Marangoni /Life Mutation Start /The Real Transformation
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Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
2017-2018 Updated Fashion Design
Fashion Design The Hoot Addendum #4 This addendum replaces the Fashion Design section (pages 231 – 238) of the 2017-18 The Hoot. Revised December 1, 2017 BACK TO CONTENTS | 231 FASHION DESIGN Innovation in fashion design results from a rigorous process of developing and editing ideas that address specific design challenges. Students in our program work alongside expert, professional faculty and guest mentors, who are current and visible designers, to become educated and practiced in all aspects of the design process. Throughout their experience, students produce original designs and develop collections for their portfolio. In their Junior and Senior year, students have the opportunity to work in teams to create unique designs under the guidance of mentors, emulating professional designers and following the industry's seasonal schedule. Recent mentors for the Junior and Senior class have included Anthropologie, Urban Outfitters, Nike, Roxy, Armani Exchange, BCBG, Trina Turk, Ruben & Isabel Toledo, and Bob Mackie. Junior and Senior designs are featured at the annual Scholarship Benefit and Fashion Show at the Beverly Hilton. FASHION DESIGN WITH AN EMPHASIS IN COSTUME DESIGN Students may choose to pursue an emphasis in Costume Design. With a focus on new directions in character development for film, television, live performance, concept art, and video, students emerge from the Costume Design Emphasis track as relevant, creative professionals prepared for the future direction of this exciting field. Under the guidance of critically-acclaimed costume design professionals and leading costume houses, students will produce original designs and dynamic illustrations, combining traditional and digital methods, for their portfolios. Costume Design mentors have included: Disney, Cirque du Soleil, Theadora Van Runkle, Betsy Heimann, Western Costume, Bill Travilla, and Bob Mackie. -
The Short Courses
MILANO FIRENZE PARIS LONDON MUMBAI SHANGHAI SHENZHEN MIAMI The Short Courses istitutomarangoni is y life THE THEATRE OF DREAMS Living fashion as protagonists, being the new authors of contemporary art and design, making their mark through the free and conscious artistic expression of their creative self: this is the ambition of more than 4,000 participants from over 100 different countries, who, every year, step through the front door of one of the ten Istituto Marangoni schools across the world, eager to prepare for their future and to live a dream often harboured by the enthusiasm of a veritable vocation. A heterogeneous, dynamic, demanding learning community, facing the scenarios outlined by a future ever more globalized and rich of new professional opportunities. Fashion, design, and art are tied by mutual and complex influences. To allow participant’s knowledge and full comprehension is the mission that Istituto Marangoni has been successfully pursuing since 1935, thanks to the ability to adapt the educational model to the evolving society; while remaining firm on the institute’s founding values, such as its proud Italian identity, expressed through the enhancement of the cultural, artistic and entrepreneurial traditions forming the core of Made in Italy. This identity co-exists with a strong international vocation, allowing the school to extend its formative experience through a strategic network located in the heart of the fashion, art and design capitals of today and of tomorrow. At the same time, it is the ambition and curiosity of the participants, the real protagonists of life at Istituto Marangoni, that encourages the modern, compelling educational approach of the institute. -
Florence Nelson Kennedy FASHION ILLUSTRATOR
^sp-""* ' Florence Nelson Kennedy FASHION ILLUSTRATOR Pat Kennedy Crump lorence Nelson Kennedy often called herself a "stubborn Swede." Determined would have been a better description. She started to draw at an early age and loved doing it; she ac knowledged that she was an artist and deter Fmined to pursue a career in fashion illustration. At first, she may not have known that this ambition had great potential in her time. In the early decades of the twentieth century, opportunities were plentiful for commercial artists of all types, as advertising and pub lishing depended heavily on illustration, rather than photography. One means of preparing for such a career, espe cially for students who lived far from metropolitan ar eas, was instruction by mail. Universities had proven that home study was an excellent method of training, but it was a new idea in the field of commercial art. The Federal School of Commercial Designing, estab lished in Minneapolis in 1914, was adapted from a thor ough course employed by the Bureau of Engraving, a Minneapolis printing and engraving firm. Early school advertisements drew immediate responses, and the firm's success grew. The school started thousands of artists on successful careers, and Florence Nelson Ken nedy was one of them.' 'Colgate Buckbee, "How An Idea Grew Into the World's Largest Home Study Art School," The Illustrator (Minneapo lis), Winter-Spring 1964, p. 4-5; Joseph G. Almars (son of Joseph Almars, one of the Federal Schools' founders), tele phone interview with the author, Feb. 11, 1992; Minneapolis Star, Jan. 2, 1964, p. -
A Study of Fashion Art Illustration
Journal of Fashion Business Vol. 6, No. 3. pp.94~109(2002) A Study of Fashion Art Illustration Kang, Hee-Myung and Kim, Hye-Kyung* Lecturer, Doctoral, Dept. of Fashion Design, Dongduk Women’s University Professor, Dept. of Fashion Design, Dongduk Women’s University* Abstract The advent of the information age, advancement of the multi-media, and proliferation of internet are all ushering-in a new era of a cyber world. The artistic expression is unfolding into a new genre of a new era.. In the modern art, the boundary between the fine art and the applied art is becoming blurred, and further, distinction of fine art from popular art is also becoming meaningless. The advancement of science and technology, by offering new materials and visual forms, is contributing to the expansion of the morden art’s horizon. As fashion illustration is gaining recognition as a form of art which mirrors today’s realities, it has also become increasingly necessary to add variety and newness. Fashion illustration is thus becoming the visual language of the modern world, capable of conveying artistic emotion, and at the same time able to effectively communicate the image of fashion to the masses. The increasing awareness of artistic talent and ingenuity as essential components of fashion illustration is yielding greater fusion between fashion illustration and art &technology. This has resulted in the use of the advanced computer technology as a tool for crafting artistic expressions, such as fashion illustration, and this new tool has opened-up new possibilities for expressing images and colors. Further, the computer-aided fashion illustration is emerging as a new technique for expression. -
The Language of Clothes: Curriculum Evalua Tion of Four Fashion Design and Merchandising Programs in Canada
THE LANGUAGE OF CLOTHES: CURRICULUM EVALUA TION OF FOUR FASHION DESIGN AND MERCHANDISING PROGRAMS IN CANADA JUDI DORMAAR B.A., University of Lethbridge, 1993 A Project Submitted to the Faculty of Education of the University of Lethbridge in Partial Fulfillment of the Requirements for the Degree MASTER OF EDUCATION Lethbridge, Alberta February 2003 111 Abstract A high level of educational attainment carries both economic and social benefits. The popularity of continuing education programs and adult high school completion programs attest to people's interest in educational development and to the growing importance of education, skills and training in today's workplace. In general, higher levels of educational attainment are associated with improved labour market outcomes. Employment rates increase and unemployment rates decrease with higher levels of education. Education in the area of Fashion Design and Merchandising is one such area that is continuing to grow and MUST grow to keep up with the dynamics of our society. Fashion in the global market and in Canada today is big business. Its component parts - the design, production and distribution of fashion merchandise - form the basis of a highly complex, multibillion-dollar industry. It employs the greatly diversified skills and talents of millions of people, offers a multitudinous mix of products, absorbs a considerable portion of consumer spending and plays a vital role in the country's economy. Almost every country in the world depends on the textile and apparel sectors as important contributors to their economy. In Canada, more and more people will need an increasing amount of training and retraining throughout their careers. -
Wfw19-Magazine-2
Apr/May 2019 WINCHESTER FASHION WEEK Complimentary #WFW19 Programme of Talks Workshops Showcases Shopping Experiences #INDIEWINCH EDIT Winchester’s fashion independents on Instagram Sponsored by Brought to you by @WinFashionWk A CELEBRATION OFwinchesterfashionweek.co.uk STYLE FREE FILM SCREENING The University of Winchester is proud to sponsor Winchester Fashion Week 2019 and to host a special free screening of an acclaimed fashion documentary that delves behind the scenes of 2015’s China-themed Met Gala, the fashion world’s most dynamic annual event. THE FIRST MONDAY IN MAY Hello & Welcome, e are delighted to warmly welcome you to the ninth annual Winchester Fashion Week coordinated by Winchester Business Improvement District (BID). W It’s lovely to meet you. Let’s start with the introductions… We are Sarah and Hannah from Winchester BID, who have worked together to produce and promote this year’s event. We are proud to present a fresh, new theme and programme for Winchester Fashion Week – A Celebration Of Style (WFW19). This includes in store shopping experiences, workshops, talks and showcases, as well as catwalk shows and a fashion fair. This year, we have revised and developed WFW19 to celebrate style in the city. We have introduced a new brand that pays homage to its heritage with a focus on sustainability, local charity and the city’s circular economy throughout the event. This year, we have revised and developed the 6 day event, which we see as a great way to bring local businesses together with some exciting collaborations, interesting presentations and to showcase all things new on offer in Winchester, whilst building subjects like sustainability, local charity and the city’s circular economy into the proceedings. -
101 CC1 Concepts of Fashion
CONCEPT OF FASHION BFA(F)- 101 CC1 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Introduction to Fashion 5-47 2. Fashion Forecasting 48-69 3. Theories of Fashion, Factors Affecting Fashion 70-96 4. Components of Fashion 97-112 5. Principle of Fashion and Fashion Cycle 113-128 6. Fashion Centres in the World 129-154 7. Study of the Renowned Fashion Designers 155-191 8. Careers in Fashion and Apparel Industry 192-217 9. -
International Study Centre
MILANO FIRENZE PARIS LONDON MUMBAI SHANGHAI SHENZHEN International Study Centre The professionals of today for those of tomorrow: a well-known historic test bed laboratory of artistic and visual culture with an international imprint. Excellent relations with the industry in Europe and all over the world, to teach the new professionals and introduce them to the world of work. Here students and individuals from around the world meet and engage with one another, in a continuous exchange of stimuli, ideas, projects and visions that have as their common denominator the evolution of the language of aesthetics. INDEX 04 Seven Capitals at the Centre of Style 06 Create Your Future 08 London • the Energising Melting Pot 10 Foundation Year 12 Progression degrees 14 Meet Our Students 16 Maps istitutomarangoni is y life 18 How to Apply Milano SEVEN CAPITALS TO ALWAYS BE AT THE Firenze Paris CENTRE OF STYLE 7 Being always at the centre of the action is one of Istituto Marangoni’s distinctive teaching methods. Milano*, Firenze, Paris, London, Mumbai, Shanghai* London Mumbai and Shenzhen The cities hosting the locations of Istituto Marangoni are among the world’s most vibrant capitals of fashion, design and fine arts, where the trends of today and tomorrow come to light every day. That is why they are able to provide an exciting, highly inspiring environment to the participants who choose to attend the school. At the same time, these cities inspire the educational programmes of each location. Indeed, besides the disciplines that have made the history of Istituto Marangoni, others are specifically chosen to reflect the social, cultural and economic environment surrounding them, thus promoting a lively interaction between the school, its participants, and the reality of the market in which they strive. -
Curriculum Vitae
IRINA TEVZADZE Fashion Design ● Fine Art 750 S Ash Ave., Apt 8039, Tempe, AZ 85281, USA. Tel: 1.573.777-2554 E-mail: [email protected] & [email protected] Web: www.irinatevzadze.com Summary: Irina Tevzadze is a designer, interdisciplinary artist and educator with more than 20 years of experience. As a fashion designer, she creates and has internationally showcased numerous collections of womenswear, childrenswear, accessories and uniforms and she has also designed collections for high-profile European fashion houses. As an artist, she works in a broad variety of traditional and digital media and her works have been exhibited and sold worldwide. In higher education, Ms. Tevzadze has taught undergraduate fashion and art courses, advised students and guided and supervised their submissions to prestigious fashion competitions. Education: MFA – 1998, BFA (Honors Diploma) – 1994 Department of Decorative and Applied Arts and Department of Design Tbilisi State Academy of Art, Tbilisi, Georgia Based on thorough research and cross-cultural synthesis, completed and defended several creative projects which presented innovative ideas and developed a methodology for forecasting future trends in fashion. This methodology was based on creative and innovative inter-connection of various shapes and forms, body postures, movement and motion, introduction of new color palettes and contemporary surface designs and patterns. Professional Experience: INTERDISCIPLINARY ARTIST, ILLUSTRATOR & DESIGNER – 1992 to present CO-FOUNDER and CREATIVE DIRECTOR – 2005 to present “sakartvelo.com” LLC, Tbilisi, Georgia Co-founded design and communication consulting company and oversees the creative for the company’s commercial projects; worked on corporate and personality branding projects, designed clients’ corporate identity visuals and developed communication strategies; led design and development of company products and supervised their production. -
Redefining the High Art of Couture: Fashion Illustration Goes Modern
Redefining the High Art of Couture: Fashion Illustration Goes Modern exhibition curated by Decue Wu Tuesday, April 30, 2013 Fashion illustration has a long history and has played a critical role in the fashion industry. In the past, fashion illustrations were the main avenue for presenting the glamorous fashion concepts of designers. The illustrators added their own elements into their illustrations while showing the designerʼs vision. Meanwhile, fashion illustrators also documented the fashion show as editorial illustrations for magazines, newspapers and other publications. Yves Saint Laurent drawing designs. 1957 Tuesday, April 30, 2013 Cover illustration by Benito, 1921, for Vogue, February 15, 1921. Cover illustration by Benito, 1929, for Vogue, August 1929. Tuesday, April 30, 2013 Exhibition Précis: Redefining the High Art of Couture: Fashion Illustration Goes Modern is an exhibition that asserts that fashion illustration is a fine art. The focus is on the fashion illustrations of notable contemporary fashion illustrators, including David Downton (1959), Gladys Perint Palmer, Tanya Ling (1966), Francois Berthoud (1961), Mats Gustafson (1951), Zoë Taylor (1982), Jean-Philippe Delhomme (1959) and Howard Tangye (1979). Approximately two to four illustrations showcase the remarkable artistic talents of each artist. This exhibition is meaningful because it dispels the idea that fashion illustration is merely a functional tool for a fashion house— one used either to instruct tailors or to be manipulated as a marketing-and-sales device in fashion magazines or blogs. Instead, these exquisite drawings lift fashion illustration to its rightful place—as a high-art form worthy of acquisition by a museum or a private collector. -
D8 Fashion Show Letter
D8 4-H CLOTHING & TEXTILES EVENTS District Contest Information Date: Tuesday, April 17, 2018 Location: Bell County Expo Center 301 W Loop 121, Belton, TX 76513 www.bellcountyexpo.com Time: • See attached schedule. • The Fashion Show & Duds to Dazzle Contests will be held on the same day. 4-H members may participate in both events. They will be judged in Fashion Show first, then compete in Duds to Dazzle. • The concession stand will be open to purchase food for lunch or snacks. • The schedule is TENTATIVE until entries are received and processed. Deadlines: Please see your County Extension Agent for registration requirements and deadline. http://counties.agrilife.org/ Senior Paperwork for Senior Fashion Show (Buying, Construction, Natural Fiber) must be uploaded Paperwork: on 4-H Connect by the deadline. Junior and Paperwork for Junior and Intermediate Fashion Show participants will not be judged prior Intermediate to the day of the Fashion Show. Participants will bring two copies of their paperwork with Paperwork: them to the contest. Storyboards: In addition to the registration on 4-H Connect by March 23 the Storyboard must be physically in the McLennan County Extension Office by Tuesday, March 27 at 10 am. • All Storyboards must be received by this date. They must be PHYSICALLY in the McLennan County Extension Office by this date and time. Consider working with surrounding counties to make a plan to deliver them. They will most likely not withstand shipping. • If you want to deliver them to Stephenville, make sure they are received by Monday, March 26 so Laura can take them to Waco.