Womanism: the Fight for Social Equality
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Mainstream Feminism
Feminist movements and ideologies This collection of feminist buttons from a women's museum shows some messages from feminist movements. A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought. Groupings Judith Lorber distinguishes between three broad kinds of feminist discourses: gender reform feminisms, gender resistant feminisms, and gender revolution feminisms. In her typology, gender reform feminisms are rooted in the political philosophy of liberalism with its emphasis on individual rights. Gender resistant feminisms focus on specific behaviors and group dynamics through which women are kept in a subordinate position, even in subcultures which claim to support gender equality. Gender revolution feminisms seek to disrupt the social order through deconstructing its concepts and categories and analyzing the cultural reproduction of inequalities.[1] Movements and ideologies Mainstream feminism … "Mainstream feminism" as a general term identifies feminist ideologies and movements which do not fall into either the socialist or radical feminist camps. The mainstream feminist movement traditionally focused on political and legal reform, and has its roots in first- wave feminism and in the historical liberal feminism of the 19th and early- 20th centuries. In 2017, Angela Davis referred to mainstream feminism as "bourgeois feminism".[2] The term is today often used by essayists[3] and cultural analysts[4] in reference to a movement made palatable to a general audience by celebrity supporters like Taylor Swift.[5] Mainstream feminism is often derisively referred to as "white feminism,"[6] a term implying that mainstream feminists don't fight for intersectionality with race, class, and sexuality. -
Black Feminism and Radical Planning
PLT0010.1177/1473095218763221Planning TheoryJacobs 763221research-article2018 Article Planning Theory 2019, Vol. 18(1) 24 –39 Black feminism and radical © The Author(s) 2018 Article reuse guidelines: planning: New directions for sagepub.com/journals-permissions https://doi.org/10.1177/1473095218763221DOI: 10.1177/1473095218763221 disaster planning research journals.sagepub.com/home/plt Fayola Jacobs Texas A&M University, USA Abstract After Hurricane Katrina’s devastation of the United States’ Gulf Coast, conversations about flooding became focused on the interconnections between so-called “natural” disasters, poverty, gender and race. Although research has long shown that women, people of color and low- income communities are more vulnerable to natural hazards, the disproportionate effects of Hurricane Katrina and subsequent federal and state disaster response efforts forced the national spotlight on the institutional and systemic nature of racism, classism and sexism. Using Black feminism and radical planning theory, two lenses that provides a comprehensive framework for understanding racism, classism and sexism, this article examines the concept and literature of social vulnerability. I argue while social vulnerability research has made significant contributions to planners’ understandings of disasters and inequity, it fails to center community knowledge, identify intersectional oppressions and name them as such and encourage community activism, all of which are keys to making meaningful change. Keywords Black feminism, disasters, environmental justice, feminism, social vulnerability, urban planning In the wake of Hurricane Katrina’s devastation and the images that emerged from the Gulf Coast in general and New Orleans in particular, the nation began to pay attention to the inequitable impacts of disasters on poor communities and communities of color. -
Is Womanism Feminism?” by Angela Bowen
Journal of International Women's Studies Volume 22 Issue 8 The Practice and Legacy of a Black Lesbian Feminist: Selections from the Archive Article 41 of Dr. Angela Bowen (1936-2018) August 2021 2002 conference talk “Calling the Question; Is Womanism Feminism?” by Angela Bowen Angela Bowen Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Bowen, Angela (2021). 2002 conference talk “Calling the Question; Is Womanism Feminism?” by Angela Bowen. Journal of International Women's Studies, 22(8), 118-130. Available at: https://vc.bridgew.edu/jiws/vol22/iss8/41 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. CALLING THE QUESTION: IS WOMANISM FEMINISM? Panel presentation and workshop; double session NWSA conference. June 15, 2002. Las Vegas, Nevada BOARDROOM C EXPLAIN WHY ELIZABETH HADLEY IS NOT THERE, THEN START WITH INTRO AND A 2-MINUTE REVIEW OF LAST YEAR’S “IS WOMANISM FEMINISM?” I. Where black women were once in the vanguard of a political movement for radical change (Combahee Statement, for instance), addressing race, class, gender, and sexual orientation in a simultaneity of oppression and of consciousness of that oppression, challenging and pushing the edges, we can no longer claim that edge if our feminist politics becomes a matter of identity only. The women of the Combahee River Collective was a group of black lesbian feminists of the 1970s, who used their ethnicity to construct a carefully considered analysis of the simultaneity of oppression, a new concept then but one of the earliest theories that fledgling women’s studies students grasp and reiterate easily. -
Intersectionality, Identity Politics, and Violence Against Women of Color Author(S): Kimberle Crenshaw Source: Stanford Law Review, Vol
Stanford Law Review Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color Author(s): Kimberle Crenshaw Source: Stanford Law Review, Vol. 43, No. 6 (Jul., 1991), pp. 1241-1299 Published by: Stanford Law Review Stable URL: http://www.jstor.org/stable/1229039 Accessed: 21/07/2010 14:45 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=slr. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Stanford Law Review is collaborating with JSTOR to digitize, preserve and extend access to Stanford Law Review. http://www.jstor.org Mappingthe Margins: Intersectionality, Identity Politics, and Violence Against Women of Color KimberleCrenshaw* INTRODUCTION Over the last two decades, women have organized against the almost routine violence that shapes their lives.1 Drawing from the strength of sharedexperience, women have recognizedthat the political demandsof mil- lions speak more powerfully than the pleas of a few isolated voices. -
Black Feminism Reimagined After Intersectionality Jennifer C. Nash
black feminism reimagined after intersectionality jennifer c. nash next wave New Directions in Women’s Studies A series edited by Inderpal Grewal, Caren Kaplan, and Robyn Wiegman jennifer c. nash black feminism reimagined after intersectionality Duke University Press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Courtney Leigh Baker and typeset in Whitman and Futura by Graphic Composition, Inc., Bogart, Georgia Library of Congress Cataloging- in- Publication Data Names: Nash, Jennifer C., [date] author. Title: Black feminism reimagined : after intersectionality / Jennifer C. Nash. Description: Durham : Duke University Press, 2019. | Series: Next wave | Includes bibliographical references and index. Identifiers: lccn 2018026166 (print) lccn 2018034093 (ebook) isbn 9781478002253 (ebook) isbn 9781478000433 (hardcover : alk. paper) isbn 9781478000594 (pbk. : alk. paper) Subjects: lcsh: Womanism—United States. | Feminism— United States. | Intersectionality (Sociology) | Feminist theory. | Women’s studies—United States. | Universities and colleges— United States—Sociological aspects. Classification: lcc hq1197 (ebook) | lcc hq1197 .n37 2019 (print) | ddc 305.420973—dc23 lc record available at https://lccn.loc.gov/2018026166 cover art: Toyin Ojih Odutola, The Uncertainty Principle, 2014. © Toyin Ojih Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. contents Acknowledgments vii introduction. feeling black feminism 1 1. a love letter from a critic, or notes on the intersectionality wars 33 2. the politics of reading 59 3. surrender 81 4. love in the time of death 111 coda. some of us are tired 133 Notes 139 Bibliography 157 Index 165 acknowledgments Over the course of writing this book, I moved to a new city, started a new job, and welcomed a new life into the world. -
Three Waves of Feminism
01-Krolokke-4666.qxd 6/10/2005 2:21 PM Page 1 1 Three Waves of Feminism From Suffragettes to Grrls e now ask our readers to join us in an exploration of the history of W feminism or, rather, feminisms: How have they evolved in time and space? How have they framed feminist communication scholarship in terms of what we see as a significant interplay between theory and politics? And how have they raised questions of gender, power, and communication? We shall focus our journey on the modern feminist waves from the 19th to the 21st century and underscore continuities as well as disruptions. Our starting point is what most feminist scholars consider the “first wave.” First-wave feminism arose in the context of industrial society and liberal politics but is connected to both the liberal women’s rights movement and early socialist feminism in the late 19th and early 20th century in the United States and Europe. Concerned with access and equal opportunities for women, the first wave continued to influence feminism in both Western and Eastern societies throughout the 20th century. We then move on to the sec- ond wave of feminism, which emerged in the 1960s to 1970s in postwar Western welfare societies, when other “oppressed” groups such as Blacks and homosexuals were being defined and the New Left was on the rise. Second-wave feminism is closely linked to the radical voices of women’s empowerment and differential rights and, during the 1980s to 1990s, also to a crucial differentiation of second-wave feminism itself, initiated by women of color and third-world women. -
Emily Castle Sarah Ahmed, Living a Feminist Life (Duke
Review Emily Castle Sarah Ahmed, Living a Feminist Life (Duke University Press, 2017) in early high school, I often wrote a dictionary definition of feminism on the back of my hand with the aim of convincing my friends that, if they believed women should be equal to men, then they too were feminists. Yet Living a Feminist Life, Sara Ahmed’s most recent book, makes clear that feminism cannot limit itself to a vision of equality defined by a world that remains decidedly non-feminist. That is because, for Ahmed, feminism is no less ambitious a project than the building of new worlds—an affir- mative life project that grounds itself in the “active and ongoing commitment to live one’s life in a feminist way” (25). Building on two decades of work in the fields of feminist, queer, and critical race theory, Living a Feminist Life foregrounds Ahmed’s personal experiences “as a brown woman, lesbian, [and] daughter” (23) to show that feminist theory is generated through the embodied effort to challenge everyday forms of sexism and racism. Importantly, her assertions on this point do not lead her to jettison academic frameworks; instead, Ahmed consistently strives to undermine any kind of dichotomy in which criticality and activism are opposed. Far from an academic tool that may be Philament Volume 23 • 2017 New Waves: Twenty-First-Century Feminisms 117 deployed and put aside as and when convenient, feminist theory, Ahmed insists, does “more the closer it gets to the skin” (20). Drawing from legacies of feminist-of-colour scholarship, with particular tributes to the work of black feminists Audre Lorde and bell hooks, Ahmed intertwines memories, anecdotes, and individual accounts of feminist struggle with astute yet accessi- ble scholarly insights, opening up new possibilities for feminist theory as precisely “what we do when we live our lives in a feminist way” (22). -
How Mixed-Race Americans Navigated the Racial Codes of Antebellum America
James Madison University JMU Scholarly Commons Masters Theses, 2020-current The Graduate School 5-7-2020 Under cover of lightness: How mixed-race Americans navigated the racial codes of Antebellum America Alexander Brooks Follow this and additional works at: https://commons.lib.jmu.edu/masters202029 Part of the United States History Commons Recommended Citation Brooks, Alexander, "Under cover of lightness: How mixed-race Americans navigated the racial codes of Antebellum America" (2020). Masters Theses, 2020-current. 48. https://commons.lib.jmu.edu/masters202029/48 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses, 2020-current by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Under Cover of Lightness: How Mixed-Race Americans Navigated the Racial Codes of Antebellum America Alex Brooks A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of History May 2020 FACULTY COMMITTEE: Committee Chair: Rebecca Brannon Committee Members/ Readers: Gabrielle Lanier David Owusu-Ansah Table of Contents 1. Introduction 2. Miscegenation 3. North 4. Upper South 5. Lower South 6. 1850s Turbulence 7. Liberia 8. Conclusion ii Abstract This thesis investigates the way people of mixed “racial” ancestry—known as mulattoes in the 18th and 19th centuries—navigated life in deeply racially divided society. Even understanding “mulatto strategies” is difficult because it is to study a group shrouded in historical ambiguity by choice. -
"Get in Formation:" a Black Feminist Analysis of Beyonce's Visual Album, Lemonade Sina H
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2018 When Life Gives You Lemons, "Get In Formation:" A Black Feminist Analysis of Beyonce's Visual Album, Lemonade Sina H. Webster Follow this and additional works at: https://commons.emich.edu/honors Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Webster, Sina H., "When Life Gives You Lemons, "Get In Formation:" A Black Feminist Analysis of Beyonce's Visual Album, Lemonade" (2018). Senior Honors Theses. 568. https://commons.emich.edu/honors/568 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. When Life Gives You Lemons, "Get In Formation:" A Black Feminist Analysis of Beyonce's Visual Album, Lemonade Abstract Beyonce's visual album, Lemonade, has been considered a Black feminist piece of work because of the ways in which it centralizes the experiences of Black women, including their love relationships with Black men, their relationships with their mothers and daughters, and their relationships with other Black women. The album shows consistent themes of motherhood, the "love and trouble tradition," and Afrocentrism. Because of its hint of Afrocentrism, however, Lemonade can be argued as an anti Black feminist work because Afrocentrism holds many sexist beliefs of Black women. This essay will discuss the ways in which Lemonade's inextricable influences of Black feminism and Afrocentrism, along with other anti Black feminist notions, can be used as a consciousness-raising tool. -
Tucker, Ericka. “Feminist Political Theory,” in Michael Gibbons (Ed.) the Encyclopedia of Political Thought
Tucker, Ericka. “Feminist Political Theory,” in Michael Gibbons (ed.) The Encyclopedia of Political Thought. New York: Wiley Blackwell, 2011: 1033- 1036 Feminist Political Theory Ericka Tucker Cal Poly Pomona University [email protected] 7269 Feminist Political Theory Born out of the struggles of the feminist movements of the 20th century, feminist political theory is characterized by its commitment to expanding the boundaries of the political. Feminism, as a political movement, works to fight inequality and the social, cultural, economic, and political subordination of women. The goal of feminist politics is to end the domination of women through critiquing and transforming institutions and theories that support women’s subordination. Feminist political theory is a field within both feminist theory and within political theory that takes a feminist approach to traditional questions within political philosophy, contemporary and historical. In this entry, I will explore the nature of feminist political theory by asking two questions: what is feminist about feminist political theory, and what is specifically political about feminist political theory. What is ‘feminist’ about feminist political theory? What surprises many who are unfamiliar with feminist political theory is that it’s not just about women or gender. There are no strict necessary and sufficient conditions for being ‘feminist’, due both to the nature of categories and to the myriad developments, orientations and approaches within feminism. Certainly, understanding and analyzing the political effects of gendered contexts is an important field of feminist political theory; however, feminist theory, and hence feminist political theory, is about more than gender. Feminist political theorists are found throughout the academy Tucker, Ericka. -
Lemonade and Black Women As Audiences and Subjects
. Volume 14, Issue 2 November 2017 ‘She made angry Black woman something that people would want to be’: Lemonade and Black women as audiences and subjects Ashton Toone, Amanda Nell Edgar & Kelly Ford, University of Memphis, USA. Abstract: Based on interviews with 35 audience members, this essay argues that audiences used Beyoncé’s hour-long visual album, Lemonade, as a Two-Way Mirror to understand racial and gendered identities through the lenses of social movements, identity politics, and relationality. Our findings support Sandvoss (2005) and other audience scholars in that the Black women we interviewed used the album’s emphasis on Black femininity as a ‘mirror’ that uplifted their own racial and gendered identities. White and male audiences, on the other hand, used the album less for fashioning their own sense of self, instead using Lemonade as a lens to gaze into a realm of Black femininity as presented by Beyoncé, a Black woman herself. While in some cases, this perspective drove White and male participants’ empathy and support of the Black women’s experiences represented in the album, their understandings also risked one-dimensionality. Keywords: Audience Studies; Beyoncé; Black Identity; Intersectionality; Popular Music I am invisible, understand, simply because people refuse to see me. (Ralph Ellison, Invisible Man) The most disrespected person in America is the Black woman. The most unprotected person in America is the Black woman. The most neglected person in America is the Black woman. (Malcolm X, Los Angeles, May 1962) For the last few years, Beyoncé has sparked conversation both in the media and in scholarly literature for her recent singles like ‘Formation’, her 2016 Super Bowl performance that Page 203 Volume 14, Issue 2 November 2017 nodded to the Black Panther Party, and most recently her visual album Lemonade that celebrates Black culture and depicts the realities of social justice issues. -
Why Black Feminism?
First-Gen Voices: Creative and Critical Narratives on the First- Generation College Experience Volume 5 Issue 1 New Vistas Article 13 February 2016 Black Lives Matter: Why Black Feminism? AnaLexicis T. Bridewell Loyola Marymount University Follow this and additional works at: https://digitalcommons.lmu.edu/fgv Part of the African American Studies Commons, American Studies Commons, Critical and Cultural Studies Commons, Curriculum and Social Inquiry Commons, and the Interdisciplinary Arts and Media Commons Recommended Citation Bridewell, AnaLexicis T. (2016) "Black Lives Matter: Why Black Feminism?," First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience: Vol. 5 : Iss. 1 , Article 13. Available at: https://digitalcommons.lmu.edu/fgv/vol5/iss1/13 This Scholarship and Research is brought to you for free and open access by the Academic Resource Center at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Introduction Black Lives Matter is an organization and movement created in 2012 in response to George Zimmerman’s acquittal for the murder of Trayvon Martin. This event created a platform for Black women to address the inequalities and injustices marginalized groups experience in America. Because of the inclusive nature and wide range of focuses in Black Lives Matter, it is evident that this organization and movement is based in Black feminism, rather than feminism. This distinction can be seen in the comparison between feminism and Black feminism frameworks in regards to the structure and actions of Black Lives Matter.