States' Failure to Compensate the Wrongfully Convicted
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Judicial Gatekeeping of Police-Generated Witness Testimony Sandra Guerra Thompson
Journal of Criminal Law and Criminology Volume 102 | Issue 2 Article 2 Spring 2012 Judicial Gatekeeping of Police-Generated Witness Testimony Sandra Guerra Thompson Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons Recommended Citation Sandra Guerra Thompson, Judicial Gatekeeping of Police-Generated Witness Testimony, 102 J. Crim. L. & Criminology 329 (2013). https://scholarlycommons.law.northwestern.edu/jclc/vol102/iss2/2 This Criminal Law is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. 0091-4169/12/10202-0329 THE JOURNAL OF CRIMINAL LAW & CRIMINOLOGY Vol. 102, No. 2 Copyright © 2012 by Northwestern University School of Law Printed in U.S.A. JUDICIAL GATEKEEPING OF POLICE- GENERATED WITNESS TESTIMONY SANDRA GUERRA THOMPSON* This Article urges a fundamental change in the administration of criminal justice. The Article focuses on what I call “police-generated witness testimony,” by which I mean confessions, police informants, and eyewitness identifications. These types of testimony are leading causes of wrongful convictions. The Article shows that heavy-handed tactics by the police have a tendency to produce false evidence of these types, especially when the individuals being questioned by police are particularly vulnerable, such as juveniles or those who are intellectually disabled or mentally ill. It also demonstrates that there are procedural best practices that the police can follow to reduce the dangers of false evidence. -
Food for Soul
Food for Soul A unique compilation of M ovies and Books to keep you on the edge! Part 1 MOVIES This is a beginner’s list of movies that will stir your imagination. We recommend that you watch these carefully, over the next few months and try to understand the director’s message. These are interesting, but difficult movies. They will force you to question some of your beliefs, and will help your thought patterns take on new dimensions. Happy viewing! 1. THE UNTOUCHABLES “The Power of Character” Kevin Kostner, Sean Connery, Robert de Niro Kevin Costner became a star as the legendary “GMan” Eliot Ness in THE UNTOUCHABLES, a slambang gangster saga with bravura direction by Brian De Palma, a witty David Mamet script and superb acting, including Robert De Niro as Al Capone and Sean Connery’s Oscarwinning turn as a wily veteran cop. It’s a terrifically entertaining and exciting movie. The story is almost totally fictionalized (Ness never killed Frank Nitti and had nothing to do with Capone’s incometax rap), but this becomes completely irrelevant in light of the beautifully crafted film’s accomplishments. De Palma, who has often been accused of emphasizing style over content, here has a strong and substantial script to work with, and his flashy direction meshes perfectly with the film’s flamboyantly operatic design. The script may not be true to history, but it’s true to human emotion and very moving, personalizing the battle between good and evil by concentrating on the impact that violence and corruption has on families. -
Culture of South Africa
Culture of South Africa From Wikipedia, the free encyclopedia Jump to: navigation, search Zulus in Natal Castle of Good Hope, the oldest colonial building in South Africa The culture of South Africa is known for its ethnic and cultural diversity. The South African black majority still has a substantial number of rural inhabitants who lead largely impoverished lives. It is among these people, however, that cultural traditions survive most strongly; as blacks have become increasingly urbanised and Westernised, aspects of traditional culture have declined. Urban blacks usually speak English or Afrikaans in addition to their native tongue. There are smaller but still significant groups of speakers of Khoisan languages who are not included in the eleven official languages, but are one of the eight other officially recognised languages. There are small groups of speakers of endangered languages, most of which are from the Khoi-San family, that receive no official status; however, some groups within South Africa are attempting to promote their use and revival. Members of middle class, who are predominantly white but whose ranks include growing numbers of black, coloured and Indian people, have lifestyles similar in many respects to that of people found in Western Europe, North America and Australasia. Members of the middle class often study and work abroad for greater exposure to the markets of the world. Indian South Africans preserve their cultural heritage, languages and religious beliefs, being either Christian, Hindu or Muslim and speaking English, with Indian languages like Hindi, Telugu, Tamil or Gujarati being spoken less frequently as second languages. The first Indians arrived on the Truro ship as indentured labourers in Natal to work the Sugar Cane Fields, while the rest arrived as traders. -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
Rules Change for Original Song Category
OSCAR SEASON WILL KICK OFF WITH A NEW BlACK TIE strongly about honoring, without second-guessing any event this November. For the first time, the Governors impact on the Academy Awards teleca t. That said, the Awards - the Jean Hersholt Humanitarian Award, the Irving Board did set a limit to the number of awards to be given in G. Thalberg Memorial Award and the Honorary Award - will any year - a maximum of four - so that the honors' integrity be presented at a celebratory dinner separate from the is appropriately maintained. No more than one Hersholt or Academy Awards telecast, at the Grand Ballroom at more than one Thalberg can be voted in a single year. Both Hollywood & Highland Center®. the Hersholt and the Honorary awards are 0 car tatuette; Creating a separate event for these honors has been the Thalberg is a bust of the fabled production executive. discussed a number of times in recent years, as the Board of The new event will allow the Governors Awards recipients Governors continued to struggle with balancing the desire to have more of their friends, family, co-workers and to recognize truly deserving individuals with the time li mita admirers present, and the honorees' careers and contribu tions that the Oscar telecast imposes. This spring a committee tions can be more fully explored at a dinner event that is chaired by Executives Branch governor Tom Sherak met to committed solely to those individuals. seriously examine the issue, and the Board approved that The Board will convene in September to select the committee's recommendation inJune. -
Academy Award -- Britannica Online Encyclopedia
10/10/2017 Academy Award -- Britannica Online Encyclopedia Academy Award Academy Award, in full Academy Award of Merit, byname Oscar, any of a number of TABLE OF CONTENTS awards presented Introduction annually by the Academy of Motion Picture Arts and Categories and rules Sciences, located in History Beverly Hills, California, Oscar statuette U.S., to recognize The Oscar statuettes presented at the 76th achievement in the �lm Academy Awards ceremony, 2003. industry. The awards were �rst presented in 1929, and Tim Boyle—Getty Images winners receive a gold-plated statuette commonly called Entertainment/Thinkstock Oscar. CATEGORIES AND RULES Winners are chosen from the following 24 categories: best picture, actor, actress, supporting actor, supporting actress, directing, original screenplay, adapted screenplay, cinematography, production design, editing, original score, original song, costume design, makeup and hairstyling, sound mixing, sound editing, visual effects, Marie Dressler and Lionel Barrymore after foreign-language �lm, animated feature �lm, animated winning Academy Awards for best actress short, live-action short, documentary feature, and and actor in 1931. documentary short. The academy also presents scienti�c Encyclopædia Britannica, Inc. and technical awards, special achievement awards, honorary awards, the Jean Hersholt Humanitarian Award, the Irving G. Thalberg Memorial Award (for excellence in producing), and the Gordon E. Sawyer Award (for technological contributions), although these are not necessarily awarded annually. To be eligible for an award in a given year, a �lm must be publicly exhibited for paid admission for at least one week at a commercial theatre in Los Angeles county between Halle Berry accepting the Academy Award for best actress, with presenter Russell January 1 and midnight of December 31 of that year. -
“I Want to Know What Freedom Is About.”
THE INNOCENCE PROJECT 2014 ANNUAL REPORT Benjamin N. Cardozo School of Law, Yeshiva University “I wANT TO KNOW WHAT FREEDOM IS ABOUT.” Page 1 Joseph Abbitt / Habib Wahir Abdal / Christopher Abernathy / Kenneth Adams / Gilbert Alejandro / Richard Alexander / Marvin Anderson / Randolph Arledge / Herman Atkins / Steven Avery / William D. Avery / David Ayers / James Bain / Bennett Barbour / Steven Barnes / Jonathan Barr / Chester Bauer / Antonio Beaver / Gene Bibbins / Phillip Bivens / Michael Blair / Kirk Bloodsworth / Donte Booker / Orlando Boquete / Larry Bostic / Marcellius Bradford / Ted Bradford / Mark Diaz Bravo / Kennedy Brewer / Johnny Briscoe / Dale Brison / Jimmy Ray Bromgard / Dennis Brown / Danny Brown / Leon Brown/ Nathan Brown / Roy Brown / Keith Brown / Patrick Brown / David Johns Bryson / Ronnie Bullock / Harold Buntin / Victor Burnette / A.B. Butler / Kevin Byrd / Dean Cage / Leonard Callace / David Camm / Anthony Capozzi / Anthony Caravella / Terry Chalmers / Anthony Chapparo / Clyde Charles / Ulysses Rodriguez Charles / Charles Chatman / Robert Clark / Allen Coco / Timothy Cole / Ronald Cotton / Sedrick Courtney / Uriah Courtney / Stephan Cowans / Roy Criner / McKinley Cromedy / Alan Crotzer / Rolando Cruz / Calvin Wayne Cunningham / Charles Dabbs / Dwayne Allen Dail / Richard Danziger / Willie Davidson / Donya Davis / Gerald Davis / Dewey Davis / Cody Davis / Larry W. Davis / Jeramie Davis / Frederick Daye / James Dean / Wilton Dedge / Jeff Deskovic / Robert Dewey / Garry Diamond / Luis Diaz / William Dillon / John Dixon / Bobby Ray Dixon / Alejandro Dominguez / Thomas Doswell / Gary Dotson / Cornelius Dupree / Timothy Durham / Douglas Echols / James Edwards / Clarence Elkins / Lonnie Erby / Michael Evans / Jerry Lee Evans / Charles Irvin Fain / Scott Fappiano / Joseph Fears Jr. / Wiley Fountain / Joseph Frey / Dennis Fritz / Larry Fuller / Donald Eugene Gates / James Curtis Giles / Larry Gillard / Bruce Godschalk / Angel Gonzalez / Hector Gonzalez / Kathy Gonzalez / Donald Wayne Good / Bruce Dallas Goodman / Andrew Gossett / David A. -
Chapter I: Academy Award 6
“ELENA CUZA” NATIONAL COLLEGE-CRAIOVA ATESTAT PAPER -OSCARS AND THEIR GREATNESS - COORDINATING TEACHER: CANDIDATE: -May 2011- 1 CONTENTS Rationale 3 Introduction 5 Chapter I: Academy Award 6 Chapter II: The Oscar 15 Chapter III: Legal Regulations 19 Chapter IV: Awards Night 27 Bibliography 32 Conclusion 33 Map of Illustrations 36 2 Rationale This paper is made up of 4 chapters which also contain an impressive map of illustrations. In the first chapter- Academy Award- there can be found important and also interesting information about the Academy Award ,which is the formal ceremony where the awards are presented and it is among the most prominent and most watched film awards ceremonies in the world. The second chapter-The Oscars-comes to offer a more complex image of the Oscar trophy which includes data as :” Ownership of Oscar statuettes” ,”The Origin of the Oscar Name” and “Manufacturing, Shipping and Repairs” The third chapter talks about “Legal Regulations for using Intellectual Properties of the Academy of Motion Picture Arts and Sciences”(AMPAS, a professional honorary organization, maintaining a voting membership) The last chapter is about “Awards night”, when the major awards are presented at a live televised ceremony ,not to mention that the preparation is essential for coming to such a huge occasion. 3 Introduction It’s hard not to feel some affection, even love, for the Oscars, the biggest film industry awards ceremony. From the screen sirens of the past to today's modern beauties, the Academy Awards always reflect the incomparable elegance of Hollywood. Over the last eight decades there have been many fashionable and defining Oscar moments: the gilded looks of the '40s, the sweetheart statements of the '50s, the pinups of the '60s, the revealing styles of the '70s and the dramatic designs of the '80s. -
Schindler's List Violin Sheet Music
Schindler's list violin sheet music Continue Arrangement of John Williams had to find the perfect balance between emotion and sobriety when writing music for Schindler's list, so he wrote a classic theme for which he won an Oscar for best film score. Play the violin score from the magnificent theme Schindler's List, arranged for an easy level, accompanied by a professional recording of the orchestra. © 2018 Tombooks www.tomplay.com Audio Playback License courtesy Tency Music SAS/item/eprint-preview/I/Theme from Schindler's List/10041857E ePrint gives you the opportunity to view and print your digital music purchases. How can I access my ePrint names? EPrint digital note purchases are stored and available through ePrint in your My Library account. Can I print my music and make copies? Due to copyright law, you cannot make any copies of your digital notes purchases. If you have purchased several copies, please print out all of them. Arrangement of John Williams had to find the perfect balance between emotion and sobriety when writing music for Schindler's list, so he wrote a classic theme for which he won an Oscar for best film score. Play the violin score from the magnificent theme Schindler's List, arranged for an easy level, accompanied by a professional recording of the orchestra. © 2018 Tombooks www.tomplay.com Audio Playback License courtesy Tency Music SAS/item/eprint-preview/I/Theme from Schindler's List/10041857E ePrint gives you the opportunity to view and print your digital music purchases. How can I access my ePrint names? EPrint digital note purchases are stored and born August 31, 1945) is an Israeli-American יצחק פרלמן) available through ePrint in your My Library account. -
Is Zionism in U.S. Over?
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 16 Pages Price 20,000 Rials 1.00 EURO 4.00 AED 39th year No.13345 Wednesday MARCH 6, 2019 Esfand 15, 1397 Jumada Al thani 28, 1440 Trump after Dutch diplomats Not good enough Maestro Fakhreddini’s commercializing expelled in a for Iranian teams book “Under Heaven” world security 2 reciprocal move 2 at 2019 ACL 15 unveiled in Tehran 16 INSTC meeting makes important decisions Is Zionism in U.S. over? TEHRAN — The seventh meeting of the in each country were among the decisions coordination council of International North which were made at the end of the two- One former spy & counterintelligence officer says yes South Transit Corridor (INSTC) wrapped day gathering. up on Tuesday and the council reached a According to Iranian Deputy Trans- conclusion including several important port Minister Shahram Adamnejad, decisions regarding the corridor. establishing a joint company between As reported by the Iranian transport all member states has been one of the EXCLUSIVE ministry news portal, equalization of cus- major decisions reached in the meeting INTERVIEW See page 7 toms tariffs for member countries, estab- and the plan for this company will be lishing a joint company by the member designed, analyzed and executed within states and determining a corridor manager the next few months. 4 Iranians not trusting Europe over JCPOA: Kharrazi TEHRAN — Kamal Kharrazi, chief of He further said Europe’s immediate the Strategic Council on Foreign Re- implementation of its trade mechanism lations, said on Tuesday that Europe’s for Iran, also known as INSTEX, may gain approach to the 2015 nuclear pact has the trust of the Iranian nation. -
Eastern Sensibility in Visualizing Brokeback Mountain
REPRESSION, SILENCE, AND CINEMATIC LANGUAGE: EASTERN SENSIBILITY IN VISUALIZING BROKEBACK MOUNTAIN Huai Bao Dhawa Abstract: From Brokeback Mountain to Life of Pi, the Taiwan-born film director, Ang Lee, has won two Oscars for the Best Director. Both films are set in cultural contexts where Lee did not grow up, and yet both have drawn global audiences and received unanimous praise from critics. This article examines Ang Lee’s cinematic technique communicated with his Eastern sensibilities in Brokeback Mountain. In applying his cinematic language, he not only shows loyalty to the mood and content of the original short story, but also re-creates much visual detail. His visual additions serve to redeem what in writing is not replicable in film, such as psychological description, and to enrich the story to fill the range of a full-length feature film. So much has been written about Ang Lee’s Brokeback Mountain. The film has received unanimous acclamation from global audiences, film critics and LGBT communities. It was also one of the biggest winners at the 78th Academy Awards, crowning Lee the Best Director. It has been regarded as an “issue film that invites nothing but pure escapism” (Herring, 2007, 94), as well as “a love story about two guys who happen to be gay” (McBride, 2007, 96). The financial success of the film is equally remarkable. Grundmann has noted, “Made and marketed for $14 million (not a single one of which, as Variety has noted, went to TV advertising), its initial badge was strictly art house. But when the opening weekend yielded a conspicuous eighth best per-screen average in history, even seasoned industry analysts were taken by surprise ” (2006, 50-52). -
Download for the Reader
Folklore Electronic Journal of Folklore http://www.folklore.ee/folklore Printed version Vol. 50 2012 Folk Belief and Media Group of the Estonian Literary Museum Estonian Institute of Folklore Folklore Electronic Journal of Folklore Vol. 50 Edited by Mare Kõiva & Andres Kuperjanov Guest editor: Anneli Baran Tartu 2012 Editor in chief Mare Kõiva Co-editor Andres Kuperjanov Guest editor Anneli Baran Copy editor Tiina Mällo Language editor Gordon Allan Leman Design Andres Kuperjanov Layout Diana Kahre Editorial board 2008–2014: Dan Ben-Amos (University of Pennsylvania, USA), Larisa Fialkova (University of Haifa, Israel), Diane Goldstein (Me- morial University of Newfoundland, Canada), Terry Gunnell (University of Iceland), Jawaharlal Handoo (University of Mysore, India), Frank Korom (Boston University, USA), Monika Kropej (Institute of Slovenian Ethnol- ogy), Kristin Kuutma (University of Tartu, Estonia), Aado Lintrop (Estonian Literary Museum), Wolfgang Mieder (University of Vermont, USA), Irina Sedakova (Russian Academy of Sciences). Electronic version is supported by Estonian Science Foundation (grant no. 8137). Printed version is supported by state programme projects EKKM09-168 and EKKM09-170. Indexed in EBSCO Publishing Humanities International Complete, Thomson Reuters Arts & Humanities Citation Index, MLA International Bibliography, Ulrich’s Periodicals Directory, Internationale Volkskundliche Bibliogra- phie / International Folklore Bibliography / Bibliographie Internationale d’Ethnologie), DOAJ, C.E.E.O.L., ERIH (B) Editorial address: