28Th International Congress on Medieval Studies
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A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
Œuvres Complètes De Rutebeuf, Trouvère Du Xiiie Siècle, Recueillies Et Mises Au Jour Pour La Première Fois Par Achille Jubinal
Œuvres complètes de Rutebeuf, trouvère du XIIIe siècle, recueillies et mises au jour pour la première fois par Achille Jubinal. Nouvelle édition revue et corrigée. Achille JUBINAL Paris : 1874, Paul Daffis. Œuvres complètes de Rutebeuf, trouvère du XIIIe siècle, recueillies et mises au jour pour la première fois par Achille Jubinal, Nouvelle édition revue et corrigée, A. JUBINAL, 1874 : Paris, Paul Daffis, vol. 1, pp. 1-4. C’est de la Povretei Rutebuef1 Ms. 7633. Je ne ſai par où je coumance Tant ai de matyere abondance Por parleir de ma povretei. Por Dieu vos pri, frans Rois de France, 5 Que me doneiz queilque chevance2 Si fereiz trop grant charitei. J’ai veſcu de l’autrui chatei3 Que hon m’a créu4 & preſtei ; Or me faut chacuns de créance, 10 C’om me ſeit povre & endetei : Vos r’aveiz hors dou reigne eſtei Où toute avoie m’atendance. Entre chier tens & ma mainie5 Qui n’eſt malade ni fainie, 15 Ne m’ont laiſſié deniers ne gage. Gent truis d’eſcondire6 arainie7 Et de doneir mal enseignie8 : 1 L’ensemble de cette pièce, son quatrième et surtout son onzième vers indiquent que la composition en remonte au temps très-court qui s’écoula entre le commencement et la fin de la seconde croisade, et qu’elle fut écrite pendant que Louis IX était occupé à combattre les infidèles. Le saint roi dut donc la rece- voir, si elle parvint jusqu’à lui, sur la plage de Tunis. 2 Chevance : voyez, pour ce mot, une des notes de la fin de la Paiz de Rutebueſ. -
HELDEN UND HELDENSAGE Otto Gschwantler Zum 60
PHILOLOGICA GERMANICA 11 HELDEN UND HELDENSAGE Otto Gschwantler zum 60. Geburtstag Herausgegeben von HERMANN REICHERT UND GÜNTER ZIMMERMANN 1990 FASSBAENDER WIEN Inhalt Heinrich BECK, Eddaliedforschung heute: Bemerkungen zur Hel- denlied-Diskussion 1 Helmut BIRKHAN, Der Held, sein Schicksal und sein Glück in einigen keltischen Traditionen des Mittelalters 25 Karl BRUNNER, Ein „Land" den „Nibelungen" 45 Klaus DÜWEL, Das altnordische ,Hildebrandslied' nach Wolfgang LANGE 57 Alfred EBENBAUER, Antelan - Kurze Bemerkungen zu einem Zwer- genkönig 65 Evelyn Scherabon FIRCHOW, Altisländische Textedition amfin de siede: Die Ausgaben des Mödruvallabök (1987) und des Eluci- darius (1989) 75 Peter HALLBERG, Wie wird ein Held in der altisländischen Dichtung genannt? 87 Werner HOFFMANN, Nibelungenromane 113 Heinz KLINGENBERG, Harbarözliöö. Individuelles und überindivi- duelles Erzählen 143 Edith MAROLD, Sagengestalt und Kontext. Die Hildesage in wech- selnden Kontexten 187 Robert NEDOMA, ZU den Frauenfiguren der ,J>iöreks saga af Bern' 211 Teresa PAROLI, The Tears of the Heroes in Germanic Epic Poetry 233 Edgar C. POLOME, Starkaö: Oöinn- or Pörr-Hero 267 Hermann REICHERT, Autor und Erzähler im ,Nibelungenlied'. Seine Mündlichkeit, Schriftlichkeit, Bildung, Trinkgewohnhei- ten und sonstigen Charakteristika 287 Kurt SCHIER, Sammlung, Wiederbelebung und Neudichtung von Heldenballaden auf den Färöern zu Beginn des ^.Jahrhun- derts: historische Voraussetzungen und Konsequenzen . 329 Ute SCHWAB, Einige Gebärden des Todesrituals in der ,Raben- schlacht' 359 Rudolf SIMEK, Ein Saga-Anti-Held. Über die ethischen Vorstellun- gen in der ,Föstbraeöra saga' 395 wElfriede STUTZ f. Über die Einheit und die Einzigartigkeit der ^ Siegfried-Gestalt 411 Norbert VOORWINDEN, Kampfschilderung und Kampfmotivation in mittelalterlicher Dichtung. Zur Verschmelzung zweier Tra- ditionen in der deutschen Heldenepik 431 XII Inhalt Gerd Wolfgang WEBER, „Sem konungr skyldi". -
1 the Middle Ages
THE MIDDLE AGES 1 1 The Middle Ages Introduction The Middle Ages lasted a thousand years, from the break-up of the Roman Empire in the fifth century to the end of the fifteenth, when there was an awareness that a ‘dark time’ (Rabelais dismissively called it ‘gothic’) separated the present from the classical world. During this medium aevum or ‘Middle Age’, situated between classical antiquity and modern times, the centre of the world moved north as the civil- ization of the Mediterranean joined forces with the vigorous culture of temperate Europe. Rather than an Age, however, it is more appropriate to speak of Ages, for surges of decay and renewal over ten centuries redrew the political, social and cultural map of Europe, by war, marriage and treaty. By the sixth century, Christianity was replacing older gods and the organized fabric of the Roman Empire had been eroded and trading patterns disrupted. Although the Church kept administrative structures and learning alive, barbarian encroachments from the north and Saracen invasions from the south posed a continuing threat. The work of undoing the fragmentation of Rome’s imperial domain was undertaken by Charlemagne (742–814), who created a Holy Roman Empire, and subsequently by his successors over many centuries who, in bursts of military and administrative activity, bought, earned or coerced the loyalty of the rulers of the many duchies and comtés which formed the patchwork of feudal territories that was France. This process of centralization proceeded at variable speeds. After the break-up of Charlemagne’s empire at the end of the tenth century, ‘France’ was a kingdom which occupied the region now known as 2 THE MIDDLE AGES the Île de France. -
Acta Neophilologica 40
ACTA NEOPHILOLOGICA 40. 1-2 (2007) Ljubljana MIRKOJURAK JAKOB KELEMINA ON SHAKESPEARE' S PLAYS SANDROJUNG WORDSWORTH' S "TINTERN ABBEY" AND THE TRADITION OF THE " HYMNAL" ODE JANES STANONIK MARCUS ANTONIUS KAPPUS: A REEVALUATION DARJA MAZI- LESKOVAR THE FIRST TRANSLATIONS OF LEATHERSTOCKING TALES JERNEJA PETRIC LOUIS ADAMJC'S "OLD ALIEN" AS A RELIC OF ETHNIC DIFFERENTIATION IN THE U.S.A. TATJANA VUKELIC UNDERSTANDING ZORA NEALE HURSTON' S THEIR EYES WERE WATCHING GOD BRANKA KALOGJERA "OLD" VS. "NEW" ETHNICITIES AND MULTIPLE IDENTITIES IN SANDRA CISNEROS' CARAMELO MAJDASAVLE INDIRECT NARRATION: ON CONRAD' S HEART OF DARKNESS AND FITZGERALD' S THEGREATGATSBY DARJA MARINSEK FEMALE GENITAL MUTILATION IN AFRICAN AND AFRICAN-AMERICAN WOMEN' S LITERATURE BRIGITA PAYSIC TIME AS THE FIFTH ELEMENT IN MARGARET LAURENCE'S MANAWAKA CYCLE JOHANN GEORG LUGHOFER EINE ANNAHERUNG AN HAND DES FALLBEISPIELS BERTHA VON SUTTNER MIHA PINTARIC THE ROLE OF VIOLENCE IN THE ROMANCES OF CHRETIEN DE TROYES SPELA ZAKELJ L' IRONIE DANS L' ALLEGORIE CHEZ RUTEBEUF PATRIZIA FARINELLI SUL FANTASTICO NELLA NARRATIVA Dl TABUCCHI UROS MOZETIC FROM DOUBLEVALANT TO MONOVALANT DISCOURSE: THE ROLE OF THE TRANSLATOR MIRKOJURAK BERNARD HICKEY. IN MEMORIA M ACTA NEOPHILOLOGICA 40. 1-2 (2007) Ljubljana MIRKOJURAK JAKOB KELEMINA ON SHAKESPEARE'S PLAYS ........... .... .. .. ... ........... .... ....... ..... ......... .. 5 SANDROJUNG WORDSWORTH'S "TINTERN ABBEY" AND THE TRADITION OF THE "HYMNAL:' ODE ....... 51 JANES STANONIK MARCUS ANTONIUS KAPPUS: A REEVALUATION .......................................................... 61 DARJA MAZI- LESKOVAR THE FIRST TRANSLATIONS OF LEATHERSTOCKING TALES .............................................. 75 JERNEjA PETRIC LOUIS ADAMIC'S "OLD ALIEN" AS A RELIC OF ETHNIC DIFFERENTIATION IN THE U.S .A. 89 TATJANA VUKELIC UNDERSTANDING ZORA NEALE HURSTON'S THEIR EYES WERE WATCHING GOD ............ -
Jean Bodel, Colin Muset, Adam De La Halle Y Rutebeuf
www.ahlm.es ACTES DEL X CONGRES INTERNACIONAL DE L'ASSOCIACIÓ HISPÁNICA DE LITERATURA MEDIEVAL Edició a cura de Rafael Alemany, Josep Lluis Martos i Josep Miquel Manzanaro Volum III INSTITUI INTERUNIVERSITARI DE FILOLOGIA VALENCIANA «SYMPOSIA PHILOLOGICA», 12 Alacant, 2005 www.ahlm.es Asociado Hispánica de Literatura Medieval. Congrés (lOé. 2003. Alacant) Actes del X Congrés Internacional de l'Associació Hispánica de Literatura Medieval / edició a cura de Rafael Alemany, Josep Lluis Martos i Josep Miquel Manzanaro. - Alacant : Institut Interuniversitari de Filologia Valenciana, 2005. - 3 v. (1636 pp.) ; 23,5 X 17 cm. - (Symposia philologica ; 10, 11 i 12) Ponències en català, castellà i gallee ISBN: 84-608-0302-3 (84-608-0303-1, V. i; 84-608-0304-X, V. ii; 84-608-0305-8, V. iii) 1. Literatura medieval - Historia i crítica - Congresos. 2. Literatura española - Anterior a 1500 - Historia y crítica - Congresos. I. Alemany, Rafael. II. Martos, Josep Lluis. III. Manzanaro, Josep Miquel. IV. Título. V. Serie. 821.134.2.09"09/14"(063) Director de la col-lecció: Josep Martines © Els autors © D'aquesta edició: Instituí Interuniversitari de Filología Valenciana Primera edició: maig de 2005 Portada: Lloreng Pizà IMustració de la coberta: Taulell amb escena de torneig (1340-1360), Museu Municipal de TAlmodí, Xàtiva Imprimeix: TÀBULA Diseño y Artes Gráficas ISBN (Volum III): 84-608-0305-8 ISBN (Obra Completa): 84-608-0302-3 Dipósit legal: A-519-2005 La publicado d'aquestes Actes del X Congrés Internacional de l'Associació Hispánica de Literatura Medieval ha comptât amb el finançament de l'Acció Especial BFF2002-11132-E del Ministerio de Ciencia y Tecnología. -
The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR and PEACE, SEX and VIOLENCE
The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR AND PEACE, SEX AND VIOLENCE JAN M. ZIOLKOWSKI To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/822 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. THE JUGGLER OF NOTRE DAME VOLUME 6 The Juggler of Notre Dame and the Medievalizing of Modernity Vol. 6: War and Peace, Sex and Violence Jan M. Ziolkowski https://www.openbookpublishers.com © 2018 Jan M. Ziolkowski This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Jan M. Ziolkowski, The Juggler of Notre Dame and the Medievalizing of Modernity. Vol. 6: War and Peace, Sex and Violence. Cambridge, UK: Open Book Publishers, 2018, https://doi.org/10.11647/OBP.0149 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Thomas Peacock's Maid Marian: a Humorist's Treatment of Traditional Materials
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 1-1-1967 Thomas Peacock's Maid Marian: A Humorist's Treatment of Traditional Materials Ronald D. Snead Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Snead, Ronald D., "Thomas Peacock's Maid Marian: A Humorist's Treatment of Traditional Materials" (1967). Plan B Papers. 542. https://thekeep.eiu.edu/plan_b/542 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. Thomas fea~ock's Maid Marian: A Humorist 's Treatment of raditional Materials (TITLE) BY Ronala L. Snesd PLAN B PAPER SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE English 5e5 IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1966-67 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED . '" °()$.( . , ( 'f DATE te7 DATE DEPARTMENT HEAD Thomas Love Peacock is a little knovm but delightful nineteenth century English author . His seven works·- Headlong Hall (1815), Melincourt (1817), Hightmare Abbey (1818), Ma id Marian ( 1822), The Misfortun.es of Elphin (1829), Crochet Castle (1831), and Gryll Grange (1860 ) -- 1 Ian Jack calls satiric tales. Traditionally, these works have been referred to as novels end would qualify under Thrall and Hibbard 1 s handbook definition of a novel as any extended piece of prose fiction. -
Robert Southey Poems Pdf
Robert southey poems pdf Continue For the chairman of the Australian Ballet, see Robert Southee (businessman). This article needs additional quotes to verify. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: Robert Southee - news newspaper book scientist JSTOR (August 2018) (Learn, how and when to remove this template message) Robert SoutheyPortrait, c. 1795Born (1774-08-12)12 August 1774Bristole, EnglandDied21 March 1843 (1843-03-21) (age 68)London, EnglandOccupationPoet, historian, historian, historian, historian, historian, historian, historian, biographer, essayistLiter movementRoantisisspehit Fricker (1795-1838; her death)Carolina Ann Bowles (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (183 /ˈsaʊði/ or /ˈsʌði/; August 12, 1774 -March 21, 1843) was an English romantic poet and poet laureate from 1813 until his death. Like other lake poets, William Wordsworth and Samuel Taylor Coleridge, Southee began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics, notably Byron, accused him of siding with the institution for money and status. He is remembered as the author of the poem After Blenheim and the original version of Goldilocks and the Three Bears. Life Robert Southey, Sir Francis Chantrey, 1832, National Portrait Gallery, London Robert Southee was born in Wine Street, Bristol, Robert Southey and Margaret Hill. He was educated at Westminster School in London (where he was expelled for writing an article in The Flagellant, attributing the invention to the devil), and at Balliol College, Oxford. -
On the Roman Frontier1
Rome and the Worlds Beyond Its Frontiers Impact of Empire Roman Empire, c. 200 B.C.–A.D. 476 Edited by Olivier Hekster (Radboud University, Nijmegen, The Netherlands) Editorial Board Lukas de Blois Angelos Chaniotis Ségolène Demougin Olivier Hekster Gerda de Kleijn Luuk de Ligt Elio Lo Cascio Michael Peachin John Rich Christian Witschel VOLUME 21 The titles published in this series are listed at brill.com/imem Rome and the Worlds Beyond Its Frontiers Edited by Daniëlle Slootjes and Michael Peachin LEIDEN | BOSTON This is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2016036673 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 1572-0500 isbn 978-90-04-32561-6 (hardback) isbn 978-90-04-32675-0 (e-book) Copyright 2016 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
THOMAS LOVE PEACOCK by Tony Reeve
THOMAS LOVE PEACOCK By Tony Reeve Thomas Love Peacock became a resident of Marlow in the summer of 1815 and had a house there until July 1819, a period of four years. During this time, he is best known as a friend and neighbour of the poet, Percy Bysshe Shelley and his wife, Mary Shelley, the author of Frankenstein, when they also lived in Marlow. Yet, in many ways, it is difficult to understand why they should have been friends. For example, Peacock was seven years older than Shelley, being born on 18 October 1785 at Weymouth in Dorset, the son of a London glass merchant. His father died in 1794 when Peacock was only 8 years of age, but in preparation for his death, his father purchased three annuities, which failed Thomas Love Peacock many years early. As a result, Peacock had to leave school at eleven years of age and take a job as a lowly clerk in the City of London. He had no secondary education at all, but was clearly of outstanding intelligence and managed to educate himself. He taught himself Latin, ancient Greek, French and Italian and became an expert on philosophy and the classic writers. Peacock had no expectations of an inheritance; he could not borrow money. When he got into debt, he worried about his bills and did his best to pay tradesmen. He was not a big man, but was slim and narrow-shouldered. He dressed very neatly and conventionally like a clerk, with a hat over a shock of dark hair. -
Chapter 21 Imagining the Holy Land in the Old Norse World
Mikael Males Chapter 21 Imagining the Holy Land in the Old Norse World In Old Norse literature as elsewhere in the literature of medieval Europe, many im- ages of Jerusalem and the Holy Land are to be found, not mutually exclusive, but rather adding to a range of functions and meanings. In an Icelandic twelfth-century itinerary, we encounter the pious pilgrim, admiring the blood of Christ on the ground where the cross had stood. From twelfth-century Orkney, by contrast, we have runic and poetic evidence of boastful Viking crusaders, belittling the cowards who stayed at home and viewing the concept of the Holy Land through the lens of the world of the sagas. In thirteenth-century Iceland, we find a peculiar version of the Holy Land in a local setting, fully integrated into Icelandic saga style. As late converts on the fringe of the known world, the Nordic peoples were removed in time and space from the events and sites that mattered most to salvation. In the Orcadian and Icelandic material, we see a creative negotiation of both the spatial and temporal distance. This chapter focuses on the attitudes to Jerusalem and the Holy Land found in some Old Norse sources, as well as the strategies used for mak- ing them, as it were, domestic. The first obvious act of domestication lies in the name Jerusalem itself, which in Old Norse was called Jórsalir. This is apparently the result of a reanalysis of the name, and it is likely that the name meant something like “royal halls” or “the city of the king” at the time of imposition.