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The Traditions of Mediterranean Humanism and the Challenges of Our Times
PROJEKT OKLADKI AKCEPT 2 pop:Layout 1 11/19/15 6:14 PM Page 1 The Traditions of Mediterranean Humanism and the Challenges Our Times: Frontiers Humanity The Traditions of Mediterranean Humanism and the Challenges of Our Times: the Fron tie rs of HUMANITY International Interdisciplinary Doctoral Programme 2010-–2015 FREE COPY Project co-financed by the European Regional Development Fund under the Operational Programme Innovative Economy Faculty of “Artes Liberales” University of Warsaw The Traditions of Mediterranean Humanism and the Challenges of Our Times: the Frontiers of Humanity International Interdisciplinary Doctoral Programme 2010–2015 Warsaw 2015 Tis work was prepared within the project „Te Traditions of Mediterranean Humanism and the Challenges of Our Times: the Frontiers of Humanity” supported by the Foundation for Polish Science – International PhD Programme, co-fnanced by the European Union within the European Regional Development Fund. Translation into English and proofreading Janina Surowiec and Christopher Culver Cover design Monika Ozdarska Typeseting Michał Kucharski All photos printed on the back cover and inside kindly provided by the Participants or downloaded from the ofcial website of the Programme (www.mpd.al.uw.edu.pl). © Faculty of “Artes Liberales,” University of Warsaw and the Authors, 2015 Faculty of “Artes Liberales” Nowy Świat 69 00-046 Warszawa www.al.uw.edu.pl Printed and bound by Zakład Grafczny Uniwersytetu Warszawskiego Krakowskie Przedmieście 26/28 00-927 Warszawa no. 906/2015 Contents Introductory note -
Annual Report 2016
ANNUAL REPORT 2016 The human capital of Greece is its single best hope for the future. Giving young people who face a 50% unemployment rate in Greece the opportunity to receive training, internships, mentorship, and compensation is a priority of THI. Together, we can build a better tomorrow for Greece, and give the hundreds of thousands, who have been forced to leave to find work, the possibility to return to their homeland. ANNUAL REPORT 2016 1 2 3 THI New Leaders The 2nd Annual Venture Fair The 3rd Annual Gala 5 13 29 4 5 6 THI Programs THI Around the World Friends of THI 51 77 87 7 8 9 THI Board Member Profile: THI Donor Profiles Financials Corinne Mentzelopoulos 91 99 103 ON THE COVER: The many points of light of THI’s partners, friends and beneficiaries EXECUTIVE COMMITTEE President Bill Clinton, Honorary Chairman Andrew N. Liveris, Chairman Dean Dakolias George A. David Muhtar Kent Nicholas Lazares George M. Logothetis Dennis Mehiel Alexander Navab John Pappajohn George Sakellaris George P. Stamas, President Harry Wilson Father Alexander Karloutsos, Honorary Advisor Te fag of the Φιλική Εταιρεία, BOARD MEMBERS the “Society of Friends.” Maria Allwin Drake Behrakis It has the letters "ΗΕΑ" (Ή ΕλευθερίΑ") John P. Calamos, Sr. and "ΗΘΣ" ("Ή ΘάνατοΣ") Aris Candris John Catsimatidis which are a shorthand for the words Achilles Constantakopoulos “Ελευθερία ή θάνατος” – “Freedom or Death.” Jeremy Downward William P. Doucas John D. Georges Arianna Hufngton Constantine Karides Savas Konstantinides John S. Koudounis Amb. Eleni T. Kounalakis Ted Leonsis Alexander Macridis George Marcus Panos Marinopoulos Corinne Mentzelopoulos C. -
Olympic's Last Flight to NY
O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of ΑΠΟ ΤΟ 1915 The National Herald Greek Americans c v A WEEKLY GREEK AMERICAN PUBLICATION www.thenationalherald.com VOL. 12, ISSUE 625 October 3, 2009 $1.25 Farewell To Hellenism’s Home in the Air: Olympic’s Last Flight to N.Y. Tears, Anger And Disappointment Mark Final Flights to and From JFK; Future is Unclear By Stavros Marmarinos er, “It is too bad for Olympic to fin- and Theodore Kalmoukos ish this way. I hope that whichever Special to The National Herald airlines take its place, will operate at the same level as Olympic. We NEW YORK – The passengers on cared a lot about the company all the Airbus A3400-300 cried when these years; we are the first compa- the head stewardess announced on ny in the world with a perfect Monday, September 28 that the fi- record of safety. All the passengers nal Olympic flight from Athens to have been asking us for the past JFK Airport in New York had just few months about the end of landed. The sadness in her voice Olympic.” Captain Papadakos does- marked the end of an era. Olympic n’t want to work for the successor Airlines, the national air carrier of airline. He said, “It is a small com- Greece which has transported hun- pany for now, which doesn’t fulfill dreds of thousands of Greek Ameri- me, and I do not want to work cans safely for more than half a there.” On the historic final flight century back and forth from the Captain Papadakos would be ac- land of their fathers and forefa- companied by his wife Maria. -
Ancient Greek Myth and Drama in Greek Cinema (1930–2012): an Overall Approach
Konstantinos KyriaKos ANCIENT GREEK MYTH AND DRAMA IN GREEK CINEMA (1930–2012): AN OVERALL APPROACH Ι. Introduction he purpose of the present article is to outline the relationship between TGreek cinema and themes from Ancient Greek mythology, in a period stretching from 1930 to 2012. This discourse is initiated by examining mov- ies dated before WW II (Prometheus Bound, 1930, Dimitris Meravidis)1 till recent important ones such as Strella. A Woman’s Way (2009, Panos Ch. Koutras).2 Moreover, movies involving ancient drama adaptations are co-ex- amined with the ones referring to ancient mythology in general. This is due to a particularity of the perception of ancient drama by script writers and di- rectors of Greek cinema: in ancient tragedy and comedy film adaptations,3 ancient drama was typically employed as a source for myth. * I wish to express my gratitude to S. Tsitsiridis, A. Marinis and G. Sakallieros for their succinct remarks upon this article. 1. The ideologically interesting endeavours — expressed through filming the Delphic Cel- ebrations Prometheus Bound by Eva Palmer-Sikelianos and Angelos Sikelianos (1930, Dimitris Meravidis) and the Longus romance in Daphnis and Chloë (1931, Orestis Laskos) — belong to the origins of Greek cinema. What the viewers behold, in the first fiction film of the Greek Cinema (The Adventures of Villar, 1924, Joseph Hepp), is a wedding reception at the hill of Acropolis. Then, during the interwar period, film pro- duction comprises of documentaries depicting the “Celebrations of the Third Greek Civilisation”, romances from late antiquity (where the beauty of the lovers refers to An- cient Greek statues), and, finally, the first filmings of a theatrical performance, Del- phic Celebrations. -
Boston Symphony Orchestra Concert Programs, Summer, 1970
« TANGLEWOOD i Jim BP^a '£- \ BOSTON :\ SYMPHONY \ ORCHESTRA WILLIAM STEINBERG Music Director J i** £ fy **&* BERKSHIRE FESTimL ^ RED RED SEAL SEAL RED SEAL nC/1 Brahms RED SEAL William Steinberg A German Requiem .^4ft\ a«#k ^ BEETHOVEN *>• Caballt . Milnei «^ BERLIOZ: Boston Symphony Orchestra .SYMPHONIES NOS. 9 AND 5 SYMPHONIE FANTASTIQUE New England Coniervatory Chorus I Marsh • Vtuey Domingo Mllnes GEORGES PRETRE Schubert • ERICH LEINSDORF fit MmMi i »«w taflaaa CMMnmry Ch BOSTON SYMPHONY I Gatna BOSTON SYMPHONY ORCHESTRA Symphony No. 9 " The Grtat" I A SURVIVOR FROM WARSAW, OP. 48 Mllnes. «i..«ioi . I BOSTON SYMPHONY/ERICH LEINSDORF LZ:* four Serious Songs, o P.izi Milnei LeinidoH, pi««ul j|| hi*Iktw jM Ml RED SEAL RED SEAL Earl Wild. Pianist RCil Boston Symphony Orchestra Boiton Symphony / Eric h Lriaidorf ^ ** BOSTON SYMPHONY SCHARWENKA "ERICH LEINSDORF' CmtiOt Nn. I. 0» a PROKOFIEFFI "Some of the finest and most H^ . ii'i.'han .1; EEE BALAKIREFF I0HN BROWNING satisfying symphonic hnUnM*! •! Cknka'i Of*', IWEILL ",,?rTHE ' » l.l. lo. Ike Tu. MEDTNER music-making of this decade." lmpriittuli«n. Op 31. No. I D ALBERT —Allen Hughes, Stasia, 0» 11. N..2 The New York Times Records ST^. RCil and Tapes BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor EIGHTY-NINTH SEASON 1969-1970 TANGLEWOOD 1970 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-THIRD BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President MRS HARRIS FAHNESTOCK EDWARD M. KENNEDY PHILIP K. ALLEN Vice-President THEODORE P. FERRIS HENRY A. LAUGHLIN ROBERT H. -
Sovereign Debt Sustainability in Greece During the Economic Adjustment Programmes: 2010-2018
Sovereign debt sustainability in Greece during the economic adjustment programmes: 2010-2018 STUDY A study prepared by CEPS in collaboration with Nation Institute of Economic and Social Research and ECORYS for the European Commission, Directorate-General for Economic and Financial Affairs. Authors: Cinzia Alcidi, CEPS Angela Capolongo, CEPS Daniel Gros, CEPS Inputs from NIESR: Cyrille Lenoël, Corrado Macchiarelli & Garry Young July 2020 Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE The information and views set out in this study are those of the authors and do not necessarily reflect the official opinion of the European Commission. The European Commission does not guarantee the accuracy of the data included in this study. Neither the European Commission nor any person acting on the European Commission’s behalf may be held responsible for the use which may be made of the information contained therein. More information on the European Union is available on the Internet (http://www.europa.eu). Luxembourg: Publications Office of the European Union, 2020. PDF ISBN 978-92-76-22278-1 doi: 10.2765/356606 KC-04-20-524-EN-N © European Union, 2020 Reproduction is authorised provided the source is acknowledged. For any use or reproduction of material that is not under the EU copyright, permission must be sought directly from the copyright holders. Sovereign debt sustainability in Greece during the economic adjustment programmes 2010-2018 Table of contents Table of contents .............................................................................................. -
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen). -
Cultural Heritage in the Realm of the Commons: Conversations on the Case of Greece
CHAPTER 10 Commoning Over a Cup of Coffee: The Case of Kafeneio, a Co-op Cafe at Plato’s Academy Chrysostomos Galanos The story of Kafeneio Kafeneio, a co-op cafe at Plato’s Academy in Athens, was founded on the 1st of May 2010. The opening day was combined with an open, self-organised gather- ing that emphasised the need to reclaim open public spaces for the people. It is important to note that every turning point in the life of Kafeneio was somehow linked to a large gathering. Indeed, the very start of the initiative, in September 2009, took the form of an alternative festival which we named ‘Point Defect’. In order to understand the choice of ‘Point Defect’ as the name for the launch party, one need only look at the press release we made at the time: ‘When we have a perfect crystal, all atoms are positioned exactly at the points they should be, for the crystal to be intact; in the molecular structure of this crystal everything seems aligned. It can be, however, that one of the atoms is not at place or missing, or another type of atom is at its place. In that case we say that the crystal has a ‘point defect’, a point where its struc- ture is not perfect, a point from which the crystal could start collapsing’. How to cite this book chapter: Galanos, C. 2020. Commoning Over a Cup of Coffee: The Case of Kafeneio, a Co-op Cafe at Plato’s Academy. In Lekakis, S. (ed.) Cultural Heritage in the Realm of the Commons: Conversations on the Case of Greece. -
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou First Embarked on a Career As an Actor and Studied at the National Superior School of Drama
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou first embarked on a career as an actor and studied at the National Superior School of Drama. As an actor he went on to appear in important Greek theatres, including the ancient theatre of Epidaurus, the Greek National Theatre and the Athens Megaron. He then decided to make a career change and studied singing at the Athens National Conservatory under the guidance of the famous baritone Kostas Paskalis and Marina Krilovici, graduating with distinction. He moved to France where he appeared with several opera companies and his success lead Greek National Opera to offer him a contract as a principal tenor. He continues to appear in leading roles with the company, which he combines with guest appearances abroad. Greek Dimitris Paksoglou does not sing Cavaradossi with the usual slightly emotional Mediterranean glow. His tenor is more powerfully virile, but also with beautiful splashes of tenderness. He makes his famous song for life with considerable intensity. AFTONBLADET – Lennart Bromander - Monday 10th February 2020 Dimitris Paksoglou who sang Cavaradossi is a real Italian tenor (although he is Greek) with plenty of power and clear tone up to the highest register. Capriccio - Lars-Erik Larsson – 23rd December 2019 Roles: AIDA: Radames ~ Stade de France UN BALLO IN MASCHERA: Gustavo III ~ Greek National Opera CARMEN: Don José ~ Odeon of Herodes Atticus CAVALLERIA RUSTICANA: Turiddu ~ Opéra de Saint-Étienne; Greek National Opera EDIPO RE: Creonte ~ Opera of Thessaloniki DIE FLEDERMAUS: Eisenstein ~ Greek National Opera INNO DELLE NAZIONE VERDI: Tenor Solo ~ Opera of Thessaloniki JENUFA: Števa ~ Greek National Opera APA Artists’ Management / Alexandra Mercer Mobile: +44 (0)7710 378719 - Tel: +44 (0)189 686 0276 Email: [email protected] - www.apaartistsmanagement.com Hillslap Tower - Langshaw - By Galashiels - Scotland TD1 2PA, United Kingdom Vat Registration No. -
Athens Guide
ATHENS GUIDE Made by Dorling Kindersley 27. May 2010 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Athens guide Top 10 Acropolis The temples on the “Sacred Rock” of Athens are considered the most important monuments in the Western world, for they have exerted more influence on our architecture than anything since. The great marble masterpieces were constructed during the late 5th-century BC reign of Perikles, the Golden Age of Athens. Most were temples built to honour Athena, the city’s patron goddess. Still breathtaking for their proportion and scale, both human and majestic, the temples were adorned with magnificent, dramatic sculptures of the gods. Herodes Atticus Theatre Top 10 Sights 9 A much later addition, built in 161 by its namesake. Acropolis Rock In summer it hosts the Athens Festival (see Festivals 1 As the highest part of the city, the rock is an ideal and Events). place for refuge, religion and royalty. The Acropolis Rock has been used continuously for these purposes since Dionysus Theatre Neolithic times. 10 This mosaic-tiled theatre was the site of Classical Greece’s drama competitions, where the tragedies and Propylaia comedies by the great playwrights (Aeschylus, 2 At the top of the rock, you are greeted by the Sophocles, Euripides) were first performed. The theatre Propylaia, the grand entrance through which all visitors seated 15,000, and you can still see engraved front-row passed to reach the summit temples. marble seats, reserved for priests of Dionysus. Temple of Athena Nike (“Victory”) 3 There has been a temple to a goddess of victory at New Acropolis Museum this location since prehistoric times, as it protects and stands over the part of the rock most vulnerable to The Glass Floor enemy attack. -
ICODECON, 2-4.10.2015, Kalamata, Greece. Conference Proceedings, ISBN 978-618-82146-1-3
ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 Conference proceedings of 1st International Conference of Development and Economy (ICODECON) Conference Theme: The advantages and disadvantages of Economic Crises 2-4 October 2015, Kalamata Editors: D. Petropoulos & G. Kyriazopoulos , January 2016. Technological Educational Institute (TEI) of Peloponnese, Antikalamos, 24100, Kalamata, Greece www.teikal.gr info: [email protected] ISBN 978-618-82146-1-3 2 ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 1st International Conference of Development and Economy (ICODECON) 2-4 October 2015 Elite City Resort, Kalamata, Greece. Conference Theme: The advantages and disadvantages of Economic Crises Conference site: www.icodecon.com info: [email protected] Under the auspices of: 3 ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 4 ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 Organizers University of national and World economy, Sofia, Bulgaria Technological Educational Institute www.unwe.bg/en (TEI) of Peloponnese, Kalamata, Greece www.teikal.gr Alexandru ioan Cuza University, Technological Educational Institute of Western Iasi, Romania. Macedonia, Kozani, Greece www.uaic.ro http://www.teiwm.gr/index.php?lang=el 5 ICODECON, 2-4.10.2015, Kalamata, Greece. Conference proceedings, ISBN 978-618-82146-1-3 MAJOR SPONSOR OF THE CONFERENCE http://www.kareliafoundation.org.gr/ The George and Victoria Karelias Foundation is the result of the ambition of George Karelias to transform his lifetime values into a lasting heritage. Born in Athens on March 14 1929, George Karelias studies Economics and Business Administration at George Washington University in the United States of America. -
Greek Drama Resources
Greek Drama Resources A Bibliography & Filmography Compiled by Dennis Lee Delaney Head, Professional Director Training Program Ohio University Theater Division, School of Dance, Film, and Theater © 2016 Websites / Internet Resources Ancient Greek Theater Resources Actors of Dionysus (www.actorsofdionysus.com) AOD has earned a reputation for making Greek tragedy seriously sexy (The Guardian) and since 1993 have built up an extensive track record of gripping and wholly accessible productions. Their website chronicles their production history, education publications/workshops, and also has a shop which features scripts, CDs and DVDs. Ancient Greek Drama (www.cbel.com/ancient_greek_drama) This is a useful compendium of 125 manually selected sites on various topics related to Greek drama, including individual articles on the playwrights and their works. Ancient Greek Theater (www.academic.reed.edu/humanities/ 110Tech.html) A page designed to provide an introduction to Ancient Greek Theater and provide tools for further research. Contains timelines, staging issues, bibliography and links. The Ancient Theatre Archive (www.whitman.edu/theatre/ theatretour/home.htm) A virtual reality tour of Greek and Roman Theatre architecture throughout the world, including mainland Europe, North Africa and the United Kingdom. The Archive of Performances of Greek and Roman Drama / University of Oxford (www.apgrd.ox.ac.uk) A comprehensive production history of ancient Greek and Roman drama in modern performance. It contains a database of information on more than