French Reading List 1 READING LIST MA and Ph.D. in Romance
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A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
Œuvres Complètes De Rutebeuf, Trouvère Du Xiiie Siècle, Recueillies Et Mises Au Jour Pour La Première Fois Par Achille Jubinal
Œuvres complètes de Rutebeuf, trouvère du XIIIe siècle, recueillies et mises au jour pour la première fois par Achille Jubinal. Nouvelle édition revue et corrigée. Achille JUBINAL Paris : 1874, Paul Daffis. Œuvres complètes de Rutebeuf, trouvère du XIIIe siècle, recueillies et mises au jour pour la première fois par Achille Jubinal, Nouvelle édition revue et corrigée, A. JUBINAL, 1874 : Paris, Paul Daffis, vol. 1, pp. 1-4. C’est de la Povretei Rutebuef1 Ms. 7633. Je ne ſai par où je coumance Tant ai de matyere abondance Por parleir de ma povretei. Por Dieu vos pri, frans Rois de France, 5 Que me doneiz queilque chevance2 Si fereiz trop grant charitei. J’ai veſcu de l’autrui chatei3 Que hon m’a créu4 & preſtei ; Or me faut chacuns de créance, 10 C’om me ſeit povre & endetei : Vos r’aveiz hors dou reigne eſtei Où toute avoie m’atendance. Entre chier tens & ma mainie5 Qui n’eſt malade ni fainie, 15 Ne m’ont laiſſié deniers ne gage. Gent truis d’eſcondire6 arainie7 Et de doneir mal enseignie8 : 1 L’ensemble de cette pièce, son quatrième et surtout son onzième vers indiquent que la composition en remonte au temps très-court qui s’écoula entre le commencement et la fin de la seconde croisade, et qu’elle fut écrite pendant que Louis IX était occupé à combattre les infidèles. Le saint roi dut donc la rece- voir, si elle parvint jusqu’à lui, sur la plage de Tunis. 2 Chevance : voyez, pour ce mot, une des notes de la fin de la Paiz de Rutebueſ. -
1 the Middle Ages
THE MIDDLE AGES 1 1 The Middle Ages Introduction The Middle Ages lasted a thousand years, from the break-up of the Roman Empire in the fifth century to the end of the fifteenth, when there was an awareness that a ‘dark time’ (Rabelais dismissively called it ‘gothic’) separated the present from the classical world. During this medium aevum or ‘Middle Age’, situated between classical antiquity and modern times, the centre of the world moved north as the civil- ization of the Mediterranean joined forces with the vigorous culture of temperate Europe. Rather than an Age, however, it is more appropriate to speak of Ages, for surges of decay and renewal over ten centuries redrew the political, social and cultural map of Europe, by war, marriage and treaty. By the sixth century, Christianity was replacing older gods and the organized fabric of the Roman Empire had been eroded and trading patterns disrupted. Although the Church kept administrative structures and learning alive, barbarian encroachments from the north and Saracen invasions from the south posed a continuing threat. The work of undoing the fragmentation of Rome’s imperial domain was undertaken by Charlemagne (742–814), who created a Holy Roman Empire, and subsequently by his successors over many centuries who, in bursts of military and administrative activity, bought, earned or coerced the loyalty of the rulers of the many duchies and comtés which formed the patchwork of feudal territories that was France. This process of centralization proceeded at variable speeds. After the break-up of Charlemagne’s empire at the end of the tenth century, ‘France’ was a kingdom which occupied the region now known as 2 THE MIDDLE AGES the Île de France. -
Acta Neophilologica 40
ACTA NEOPHILOLOGICA 40. 1-2 (2007) Ljubljana MIRKOJURAK JAKOB KELEMINA ON SHAKESPEARE' S PLAYS SANDROJUNG WORDSWORTH' S "TINTERN ABBEY" AND THE TRADITION OF THE " HYMNAL" ODE JANES STANONIK MARCUS ANTONIUS KAPPUS: A REEVALUATION DARJA MAZI- LESKOVAR THE FIRST TRANSLATIONS OF LEATHERSTOCKING TALES JERNEJA PETRIC LOUIS ADAMJC'S "OLD ALIEN" AS A RELIC OF ETHNIC DIFFERENTIATION IN THE U.S.A. TATJANA VUKELIC UNDERSTANDING ZORA NEALE HURSTON' S THEIR EYES WERE WATCHING GOD BRANKA KALOGJERA "OLD" VS. "NEW" ETHNICITIES AND MULTIPLE IDENTITIES IN SANDRA CISNEROS' CARAMELO MAJDASAVLE INDIRECT NARRATION: ON CONRAD' S HEART OF DARKNESS AND FITZGERALD' S THEGREATGATSBY DARJA MARINSEK FEMALE GENITAL MUTILATION IN AFRICAN AND AFRICAN-AMERICAN WOMEN' S LITERATURE BRIGITA PAYSIC TIME AS THE FIFTH ELEMENT IN MARGARET LAURENCE'S MANAWAKA CYCLE JOHANN GEORG LUGHOFER EINE ANNAHERUNG AN HAND DES FALLBEISPIELS BERTHA VON SUTTNER MIHA PINTARIC THE ROLE OF VIOLENCE IN THE ROMANCES OF CHRETIEN DE TROYES SPELA ZAKELJ L' IRONIE DANS L' ALLEGORIE CHEZ RUTEBEUF PATRIZIA FARINELLI SUL FANTASTICO NELLA NARRATIVA Dl TABUCCHI UROS MOZETIC FROM DOUBLEVALANT TO MONOVALANT DISCOURSE: THE ROLE OF THE TRANSLATOR MIRKOJURAK BERNARD HICKEY. IN MEMORIA M ACTA NEOPHILOLOGICA 40. 1-2 (2007) Ljubljana MIRKOJURAK JAKOB KELEMINA ON SHAKESPEARE'S PLAYS ........... .... .. .. ... ........... .... ....... ..... ......... .. 5 SANDROJUNG WORDSWORTH'S "TINTERN ABBEY" AND THE TRADITION OF THE "HYMNAL:' ODE ....... 51 JANES STANONIK MARCUS ANTONIUS KAPPUS: A REEVALUATION .......................................................... 61 DARJA MAZI- LESKOVAR THE FIRST TRANSLATIONS OF LEATHERSTOCKING TALES .............................................. 75 JERNEjA PETRIC LOUIS ADAMIC'S "OLD ALIEN" AS A RELIC OF ETHNIC DIFFERENTIATION IN THE U.S .A. 89 TATJANA VUKELIC UNDERSTANDING ZORA NEALE HURSTON'S THEIR EYES WERE WATCHING GOD ............ -
Jean Bodel, Colin Muset, Adam De La Halle Y Rutebeuf
www.ahlm.es ACTES DEL X CONGRES INTERNACIONAL DE L'ASSOCIACIÓ HISPÁNICA DE LITERATURA MEDIEVAL Edició a cura de Rafael Alemany, Josep Lluis Martos i Josep Miquel Manzanaro Volum III INSTITUI INTERUNIVERSITARI DE FILOLOGIA VALENCIANA «SYMPOSIA PHILOLOGICA», 12 Alacant, 2005 www.ahlm.es Asociado Hispánica de Literatura Medieval. Congrés (lOé. 2003. Alacant) Actes del X Congrés Internacional de l'Associació Hispánica de Literatura Medieval / edició a cura de Rafael Alemany, Josep Lluis Martos i Josep Miquel Manzanaro. - Alacant : Institut Interuniversitari de Filologia Valenciana, 2005. - 3 v. (1636 pp.) ; 23,5 X 17 cm. - (Symposia philologica ; 10, 11 i 12) Ponències en català, castellà i gallee ISBN: 84-608-0302-3 (84-608-0303-1, V. i; 84-608-0304-X, V. ii; 84-608-0305-8, V. iii) 1. Literatura medieval - Historia i crítica - Congresos. 2. Literatura española - Anterior a 1500 - Historia y crítica - Congresos. I. Alemany, Rafael. II. Martos, Josep Lluis. III. Manzanaro, Josep Miquel. IV. Título. V. Serie. 821.134.2.09"09/14"(063) Director de la col-lecció: Josep Martines © Els autors © D'aquesta edició: Instituí Interuniversitari de Filología Valenciana Primera edició: maig de 2005 Portada: Lloreng Pizà IMustració de la coberta: Taulell amb escena de torneig (1340-1360), Museu Municipal de TAlmodí, Xàtiva Imprimeix: TÀBULA Diseño y Artes Gráficas ISBN (Volum III): 84-608-0305-8 ISBN (Obra Completa): 84-608-0302-3 Dipósit legal: A-519-2005 La publicado d'aquestes Actes del X Congrés Internacional de l'Associació Hispánica de Literatura Medieval ha comptât amb el finançament de l'Acció Especial BFF2002-11132-E del Ministerio de Ciencia y Tecnología. -
The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR and PEACE, SEX and VIOLENCE
The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR AND PEACE, SEX AND VIOLENCE JAN M. ZIOLKOWSKI To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/822 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. THE JUGGLER OF NOTRE DAME VOLUME 6 The Juggler of Notre Dame and the Medievalizing of Modernity Vol. 6: War and Peace, Sex and Violence Jan M. Ziolkowski https://www.openbookpublishers.com © 2018 Jan M. Ziolkowski This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Jan M. Ziolkowski, The Juggler of Notre Dame and the Medievalizing of Modernity. Vol. 6: War and Peace, Sex and Violence. Cambridge, UK: Open Book Publishers, 2018, https://doi.org/10.11647/OBP.0149 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
28Th International Congress on Medieval Studies
Dear Colleague: It is my pleasure to invite you to the Twenty-Eighth International Congress on Medieval Studies in Kalamazoo which will convene from May 6-9, 1993 on the campus of Western Michigan University under the sponsorship of WMU's Medieval Institute. I call your attention to two highlights of this year's Congress: the German-American Colloquium on German Medieval History sponsored by the Medieval Academy of America and the German Historical Institute in Washington, and the Symposium on the Theory and Practice of Translation in the Middle Ages organized by Professor Jeanette Beer of Purdue University. We are delighted to welcome the early music ensemble Sequentia back to Kalamazoo and look forward to their performance of Vox Feminae: Music from Medieval Women's Cloisters on Thursday evening. On Friday evening, Eberhard Kummer from Vienna, also on a return visit, will perform songs by the Middle High German songwriter Neidhard, and on Saturday night AAI Productions from New York will present several one-act plays from the 7 Sins / 7 Virtues, a project conceived and directed by Melanie Sutherland. These provocative plays explore the traditional seven deadly sins and the seven cardinal virtues through modem interpretations by AAI's resident playwrights. In addition an exhibit sponsored by the Friends of the Road to Santiago entitled "Celebrating the Holy Year: Santiago, a Saint of Two Worlds/Spanish Sketches--Marking the Millenium" will be on display in the Fetzer Center for the duration of the Congress. Please pay close attention to the following pages which contain important information regarding registration, housing, meals, transportation, etc. -
Women Healers Crossing Gender Role Boundaries in Old French Narrative
WOMEN HEALERS CROSSING GENDER ROLE BOUNDARIES IN OLD FRENCH NARRATIVE BY SHAHRZAD ZAHEDI B.A. UNIVERSITY OF CALIFORNIA AT SAN DIEGO, 1999 A.M., BROWN UNIVERSITY, 2005 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF FRENCH STUDIES AT BROWN UNIVERSITY PROVIDENCE, RHODE ISLAND MAY 2009 © Copyright 2009 by Shahrzad Zahedi VITA Shahrzad Zahedi, was born May 14, 1975, in Tehran, Iran. She is the daughter of Farhad Zahedi and Mahrokh Nategh Zahedi. After she received her French Baccalauréat in Le Lycée Français de Los Angeles in 1994, Shahrzad attended the University of California, San Diego and received her B.A. in June 1999. She began the graduate program in French Studies at Brown University in August 1999 where she received her A.M. in 2005. Shahrzad attended L’Ecole Normale Supérieure in Paris, France from 2001 to 2003 where she received the title of “Ancien Elève de l’Ecole Normale Supérieure.” She taught English conversation as a Teaching Associate at Le Lycée Paul Robert, Les Lilas, France during her stay at l’Ecole Normale Supérieure. She was a Teaching Assistant in the department of French Studies at Brown University and taught all levels of French language. In September 2008, her Ph.D. thesis was approved. iv ACKNOWLEDGEMENTS It is a great pleasure to be able to thank the people who helped me in the process of finishing my doctoral dissertation. This work would not have been possible without the help of my thesis advisor Michel- André Bossy who thoroughly and meticulously read and commented on countless drafts of my dissertation. -
Rutebeuf Sous La Neige Avec Les Ribauds De Grève
Questes Revue pluridisciplinaire d’études médiévales 34 | 2016 L'hiver Les mouches blanches, qui piquent-elles ? Rutebeuf sous la neige avec les Ribauds de Grève Sung-Wook Moon Édition électronique URL : http://journals.openedition.org/questes/4378 DOI : 10.4000/questes.4378 ISSN : 2109-9472 Éditeur Les Amis de Questes Édition imprimée Date de publication : 15 décembre 2016 Pagination : 55-84 ISSN : 2102-7188 Référence électronique Sung-Wook Moon, « Les mouches blanches, qui piquent-elles ? Rutebeuf sous la neige avec les Ribauds de Grève », Questes [En ligne], 34 | 2016, mis en ligne le 21 décembre 2016, consulté le 30 avril 2019. URL : http://journals.openedition.org/questes/4378 ; DOI : 10.4000/questes.4378 © Association des amis de « Questes » Les mouches blanches, qui piquent-elles ? Rutebeuf sous la neige avec les Ribauds de Grève Sung-Wook MOON Université Paris-Sorbonne Rutebeuf est un grand polygraphe. À travers sa cinquantaine de e poèmes, ce rimeur du XIII siècle joue de registres variés, allant de l’hagiographie au fabliau. Mais sa renommée est essentiellement due à onze textes, réunis par Edmond Faral et Julia Bastin sous le nom fameux de Poèmes de l’infortune 1 . Notre but, très modeste, est d’analyser une pièce de ce groupe, le Dit des ribauds de Grève. Toutefois, il nous faut au préalable faire un détour par les Poèmes de l’infortune dans leur ensemble en nous attachant à leur tradition éditoriale. Puis nous pourrons opérer une comparaison entre ce poème et d’autres textes de Rutebeuf ou de ses contemporains. Cette démarche, nous l’espérons, démontrera à la fois la singularité de la pièce en question et son caractère révélateur du travail entier de cet auteur. -
Adam De La Halle Y Rutebeuf: Sus Lamentaciones Personales
Estudios Rom ánicos, Volumen 12,2000, págs. 205-220 ADAM DE LA HALLE Y RUTEBEUF: SUS LAMENTACIONES PERSONALES ANTONIA MART~NEZ PÉREZ Universidad de Murcia Se admite de manera generalizada la figura de Rutebeuf como representativa del primer poeta personal de la literatura francesa; al mismo tiempo que se sabe que las lamentaciones personales ya estaban presentes en un Jean Bodel, Colin Muset o Adam de la Halle. En este último se advertían rasgos de un cierto distanciamiento de la tradición cortés que lo encauza- ban hacia el lirismo aburguesado del que Rutebeuf llegaría a ser su figura más representativa. Sin embargo, las concomitancias o divergencias entre ambos autores han sido escasamente analizadas, aun siendo poetas próximos en el espacio, en el tiempo y probablemente en parte de su inspiración poética. En ellos, aunque en proporciones significativamente diferentes, se produce un alejamiento de los convencionalismos del amor cortés, al tiempo que se introdu- cen en los problemas que preocupan a sus conciudadanos y nos ofrecen una visión crítica de la sociedad del momento. Ambos, adoptando la forma autobiográfica, aunque posiblemente no verídica, nos mostrarán sus inquietudes personales, sus desgracias, su decepción amorosa tras la convivencia rutinaria con una mujer, su falta de recursos económicos que los obliga a la dependencia de terceras personas, y nos ofrecerán una pintura crítica inigualable de las dos ciudades que aman y de sus conciudadanos, Arras y París. Adam de la Halle, trouvire ante todo por su producción específicamente lírica', muestra su aspecto más aburguesado y personal en sus Jeux Dramáticos, especialmente en el Jeu de la Feuillée, representado en Arras, donde nació Adam, hijo de maese Henri, como nos indica el Jeu. -
20Th International Congress on Medieval Studies
Dear Colleague: It is my pleasure to invite you to the Twentieth International Congress on Medieval Studies to be held May 9-12, 1985 on the campus of Western Michigan University, under the sponsorship of the University's Medieval Institute. Among the thirty-two regional, national, and international societies and organizations affiliated with the Congress, we welcome the Delaware Valley Medievalists Association, the Detroit Institute of Arts, the International Machaut Society, the International Society for Hildegard von Bingen Studies, the Lyrica Society, and Vox Benedictina, all of whom will hold their first annual meetings in Kalamazoo this year. On Thursday evening, May 9, the Society for Old Music will perform a concert of Early Music from Central and Eastern Europe at the Cathedral Church of Christ the King. On Friday evening, the Cambridge Court Dancers will present a program of Dance and Music of Milton's Time. Following the banquet on Saturday evening, the Poculi Ludique Societas and the Tower Players of Hillsdale College will perform three plays from the Towneley Cycle of Mystery Plays. For details on the above, as well as on the various evening receptions, business meetings, and special presentations, please consult the daily program schedule. Specific information and instructions regarding registration, housing, meals, etc. are provided on the following pages. We urge you to send pre-registration forms early in order to help us make adequate arrangements. REPUBLIC AIRLINES is again the official Convention Airline for the Congress this year. You can avail yourself of the special convention travel service and discount rates guaranteed by the airline by using the enclosed Convention Air Fare Certificate. -
The Representation of the Afterlife from Homer to Dante
THE REPRESENTATION OF THE AFTERLIFE FROM HOMER TO DANTE ALISON MORGAN Cambridge 1983 This dissertation was written at the end of the first year of my doctoral research into the popular representation of the afterlife before Dante and its relationship to the Comedy. The aim of the dissertation was to provide a convenient summary of the popular afterlife tradition from Homer to Dante. My doctoral thesis was published by Cambridge University Press as Dante and the Medieval Other World in 1990, and reprinted in 2007. In 2012 it was translated into Italian by Luca Marzocchi and published by Salerno Editrice as Dante e l’Aldilà medievale. The book includes a chronological table of the principal represeentations of the other world in both literature and art, along with brief summaries of the main texts, but the present essay provides a more detailed and perhaps readable account. Some of the Latin texts have subsequently been translated into English and collected in Eileen Gardiner’s helpful collection Visions of Heaven & Hell Before Dante¸ Italica Press 1989. Alison Morgan, September 2019 www.alisonmorgan.co.uk 1 PART I REPRESENTATIONS OF THE AFTERLIFE FROM HOMER TO ST PAUL 1. Belief in Survival after Death 2. Egyptian Practice and Belief 3. Early Greek Belief from Homer to Plato 4. Rome and the adoption of early Greek Poetic Belief 5. Late Greek Philosophy and its Influence on Roman concepts of the Afterlife 6. Eastern Influence and the Final Moulding of the Classical Otherworld 7. The Afterlife in the Old Testament 8. Intertestamental Literature 9. The New Testament 10.