Greek Classics Impressions for Saxophone And
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Ames Dashow-Thomas Delio
ames Dashow-Thomas Delio- lonN Forvr-t-t , rrurr Srrvrn Snrcx, PERCUSSToN Mnuno Mnun, TRUMPET Luctl Bovl, nane Arrcx Kents, etaNo llcqurs l-rNorn, erANo Srrone SrnrcnEn, etnNo fAMES DASHOW . THOMAS DEIIO Program Notes: fames Dashow MORFOI-OCIE (Morphologies) for trumpet player and computer is the most recent (as of fames Dashow 1994\ ol Dashow's series of works for soloist with digitally synthesized electronic sounds. lt presents the composer in a lyrical vein; the musical echoes of Miles Davis and of Chet Baker I . Morfologie for trumpet-player and computer 1'tss:1 14107 are purely intentional, Dashow having subtitled the piece ln Memoriam to these two superb musicians who had so much to do with the composer's early musical formation in the 1950's, 2. Punti di Visfa No. 2 for piano solo (rszo, revised 1990) 12:32 especially the young Baker. The piece is divided into two major parts. The first is very active and highly charged, but with for harp and (rggz) 13:36 3. Reconstructions computer suddenfallingsoffofenergyandgradualreturnstoevenhigherlevelsofintensity. The trumpet player begins on cornet, playfully using a harmon mute at first; the intertwining of Thomas Delio electronic sounds specially designed to go with the harmon muted cornet creates a lively counterpoint of gesture and line that spills over into the the first open cornet 4. anti-paysage ossot 09:53 section. Waves of energy continue to grow inexorably, overcoming a dramatic interruption to build to a climacticarrival pointwiththesoloistnearthetopoftherangeofthesmall Dtrumpet. The 5. Of for tape trggot 03:34 two protagonists, trumpet and computer, now unexpectedly play exactly together in a powerfully extended phrase that brings this first major part to a close, the electronic sounds 6. -
Comp. 09 Program Layout.Cwk
T h i r t y - S e c o n d S e a s o n 2 0 0 9 - 2 0 1 0 Celebrating Lukas Tuesday, March 2, 2010, 7:30 p.m. Free admission Alea III celebrates the life and work of Lukas Foss, a great master, with an evening devoted exclusively to his music. ALEA III Echoi For Toru Elegy for Anne Frank For Aaron Plus Theodore Antoniou, Eighteen Epigrams Music Director a new work written by Lukas Foss’s students: Apostolos Paraskevas, Panos Liaropoulos, Michalis Economou, Jakov Jakoulov, Contemporary Music Ensemble Mark Berger, Frank Wallace, Ronald G. Vigue, Julian Wachner, Jeremy Van Buskirk, in residence at Mauricio Pauly, Matt Van Brink, Ivana Lisak, Ramon Castillo, Pedro Malpica, Boston University Paul Vash, Po-Chun Wang, Margaret McAllister, Sunggone Hwang. Theodore Antoniou, conductor Saxes and Horns Wednesday, April 28, 2010, 7:30 p.m. Free admission 27th International Composition Works of unusual instrumentation, featuring 18 saxophones Competition and 9 French horns. Pierre Boulez Dialogue de l’ombre double Theodore Antoniou Music for Nine Gunther Schuller Perpetuum Mobile Sofia Gubaidulina Duo TSAI Performance Center Georgia Spiropoulos Rotations October 4, 2009, 7:00 pm Eric Hewitt la grenouille Eric Ruske, horn, Tsuyoshi Honjo, Eric Hewitt and Jared Sims, saxophones Special guest: Radnofsky Saxophone Ensemble Eric Hewitt, conductor Sponsored by Boston University and the George Demeter Realty. BOARD OF DIRECTORS BOARD OF ADVISORS OUR NEXT ALEA EVENTS President George Demeter Mario Davidovsky Hans Werner Henze Generations Chairman Milko Kelemen André de Quadros Oliver Knussen Monday, November 16, 2009, 7:30 p.m. -
01-ALEA Program April 2, 2018-II
F o r t i e t h S e a s o n THE NEXT ALEA III EVENTS 2 0 1 7 - 2 0 18 Music for Two Guitars Monday, April 2, 2018, 8:00 p.m. Community Music Center of Boston 34 Warren Avenue, Boston, MA 02116 Free admission ALEA III Alexandra Christodimou and Yannis Petridis, guitar duo Piano Four Hands Thursday, April 19, 2018, 8:00 p.m. TSAI Performance Center - 685 Commonwealth Avenue Theodore Antoniou, Free admission Music Director Works by Antoniou, Gershwin, Khachaturian, Paraskevas, Piazzolla, Rodriguez, Ravel, Rachmaninov, Villoldo Contemporary Music Ensemble in residence at Boston University since 1979 Laura Villafranca and Ai-Ying Chiu, piano 4 hands Celebrating 1,600 years of European Music Wednesday, May 9, 2018, 8:00 p.m. Old South Church – 645 Boylston Street, Boston, MA 02116 Music for Two Guitars Free admission On the occasion on the Europe Day 2018. Curated by CMCB faculty members Works from Medieval Byzantine and Gregorian Chant, through Bach Santiago Diaz and Janet Underhill to Skalkottas, Britten, Messiaen, Ligeti, Sciarrino and beyond. ALEA III 2018 Summer Meetings Community Music Center of Boston August 23 – September 1, 2018 Allen Hall Island of Naxos, Greece 34 Warren Avenue, Boston A workshop for composers, performers and visual artists to present their work and collaborate in new projects to be featured in 2018, 2019 and 2020 events. Daily meetings and concerts. Monday, April 2, 2018 BOARD OF DIRECTORS BOARD OF ADVISORS I would like to support ALEA III. Artistic Director Mario Davidovsky Theodore Antoniou Spyros Evangelatos During our fortieth Please find enclosed my contribution of $ ________ Leonidas Kavakos 2017-2018 season, the need payable to ALEA III Assistant to the Artistic Director Milko Kelemen for meeting our budget is Alex Κalogeras Oliver Knussen very critical. -
Sovereign Debt Sustainability in Greece During the Economic Adjustment Programmes: 2010-2018
Sovereign debt sustainability in Greece during the economic adjustment programmes: 2010-2018 STUDY A study prepared by CEPS in collaboration with Nation Institute of Economic and Social Research and ECORYS for the European Commission, Directorate-General for Economic and Financial Affairs. Authors: Cinzia Alcidi, CEPS Angela Capolongo, CEPS Daniel Gros, CEPS Inputs from NIESR: Cyrille Lenoël, Corrado Macchiarelli & Garry Young July 2020 Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE The information and views set out in this study are those of the authors and do not necessarily reflect the official opinion of the European Commission. The European Commission does not guarantee the accuracy of the data included in this study. Neither the European Commission nor any person acting on the European Commission’s behalf may be held responsible for the use which may be made of the information contained therein. More information on the European Union is available on the Internet (http://www.europa.eu). Luxembourg: Publications Office of the European Union, 2020. PDF ISBN 978-92-76-22278-1 doi: 10.2765/356606 KC-04-20-524-EN-N © European Union, 2020 Reproduction is authorised provided the source is acknowledged. For any use or reproduction of material that is not under the EU copyright, permission must be sought directly from the copyright holders. Sovereign debt sustainability in Greece during the economic adjustment programmes 2010-2018 Table of contents Table of contents .............................................................................................. -
Tamar Presenta Yuri Sulle Orme Di Yuri Ahronovitch
TAMAR PRESENTA YURI SULLE ORME DI YURI AHRONOVITCH TVZI AVNI RUDOLF BUCHBINDER BORIS BELKIN CLAUDIO DESDERI NATALIA GUTMAN DAME GWYNETH JONES LEO NUCCI PAVEL KOGAN IGOR POLESITZKY un film di NEVIO CASADIO UFFICIO STAMPA [email protected] PHONE +491722160066 (GERMANIA) +97225661212 (ISRAELE) +972502169600 (WhatsApp) +393341097974 (ITALIA) TITOLO ORIGINALE: Yuri. Sulle orme di Yuri Ahronovitch LINGUA ORIGINALE: Italiano, Inglese, Tedesco, Russo, Ebraico PAESE DI PRODUZIONE: Israele, Italia ANNO: 2017 DURATA 126 minuti COLORE: Colore/Bianco e Nero AUDIO: Presa Diretta GENERE: Docufilm - Road Movie REGIA: Nevio Casadio SOGGETTO: Nevio Casadio, Tami Ahronovitch SCENEGGIATURA: Nevio Casadio PRODUTTORE: Tamar CASA DI PRODUZIONE DELEGATA: Bottega Video srl – Rimini PRODUTTORE ESECUTIVO: Francesco Cavalli FOTOGRAFIA: Marco Colonna, Diego Zicchetti, Roberto Bianchi MONTAGGIO: Nevio Casadio, Marco Colonna, OTTIMIZZAZIONE: Mirco Tenti ASSISTENTE DI PRODUZIONE: Melissa Manfredi CAST in ordine di apparizione nel ruolo di se stessi NEVIO CASADIO (REPORTER) Di professione giornalista, secondo le circostanze è definito: giornalista, reporter, scrittore, regista. Si considera un cacciatore o un narratore di storie. Sperando di poterle e saperle narrare. * LEO NUCCI (BARITONO) Nasce il 16 aprile del 1942 a Castiglione dei Pepoli, in provincia di Bologna. Dopo aver studiato nel capoluogo emiliano con Giuseppe Marchesi e Mario Bigazzi, si trasferisce a Milano per perfezionare la propria tecnica con l'aiuto di Ottavio Bizzarri. Nel 1967 esordisce nel "Barbiere di Siviglia" dii Gioacchino Rossini nel ruolo di Figaro, vincendo il concorso del Teatro lirico sperimentale di Spoleto. Si esibisce alla Scala di Milano il 30 gennaio del 1977, ancora una volta nella parte di Figaro. Si esibirà a Londra alla Royal Opera House (con "Luisa Miller", nel 1978), a New York al Metropolitan (con "Un ballo in maschera", nel 1980, al fianco di Luciano Pavarotti e a Parigi all'Opera. -
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou First Embarked on a Career As an Actor and Studied at the National Superior School of Drama
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou first embarked on a career as an actor and studied at the National Superior School of Drama. As an actor he went on to appear in important Greek theatres, including the ancient theatre of Epidaurus, the Greek National Theatre and the Athens Megaron. He then decided to make a career change and studied singing at the Athens National Conservatory under the guidance of the famous baritone Kostas Paskalis and Marina Krilovici, graduating with distinction. He moved to France where he appeared with several opera companies and his success lead Greek National Opera to offer him a contract as a principal tenor. He continues to appear in leading roles with the company, which he combines with guest appearances abroad. Greek Dimitris Paksoglou does not sing Cavaradossi with the usual slightly emotional Mediterranean glow. His tenor is more powerfully virile, but also with beautiful splashes of tenderness. He makes his famous song for life with considerable intensity. AFTONBLADET – Lennart Bromander - Monday 10th February 2020 Dimitris Paksoglou who sang Cavaradossi is a real Italian tenor (although he is Greek) with plenty of power and clear tone up to the highest register. Capriccio - Lars-Erik Larsson – 23rd December 2019 Roles: AIDA: Radames ~ Stade de France UN BALLO IN MASCHERA: Gustavo III ~ Greek National Opera CARMEN: Don José ~ Odeon of Herodes Atticus CAVALLERIA RUSTICANA: Turiddu ~ Opéra de Saint-Étienne; Greek National Opera EDIPO RE: Creonte ~ Opera of Thessaloniki DIE FLEDERMAUS: Eisenstein ~ Greek National Opera INNO DELLE NAZIONE VERDI: Tenor Solo ~ Opera of Thessaloniki JENUFA: Števa ~ Greek National Opera APA Artists’ Management / Alexandra Mercer Mobile: +44 (0)7710 378719 - Tel: +44 (0)189 686 0276 Email: [email protected] - www.apaartistsmanagement.com Hillslap Tower - Langshaw - By Galashiels - Scotland TD1 2PA, United Kingdom Vat Registration No. -
ICODECON, 2-4.10.2015, Kalamata, Greece. Conference Proceedings, ISBN 978-618-82146-1-3
ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 Conference proceedings of 1st International Conference of Development and Economy (ICODECON) Conference Theme: The advantages and disadvantages of Economic Crises 2-4 October 2015, Kalamata Editors: D. Petropoulos & G. Kyriazopoulos , January 2016. Technological Educational Institute (TEI) of Peloponnese, Antikalamos, 24100, Kalamata, Greece www.teikal.gr info: [email protected] ISBN 978-618-82146-1-3 2 ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 1st International Conference of Development and Economy (ICODECON) 2-4 October 2015 Elite City Resort, Kalamata, Greece. Conference Theme: The advantages and disadvantages of Economic Crises Conference site: www.icodecon.com info: [email protected] Under the auspices of: 3 ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 4 ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 Organizers University of national and World economy, Sofia, Bulgaria Technological Educational Institute www.unwe.bg/en (TEI) of Peloponnese, Kalamata, Greece www.teikal.gr Alexandru ioan Cuza University, Technological Educational Institute of Western Iasi, Romania. Macedonia, Kozani, Greece www.uaic.ro http://www.teiwm.gr/index.php?lang=el 5 ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 MAJOR SPONSOR OF THE CONFERENCE http://www.kareliafoundation.org.gr/ The George and Victoria Karelias Foundation is the result of the ambition of George Karelias to transform his lifetime values into a lasting heritage. Born in Athens on March 14 1929, George Karelias studies Economics and Business Administration at George Washington University in the United States of America. -
International Computer Music Conference (ICMC/SMC)
Conference Program 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Music Technology Meets Philosophy: From digital echos to virtual ethos ICMC | SMC |2014 14-20 September 2014, Athens, Greece ICMC|SMC|2014 14-20 September 2014, Athens, Greece Programme of the ICMC | SMC | 2014 Conference 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Editor: Kostas Moschos PuBlished By: x The National anD KapoDistrian University of Athens Music Department anD Department of Informatics & Telecommunications Panepistimioupolis, Ilissia, GR-15784, Athens, Greece x The Institute for Research on Music & Acoustics http://www.iema.gr/ ADrianou 105, GR-10558, Athens, Greece IEMA ISBN: 978-960-7313-25-6 UOA ISBN: 978-960-466-133-6 Ξ^ĞƉƚĞŵďĞƌϮϬϭϰʹ All copyrights reserved 2 ICMC|SMC|2014 14-20 September 2014, Athens, Greece Contents Contents ..................................................................................................................................................... 3 Sponsors ..................................................................................................................................................... 4 Preface ....................................................................................................................................................... 5 Summer School ....................................................................................................................................... -
La Cultura Italiana
LA CULTURA ITALIANA FEDERICO FELLINI (1920-1993) This month’s essay continues a theme that several prior essays discussed concerning fa- mous Italian film directors of the post-World War II era. We earlier discussed Neorealism as the film genre of these directors. The director we are considering in this essay both worked in that genre and carried it beyond its limits to develop an approach that moved Neoreal- ism to a new level. Over the decades of the latter-half of the 20th century, his films became increasingly original and subjective, and consequently more controversial and less commercial. His style evolved from Neorealism to fanciful Neorealism to surrealism, in which he discarded narrative story lines for free-flowing, free-wheeling memoirs. Throughout his career, he focused on his per- sonal vision of society and his preoccupation with the relationships between men and women and between sex and love. An avowed anticleric, he was also deeply concerned with personal guilt and alienation. His films are spiced with artifice (masks, masquerades and circuses), startling faces, the rococo and the outlandish, the prisms through which he sometimes viewed life. But as Vincent Canby, the chief film critic of The New York Times, observed in 1985: “What’s important are not the prisms, though they are arresting, but the world he shows us: a place whose spectacularly grand, studio-built artificiality makes us see the interior truth of what is taken to be the ‘real’ world outside, which is a circus.” In addition to his achievements in this regard, we are also con- sidering him because of the 100th anniversary of his birth. -
Rental Catalog Orchestra, Band, and Opera
Rental Catalog Orchestra, Band, and Opera E. C. Schirmer • Galaxy • MorningStar Edition Delrieu-Hexamusic • Layali Music Publishing • Randol Bass Music • Stainer & Bell, Ltd. • Vireo Press Casa Gian-Antonio 2 THIS CATALOG contains all orchestral and instrumental works (with and without voices) available through the rental department of ECS Publishing Group; includes the combined catalogs of E. C. Schirmer Music Company, Galaxy Music Corporation, Highgate Press, Ione Press, Edition Delrieu-Hexamusic, Layali Music Publishing, MorningStar Music Publishers, Randol Bass Music, Stainer & Bell Ltd, and Vireo Press. Part One (pp. 3–28) is a master list of all works arranged alphabetically by composer and containing arranger’s name (if any), approximate duration (in minutes), instrumentation, soloists, and choral voicing. Part Two (pp. 2–46) contains subject and genre indices. Please direct all inquiries to RENTAL DEPARTMENT ECS Publishing Group 1727 Larkin Williams Road Fenton, MO 63026 Phone (636) 305-0100 | (800) 647-2117 Fax: (636) 305-0121 www.ecspublishing.com [email protected] European customers may contact Stainer & Bell, Ltd., London. European inquiries for Randol Bass Music or Layali Music Publishing (Kareem Roustom) may contact ECS directly. The ECS Publishing Rental Department will be happy to supply detailed information about instrumentation, versions, fees, perusal scores, and more. If you are planning a performance, please visit our website to submit a rental request form (http://ecspublishing.com/rental/rental-request-form). Frequently asked questions: www.ecspublishing.com/rental/rentalfaq How to read instrumentation Instrumentation is arranged in groups. Flute Oboe Clarinet Bassoon — Horn Trumpet Trombone Tuba — Timpani+Percussion Players — Harp, Key- boards — Strings — Special Instruments — Solo Instruments, Solo Voices, Chorus, Other A period separates players, and a slash indicates doublings. -
Košická Hudobná Jar 64
KOŠICKÁ HUDOBNÁ JAR 64. Medzinárodný hudobný festival 02. 05.–30. 05. 2019 ŠTÁTNA FILHARMÓNIA KOŠICE Štátna príspevková organizácia MK SR 64. KOŠICKÁ HUDOBNÁ JAR Medzinárodný hudobný festival sa koná pod záštitou Ministerky kultúry Slovenskej republiky, s finančnou podporou Košického samosprávneho kraja a Mesta Košice. Festival je prioritným projektom MK SR. Festival sa koná pod záštitou ministerky kultúry SR a je prioritným projektom MK SR. Hlavný reklamný partner: k á á ž ce e R va ova r a s o ého ta P N b a Ko ášik k m l ě r Záborsk mo p mc om o m T ti s o b PR3 vá v o ensk vo ná a Technická T m Svorno á ve o o v l š s Ci o j é té n univerzita i h Ale l o h o o m s o Vo vý a t ty a v Košiciach Slovenskej jedno o A W h l S iansk Rozália v č y t P S i r PR3 N y b n a l o á á k en ě o c r l s d m v T m m z H e vská k jednot y o k o j Jak J yho c ob h o r r e a Jak v v o va e vi o k o llo á á v e c Lipto ka n o B č e o Rozáls c j vensk b l o o N lo S va y e va v ě a m tio h á ná Bi Oli Fak t a n co Le M o e v J Boc om St o e e l L a v a K r j se yns k á spi ľ s o o ayh iar r k v v šs vá k n H a PR3 u ká c á Sza n k p D e Z á ý i e s im n tv t i a n s a ns n k á J á á n e á k á r h ícka a etn Ja s ova Te L e arbiarska on Hutn yk rch n G r ovsk asa Benc á á Zi n M n á r m o Ja ná Paj n kéh Jiskr l c ú á PR3 ro o iemyse Jilemni va Pr a Kalvár ii ro o Obsah N v O va i a r Mag Zi va e lvári J ťo c K a m e N N a h B á s Kme o Kost n sk e a anícka vá d á en 2 nsk ár Š a Š alénska Vencová v S roj t é o v va Thur aj o P e ť ätopl St fánik h e ero b ln o m 19 S e K u Lö PR3 e á a SN Š ko va z t H d o Jesen o í T a ie la va v t r t a s o a v a e k P čí poto T t ov T a v r Mäsiars ná s c igria R ík k ri á a č ého á n Ba e Branis u sk sk k a m o k K NP vá Rum a nov 2. -
Ennio Morricone - Cantanti & Musicisti
04/01/2010 Ennio Morricone - Cantanti & Musicisti Benvenuto visitatore ( Accedi | Registrati ) Cerca | Utenti | Aiuto Login Registrazione v eloce veloce Nick na m e : Em a il: Nick na m e : Ripeti Password: Password: Pass: Acconsento ai termini d'uso e al Ricordami? Anonimo? Registrati trattamento dei miei dati: Login Non Solo Cinema [Tutto sul Cinema, Film, DVD, Serie TV, Attori & Attrici, Registi, Prossimamente al Cinema, News e altro] Musica Cantanti & Musicisti Ennio Morricone, compositore italiano « Disc. precedente | Disc. successiva » Notif ica risposte | Invia tramite email | Stampa Mr.Wolf° Inviato il: 26/10/2009, 16:42 Ennio Morricone nonsolocinema.forumcommunity.net/… 1/19 04/01/2010 Ennio Morricone - Cantanti & Musicisti Un corpo senza testa...ci vogliono trenta minuti...sarò là in dieci.. Gruppo: NSC-Staff Messaggi: 2338 Provenienza: Movielandia Stato: « Voglio ringraziare l'accademia per questo onore che mi ha fatto dandomi questo ambito premio, però voglio ringraziare anc he tutti quelli c he hanno voluto questo premio per me fortemente, e hanno sentito profondamente di concedermelo. Veramente; voglio ringraziare anc he i miei registi, i registi c he mi hanno c hiamato c on la loro fiduc ia, a scrivere musica nei loro film, veramente non sarei qui se non per loro. Il mio pensiero va anche a tutti gli artisti che hanno meritato questo premio e che non lo hanno avuto. Io gli auguro di averlo in un prossimo vicino futuro. Credo che questo premio sia per me, non un punto di arrivo ma un punto di partenza per migliorarmi al servizio del cinema e al servizio anche della mia personale estetica sulla musica applicata.