James Joyce: a Biography
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Universidade Federal De Santa Catarina Centro De Comunicação E Expressão Programa De Pós-Graduação Em Estudos Da Tradução
UNIVERSIDADE FEDERAL DE SANTA CATARINA CENTRO DE COMUNICAÇÃO E EXPRESSÃO PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA TRADUÇÃO A TEORIA DA EPIFANIA E SEUS ECOS EM FINNEGANS WAKE: A PALAVRA EM LATÊNCIA E O GESTO DA TRADUÇÃO LEIDE DAIANE DE ALMEIDA OLIVEIRA ORIENTADORA: PROFESSORA Drª. DIRCE WALTRICK DO AMARANTE COORIENTADORA: PROFESSORA Drª. MARIA RITA DRUMOND VIANA LINHA DE PESQUISA: Teoria, crítica e história da tradução Florianópolis 2020 Leide Daiane de Almeida Oliveira A TEORIA DA EPIFANIA E SEUS ECOS EM FINNEGANS WAKE: A PALAVRA EM LATÊNCIA E O GESTO DA TRADUÇÃO Tese apresentada ao Programa de Pós-graduação em Estudos da Tradução da Universidade Federal de Santa Catarina, como parte dos requisitos para obtenção do título de Doutora em Estudos da Tradução. Orientadora: Profa. Dra. Dirce Waltrick do Amarante Coorientadora: Profa. Dra. Maria Rita Drumond Viana Florianópolis 2020 Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática da Biblioteca Universitária da UFSC. Oliveira, Leide Daiane de Almeida A TEORIA DA EPIFANIA E SEUS ECOS EM FINNEGANS WAKE: A PALAVRA EM LATÊNCIA E O GESTO DA TRADUÇÃO / Leide Daiane de Almeida Oliveira ; orientador, Dirce Waltrick do Amarante, coorientador, Maria Rita Drumond Viana, 2020. 197 p. Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós Graduação em Estudos da Tradução, Florianópolis, 2020. Inclui referências. 1. Estudos da Tradução. 2. Tradução literária, James Joyce, Finnegans Wake, Estudos irlandeses. I. Waltrick do Amarante , Dirce. II. Drumond Viana, Maria Rita. III. Universidade Federal de Santa Catarina. Programa de Pós Graduação em Estudos da Tradução. -
Ulysses in Paradise: Joyce's Dialogues with Milton by RENATA D. MEINTS ADAIL a Thesis Submitted to the University of Birmingh
Ulysses in Paradise: Joyce’s Dialogues with Milton by RENATA D. MEINTS ADAIL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY English Studies School of English, Drama, American & Canadian Studies College of Arts and Law University of Birmingham October 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers the imbrications created by James Joyce in his writing with the work of John Milton, through allusions, references and verbal echoes. These imbrications are analysed in light of the concept of ‘presence’, based on theories of intertextuality variously proposed by John Shawcross, Hans Ulrich Gumbrecht, and Eelco Runia. My analysis also deploys Gumbrecht’s concept of stimmung in order to explain how Joyce incorporates a Miltonic ‘atmosphere’ that pervades and enriches his characters and plot. By using a chronological approach, I show the subtlety of Milton’s presence in Joyce’s writing and Joyce’s strategy of weaving it into the ‘fabric’ of his works, from slight verbal echoes in Joyce’s early collection of poems, Chamber Music, to a culminating mass of Miltonic references and allusions in the multilingual Finnegans Wake. -
JOYCE and the JEWS Also by Ira B
JOYCE AND THE JEWS Also by Ira B. Nadel BIOGRAPHY: Fiction, Fact and Form GERTRUDE STEIN AND THE MAKING OF LITERATURE (editor with Shirley Neuman) GEORGE ORWELL: A Reassessment (editor with Peter Buitenhuis) Joyce and the Je-ws Culture and Texts Ira B. Nadel Professor of English University of British Columbia M MACMILLAN PRESS © Ira B. Nadel 1989 Softcover reprint of the hardcover 1st edition 1989 978-0-333-38352-0 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended), or under the terms of any licence permitting limited copying issued by the Copyright licenSing Agency, 33-4 Alfred Place, London WC1E 7DP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1989 Published by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world Typeset by Wessex Typesetters (Division of The Eastern Press Ltd) Frome, Somerset British Library Cataloguing in Publication Data Nadel, Ira Bruce Joyce and the Jews: Culture and texts. 1. Joyce, James, 1882-1941--Criticism and interpretation I. Title 823'.912 PR6019.09Z1 ISBN 978-1-349-07654-3 ISBN 978-1-349-07652-9 (eBook) DOI 10.1007/978-1-349-07652-9 In memory of my father Isaac David Nadel and for Ryan and Dara 'We Jews are not painters. -
Modernism, Joyce, and Portuguese Literature
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 8 (2006) Issue 1 Article 5 Modernism, Joyce, and Portuguese Literature Carlos Ceia New University of Lisboa Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Ceia, Carlos. "Modernism, Joyce, and Portuguese Literature." CLCWeb: Comparative Literature and Culture 8.1 (2006): <https://doi.org/10.7771/1481-4374.1293> This text has been double-blind peer reviewed by 2+1 experts in the field. The above text, published by Purdue University Press ©Purdue University, has been downloaded 5051 times as of 11/ 07/19. -
THE THEME of CLASS in JAMES JOYCE's DUBLINERS by David
THE THEME OF CLASS IN JAMES JOYCE'S DUBLINERS by David Glyndwr Clee B.A., University of British Columbia, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May, 1965 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Department of FJlglish The University of British Columbia Vancouver 8, Canada Date June k, 1965 ABSTRACT There is evidence throughout the stories, and in Joyce's letters, to show that Dubliners should be considered as a single entity rather than as a series of unconnected short stories. This thesis examines Joyce's presentation of Dublin's middle class as a unifying principle underlying the whole work. Joyce believed that his city was in the grip of a life-denying "paralysis", and this thesis studies his attempt in Dubliners to relate that paralysis to those attitudes towards experience which his Dubliners hold in c ommon. The stories in Dubliners are grouped to form a progression from childhood through adolescence to maturity and public life. -
Reimagining the Central Conflict of Joyce's Finnegans Wake
Bard College Bard Digital Commons Senior Projects Fall 2020 Bard Undergraduate Senior Projects Fall 2020 Penman Contra Patriarch: Reimagining the Central Conflict of Joyce's Finnegans Wake Gabriel Beauregard Egset Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2020 Part of the Literature in English, British Isles Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Egset, Gabriel Beauregard, "Penman Contra Patriarch: Reimagining the Central Conflict of Joyce's Finnegans Wake" (2020). Senior Projects Fall 2020. 9. https://digitalcommons.bard.edu/senproj_f2020/9 This Open Access is brought to you for free and open access by the Bard Undergraduate Senior Projects at Bard Digital Commons. It has been accepted for inclusion in Senior Projects Fall 2020 by an authorized administrator of Bard Digital Commons. For more information, please contact [email protected]. Penman Contra Patriarch Reimagining the Central Conflict of Joyce’s Finnegans Wake Senior Project Submitted to The Division of Languages and Literature of Bard College by Gabriel Egset Annandale-on-Hudson, New York December 2020 Egset 2 To my bestefar Ola Egset, we miss you dearly Egset 3 Table of Contents Acknowledgements……………………………………………………………………………………………………4 Introduction……………………………………………………………………………………………………………….5 The Illustrated Penman…………………………………………………………………………………..................8 Spatial and Temporal Flesh: The Giant’s Chronotope………………………………………………….16 Cyclical Time: The Great Equalizer…………………………………………………………………………….21 The Gendered Wake Part I: Fertile Femininity…………………………………………………………...34 The Gendered Wake Part II: Sterile Masculinity…………………………………………………………39 Works Cited……………………………………………………………………………………………………………..54 Egset 4 Acknowledgements To my parents for their unconditional support: I love you both to the moon and back. -
Critical Companion to James Joyce : a Literary Reference to His Life and Work / A
CRITICAL COMPANION TO James Joyce A Literary Reference to His Life and Work A. NICHOLAS FARGNOLI MICHAEL PATRICK GILLESPIE Critical Companion to James Joyce: A Literary Reference to His Life and Work Copyright © 2006 by A. Nicholas Fargnoli and Michael Patrick Gillespie This is a revised edition of James Joyce A to Z: The Essential Reference to His Life and Work. Copyright 1995 by A. Nicholas Fargnoli and Michael Patrick Gillespie All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permis- sion in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Fargnoli, A. Nicholas. Critical companion to James Joyce : a literary reference to his life and work / A. Nicholas Fargnoli and Michael Patrick Gillespie.—[Rev. ed.]. p. cm. Rev. ed. of: James Joyce A to Z : The essential reference to his life and work. 1995. Includes bibliographical references and index. ISBN 0-8160-6232-3 (acid-free paper) 1. Joyce, James, 1882–1941—Handbook, manuals, etc. 2. Novelists, Irish— 20th century—Biography—Handbooks, manuals, etc. 3. Ireland—In literature—Handbooks, manuals, etc. I. Gillespie, Michael Patrick. II. Fargnoli, A. Nicholas. James Joyce A to Z. III. Title. PR6019.O9Z533376 2006 823’.912—dc22 2005015721 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
Theorists of the Modernist Novel: James Joyce, Dorothy Richardson, Virginia Woolf
THEORISTS OF THE MODERNIST NOVEL In the early twentieth century the modernist novel exploded literary conventions and expectations, challenging representations of reality, consciousness and iden- tity.These novels were not simply creative masterpieces but also crucial articula- tions of revolutionary developments in critical thought. In this volume Deborah Parsons traces the developing modernist aesthetic in the thought and writings of James Joyce, Dorothy Richardson and Virginia Woolf. Considering cultural, social and personal influences upon the three writers and con- nections between their theories, Parsons pays particular attention to their work on: • forms of realism • the representation of character and consciousness • gender and the novel • concepts of time and history. An understanding of these three thinkers is fundamental to a grasp of modernism, making this an indispensable guide for students of modernist thought. It is also essential reading for those who wish to understand debates about the genre of the novel or the nature of literary expression which were given a new impetus by Joyce, Richardson and Woolf’s pioneering experiments within the genre of the novel. Deborah Parsons is a senior lecturer and chair of postgraduate programmes at the University of Birmingham, UK. Her principal interests are in Modernism and visual and urban culture. ROUTLEDGE CRITICAL THINKERS Series Editor: Robert Eaglestone, Royal Holloway, University of London Routledge Critical Thinkers is a series of accessible introductions to key fig- ures in contemporary critical thought. With a unique focus on historical and intellectual contexts, the vol- umes in this series examine important theorists’: • significance • motivation • key ideas and their sources • impact on other thinkers. -
Mathematics Into the Picture
Deakin Research Online This is the unpublished version: Gough, John 2011, Research as … explorations of theories and methodologies of research. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30041228 Reproduced with the kind permission of the copyright owner. Copyright : John Gough This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License. Attribution is to John Gough. Research as … explorations of theories and methodologies of research by John Gough is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License. Research As … Explorations of Theories and Methodologies of Research John Gough Deakin University Faculty of Arts & Education (with co-author contributions from some others) A draft eBook on the topic of Educational Research, for teachers, student- teachers, educators, and researchers Contents Preface .................................................................................................................................................. 6 Turning School Investigations into Valuable Research..................................................... 7 Action research is critical practice .................................................................................. 7 Linking action research with experimental approaches ......................................... 9 Implementing curriculum change – a typical example ......................................... 10 'Experiments' in education ............................................................................................. -
Iconic Identity of Characters in James Joyce's Finnegans Wake
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository KATARZYNA BAZARNIK__________________________ Iconic Identity of Characters in James Joyce’s Finnegans Wake The term "¡conicity” goes back to C.S. Pierce’s typology of signs, which in cludes symbols, indices, and icons. According to Pierce, symbols are such signs in which the relation between the form of a sign and its meaning is purely arbitrary, whereas the indexical sign is connected with the object it stands for by a spatial or temporal relationship, being as if a trace of the actual thing. In icons, in turn, there is a direct resemblance between the signifier and the signified. Iconicity is defined as "a similarity between form and meaning as conceived by a human mind” (Tabakowska 5), which means that such similarity is seen as rooted in the perceiver’s cog nitive models of the world actively created in the interaction with the sur rounding world. It is divided into two major types: the so-called primary, or direct, or imagic iconicity where a resemblance between the shape of a sign and the phenomenon it refers to is perceived immediately (as in "cuckoo”); and the secondary or diagrammatic iconicity, which is ab stract and relational and consists in correspondence between a struc tural pattern and meaning to be conveyed (Tabakowska 9). Iconicity has long been considered marginal in language and literature, however, re sent research proves that it can be discovered at various levels of lan guage, e. g., phonetic, syntactic, and stylistic. -
Thesis-1996D-B786j.Pdf (6.977Mb)
JAMES JOYCE AND THE DARWINIAN IMAGINATION By PAUL ALAN BOWERS Bachelor of Arts The University of Tulsa Tulsa, Oklahoma 1985 Master of Arts Oklahoma State University Stillwater, Oklahoma 1990 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY July, 1996 JAMES JOYCE AND THE DARWINIAN IMAGINATION Thesis Approved: I . I ---1 -. Lr*· Dean of the Graduate College ii ACKNOWLEDGEMENTS I wish to express my sincere gratitude to Dr. Edward P. Walkiewicz, not only for his invaluable intellectual contributions to this project, but also for his unwavering enthusiasm shown during our numerous conversations. Without his support, this study would never have come to fruition. I also extend my sincere thanks to the members of my doctoral committee, namely, Dr. Linda Austin, Dr. Doren Recker, Dr. Martin Wallen, and Dr. Elizabeth Grubgeld. To Elizabeth Grubgeld, I offer a special note of appreciation for her constant encouragement and kindness during my years at OSU. I would be remiss if I failed to acknowledge the support of certain individuals I have had the pleasure to study and work with over the last several years. To these friends and colleagues, I owe a great debt: Dr. Jeffrey Walker, Dr. Gordon Weaver, Dr. Al Learst, Dr. Darin Cozzens, Jules Emig, Shirley Bechtel, and Kim Marotta. Lastly, I acknowledge my indebtedness to my wife, Denise, who has endured much during the completion of this project, but always with perfect kindness iii TABLE OF CONTENTS Chapter Page INTRODUCTION: IN THE MOST LIKELY OF PLACES . -
View: Journal of Flann O’Brien Studies 3.1
‘Expert diagnosis has averted still another tragedy’ Misreading & the Paranoia of Expertise in The Third Policeman Paul Fagan University of Vienna One of the most persistent comedic devices in Cruiskeen Lawn is the spectacle of misreading. Predominantly, the column’s thematic concern with misreading is staged through Myles’s primary mode of pedantry masquerading as connoisseurship. Accordingly, when regular letter-writer Oscar Love publicly aired his grievances about local traffic problems to the editor of The Irish Times in December 1950, the following lines in Love’s letter caught Myles’s eye: ‘Astride the zebra crossing at Main street, Blackrock, every day there are two or three delivery vans waiting for long periods. It is, therefore, impossible for pedestrians to use it.’ Myles responds earnestly: There is, of course, a fair amount to be said for the zebra crossing. Those cunning animals, who used camouflage long before it was put on tanks, should be afforded a safe and defined means of crossing busy thoroughfares. But Mr Love seems to me to postulate a rather extravagant concept. He seems discontented with the simple notion of a zebra crossing at Main street (sic), Blackrock. ‘Astride the zebra,’ he earnestly insists, ‘crossing at the Main street, Blackrock, every day there are two or three delivery vans waiting for long periods. It is, therefore, impossible for pedestrians to use it.’ I do not quite see why an indeterminate number of vans must be placed astride a zebra crossing at Blackrock for long periods. I cannot quite grasp the implied complaint that these vans inhibit the use by pedestrians of the said zebras.