual Vaudeville Prototype and the archival evidence upon which it was built, and considers Virtual Vaudeville as both an evidence-based project fash- ioned from archival research and as an archival record in its own right. © Tonia Sutherland. KEY WORDS Archives, Performance studies, Digital humanities, Digital arts and culture, Virtual Vaudeville, Digital technologies, Motion capture, New media The American Archivist Vol. 79, No. 2 Fall/Winter 2016 392–416 From (Archival) Page to (Virtual) Stage: The Virtual Vaudeville Prototype 393 rchives provide societies with an opportunity to preserve cultural evidence; however, capturing and preserving temporal, event-based, ephemeral, and intangibleA cultural heritage such as performances, oral traditions, social prac- tices, and festive events presents an ongoing archival challenge. The difficul- ties archivists face in capturing, preserving, and representing ephemeral and intangible culture create erasures, gaps, and vagaries in the historical record kept by archives; these erasures will ultimately not only make ephemeral works inaccessible, but will also systematically silence and render invisible the unique ways that indigenous and other cultures communicate and represent ideas, solve problems, and express human emotions. -
1920 Patricia Ann Mather AB, University
THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change. -
New York Citytm
The Internationalist ® The Top 10 Guide to New York The Top 10 Guide to New York CityTM The Internationalist 96 Walter Street/Suite 200 Boston, MA 02131 USA The Internationalist • www.internationalist.com • 617-354-7755 1 The Internationalist ® The Top 10 Guide to New York The Internationalist® International Business, Investment and Travel Published by: The Internationalist Publishing Company 96 Walter Street/Suite 200 Boston, MA 02131, USA Tel: 617-354-7722 [email protected] Author: Patrick W. Nee Copyright © 2001 by PWN The Internationalist is a Registered Trademark. The Top 10 Guide to New York City, The Top 10 Travel Guides, The Top 10 Guides are Trademarks of the Internationalist Publishing Company. All right are reserved under International, Pan-American and Pan-Asian Conventions. No part of this book, no lists, no maps or illustration may be reproduced in any form without the written permission of the publisher. All rights vigorously enforced. ISBN: 1-891382-21-7 Special Sales: Books of the Internationalist Publishing Company are available for bulk purchases at special discounts for sales promotions, corporate identity programs or premiums. The Internationalist Publishing Company publishes books on international business, investment and travel. For further information contact the Special Sales department at: Special Sales, The Internationalist, 96 Walter Street/Suite 200, Boston, MA 02131. The Internationalist Publishing Company 96 Walter Street/Suite 200 Boston, MA 02131 USA Tel: 617-354-7722 [email protected] e-mail: [email protected] web site: http://www.internationalist.com The Internationalist • www.internationalist.com • 617-354-7755 2 The Internationalist ® The Top 10 Guide to New York Welcome to New York City. -
Off* for Visitors
Welcome to The best brands, the biggest selection, plus 1O% off* for visitors. Stop by Macy’s Herald Square and ask for your Macy’s Visitor Savings Pass*, good for 10% off* thousands of items throughout the store! Plus, we now ship to over 100 countries around the world, so you can enjoy international shipping online. For details, log on to macys.com/international Macy’s Herald Square Visitor Center, Lower Level (212) 494-3827 *Restrictions apply. Valid I.D. required. Details in store. NYC Official Visitor Guide A Letter from the Mayor Dear Friends: As temperatures dip, autumn turns the City’s abundant foliage to brilliant colors, providing a beautiful backdrop to the five boroughs. Neighborhoods like Fort Greene in Brooklyn, Snug Harbor on Staten Island, Long Island City in Queens and Arthur Avenue in the Bronx are rich in the cultural diversity for which the City is famous. Enjoy strolling through these communities as well as among the more than 700 acres of new parkland added in the past decade. Fall also means it is time for favorite holidays. Every October, NYC streets come alive with ghosts, goblins and revelry along Sixth Avenue during Manhattan’s Village Halloween Parade. The pomp and pageantry of Macy’s Thanksgiving Day Parade in November make for a high-energy holiday spectacle. And in early December, Rockefeller Center’s signature tree lights up and beckons to the area’s shoppers and ice-skaters. The season also offers plenty of relaxing options for anyone seeking a break from the holiday hustle and bustle.