Bach's Organ World Tour of Germany
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Wonders of Germany & Austria
WONDERS OF GERMANY & AUSTRIA with Oberammergau 2020 7 May 2020 15 Days from $5,499 This tour takes advantage of the European spring season, with the beauty and mild weather. There’ll be plenty of time to enjoy some of the great German-speaking cities of central Europe – Berlin, Dresden and Vienna; experiencing the life, culture, religion and history of these cities. Archdeacon John Davis leads this tour, his second time to Oberammergau. He is the former Vicar General of the Anglican Diocese of Wangarattta. John has led several groups to Assisi, as well as to Oberammergau. Archdeacon John Davis Tour INCLUSIONS • 12 nights’ accommodation at 4 star hotels as listed • Oberammergau package including 1 nights (or similar) with breakfast daily accommodation, category 2 ticket and dinner • 5 dinners in hotels; 3 dinners in local restaurants • Services of a professional English-speaking Travel • Lunch at the Hofbrahaus Director throughout. Local expert guides where required & as noted on the itinerary • Sightseeing and entrance fees as outlined in the itinerary • Tips to Travel Director and Driver • Luxury air-conditioned coach with panoramic • Archdeacon John Davis as your host windows myselah.com.au 1300 230 271 ITINERARY Summarised Friday 8 May Saturday 16 May BERLIN OBERAMMERGAU Free day to explore. Drive to Oberammergau (travel time approx. 90 mins). Spend some free time in the quaint village Saturday 9 May before the Passion Play performance beings BERLIN at 2.30pm. There is a dinner break followed Today we will visit the two cathedrals in the Mitte by the second half of the play, concluding at area (Berlin Cathedral and St Hedwig’s) before an approximately 10.30pm. -
Augustus II the Strong's Porcelain Collection at the Japanisches
Augustus II the Strong’s Porcelain Collection at the Japanisches Palais zu Dresden: A Visual Demonstration of Power and Splendor Zifeng Zhao Department of Art History & Communication Studies McGill University, Montreal September 2018 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Zifeng Zhao 2018 i Abstract In this thesis, I examine Augustus II the Strong’s porcelain collection in the Japanisches Palais, an 18th-century Dresden palace that housed porcelains collected from China and Japan together with works made in his own Meissen manufactory. I argue that the ruler intended to create a social and ceremonial space in the chinoiserie style palace, where he used a systematic arrangement of the porcelains to demonstrate his kingly power as the new ruler of Saxony and Poland. I claim that such arrangement, through which porcelains were organized according to their colors and styles, provided Augustus II’s guests with a designated ceremonial experience that played a significant role in the demonstration of the King’s political and financial prowess. By applying Gérard de Lairesse’s color theory and Samuel Wittwer’s theory of “the phenomenon of sheen” to my analysis of the arrangement, I examine the ceremonial functions of such experience. In doing so, I explore the three unique features of porcelain’s materiality—two- layeredness, translucency and sheen. To conclude, I argue that the secrecy of the technology of porcelain’s production was the key factor that enabled Augustus II’s demonstration of power. À travers cette thèse, j'examine la collection de porcelaines d'Auguste II « le Fort » au Palais Japonais, un palais à Dresde du 18ème siècle qui abritait des porcelaines provenant de Chine, du Japon et de sa propre manufacture à Meissen. -
IN FO R M a TIO N to U SERS This Manuscript Has Been Reproduced from the Microfilm Master. UMI Films the Text Directly From
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margin*, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Ben A Howeii Information Company 300 North Zeeb Road Ann Arbor. Ml 48106-1346 USA 313.761-4700 800.521-0600 RENDERING TO CAESAR: SECULAR OBEDIENCE AND CONFESSIONAL LOYALTY IN MORITZ OF SAXONY'S DIPLOMACY ON THE EVE OF THE SCMALKALDIC WAR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James E. -
Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation
Originalveröffentlichung in: Enenkel, Karl A. E. ; Ottenheym, Konrad A. (Hrsgg.): The quest for an appropriate past in literature, art and architecture, Leiden 2019, S. 511-585 (Intersections ; 60) chapter 19 Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation Stephan Hoppe The early history of northern Renaissance architecture has long been pre- sented as being the inexorable occurrence of an almost viral dissemination of Italian Renaissance forms and motifs.1 For the last two decades, however, the interconnected and parallel histories of enfolding Renaissance humanism have produced new analytical models of reciprocal exchange and of an ac- tively creative reception of knowledge, ideas, and texts yet to be adopted more widely by art historical research.2 In what follows, the focus will be on a particular part of the history of early German Renaissance architecture, i.e. on the new engagement with the historical – and by then long out-of-date – world of Romanesque architectural style and its possible connections to emerging Renaissance historiography 1 Cf. Hitchcock H.-R., German Renaissance Architecture (Princeton, NJ: 1981). 2 Burke P., The Renaissance (Atlantic Highlands, NJ: 1987); Black R., “Humanism”, in Allmand C. (ed.), The New Cambridge Medieval History, c. 1415–c. 1500, vol. 7 (Cambridge: 1998) 243–277; Helmrath J., “Diffusion des Humanismus. Zur Einführung”, in Helmrath J. – Muhlack U. – Walther G. (eds.), Diffusion des Humanismus. Studien zur nationalen Geschichtsschreibung europäischer Humanisten (Göttingen: 2002) 9–34; Muhlack U., Renaissance und Humanismus (Berlin – Boston: 2017); Roeck B., Der Morgen der Welt. Die Geschichte der Renaissance (Munich: 2017). For more on the field of modern research in early German humanism, see note 98 below. -
GROUP TRAVEL Discover Cities Enjoy Nature Experience Culture Active Relaxation a Warm-Hearted Wl E Come
BAD REICHENHALL MUNICH LEONBERG/STUTTGART ALKEN/MOSEL HILDEN/DÜssELDORF BERLIN CHEMNITZ HOLIDAY DESTINATION GERMANY GROUP TRAVEL Discover cities Enjoy nature Experience culture Active relaxation A warm-hearted WL E COME D ear travel partner, Dear guests, Countryside or culture? City or landscapes? Culinary delights or active holidays? Different travel groups have different needs. It doesn’t matter for which season you are planning a trip, Germany offers a wide range of interesting places and entertainment for all ages all year round. All sights and destinations shown on the next pages are easily accessible with your own vehicle from the AMBER HOTELS and partner hotels. Your travellers will also feel thoroughly pampered in the 3 and 4 star hotels. As well as friendly staff all hotels offer great comfort and tasty choices in the restaurants. You can be sure to have the same quality even if you travel from hotel to hotel on your tours. Email me the cornerstones of you trip and you will receive an offer asap. With kind regards AMBER HOTELS Christian Röder Sales Manager Leisure [email protected] Direct contact: mobile +49 1520 6289001 Contact address: AMBER HOTELS Leisure, Schwanenstraße 27, 40721 Hilden, Germany +49 2103 503-100, -444, [email protected] Stay informed! Sign up for the AMBER newsletter for group travel (in German)! 4x to 6x a year you will receive news of the hotels and regions. Interesting basics for your tours! www.amber-hotels.de/gruppen/newsletter-gruppe/ Important notice: The tips and destina- AMBER TIP: tions on the following pages are a choice of F UN AND DANCE IN CHEMNITZ suggestions. -
Where Christmas Comes to Life
Winter 2014 | The Christmas magazine for the Free State of Saxony Saxony Where Christmas comes to life Jens Weissflog Ring tuRneR stollen 2.0 A sausage on a bus instead of presents: Back to the future: Science and the web: A blogger from The legendary ski jumper talks about How a maverick brought the Ore Mountains takes Christmas Advent season in professional sport. an old craft back to life. baking to a whole new level. 2 Baking stuDio DresDen In Pulsnitz children are nostalgia tracking down the secret Chock-full of treats and of German “pepper mementos from yes- cake”. Page 10 DresDen teryear: “Advent on the kreuzchor Neumarkt” next to the paraDe moDe 11-year-old Karl sings for o come all ye Frauenkirche. Page 4 Glück auf! A day in Ad- his supper. Page 20 FaithFul! vent with the Schneeberg Saxony’s best Christmas Flyyyyyyyyy! miners. Page 12 Festive Fortress markets. Page 24 stollen 2.0 Ski jump legend Jens Why the Christmas mar- A baking blogger from Weißflog talks about schwarzenBerg ket on the Königstein young culture the Ore Mountains Christmas time among After a steep climb, a glo- is a real highlight of the scene reveals how to make the top athletes. Page 6 rious market. Page 15 season. Page 21 Runa Pernoda Schaefer, moistest of moist stollen actress, guides us through cakes. Page 28 the raugrave’s Advent alphaBet silBermann’s Leipzig’s Advent. Page 25 recipe An A to Z of Christmas pipes all wrappeD up An old mulled wine reci- in Saxony. Page 16 Choirmaster and organ- Blaze oF light Highly recommended: pe written by a bankrupt ist Albrecht Koch reveals The Christmas market in celebrities and VIPs from aristocrat was collecting turn arounD! how to coax modern Altkötzschenbroda: pic- Saxony give advice on dust in a far corner of a A ring turner as unusual sounds out of a 300- turesque setting, enchant- Christmas presents. -
Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral
UNIVERSITY OF CALIFORNIA RIVERSIDE International Projects with a Local Emphasis: Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Daniel A. Powazek June 2020 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Randolph Head Dr. Jeanette Kohl Copyright by Daniel A. Powazek 2020 The Thesis of Daniel A. Powazek is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE THESIS International Projects with a Local Emphasis: The Collecting and Representation of Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral by Daniel A. Powazek Master of Arts, Graduate Program in Art History University of California, Riverside, June 2020 Dr. Kristoffer Neville, Chairperson When the Albertine Dukes of Saxony gained the Electoral privilege in the second half of the sixteenth century, they ascended to a higher echelon of European princes. Elector August (r. 1553-1586) marked this new status by commissioning a monumental tomb in Freiberg Cathedral in Saxony for his deceased brother, Moritz, who had first won the Electoral privilege for the Albertine line of rulers. The tomb’s magnificence and scale, completed in 1563, immediately set it into relation to the grandest funerary memorials of Europe, the tombs of popes and monarchs, and thus establishing the new Saxon Electors as worthy peers in rank and status to the most powerful rulers of the period. By the end of his reign, Elector August sought to enshrine the succeeding rulers of his line in an even grander project, a dynastic chapel built into Freiberg Cathedral directly in front of the tomb of Moritz. -
Baroque and Classical Style in Selected Organ Works of The
BAROQUE AND CLASSICAL STYLE IN SELECTED ORGAN WORKS OF THE BACHSCHULE by DEAN B. McINTYRE, B.A., M.M. A DISSERTATION IN FINE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Chairperson of the Committee Accepted Dearri of the Graduate jSchool December, 1998 © Copyright 1998 Dean B. Mclntyre ACKNOWLEDGMENTS I am grateful for the general guidance and specific suggestions offered by members of my dissertation advisory committee: Dr. Paul Cutter and Dr. Thomas Hughes (Music), Dr. John Stinespring (Art), and Dr. Daniel Nathan (Philosophy). Each offered assistance and insight from his own specific area as well as the general field of Fine Arts. I offer special thanks and appreciation to my committee chairperson Dr. Wayne Hobbs (Music), whose oversight and direction were invaluable. I must also acknowledge those individuals and publishers who have granted permission to include copyrighted musical materials in whole or in part: Concordia Publishing House, Lorenz Corporation, C. F. Peters Corporation, Oliver Ditson/Theodore Presser Company, Oxford University Press, Breitkopf & Hartel, and Dr. David Mulbury of the University of Cincinnati. A final offering of thanks goes to my wife, Karen, and our daughter, Noelle. Their unfailing patience and understanding were equalled by their continual spirit of encouragement. 11 TABLE OF CONTENTS ACKNOWLEDGMENTS ii ABSTRACT ix LIST OF TABLES xi LIST OF FIGURES xii LIST OF MUSICAL EXAMPLES xiii LIST OF ABBREVIATIONS xvi CHAPTER I. INTRODUCTION 1 11. BAROQUE STYLE 12 Greneral Style Characteristics of the Late Baroque 13 Melody 15 Harmony 15 Rhythm 16 Form 17 Texture 18 Dynamics 19 J. -
Porcelain Circling the Globe. International Trading Structures And
Porcelain circling the Globe. International Trading Structures and the East Asia Collection of Augustus the Strong (1670 – 1733) Porzellansammlung, Staatliche Kunstsammlungen Dresden Wednesday, 13 – Thursday, 14 June 2018 Recommended sights in and around Dresden1 Staatliche Kunstsammlungen Dresden www.skd.museum [email protected] Staatliche Kunstsammlungen Dresden (Dresden State Art Collections) is one of the most renowned and oldest museum institutions in the world, originating from the collections of the Saxon electors in the 16th century. Today, the Dresden State Art Collections consists of twelve museums. Most of them are located in the Residenzschloss (Royal Castle), the Zwinger and the Albertinum. Zwinger (Old Masters Painting Gallery, Porcelain Collection, Royal Cabinet of Mathematical and Physical Instruments) Sophienstraße, 01067 Dresden Open daily 10:00 – 18:00, closed on Mondays Admission fee: regular €10.00, reduced €7.50, children under 17 free, group €9.00 1 Residenzschloss (Green Vault, Collection of Prints, Drawings and Photographs, Coin Cabinet, Armory) Taschenberg 2, 01067 Dresden Open daily 10:00 – 18:00, closed on Tuesdays Admission fee: regular €12.00, reduced €9.00, children under 17 free, group €11.00 Albertinum (New Masters Gallery, Sculpture Collection) Tzschirnerplatz 2, 01067 Dresden Open daily 10:00 – 18:00, closed on Mondays Admission fee: regular €10.00, reduced €7.50, children under 17 free, group €9.00 All information is supplied without guarantee. All obligation due to faulty, incomplete or outdated -
Recommended Sights in and Around Dresden1
Porcelain circling the Globe. International Trading Structures and the East Asia Collection of Augustus the Strong (1670 – 1733) Porzellansammlung, Staatliche Kunstsammlungen Dresden Wednesday, 13 – Thursday, 14 June 2018 Recommended sights in and around Dresden1 Staatliche Kunstsammlungen Dresden www.skd.museum [email protected] Staatliche Kunstsammlungen Dresden (Dresden State Art Collections) is one of the most renowned and oldest museum institutions in the world, originating from the collections of the Saxon electors in the 16th century. Today, the Dresden State Art Collections consists of fifteen museums. Most of them are located in the Residenzschloss (Royal Castle), the Zwinger and the Albertinum. Zwinger (Old Masters Painting Gallery, Porcelain Collection, Royal Cabinet of Mathematical and Physical Instruments) Sophienstraße, 01067 Dresden Open daily 10:00 – 18:00, closed on Mondays Admission fee: regular €10.00, reduced €7.50, children under 17 free, group €9.00 1 Residenzschloss (Green Vault, Collection of Prints, Drawings and Photographs, Coin Cabinet, Armory) Taschenberg 2, 01067 Dresden Open daily 10:00 – 18:00, closed on Tuesdays Admission fee: regular €12.00, reduced €9.00, children under 17 free, group €11.00 Albertinum (New Masters Gallery, Sculpture Collection) Tzschirnerplatz 2, 01067 Dresden Open daily 10:00 – 18:00, closed on Mondays Admission fee: regular €10.00, reduced €7.50, children under 17 free, group €9.00 All information is supplied without guarantee. All obligation due to faulty, incomplete or outdated -
Theatrum Historiae 24 (2019)
Ústav historických věd Fakulta filozofická Univerzita Pardubice Theatrum historiae 24 2019 Pardubice 2019 Na obálku byla použita část obrazu Bernarda Bellotta Pohled na Drážďany z pravého přehu Labe nad Augustovým mostem, cca 1750 – 1755, olej na plátně, 52 x 82 cm ze sbírek Muzeum Pałacu Króla Jana III w Wilanowie (Wikimedia Commons), dostupný na: https://commons.wikimedia.org/wiki/File:Bellotto_View_of_Dresden.jpg © Univerzita Pardubice, 2019 evidenční číslo MK ČR E 19534 ISSN 1802–2502 Obsah Michal TÉRA Korutanský nastolovací obřad a přemyslovský mýtus 9 Urszula KICIŃSKA Political activity of widows as an example of shaping cliental dependencies in the second half of the seventeenth and eighteenth centuries 41 Bożena POPIOŁEK Patrons and clients. The specificity of female clientelism in the Polish-Lithuanian Commonwealth at the turn of the seventeenth century. Research postulates 55 Agnieszka SŁABY Emotional pressure and violence in the milieu of the nobility in the Saxon era of the Polish-Lithuaninan Commonwealth 71 Iveta COUFALOVÁ Jan Nepomucký v luteránských Drážďanech. Rekonverze Wettinů a role českého zemského patrona v 1. polovině 18. století 89 Filip VÁVRA Rezidenční síť Františka Josefa Černína z Chudenic ve Vídni a v Praze ve 20. a 30. letech 18. století 109 PETR WOHLMUTH Poručík proti maršálovi. Dvojí výzva post-vaubanovské tradici v textech skotského vojenského inženýra Charlese Bisseta z let 1751–1778 137 GABRIELA KREJČOVÁ ZAVADILOVÁ Pokusy o vzdělávání prvních českých kazatelů augsburského vyznání 173 PETER DEMETER – DANA MAREŠOVÁ Životní cesta Terezie Dalbergové (1866–1893) za uzdravením. Zbožná pouť do francouzských Lurd 191 Dana MUSILOVÁ – Pavla PLACHÁ Ženská nucená práce v českých zemích 1939–1945 205 Recenze a zprávy 223 Seznam recenzentů 241 Seznam autorů 242 9 Michal TÉRA Korutanský nastolovací obřad a přemyslovský mýtus Abstract: Carinthian Enthronization Ceremony and the Premyslid Myth The present study deals with the medieval enthronization ceremony held in Zollfeld near Karnburg where the Carinthian dukes were inaugurated. -
Tales of 1001 Pipes. for Mendelssohn's
Tales of 1001 Pipes. For Mendelssohn’s organ lessons: The Wagner Organ at St. Mary’s Church, Berlin Michael Gailit ′ Prologue 4Octava Example 1 3′ Quinta For some, musicology can offer cap- 2′ Super-Octava 3 tivating moments. What has happened 1⁄5′ Tertia at a certain place during a certain time? 8′ Cornet V (c1–c3) Changes in organs remind us sometimes 2′ Mixtur IV 1 of CSI. Who really knew what was go- 1⁄3′ Cimbeln III ing on? The pastor might be not the best 8′ Trompete guess, and the lead has intelligent ways 4′ Clarin to tell everybody how to look at things— Oberwerk (II; CD–c3; 13 stops) 2556 pipes in an organ it’s not worth it, 16′ Quintaden with 1001 pipes you get even more! 8′ Principal 8′ Gedackt Wagner and St. Mary 8′ Quintaden Let us imagine a visit to St. Mary’s 4′ Octava Church in Berlin at the beginning of the 4′ Spitzfl öte 19th century. Our reason is the celebra- 2′ Super-Octava 1′ Flaschfl öt tion last year of the 200th anniversary 1 1⁄3′ Mixtur III of Felix Mendelssohn Bartholdy (1809– 1′ Cimbeln II 1847). During the period 1820–21, the ′ 8Krummhorn Example 2 ingenious multi-talent received organ 8′ Vox humana lessons at St. Mary’s and composed his 8′ Echo V (c1–c3) fi rst organ pieces. Mendelssohn’s organ teacher August Wilhelm Bach (1796– Brustwerk (III; CD–c3; 9 stops) 8′ Gedackt 1869)—not related to the Thuringian ′ family of musicians—had at his post in 4Principal 4′ Rohrfl öte St.