DOCSLIB.ORG

The Inventory of the Stanley Kauffmann Collection #1824

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Inventory of the Stanley Kauffmann Collection #1824 The Inventory of the Stanley Kauffmann Collection #1824 Howard Gotlieb Archival Research Center Kauffmann, Stanley #1824 12/12/13, 1/27/14 Preliminary Listing I. Printed Materials. (See also Series XI: Printed Materials.) A. Files. Box 1 1. “35 Pieces for Book on Literary Criticism,” 1959-1966. [F. 1] 2. “Ads,” 1955. [F. 2] 3. “AFC Reviews,” 1973-1975. 4. “Brenton, Times April 23, 2006,” 2006. [F. 3] 5. “Consider Lily, Cape May,” 1938-1939. 6. “Educational Material,” 1937-1942. [F. 4] 7. “Figures of Light,” 1971-1974. [F. 5] 8. “Film Preservation,” 1989-1990. 9. “Gielgud,” n.d. 10. “The Great Magoo,” n.d. 11. “Holland,” 1964-1972; includes correspondence; subfiles: [F. 6-11] a. Re: Dutch booklets and reviews on Writing. b. Re: 1972 correspondence. 12. “Hugo Poem,” 1971. [F. 12] 13. “Iceland,” 1970-1972. [F. 12-13] 14. “Interview with Film/Lit Quarterly,” 1987. [F. 14] 15. “Interviews,” 1972-1999. 16. “J. Simon Telluride,” 1998. 17. “Living Images—Jahiel,” n.d. [F. 15] 18. “Man of the World,” 1956. 19. “Martin Bernstein Reminiscences and Thanks,” n.d.; 8 copies. Box 2 20. “Memories Art Pictures,” 1928-1934; includes correspondence; juvenilia. [F. 1] 21. “Neg. + Misc.,” 1955. 22. “The New Republic,” 1964. 23. “NY Times pub 1998 Vanity Fair Telluride,” 1998. [F. 2] 24. “Out American Theater on Times Articles,” 1998-1999. 25. “Persons [illegible],” 1976-1977. [F. 3] 26. “Persons of the Drama,” 1976. 27. “Pinter Interview,” 1967-1971. 28. “Philanderer Trial,” 1953-1954. [F. 4-5] 29. “Players,” 1933-1980; includes subfiles: [F. 6] a. “New Plays Chronological,” 1936-1980. b. “[Illegible],” n.d. 30. “Players,” 1938. [F. 7] 31. “Program Guide June’67 July ’67,” 1967. 32. “P.S. 74,” n.d. 33. “Sound and Light at Ford’s Theater,” 1946-1957. [F. 8-9] 34. “S. Moss Poem,” 1972. [F. 10] Kauffmann, Stanley (12/12/13, 1/27/14) Page 1 of 81 35. “Shaw Articles,” 1950-1951. 36. “Shaw Specifics About Shaw’s Works,” 1906-2001; includes subfile: [F. 11-13] a. Re: Bernard Shaw the Immature Novelist. 37. “Shaw Writings by or About Specific Writings,” 1936-2001; includes subfile: [F. 14-16] a. “March ’67 May ’67,” 1967. 38. “Syberberg,” 1988. [F. 17] 39. “Times,” 1967. 40. “Times Piece (AR) and CUNY Talk,” 1986. Box 3 41. “Times Reviews,” 1966; includes subfile: [F. 1-2] a. Re: NY Times clippings by SK. b. Re: photocopied NY Times articles by SK. 42. “Times [illegible],” 1965-1972. [F. 3] 43. “Town Hall,” 1966; includes manuscripts; correspondence. [F. 4] 44. “The Very Man,” 1956. [F. 5] 45. “Vietnam,” 1966-1987; includes correspondence. 46. “Voice Interviews,” 1992. 47. “Voice Item,” 1992. 48. “Washington Square Players,” n.d. 49. “Wells,” 1979. 50. “World on Film I,” 1966-1970. [F. 6] 51. “World on Film II,” 1966. [F. 7] 52. Re: oldest living cultural critic, Newsweek, 2010. [F. 8] 53. Re: “A Change in Climate” reviews, 1954-1955. [F. 9] 54. Re: “If It Be Love” reviews, 1959-1960. [F. 10] 55. Re: moving picture world articles, n.d. [F. 11] 56. Re: nature poem and Anjelica Huston profile, n.d. 57. Re: Raymond Carney film criticism, 1981. 58. Re: “The King of Proxy Street” reviews, 1941; includes subfile: a. Re: “A Change of Climate” reviews, 1954. 59. Re: reviews for SHOWDOWN CREEK by Lucas Todd, 1955. [F. 12] 60. Re: SK juvenile contests and performances, 1931-1939. 61. Re: Harry Lloyd’s letter on “World of Comedy,” 1962. 62. Re: The Writer’s Forum, other magazines with SK work, 1937-1944. [F. 13-14] 63. Re: exiles, 1950-2003. [F. 15] 64. Re: SK NYT reviews, 1966. 65. Re: “Living Images” reviews, 1975. [F. 16] 66. Re: Kenneth Bradshaw funeral, 2007. 67. Re: early film reviews and articles, 1893-1970. [F. 17-19] 68. Re: oversized photocopies of books and articles, n.d. [F. 20] Box 4 69. Re: film reviews by others, 1894-1940. [F. 1] Kauffmann, Stanley (12/12/13, 1/27/14) Page 2 of 81 70. Re: “Saying It with Music,” “Present Laughter,” “Geniuses,” “Nine,” and “Win, Place and Show,” 1982. [F. 2] 71. Re: movie reviews by SK, 1993-1999. [F. 3-4] 72. Re: theatre reviews by SK, 1973-2006. [F. 5] 73. Re: “A Change of Climate” reviews, 1955. [F. 6] 74. Re: clippings of SK reviews; reviews of SK books by others, 1956. 75. Re: TROUBLE WANTED by Lucas Todd, 1958. 76. Re: magazine clippings of other film critics, 1930-1941. [F. 7-9] 77. Re: film review clippings by others, 1922-1961. [F. 10-12] B. General; may include correspondence. 1. Clippings, 1937-1988. [F. 13-14] Box 5 2. Magazines. a. The American Hebrew, 1939. [F. 1] b. The Bookseller, 1956. c. Cosmopolitan, 1954, 2 copies. d. Dance Magazine, 1961, 2 copies. e. Good Housekeeping, 1960. [F. 2] f. Mayfair, 1944. g. Morgana, 1931. h. Musical Digest, 1931. i. One Act Play Magazine, 1939. [F. 3] j. Philharmonic Hall 4th New York Film Festival, 1966. k. Pilgrimage, 1988. l. Punch, 1954. [F. 4] m. Redbook, 1959. n. Redbook, 1960. o. Saturday Review, November 1951. p. Saturday Review, December 1951, 2 copies. q. Saturday Review, January 1952. r. Scenario, n.d. [F. 5] s. The Seventh Art, 1963. t. Theater, 1986. u. Today’s Woman, 1946. v. The Townsman, 1933. w. Woman’s Home Companion, 1944. [F. 6] x. The Writer’s Forum, 1941. 3. Proofs. a. Galley proof, FILM, TS with holograph notes, 30 p., n.d. [F. 7] b. Page proof, TEN GREAT FILMS, TS, 114 p., 2012. 4. 1 blank postcard, n.d. [F. 8] 5. 4 bulletins, 1937-1965. 6. 2 book covers, n.d. 7. Internet printouts, 1998-2012. Kauffmann, Stanley (12/12/13, 1/27/14) Page 3 of 81 8. 3 posters, 1934, n.d. 9. 25 booklets, 1930-1991. [F. 9-11] Box 6 10. 4 pamphlets/brochures, 1942-1944. [F. 1] 11. 1 flyer, 1947. 12. 8 articles, 1938-1996. 13. 3 invitations, 1985. 14. 2 catalogues, 1965. 15. 2 book photocopies re: ALL AUTHORS ARE EQUAL and TEN GREAT FILMS, 120 p., n.d. 16. Approx. 100 programs, 1931-1967. [F. 2-3] 17. 10 journals. [F. 4] a. The American Scholar, Winter 1993. b. Bennington Review, September 1978. c. Better Verse, June 1937. d. Film Heritage, Fall 1972. e. Performing Arts Journal, 1985. f. The Writer’s Forum. i. July 1940. ii. July 1942. g. The Yale Review. i. 1984. ii. Undated. h. The Year’s Development in the Arts and Sciences, n.d. II. Correspondence. A. Professional. 1. Files; may include printed materials; photographs; financial materials; legal materials. a. “A,” 1962-1992; notables include: Antonioni, Michelangelo, 6 TLS: [F. 5] i. 4/3/1962. ii. 2/22/1965. iii. 6/6/1970. iv. 11/2/1971. v. 10/30/1972. vi. 1/15/1973. b. “American Film Criticism,” TLS, 1972-1983; includes legal; financial; professional materials. [F. 6-7] c. “B,” 1963-1999; notables include: [F. 8-9] i. Bradbury, Ray, 6 TLS: aa. 8/12/1983, bb. 8/3/1961. cc. 5/10/1962. dd. 5/24/1962. ee. 2/12/1963. ff. 6/12/1967. Kauffmann, Stanley (12/12/13, 1/27/14) Page 4 of 81 ii. Fellini, Federico to Bradbury, Ray, TLS, 1/26/1978, photocopy. d. “B-2 Brandt,” 1984-1998. [F. 10] e. “B-3,” 1966-1984. [F. 11-13] Box 7 f. “C,” 1962-1990. [F. 1] g. “Channel 13 – Broadcast,” 1966. [F. 2] h. “D” re: gratitude, publishing, 1963-1994; notables include: Douglas, Kirk, TLS, May 20, 1958. i. “E” re: video & theater production, 1967-1998; notables include: Ebert, Roger: i. TLS, 4/14/1994. ii. ANS, 11/19/1996. iii. TLS, 11/25/1997. iv. TN, Ebert, Roger to Karten, Harvey S., 8/2/1998. j. “F,” 1963-1991; notables include: Faust, Irvin, ALS, 12/18/1985. [F. 3] k. “For Preview,” 1966. [F. 4] l. “G,” 1978-1982; notables include: Gielgud, John, 2 ALS: i. 4/26/1954. [F. 5] ii. 10/23/1977. m. “H,” 1969-1983; includes ANS; TLS; includes financial materials. n. “H,” 1962-1993; includes ANS; TLS; includes legal; notables include: Harrison, Rex, ALS, 5/15/1963. [F. 7-9] o. “Iceland Correspondence,” 1969; includes ANS; TLS; includes printed materials. [F. 10] p. “J,” 1958-1988; includes TLS. [F. 11] q. “K,” 1961-1992; includes ANS; TLS; includes printed; notables include: i. Kazan, Elia, TLS, 9/30/1980. ii. Kubrick, Stanley, TLS, 1966-1967. [F. 12] r. “L,” 1962-2000; includes ANS; TLS. [F. 13] s. “Letters for Stanners,” 1939-1945; includes ANS; TLS. t. “M,” 1959-1962; includes ANS; TLS; notables include: i. Miller, Arthur; 1/19/1959; TLS. [F. 14] u. “Mc,” 1962-1992; includes TLS; includes financial materials; notable includes: i. MacLaine, Shirley, ANS, 1971. [F. 15] Box 8 v. “N,” 1965-1995; includes TLS; CTLS. [F. 1] w. “N-Z,” 1938-2001; includes TLS; TL; CTLS; CTL; ALS. [F. 2-3] x. “O,” 1955-1994; includes ALS; TLS; notable includes: [F. 4] i. Oates, Joyce Carol. aa. TLS, November 15, 1963. bb. TLS, September 13, 1966. Kauffmann, Stanley (12/12/13, 1/27/14) Page 5 of 81 cc. TLS, 4/12/1967. dd. ALS, 11/26/1980. ii. Oppenheimer, Robert, TLS, 10/17/1955. y. “P,” 1944-2005; includes ALS; TLS; includes printed materials. [F. 5] z. “Q,” 1972-1978; includes TLS; ALS. aa. “R,” 1964-1994; includes TLS; ALS; ANS; includes printed materials. bb. “Replies re: 1/23 Sem. Article,” 1966; includes ALS; TLS; includes printed materials.
Load more

Recommended publications
  • 10.9 De Jesus Precarious Girlhood Dissertation Draft
    ! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"&#2'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&(
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Network Review #37 Cannes 2021
    Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening
    [Show full text]
  • Warriors As the Feminised Other
    Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle.
    [Show full text]
  • Kering and the Festival De Cannes Will Present the 2017 Women in Motion Award to Isabelle Huppert the Young Talents Award Will Be Presented to Maysaloun Hamoud
    Kering and the Festival de Cannes will present the 2017 Women in Motion Award to Isabelle Huppert The Young Talents Award will be presented to Maysaloun Hamoud International film icon Isabelle Huppert will receive the third Women in MotionAward presented by Kering and the Festival de Cannes. Isabelle Huppert has chosen director and scriptwriter Maysaloun Hamoud to receive the Young Talents Award. François-Henri Pinault, Chairman and CEO of Kering, Pierre Lescure, President of the Festival de Cannes, and Thierry Frémaux, General Delegate of the Festival of Cannes, will present these awards during the official Women in Motion dinner on Sunday, 21 May 2017. Credits: Brigitte Lacombe For the third Women in Motion programme, official partner Kering and the Festival de Cannes will present the Women in Motion Award to French actress Isabelle Huppert. Exceptionally free-spirited and bold, Isabelle Huppert has taken many artistic risks in her career, and whilst acting with leading names, she has successfully established her own style in a variety of registers ranging from drama to comedy. She has pushed back boundaries with the strong and far-from-stereotypical roles that she has played since the early days of her career. Whether being directed by legendary filmmakers or by a brilliant new generation of talented filmmakers, Isabelle Huppert is one of the most inspirational figures in the world of cinema. Isabelle Huppert has in turn chosen to honour Maysaloun Hamoud by awarding her the Young Talents prize. In 2016 this young Palestinian director and scriptwriter made her first feature film, In Between (Bar Bahar), which chronicles the daily lives of three young Palestinian women living in Tel Aviv, torn between family traditions and their desire for independence.
    [Show full text]
  • A Film by Catherine BREILLAT Jean-François Lepetit Présents
    a film by Catherine BREILLAT Jean-François Lepetit présents WORLD SALES: PYRAMIDE INTERNATIONAL FOR FLASH FILMS Asia Argento IN PARIS: PRESSE: AS COMMUNICATION 5, rue du Chevalier de Saint George Alexandra Schamis, Sandra Cornevaux 75008 Paris France www.pyramidefilms.com/pyramideinternational/ IN PARIS: Phone: +33 1 42 96 02 20 11 bis rue Magellan 75008 Paris Fax: +33 1 40 20 05 51 Phone: +33 (1) 47 23 00 02 [email protected] Fax: +33 (1) 47 23 00 01 a film by Catherine BREILLAT IN CANNES: IN CANNES: with Cannes Market Riviera - Booth : N10 Alexandra Schamis: +33 (0)6 07 37 10 30 Fu’ad Aït Aattou Phone: 04.92.99.33.25 Sandra Cornevaux: +33 (0)6 20 41 49 55 Roxane Mesquida Contacts : Valentina Merli - Yoann Ubermulhin [email protected] Claude Sarraute Yolande Moreau Michael Lonsdale 114 minutes French release date: 30th May 2007 Screenplay: Catherine Breillat Adapted from the eponymous novel by Jules Barbey d’Aurevilly Download photos & press kit on www.studiocanal-distribution.com Produced by Jean-François Lepetit The storyline This future wedding is on everyone’s lips. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, an extremely virtuous gem of the French aristocracy. But some, who wish to prevent the union, despite the young couples’ mutual love, whisper that the young man will never break off his passionate love affair with Vellini, which has been going on for years. In a whirlpool of confidences, betrayals and secrets, facing conventions and destiny, feelings will prove their strength is invincible... Interview with Catherine Breillat Film Director Photo: Guillaume LAVIT d’HAUTEFORT © Flach Film d’HAUTEFORT Guillaume LAVIT Photo: The idea “When I first met producer Jean-François Lepetit, the idea the Marquise de Flers, I am absolutely “18th century”.
    [Show full text]
  • Ancient Greek Myth and Drama in Greek Cinema (1930–2012): an Overall Approach
    Konstantinos KyriaKos ANCIENT GREEK MYTH AND DRAMA IN GREEK CINEMA (1930–2012): AN OVERALL APPROACH Ι. Introduction he purpose of the present article is to outline the relationship between TGreek cinema and themes from Ancient Greek mythology, in a period stretching from 1930 to 2012. This discourse is initiated by examining mov- ies dated before WW II (Prometheus Bound, 1930, Dimitris Meravidis)1 till recent important ones such as Strella. A Woman’s Way (2009, Panos Ch. Koutras).2 Moreover, movies involving ancient drama adaptations are co-ex- amined with the ones referring to ancient mythology in general. This is due to a particularity of the perception of ancient drama by script writers and di- rectors of Greek cinema: in ancient tragedy and comedy film adaptations,3 ancient drama was typically employed as a source for myth. * I wish to express my gratitude to S. Tsitsiridis, A. Marinis and G. Sakallieros for their succinct remarks upon this article. 1. The ideologically interesting endeavours — expressed through filming the Delphic Cel- ebrations Prometheus Bound by Eva Palmer-Sikelianos and Angelos Sikelianos (1930, Dimitris Meravidis) and the Longus romance in Daphnis and Chloë (1931, Orestis Laskos) — belong to the origins of Greek cinema. What the viewers behold, in the first fiction film of the Greek Cinema (The Adventures of Villar, 1924, Joseph Hepp), is a wedding reception at the hill of Acropolis. Then, during the interwar period, film pro- duction comprises of documentaries depicting the “Celebrations of the Third Greek Civilisation”, romances from late antiquity (where the beauty of the lovers refers to An- cient Greek statues), and, finally, the first filmings of a theatrical performance, Del- phic Celebrations.
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]
  • Ð'ð¸Ñ‚оñ€Ð¸Ð¾ Де Сикð° Филм Ñ​Ð
    Виторио Де Сика Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Heart https://bg.listvote.com/lists/film/movies/heart-3699445/actors Il Boom https://bg.listvote.com/lists/film/movies/il-boom-1110092/actors Miracle in Milan https://bg.listvote.com/lists/film/movies/miracle-in-milan-1170844/actors The Condemned of Altona https://bg.listvote.com/lists/film/movies/the-condemned-of-altona-1406083/actors Un monde nouveau https://bg.listvote.com/lists/film/movies/un-monde-nouveau-1756571/actors The Roof https://bg.listvote.com/lists/film/movies/the-roof-1757561/actors Terminal Station https://bg.listvote.com/lists/film/movies/terminal-station-1779102/actors The Children Are Watching https://bg.listvote.com/lists/film/movies/the-children-are-watching-us-2526645/actors Us A Brief Vacation https://bg.listvote.com/lists/film/movies/a-brief-vacation-2656720/actors The Raffle https://bg.listvote.com/lists/film/movies/the-raffle-29532424/actors Anna of Brooklyn https://bg.listvote.com/lists/film/movies/anna-of-brooklyn-3547086/actors The Voyage https://bg.listvote.com/lists/film/movies/the-voyage-3796236/actors Le coppie https://bg.listvote.com/lists/film/movies/le-coppie-3828638/actors Lo chiameremo Andrea https://bg.listvote.com/lists/film/movies/lo-chiameremo-andrea-387468/actors Bread, Love and Andalusia https://bg.listvote.com/lists/film/movies/bread%2C-love-and-andalusia-3893167/actors Un garibaldino al convento https://bg.listvote.com/lists/film/movies/un-garibaldino-al-convento-4003827/actors It Happened in the Park https://bg.listvote.com/lists/film/movies/it-happened-in-the-park-4011833/actors Teresa Venerdì https://bg.listvote.com/lists/film/movies/teresa-venerd%C3%AC-524714/actors La porta del cielo https://bg.listvote.com/lists/film/movies/la-porta-del-cielo-609855/actors Umberto D.
    [Show full text]
  • Italian Films (Updated April 2011)
    Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni.
    [Show full text]
  • Food for Soul
    Food for Soul A unique compilation of M ovies and Books to keep you on the edge! Part 1­ MOVIES This is a beginner’s list of movies that will stir your imagination. We recommend that you watch these carefully, over the next few months and try to understand the director’s message. These are interesting, but difficult movies. They will force you to question some of your beliefs, and will help your thought patterns take on new dimensions. Happy viewing! 1. THE UNTOUCHABLES “The Power of Character” Kevin Kostner, Sean Connery, Robert de Niro Kevin Costner became a star as the legendary “G­Man” Eliot Ness in THE UNTOUCHABLES, a slam­bang gangster saga with bravura direction by Brian De Palma, a witty David Mamet script and superb acting, including Robert De Niro as Al Capone and Sean Connery’s Oscar­winning turn as a wily veteran cop. It’s a terrifically entertaining and exciting movie. The story is almost totally fictionalized (Ness never killed Frank Nitti and had nothing to do with Capone’s income­tax rap), but this becomes completely irrelevant in light of the beautifully crafted film’s accomplishments. De Palma, who has often been accused of emphasizing style over content, here has a strong and substantial script to work with, and his flashy direction meshes perfectly with the film’s flamboyantly operatic design. The script may not be true to history, but it’s true to human emotion and very moving, personalizing the battle between good and evil by concentrating on the impact that violence and corruption has on families.
    [Show full text]
  • 1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
    1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company.
    [Show full text]