Introductiton to Japanese Swords III Period May 17 (Sun), 2020 HAMON

Total Page:16

File Type:pdf, Size:1020Kb

Introductiton to Japanese Swords III Period May 17 (Sun), 2020 HAMON Feb. 22 (Sat) - Introductiton to Japanese Swords III Period May 17 (Sun), 2020 HAMON № Designation Type Inscription Size(cm) Province Period Collection End of Heian - Beginning 1 ◉ Tachi Signed NOBUFUSA saku 76.1 Bizen of Kamakura Period Chido Museum ※1 (12-13th century) Late Kamakura Period The Japanese 2 Tachi Signed 69.8 Yamato ※2 ◉ KUNIYUKI(Taima) (14th century) Sword Museum Appreciation of Hamon Patterns (Basics) Early Edo Period 3 Wakizashi Signed 54.5 Settsu Private collection Echigo-no-kami KANESADA (17th century) Komidare End of Heian - Beginning The Japanese 4 Tachi Signed 96.05 Bizen of Kamakura Period ○ TOMONARI saku Sword Museum (12-13th century) End of Heian - Beginning 5 □ Tachi Signed KUNINAWA 78.8 Bizen of Kamakura Period Private collection (12-13th century) Suguha Mid-Late Kamakura Period The Japanese 6 Tachi Signed 74.9 Bizen □ NAGAMITSU (13-14th century) Sword Museum (Red lacqure Rai KUNIMITSU End of Kamakura Period 7 ■ Katana 68.5 Yamashiro Private collection inscription) 77 sō Shōan□ (14th century) End of Kamakura Period 8 Tachi Signed 78.0 Higo Private collection ○ KUNIMURA(Enju) (14th century) Chōji Mid-Kamakura Period The Japanese 9 Tachi Unsigned 66.5 Bizen ※1 ◎ Fukuoka ICHIMONJI (13th century) Sword Museum Mid-Kamakura Period The Japanese 10 Katana Unsigned 70.2 Bizen ※2 ICHIMONJI (13th century) Sword Museum (Gold inlay Mid-Kamakura Period The Japanese 11 Katana 72.1 Bizen inscription) SUKEZANE (13th century) Sword Museum Mid-Kamakura Period 12 Tachi Signed 72.7 Bicchū Private collection ■ KORETOMO (Koaoe) (13th century) Nanbokuchō Period The Japanese 13 Katana Unsigned 70.1 Bicchū AOE (14th century) Sword Museum Early Edo Period The Japanese 14 Katana Signed 69.1 Settsu □ NAGAYUKI Settsu-no-kuni ni oite kore wo tsukuru (17th century) Sword Museum Bizen Osafune-jū Yokoyama SUKEKANE saku The Japanese 15 Katana Signed 72.4 Bizen End of Edo Period (1864) Genji 1 nen 8 gatsujitsu Sword Museum Tomonari 58 dai mago Notare Tsuda Echizen-no-kami SUKEHIRO The Japanese 16 Katana Signed 71.1 Settsu Early Edo Period (1667) Kanbun 7 nen 8 gatsujitsu Sword Museum End of Kamakura Period 17 Wakizashi Unsigned 57.5 Sagami Private collection ■ Attributed to MASAMUNE (14th century) Bizen-no-kuni Osafune KANEMITSU 18 ○ Wakizashi Signed 53.2 Bizen Nanbokuchō Period (1347) Private collection Jōwa 3 nen 12 gatsujitsu Gunome Nanbokuchō Period The Japanese 19 Tantō Signed 28.2 Mino ○ KANETOMO (14th century) Sword Museum Nanbokuchō Period The Japanese 20 Katana Unsigned 73.0 Bizen Osafune TOMOMITSU (14th century) Sword Museum Minamoto-no-KIYOMARO The Japanese 21 Katana Signed 81.0 Musashi Late Edo Period (1852) Kaei 5 nen 2 gatsujitsu Sword Museum Togariba Late Muromachi Period 22 Katana Signed 71.8 Mino Private collection □ KANEMOTO (16th century) Hitatsura Sagami-no-kuni jūnin HIROMITSU Nanbokuchō Period 23 ○ Wakizashi Signed 34.4 Sagami Private collection Jōji 3 nen 3 gatsujitsu (1364) Nanbokuchō Period 24 Tachi Signed 79.4 Yamashiro Private collection※3 ○ Hasebe KUNINOBU (Known as “Karakashiwa”) (14th century) Utsunomiya daimyōjin Sagami-no-kuni jūnin HIROMITSU 25 ◎ Wakizashi Signed 32.1 Sagami Nanbokuchō Period (1356) Private collection※4 Hachiman-daibosatsu Bunna 5 nen uzukijitsu TK_日本刀の見方_III_E.indd 1 2020/02/05 16:45 № Designation Type Inscription Size(cm) Province Period Collection Unique patterns Kawazuko Chōji Mid-Kamakura Period 26 Wakizashi Unsigned 53.0 Bizen Private collection MITSUTADA (13th century) Hakoba Late Muromachi Period The Japanese 27 Katana Signed 62.1 Ise MURAMASA (16th century) Sword Museum Hyōtanba Dōsaku kore wo horu Nagasone OKISATO Kotetsu Nyūdō Kanbun 1 nen shimotsuki 25 nichi Early Edo Period 28 □ Wakizashi Signed 49.7 Musashi Private collection (Gold inlay) Yamano Kauemon 64 sai Nagahisa (monogram) (17th century) Wakige futatsudō tabitabi mitsudō setsudan Tōran Tsuda Echizen-no-kami SUKEHIRO The Japanese 29 Katana Signed 76.2 Settsu Early Edo Period (1681) Enpō 9 nen 8 gatsujitsu Sword Museum Kataoshi Bizen-no-suke Fujiwara MUNETSUGU kore wo tsukuru The Japanese 30 Katana Signed 70.8 Musashi End of Edo Period (1859) Saitō Toshinori no motome ni ōzu Sword Museum Ansei 6 nen 2 gatsujitsu Appreciation of Hamon Patterns (Advanced) Nie/Nioi Tsujimura Ecchū-no-kami Fujiwara TAKAHIRA (monogram) The Japanese 31 Katana Signed 69.4 Kaga Momoyama Period (1622) Genna 8 nen 3 gatsu 3 nichi Sword Museum Activities Nanbokuchō Period The Japanese 32 Wakizashi Signed 30.2 Yamashiro □ Hasebe KUNINOBU (14th century) Sword Museum № Title Collection Quenching Hamon Patterns 33 Tools for Tsuchioki Private collection The Japanese 34 Samples of Tsuchioki Sword Museum Studies of Hamon Patterns The Japanese 35 Takahiko Image of Suishinshi Masahide Sword Museum Suishinshi The Japanese 36 Tōken-jitsuyō-ron Masahide Sword Museum Suishinshi The Japanese 37 Kokon-seisaku-tōken-bengi Masahide Sword Museum Science of Hamon Patterns Recording Hamon Patterns The Japanese 38 Ōei 30 nen (1423) Kanchiinbon meizukushi Sword Museum The Japanese 39 Bunroku 2 nen (1593) Kanamono mokujutsusho Sword Museum The Japanese 40 Genji 1 nen (1864) Kajihei Hosoda Heijirō Fujiwara Naomitsu Oshigata Sword Museum The Japanese 41 Tools and materials for Oshigata Sword Museum There’s a possibility that exhibits may be modified. ※1:Feb. 22〜Apr. 19、※2:Apt. 21〜May 17、※3:Feb. 22〜Mar. 31、※4:Apr. 1〜May 17 ◉:National Treasure、◎:Important Cultural Property、○:Important Art Object、■:Special Important Sword、□:Important Sword There’s a possibility that exhibits may be modified For English explanations, please scan the QR code. Next Exhibition We would appreciate your understanding and 1-12-9, Yokoami, Sumidaku, Tokyo 130-0015 “The 26th Newly Designated Special Important Swords and Fittings” cooperation for the TEL:03-6284-1000 May 30 (Sat) - Aug. 2 (Sun), 2020 questionnaire online. https://www.touken.or.jp/ TK_日本刀の見方_III_E.indd 2 2020/02/05 16:45.
Recommended publications
  • Japonica Humboldtiana 8 (2004)
    JAPONICA HUMBOLDTIANA 8 (2004) Contents MARKUS RÜTTERMANN Ein japanischer Briefsteller aus dem ‘Tempel zu den hohen Bergen’ Übersetzung und Kommentar einer Heian-zeitlichen Handschrift (sogenanntes Kôzanjibon koôrai). Zweiter und letzter Teil ............ 5 GERHILD ENDRESS Ranglisten für die Regierungsbeamten des Hofadels Ein textkritischer Bericht über das Kugyô bunin ............................. 83 STEPHAN KÖHN Alles eine Frage des Geschmacks Vom unterschiedlichen Stellenwert der Illustration in den vormodernen Literaturen Ost- und Westjapans .................... 113 HARALD SALOMON National Policy Films (kokusaku eiga) and Their Audiences New Developments in Research on Wartime Japanese Cinema.............................................................................. 161 KAYO ADACHI-RABE Der Kameramann Miyagawa Kazuo................................................ 177 Book Reviews SEPP LINHART Edo bunko. Die Edo Bibliothek. Ausführlich annotierte Bibliographie der Blockdruckbücher im Besitz der Japanologie der J. W. Goethe-Universität Frankfurt am Main als kleine Bücherkunde und Einführung in die Verlagskultur der Edo-Zeit Herausgegeben von Ekkehard MAY u.a............................................ 215 4 Contents REGINE MATHIAS Zur Diskussion um die “richtige” Geschichte Japans Steffi RICHTER und Wolfgang HÖPKEN (Hg.): Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan; Christopher BARNARD: Language, Ideology, and Japanese History Textbooks ...........................................................................
    [Show full text]
  • Nihontō Compendium
    Markus Sesko NIHONTŌ COMPENDIUM © 2015 Markus Sesko – 1 – Contents Characters used in sword signatures 3 The nengō Eras 39 The Chinese Sexagenary cycle and the corresponding years 45 The old Lunar Months 51 Other terms that can be found in datings 55 The Provinces along the Main Roads 57 Map of the old provinces of Japan 59 Sayagaki, hakogaki, and origami signatures 60 List of wazamono 70 List of honorary title bearing swordsmiths 75 – 2 – CHARACTERS USED IN SWORD SIGNATURES The following is a list of many characters you will find on a Japanese sword. The list does not contain every Japanese (on-yomi, 音読み) or Sino-Japanese (kun-yomi, 訓読み) reading of a character as its main focus is, as indicated, on sword context. Sorting takes place by the number of strokes and four different grades of cursive writing are presented. Voiced readings are pointed out in brackets. Uncommon readings that were chosen by a smith for a certain character are quoted in italics. 1 Stroke 一 一 一 一 Ichi, (voiced) Itt, Iss, Ipp, Kazu 乙 乙 乙 乙 Oto 2 Strokes 人 人 人 人 Hito 入 入 入 入 Iri, Nyū 卜 卜 卜 卜 Boku 力 力 力 力 Chika 十 十 十 十 Jū, Michi, Mitsu 刀 刀 刀 刀 Tō 又 又 又 又 Mata 八 八 八 八 Hachi – 3 – 3 Strokes 三 三 三 三 Mitsu, San 工 工 工 工 Kō 口 口 口 口 Aki 久 久 久 久 Hisa, Kyū, Ku 山 山 山 山 Yama, Taka 氏 氏 氏 氏 Uji 円 円 円 円 Maru, En, Kazu (unsimplified 圓 13 str.) 也 也 也 也 Nari 之 之 之 之 Yuki, Kore 大 大 大 大 Ō, Dai, Hiro 小 小 小 小 Ko 上 上 上 上 Kami, Taka, Jō 下 下 下 下 Shimo, Shita, Moto 丸 丸 丸 丸 Maru 女 女 女 女 Yoshi, Taka 及 及 及 及 Chika 子 子 子 子 Shi 千 千 千 千 Sen, Kazu, Chi 才 才 才 才 Toshi 与 与 与 与 Yo (unsimplified 與 13
    [Show full text]
  • Georg Von Hùtterott, Giapponista E Figura Di Spicco Della Vita Economica E Culturale Triestina E Rovignese
    S. ZANLORENZI, G. von Hutterott, giapponista e figura di spicco, Atti, vol. XXXVII, 2007, p. 331-397 331 GEORG VON HÙTTEROTT, GIAPPONISTA E FIGURA DI SPICCO DELLA VITA ECONOMICA E CULTURALE TRIESTINA E ROVIGNESE SILVIA ZANLORENZI CDU 008+ 33:929(Hutterott)(450.361 +497.5Rovigno )"19/20" Trieste Dicembre 2007 Riassunto- Il presente saggio viene inteso come proseguimento di un precedente testo che mirava ad inscrivere la figura del Barone Georg von Hiitterott (Trieste, 1852-1910) in un fenomeno culturale europeo sviluppatosi nella seconda metà del XIX secolo, conosciuto come "Giapponismo". In questo ambito l'indagine verrà circoscritta al solo contesto locale in cui Hiitterott visse e operò, ossia la città di Trieste e l'area del litorale adriatico, e anche per questo saggio l'interesse si focalizza sulla "parte giapponese" ossia incarichi ufficiali e attività culturali che lo coinvolsero relativamente alla carica ricevuta nel1879, di Console Onorario del Giappone a Trieste per l'Austria-Ungheria. "Nell'antico Giappone (io mi dicevo) son gli stessi viali che ho lasciato là, in Europa ... Due passi, e al luogo amato parmi d'essere. E c'ero infatti. Avevo d'esser !ungi sognato". da Viaggio al Giappone, U. Saba, 1917 Al fine di spiegare i legami non solo istituzionali col Giappone di Georg Hi.itterott, nel saggio precedente erano stati forniti i parametri generali del Giapponismo europeo, e si era cercato di sottolineare come, soprattutto per tramite della carismatica figura "orientalista" del principe Massimiliano, il fenomeno continentale avesse avuto risonanza anche a Trieste. In Europa l'interesse per la lontana nazione asiatica si sviluppò in un periodo compreso tra gli anni Sessanta del XIX secolo, fino al primo decennio del XX, e nel capoluogo giuliano pressappoco i limiti cronologici furono gli stessi.
    [Show full text]
  • Participant List
    Participant List 10/20/2019 8:45:44 AM Category First Name Last Name Position Organization Nationality CSO Jillian Abballe UN Advocacy Officer and Anglican Communion United States Head of Office Ramil Abbasov Chariman of the Managing Spektr Socio-Economic Azerbaijan Board Researches and Development Public Union Babak Abbaszadeh President and Chief Toronto Centre for Global Canada Executive Officer Leadership in Financial Supervision Amr Abdallah Director, Gulf Programs Educaiton for Employment - United States EFE HAGAR ABDELRAHM African affairs & SDGs Unit Maat for Peace, Development Egypt AN Manager and Human Rights Abukar Abdi CEO Juba Foundation Kenya Nabil Abdo MENA Senior Policy Oxfam International Lebanon Advisor Mala Abdulaziz Executive director Swift Relief Foundation Nigeria Maryati Abdullah Director/National Publish What You Pay Indonesia Coordinator Indonesia Yussuf Abdullahi Regional Team Lead Pact Kenya Abdulahi Abdulraheem Executive Director Initiative for Sound Education Nigeria Relationship & Health Muttaqa Abdulra'uf Research Fellow International Trade Union Nigeria Confederation (ITUC) Kehinde Abdulsalam Interfaith Minister Strength in Diversity Nigeria Development Centre, Nigeria Kassim Abdulsalam Zonal Coordinator/Field Strength in Diversity Nigeria Executive Development Centre, Nigeria and Farmers Advocacy and Support Initiative in Nig Shahlo Abdunabizoda Director Jahon Tajikistan Shontaye Abegaz Executive Director International Insitute for Human United States Security Subhashini Abeysinghe Research Director Verite
    [Show full text]
  • Oda Nobunaga in Japanese Videogames the Case of Nobunaga’S Ambition: Sphere of Influence (Koei, 2013)
    Trabajo Fin de Máster Oda Nobunaga en los videojuegos japoneses El caso de Nobunaga’s Ambition: Sphere of Influence (Koei, 2013) Oda Nobunaga in Japanese videogames The case of Nobunaga’s Ambition: Sphere of Influence (Koei, 2013) Autora Claudia Bonillo Fernández Directoras Elena Barlés Báguena Amparo Martínez Herranz Facultad de Filosofía y Letras/ Departamento de Historia del Arte Curso 2017-2018 2 ÍNDICE I. PRESENTACIÓN DEL TRABAJO .......................................................................................................................... 3 1. Delimitación del tema y causas de su elección ..................................................................................................... 3 2. Estado de la cuestión ............................................................................................................................................. 5 3. Objetivos del trabajo ............................................................................................................................................. 9 4. Metodología .......................................................................................................................................................... 9 4.1. Búsqueda, recopilación, lectura y análisis de material bibliográfico ........................................................... 10 4.2. Búsqueda, recopilación, lectura y análisis de material documental ............................................................. 11 4.3. Trabajo de campo ........................................................................................................................................
    [Show full text]
  • Introduction to Japanese Swods Ⅲ HAMON Jul
    Apr. 17 (Sat) ~ Introduction to Japanese Swods Ⅲ HAMON Jul. 11 (Sun) ,2021 List of Works No. Designation Type Inscription Size(cm) Province Period Collection Appreciation of Hamon Patterns (Basics) 1 □ Wakizashi Signed Echigo-no-kami KANESADA 54.5 Settsu Early Edo Period(17th century) Private collection Komidare End of Heian - Beginning of Kamakura The Japanese Sword 2 〇 Tachi Signed TOMONARI saku 96.05 Bizen Period (12-13th century) Museum The Japanese Sword 3 〇 Tachi Signed SANEKAGE 79.2 Hōki End of Heian Period (12th century) Museum Suguha Sōshū jū TSUNAHIRO 4 □ Tachi Signed Tenbun 17 nen boshin 2 gatsujitsu 77.9 Sagami Late Muromachi Period (1548) Private collection (attached) Kawa tsutsumi tetsuzukuri tachi-goshirae 5 〇 Tachi Signed UNJI 74.1 Bizen End of Kamakura Period (14th century) Private collection Chōji The Japanese Sword 6 Katana Unsigned ICHIMONJI 66.4 Bizen Mid-Kamakura Period (13th century) ※1 Museum The Japanese Sword 7 ◎ Tachi Unsigned Fukuoka ICHIMONJI 77.1 Bizen Mid-Kamakura Period (13th century) ※2 Museum (Gold inlay The Japanese Sword 8 Katana SUKEZANE 72.1 Bizen Mid-Kamakura Period (13th century) inscription) Museum Bizen Osafune jū Yokoyama SUKEKANE saku The Japanese Sword 9 Katana Signed Genji 1 nen 8 gatsujitsu 72.4 Bizen End of Edo Period (1864) Museum Tomonari 58 dai mago Notare Tsuda Echizen-no-kami SUKEHIRO The Japanese Sword 10 Katana Signed 71.1 Settsu Early Edo Period (1667) Kanbun 7 nen 8 gatsujitsu Museum 11 ■ Wakizashi Unsigned Attributed to MASAMUNE 57.5 Sagami End of Kamakura Period(14th century)
    [Show full text]
  • Nengo Alpha.Xlsx
    Nengô‐Tabelle (alphabetisch) A ‐ K Jahr Nengō Devise Jahr Nengō Devise Jahr Nengō Devise Jahr Nengō Devise 1772 安永 An'ei 1521 大永 Daiei 1864 元治 Genji 1074 承保 Jōhō 1175 安元 Angen 1126 大治 Daiji 877 元慶 Genkei 1362 貞治 Jōji * 968 安和 Anna 1096 永長 Eichō 1570 元亀 Genki 1684 貞享 Jōkyō 1854 安政 Ansei 987 永延 Eien 1321 元亨 Genkō 1219 承久 Jōkyū 1227 安貞 Antei 1081 永保 Eihō 1331 元弘 Genkō 1652 承応 Jōō 1234 文暦 Benryaku 1141 永治 Eiji 1204 元久 Genkyū 1222 貞応 Jōō 1372 文中 Bunchū 983 永観 Eikan 1615 元和 Genna 1097 承徳 Jōtoku 1264 文永 Bun'ei 1429 永享 Eikyō 1224 元仁 Gennin 834 承和 Jōwa 1185 文治 Bunji 1113 永久 Eikyū 1319 元応 Gen'ō 1345 貞和 Jōwa * 1804 文化 Bunka 1165 永万 Eiman 1688 元禄 Genroku 1182 寿永 Juei 1501 文亀 Bunki 1293 永仁 Einin 1184 元暦 Genryaku 1848 嘉永 Kaei 1861 文久 Bunkyū 1558 永禄 Eiroku 1329 元徳 Gentoku 1303 嘉元 Kagen 1469 文明 Bunmei 1160 永暦 Eiryaku 650 白雉 Hakuchi 1094 嘉保 Kahō 1352 文和 Bunna * 1046 永承 Eishō 1159 平治 Heiji 1106 嘉承 Kajō 1444 文安 Bunnan 1504 永正 Eishō 1989 平成 Heisei * 1387 嘉慶 Kakei * 1260 文応 Bun'ō 988 永祚 Eiso 1120 保安 Hōan 1441 嘉吉 Kakitsu 1317 文保 Bunpō 1381 永徳 Eitoku * 1704 宝永 Hōei 1661 寛文 Kanbun 1592 文禄 Bunroku 1375 永和 Eiwa * 1135 保延 Hōen 1624 寛永 Kan'ei 1818 文政 Bunsei 1356 延文 Enbun * 1156 保元 Hōgen 1748 寛延 Kan'en 1466 文正 Bunshō 923 延長 Enchō 1247 宝治 Hōji 1243 寛元 Kangen 1028 長元 Chōgen 1336 延元 Engen 770 宝亀 Hōki 1087 寛治 Kanji 999 長保 Chōhō 901 延喜 Engi 1751 宝暦 Hōreki 1229 寛喜 Kanki 1104 長治 Chōji 1308 延慶 Enkyō 1449 宝徳 Hōtoku 1004 寛弘 Kankō 1163 長寛 Chōkan 1744 延享 Enkyō 1021 治安 Jian 985 寛和 Kanna 1487 長享 Chōkyō 1069 延久 Enkyū 767 神護景雲 Jingo‐keiun 1017 寛仁 Kannin 1040 長久 Chōkyū 1239 延応 En'ō
    [Show full text]
  • Learning from SHOGUN
    Learning from Shǀgun Japanese History and Western Fantasy Edited by Henry Smith Program in Asian Studies University of California, Santa Barbara Santa Barbara, California 93106 Contents Designed by Marc Treib Contributors vi Copyright © 1980 by Henry D. Smith II Maps viii for the authors Preface xi Distributed by the Japan Society, 333 East 47th Street, New York, Part I: The Fantasy N.Y. 10017 1 James Clavell and the Legend of the British Samurai 1 Henry Smith 2 Japan, Jawpen, and the Attractions of an Opposite 20 Illustrations of samurai armor are David Plath from Murai Masahiro, Tanki yǀryaku 3 Shǀgun as an Introduction to Cross-Cultural Learning 27 (A compendium for the mounted Elgin Heinz warrior), rev. ed., 1837, woodblock edition in the Metropolitan Museum Part II: The History of Art, New York 4 Blackthorne’s England 35 Sandra Piercy 5 Trade and Diplomacy in the Era of Shǀgun 43 Ronald Toby 6 The Struggle for the Shogunate 52 Henry Smith 7 Hosokawa Gracia: A Model for Mariko 62 Chieko Mulhern This publication has been supported by Part III: The Meeting of Cultures grants from: 8 Death and Karma in the World of Shǀgun 71 Consulate General of Japan, Los William LaFleur Angeles 9 Learning Japanese with Blackthorne 79 Japan-United States Susan Matisoff Friendship Commission 10 The Paradoxes of the Japanese Samurai 86 Northeast Asia Council, Henry Smith Association for Asian Studies 11 Consorts and Courtesans: The Women of Shǀgun 99 USC-UCLA Joint East Asia Henry Smith Studies Center 12 Raw Fish and a Hot Bath: Dilemmas of Daily Life 113 Southern California Conference on Henry Smith International Studies Who’s Who in Shǀgun 127 Glossary 135 For Further Reading 150 Postscript: The TV Transformation 161 vi Contributors vii Sandra Piercy is a graduate student in English history of the Tudor- Stuart period at the University of California, Santa Barbara.
    [Show full text]
  • The Real Last Samurai Clive Sinclaire Bexley, Kent February 2010
    The Real Last Samurai Clive Sinclaire Bexley, Kent February 2010 The middle of the 19th century was a time of great change in Japan. Known as the Bakumatsu period, it was the twilight years of the system of rule by the Tokugawa shoguns. When Commodore Perry’s armed squadron appeared off Uraga in Tokyo Bay in 1853, his mission was to enter into both diplomatic and trade agreements with the government of Japan. He was confronted by a shogunate that was already under severe strain and who was being challenged from within. Harvests had failed causing famine and peasant riots and, together with economic and succession problems, the Tokugawa shogunate or Bakufu, had no idea how to handle this unprecedented situation. They were in a state of utter confusion with several western countries demanding trading treaties and were unable to enforce their own exclusion laws, which had kept Japan virtually free from foreigners for almost 250 years. They were certainly too weak to expel the “barbarians” by force. Whilst the samurai government may have had the best swords in the world, these were no match for the repeating rifles of westerners, who were just experiencing the industrial revolution back home. Many of the ordinary samurai, conservative by nature, passionately believed that the shogunate should expel the foreign barbarians who they saw as defiling their sacred land and few realised that such a policy was impossible to enforce. The attitude from the tozama daimyo (outer lords) may be summed up in a letter dated 14th September 1853, sent to the shogun by Nabeshima Naomasa, the lord of Saga in Hizen province.
    [Show full text]
  • Reinventing the Sword
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan Charles Edward Ethridge Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Ethridge, Charles Edward, "Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan" (2007). LSU Master's Theses. 3729. https://digitalcommons.lsu.edu/gradschool_theses/3729 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. REINVENTING THE SWORD: A CULTURAL COMPARISON OF THE DEVELOPMENT OF THE SWORD IN RESPONSE TO THE ADVENT OF FIREARMS IN SPAIN AND JAPAN A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Charles E. Ethridge B.A., Louisiana State University, 1999 December 2007 Acknowledgments I would like to express my gratitude to my supervisor, Dr. Fredrikke Scollard, whose expertise, understanding, and patience added considerably to my graduate experience. I appreciate her knowledge of Eastern cultures and her drive to promote true ‘cross-cultural’ research.
    [Show full text]
  • Daigoji Temple
    Daigoji Temple: A Shingon Esoteric Buddhist Universe in Kyoto ● = National Treasures September 19 - November 11, 2018 Suntory Museum of Art = Now on View ◎ = Important Cultural Property 9/19 9/26 10/3 10/10 10/17 10/24 10/31 11/6 Audio ▼▼▼ ▼▼▼ ▼▼▼ ▼▼▼ ▼▼▼ ▼▼▼ ▼▼▼ ▼▼▼ No. Title Artist Period 9/24 10/1 10/8 10/15 10/22 10/29 11/5 11/11 No. Section 1. Sh ōbō and the Founding of Daigoji 1 Portrait of K ūkai Muromachi period, 16th century 2 4 ● Excerpts from the Mah āvairocana Sutra Commentary ( Dainichiky ō kaidai ) In the hand of K ūkai Heian period, 9th century 3 ● Record of the Gift of Writing Brushes from K ūkai to Emperor Saga Attributed to the hand of K ūkai Heian period, 9th century 4 ◎ Kōbō Daishi K ūkai’s Last Treatment in 25 Articles Heian period, 12th century 5 2 Seated statue of Sh ōbō (Great Master Rigen) By Yoshino uky ō Tanehisa Edo period, dated Enp ō 2 (1674) 6 ◎ Abbreviated Biography of the Archbishop [Sh ōbō], Founder of Daigoji Temple Heian period, 10th century scene change 7 3 ● Karmic Origins of Daigoji Temple ( Daigoji engi ) In the hand of J ōjun Edo period, 17th century 8 3 Two Original Buddhist Forms of the Seiry ū Deity Muromachi period, 15th century only in Kyushu National Museum 9 ◎ Miscellaneous Records of Daigoji Temple ( Daigo z ōjiki ) In the hand of Keien Heian period, 12th century 10 ● Directive of the Great Master Rigen in his own hand In the hand of Sh ōbō Heian period, dated Engi 7 (907) Document issued by the Office of the Buddhist Clergy (S ōgō), 11 ◎ Heian period, dated Engi 8 (908) signed by Sh ōbō and Kangen only in Kyushu National Museum 12 ◎ Vow of the Abbot [Sh ōbō] of T ōnan-in In the hand of Sh ōbō Heian period, dated Engi 7 (907) only in Kyushu National Museum 13 ◎ Essential Records of T ōdaiji ( Tōdaiji y ōroku ), fascicle 1 In the hand of Kanj ō Kamakura period, dated Ninji 2 (1241) 14 16 ● Yakushi Nyorai (Bhaisajyaguru) and attendant deities Heian period, 10th century 15 1 ◎ Seated Nyoirin Kannon (Cint āmanicakra Avalokite śvara) Heian period, 10th century Section 2.
    [Show full text]
  • Encyclopedia of Shinto Chronological Supplement
    Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan.
    [Show full text]