Olympic's Last Flight to NY
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Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Concert: Ithaca College Percussion Ensemble and Steel Band Ithaca College Percussion Ensemble and Steel Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-27-2017 Concert: Ithaca College Percussion Ensemble and Steel Band Ithaca College Percussion Ensemble and Steel Band Gordon Stout Lolly Allen Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Percussion Ensemble and Steel Band; Stout, Gordon; and Allen, Lolly, "Concert: Ithaca College Percussion Ensemble and Steel Band" (2017). All Concert & Recital Programs. 2010. http://digitalcommons.ithaca.edu/music_programs/2010 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Percussion Ensemble and Steel Band Gordon Stout, director Specil Guest Artist: Lolly Allen, vibraphone Ford Hall Thursday, April 27th, 2017 8:15 pm Program Migratory Systems (2005) Gordon Stout 1. Introduction (b. 1952) 2. Dance 1 3. Interlude 1 4. Dance 2 (Homage to Henry Cowell) 5. Interlude 2 6. Dance 3 (Hoamge to George Hamilton Green Derek Wohl, xylophone soloist Premiere Performance Loro Agberto Gismonti Arr. Christos Rafalides Lolly Allen, vibraphone Intermission Coming Home Lolly Allen Lolly Allen, vibraphone Ashley Len "Boogsie" Sharpe Arr. Liam Teague Bomboleo Gypsy Kings Arr. Kelly Davie Close Friends Phil Hawkins Lolly Allen, vibraphone Copacabana Barry Manilow Arr. Gina Alduino Lolly Allen Vibraphonist and Composer Lolly Allen has performed with Terry Gibbs, Bob Mintzer, Rodney Whitaker, Maria Schneider, Charlie Shoemake, Jiggs Whigham, Carl Saunders, Kristin Korb, Plas Johnson, Gary Smulyan, Ric Fierabracci, The Jazz Composers Alliance, and Sam Rivers with the New England Conservatory Big Band. -
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen). -
The Explorations and Poetic Avenues of Nikos Kavvadias
THE EXPLORATIONS AND POETIC AVENUES OF NIKOS KAVVADIAS IAKOVOS MENELAOU * ABSTRACT. This paper analyses some of the influences in Nikos Kavvadias’ (1910-1975) poetry. In particular – and without suggesting that such topic in Kavvadias’ poetry ends here – we will examine the influences of the French poet Charles Baudelaire and the English poet John Mase- field. Kavvadias is perhaps a sui generis case in Modern Greek literature, with a very distinct writing style. Although other Greek poets also wrote about the sea and their experiences during their travelling, Kavvadias’ references and descriptions of exotic ports, exotic women and cor- rupt elements introduce the reader into another world and dimension: the world of the sailor, where the fantasy element not only exists, but excites the reader’s imagination. Although the world which Kavvadias depicts is a mixture of fantasy with reality—and maybe an exaggerated version of the sailor’s life, the adventures which he describes in his poems derive from the ca- pacity of the poetic ego as a sailor and a passionate traveller. Without suggesting that Kavvadias wrote some sort of diary-poetry or that his poetry is clearly biographical, his poems should be seen in connection with his capacity as a sailor, and possibly the different stories he read or heard during his journeys. Kavvadias was familiar with Greek poetry and tradition, nonetheless in this article we focus on influences from non-Greek poets, which together with the descriptions of his distant journeys make Kavvadias’ poems what they are: exotic and fascinating narratives in verse. KEY WORDS: Kavvadias, Baudelaire, Masefield, comparative poetry Introduction From an early age to the end of his life, Kavvadias worked as a sailor, which is precisely why it can be argued that his poetry had been inspired by his numerous travels around the world. -
2016-2017 Revised Fall 2019
Student Handbook BA (Hons) Music BA (Hons) Music Performance Frances Rich School of Fine and Performing Arts Deree – The American College of Greece 2016-2017 Revised fall 2019 All degree seeking students entering Deree- The American College of Greece (Deree-ACG) will be required to register for both the US, NECHE accredited bachelor’s degree, and the European - UK award validated by the Open University. The following may be exempted from this rule: a) Students pursuing parallel studies at the Greek University/TEI. b) Transfer students who have transferred 92 US credits or above applicable to their program.c) Readmitted students who have interrupted their studies before 2010 will have the option of pursuing only a Deree US degree. Students who wish to be considered for these exemptions must petition the Committee on Academic Standards and Policies (CASP) through the Student Success Center during the first month after their initial registration at Deree. Contents 1. Welcome to the Music Programme 1.1 Message from the Dean .................................................................................................. 3 1.2 Message from the Department Head…………………………………………………………………………. 3 1.3 Academic Calendar Academic Policies links .................................................................... 4 1.4 Key Contacts ................................................................................................................... 4 1.5 Keeping in Touch ........................................................................................................... -
CURRICULUM VITAE De MOSCHOS MORFAKIDIS FILACTÓS
CURRICULUM VITAE de MOSCHOS MORFAKIDIS FILACTÓS APELLIDOS: Morfakidis Filactós NOMBRE: Moschos FECHA DE NACIMIENTO: Nº FUNCIONARIO: 2425922768AO500 Situación profesional actual Entidad empleadora: UNIVERSIDAD DE GRANADA Tipo de entidad: Universidad Departamento: DEPARTAMENTO DE FILOLOGÍA GRIEGA Y FILOLOGÍA ESLAVA Categoría profesional: CATEDRÁTICO DE UNIVERSIDAD Modalidad de contrato: Funcionario/a Régimen de dedicación: Tiempo completo Funciones desempeñadas: 12 TRIENIOS (02/11/2016) Identificar palabras clave: Filología Griega 4 sexenios de investigación __________________________________________________________ FORMACION ACADEMICA LICENCIATURA: Historia CENTRO: Filosofía y Letras Universidad de Granada FECHA: 1978 ________________________ ____________________ _________ DOCTORADO DEPARTAMENTO: Filología Griega CENTRO: Filosofía y Letras Universidad de Granada FECHA: 1984 __________________________________________________________ SITUACION PROFESIONAL ACTUAL ORGANISMO: Universidad de Granada FACULTAD: Filosofía y Letras DEPARTAMENTO: Filología Griega y Eslava CATEGORIA PROFESIONAL Y FECHA DE INICIO: Catedrático de Universidad, 2011. DIRECCION POSTAL: C/ Almajara, 25 - 18008 Granada TELEFONO: (0034) 958220874 y 958243692 PLATILLA X DEDICACION: A TIEMPO COMPLETO ACTIVIDADES ANTERIORES DE CARACTER CIENTIFICO O PROFESIONAL Puesto Institución Fechas Ayudante Dedicación Plena Universidad de Granada 27/11/80 - 30/9/82 Ayudante Dedicación Exclusiva Universidad de Granada 1/10/82 - 29/11/83 Ayudante Encargado de Curso, Nivel Universidad B de -
1-!!1 J Eurofocus 28/82 2
A NEWSSHEET FOR JOURNALISTS • REPRODUCTION AUTHORIZED No. 28/82 BRUSSELS, August 9, 1982 Note from the Editor I This is a special summer issue of "Eurofocus" which has been prepared to give you background material on the major festival of Greek culture which is to start in Brussels in October. Every two years, Belgium is the host of "Europalia" the prestigious multi-disciplinary arts festival which honours the culture of a Community country. I After a short summer break, "Eurofocus" will be back in September to keep you informed about what's happening in the European Community. Have a good summer. EUROPALIA This year it's the turn of Greece, the newest member of the European Community, to share the glories of its culture with fellow Europeans in Europalia, the prestigious multi-disciplinary arts festival held every two years in Belgium in honour of a different Community country in turn. Since the festival began in 1969, Italy, the Netherlands, Britain, France, the German Federal Republic and Belgium have taken part, with financial assistance from their respective governments, private industry and the Community. In Europalia 82 Greece will be offering a panoramic view of five thousand years of civilisation in a series of some 200 exhibitions, theatrical productions, concerts, films and Literary and other events taking place in Brussels and other Belgian cities from October to December. Museums and private collections from This newssheet IS published 1n SIX languages (English, French, German, Dutch, Italian and Span1sh) by the Directorate-General fol Information of the Commission of the European Commun1t1es, .. Rue de Ia Lo1 200 - 1049 Brussels- Belg1um Tel. -
Nana Mouskouri and Her Music Stir the World Koufalakis Is
S GREEK INDEPENDENCE DAY PARADES IN NEW Bringing the news W YORK, CHICAGO AND to generations of E BALTIMORE THIS SUNDAY! LET'S ALL ATTEND! The National Herald Greek- Americans N c v A WEEKLY GREEK-AMERICAN PUBLICATION www.thenationalherald.com VOL. 17, ISSUE 859 March 29 - April 4, 2014 $1.50 Recipes for Lent: Tasty, Did Ex-TNH Employee Know Who Killed JFK? Healthy, and Enough Joannides’ CIA Files Still Classified 50 Yrs Variety for Everyone After Kennedy Death By Anna Skamangas- with their exceptional health By Constantinos E. Scaros Scaros benefits. Serves 4. Fifty years after the assassi - We’ve been posting my Ingredients: nation of President John F. Lenten recipes to our website, 2½ cups wheat berries, soaked Kennedy, there are lingering thenationalherald.com, since overnight doubts that Lee Harvey Oswald February 15. Lent began on 1/4 cup apple cider vinegar – the man arrested for the mur - March 3, but we wanted to give 1/4 cup agave syrup der and killed two days later in everyone a head start. We’re a 2 celery stalks, thinly sliced a Dallas police station by Jack little more than halfway done ½ cup chopped green onion Ruby – acted alone. The burning now, and there will be 40 (white and green parts) question remains: if Oswald did recipes in all! Then, to give you 2 tablespoons fresh minced not in fact act alone, who was a head start for Easter, we will thyme behind Kennedy’s killing? Al - feature a multicourse Easter 1 pear, cored and diced though he died 24 years ago, in meal, complete with Greek wine ½ cup fruit-sweetened dried the thick of one of the most per - pairings selected by our wine cranberries plexing mysteries in American writer, Lauren Loeffler (her Directions: history remains a Greek-Ameri - wine reviews are on our web - Bring 5 cups water to a boil can who worked for the National site, too). -
Ancient Theatre of Epidaurus
2 Athens & Epidaurus Festival 2020 ARTISTIC DIRECTOR Katerina Evangelatos BOARD OF DIRECTORS PRESIDENT Dimitris Passas VICE PRESIDENT Alexis Galinis MEMBERS Patricia Apergi Stavros Gasparatos Antonis Karampatzos Nikos Stampolidis Helene Varopoulou DIRECTOR GENERAL Ioannis Kaplanis ARTISTIC ADVISERS Stefanie Carp • International productions Evi Nakou • Artistic research & Audience development Costa Pilavachi • Music Elias Chatzigeorgiou • Dance 3 Artistic Director’ Note Over the past few weeks humanity has been going through a very challenging period, struggling to survive this pandemic, with thousands of casualties already. Life, as we know it, has changed for all of us. It has been almost three weeks since theatres and cultural venues closed down, and day by day we have come to realise how important contact with the living Arts is in our lives. Theatres are hubs, places of reflection, entertainment, homes we go to in groups, audiences and artists alike, hoping for something that real life cannot offer us. Can anyone fathom what our society will be like after this crisis and how important its cultural reflection will be through artist insight and sensitivity? The presence of an international festival will be, more than ever, a need and our duty. The Athens & Epidaurus Festival is an international event that has been warmly embraced by audiences and artists for 65 years. Normally on this day we would all be at Peiraios 260, together with friends, artists and journalists, to announce our programme. This is a programme we have been working on for seven months now, in collaboration with the entire Festival team and with the practical support of our Board of Directors, as well as my invaluable team of artistic advisors: Stefanie Carp for international theatre productions, Costa Pilavachi for music, Ilias Chatzigeorgiou for dance and Evi Nakou for artistic research and audience development. -
Summer Camps and Festivals Asbury Park, New Jersey
Summer Camps and Festivals Asbury Park, New Jersey. Leigh Stevens returned to that same venue and concluded the seminar with an incredible program of multiple Bach works, two of his compositions, and a pre-premiere of his newest work- The 2011 LHS Summer Marimba Seminar in-progress. By Jessie Linden When the students were not in class or practicing, many found time This year at the 32nd annual Leigh Howard Stevens Summer to enjoy the marvelous beach weather just outside the inn. Some spent Marimba Seminar, 25 college-aged students benefited from an immense time exploring Ocean Grove and its surrounding communities, and blend of musical and personal gain while nestled in a beautiful, a few even made a trip or two to New York City. By the final student oceanside Victorian inn. The focused environment of the classroom concert on the last night, a supportive group of individuals sat as a as well as the unique housing experience allowed the students to mix class and shared what was to many an emotional end to a life-changing their musical expression and social graces and develop invaluable skills. experience they will treasure forever. With students coming from all over the world, participants were all Rosauro and Moore’s Mallet and Percussion Summer Camp able to positively influence their fellow students from both a musical and social standpoint. The group, spanning the United States, Canada, The 2011 Ney Rosauro and Jeff Moore’s Mallet and Percussion Sum- South Korea, Switzerland, and Belgium, created a warm and supportive mer Camp took place at the University of Central Florida in Orlando environment in which to live, learn, and grow. -
The Historical Dictionary of the Athens Academy
THE HISTORICAL DICTIONARY OF THE ATHENS ACADEMY CHRISTOPHOROS CHARALAMBAKIS Athens University 1. INTRODUCTION o avoid any misunderstanding, I should like to state first of all that I am here T in my capacity as a lexicographer and not as the elected Director of the Cen- tre for the Compilation of the Historical Dictionary of the Athens Academy. This means that what I have to say does not necessarily reflect the views of the coun- try’s highest institution of learning. I shall be formulating my own opinions on the quality, progress and prospects of the Historical Dictionary (HD), some of which have already been published in various scholarly journals.1 Furthermore, in an- other series of studies I have discussed questions of lexicographical practice and meta-lexicography directly linked to the Historical Dictionary (Charalambakis 1994a; 1999a, b, c). Having served for six years (1977-1983) as a redactor of the HD, I have first-hand experience of the various theoretical and practical problems encountered in this ambitious lexicographical enterprise, the most grandiose ever undertaken in Greece. 2. THE HISTORICAL BACKGROUND OF THE DICTIONARY Ninety years have now passed since the special Commission 2 embarked on the preliminary stages of compiling the Comprehensive Thesaurus of the Greek Lan- guage (Θησαυρ!ς !λης της Eλληνικ ς γλσσης). It soon became apparent, how- ever, that the grand design would prove impossible to realize. 3 It was thus decid- ed to compile a “Provisional” Dictionary –its provisional character has remained unchanged until today– but without altogether abandoning the idea of the 1. I have addressed the lexicographical issues involved in the HD in Charalambakis 1982a (see partic- ularly p. -
Géographie Et Cultures, 84 | 2012 Lieux, Territoires Et Espaces D’Écoute De La Chanson Grecque 2
Géographie et cultures 84 | 2012 Varia Lieux, territoires et espaces d’écoute de la chanson grecque Des cités représentées aux villes vécues Place, space and the Greek song: from imagined cities to real urban life Ioannis Rentzos Édition électronique URL : http://journals.openedition.org/gc/2468 DOI : 10.4000/gc.2468 ISSN : 2267-6759 Éditeur L’Harmattan Édition imprimée Date de publication : 1 décembre 2012 Pagination : 25-41 ISBN : 978-2-343-00572-0 ISSN : 1165-0354 Référence électronique Ioannis Rentzos, « Lieux, territoires et espaces d’écoute de la chanson grecque », Géographie et cultures [En ligne], 84 | 2012, mis en ligne le 04 novembre 2013, consulté le 01 mai 2019. URL : http:// journals.openedition.org/gc/2468 ; DOI : 10.4000/gc.2468 Ce document a été généré automatiquement le 1 mai 2019. Lieux, territoires et espaces d’écoute de la chanson grecque 1 Lieux, territoires et espaces d’écoute de la chanson grecque Des cités représentées aux villes vécues Place, space and the Greek song: from imagined cities to real urban life Ioannis Rentzos 1 Dans l’univers de la musique les chansons constituent une catégorie prépondérante très ancienne et « se placent » dans des lieux spécifiques ou présumés tels. Les lieux des chansons constituent également le point de départ de leur inspiration et de leur création mais aussi le substrat concret de l’exécution, de l’enregistrement et de leur reproduction. La ville, de par ses caractéristiques particulières en tant que lieu de concentration de la population et d’activités diverses dont celles relatives au temps du loisir et, dans la ville moderne, en tant qu’espace de publicité, représente une référence majeure pour les chansons et plus généralement pour l’art musical, la composition, l’exécution et la diffusion d’œuvres musicales.