Kenneth Goldstein MUNFLA Song Collections Finding
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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
The GIA Historical Music Series
GIA Publications, Inc. 2018 2018 Music Education Catalog At GIA, we aspire to create innovative resources that communicate the joys of music making and music learning—that delve deeper into what it means to be musical. By working with leading authors who represent the very best the profession has to offer for all levels from preschool through college and beyond, GIA seeks to help music teachers communicate the joy, art, skill, complexity, and knowledge of musicianship. This year we again offer a wide range of new resources for early childhood through college. Scott Edgar explores Music Education and Social Emotional Learning (page 7); the legendary Teaching Music through Performance in Band series moves to Volume 11 (page 8); Scott Rush publishes Habits of a Significant Band Director (page 9) and together with Christopher Selby releases Habits of a Successful Middle Level Musician (pages 10-11). And there’s finally a Habits book for choir directors (page 12). James Jordan gives us four substantial new publications (pages 13-16). There’s also an Ultimate Guide to Creating a Quality Music Assessment Program (page 19). For general music teachers, there is a beautiful collection of folk songs from Bali (page 21), a best- selling book on combining John Feierabend’s First Steps in Music methodology with Orff Schulwerk (page 23), plus the new folk song picture book, Kitty Alone (page 24), just to start. All told, this catalog has 400 pages of resources to explore and enjoy! We’re happy to send single copies of the resources in this catalog on an “on approval” basis with full return privileges for 30 days. -
They Dont Trust Haughey but Wont Have Fitz
09- i/-.. i . FOUNDED 1939 Organ of the LONDON Connolly Association MEMBERS ALL paid-up members in London and the South- east are entitled to attend the meeting in Marchmont Street Community Centre (Russell Square) at 2.30 pm. on Saturday March 14th. This is to continue the process begun last month of trying to draw all members into the work of the No. 517 MARCH 1987 30p Association. There will be a political discussion on The General Election results. The attendance on February 14th was modest, but there was a good feeling about, as if the Association, the oldest Irish political organisation in Britain was going to take off again. THEY DONT The E.C. will be held a fortnight later. TRUST HAUGHEY BUT ABOLISH THE —LUMP— WONT HAVE FITZ THE importance of the conference to be held at the Marchmont Street Community Centre at 2.30 pm on March 21st is thrown into relief by SO FITZ CLIMBS ON HAUGHEY'S BACK -events at McCarthy and Stones in Sutton. Surrey. This firm sacked their directly employed workforce and brought in SPRING WINS BY FIVE VOTES "self-employed lumbers." STATISTICAL man, supreme have promised to back him if he If this were to take place the Government of the Republic has mould of Irish politics would be refused to consider. The result was Union action. But adjudicator of aspiring politics puts through a tough monetarist the High Court issued an injunction has given his verdict on Charles budget, with implied emphasis on truly broken. But while The merest chance that Mr •gainst the workers and compelled the ley and Fianna Fail. -
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
Our Musical Heritage
Clay County Ancestral Our Musical Heritage Also Inside ● Remembering Charles House ● Newfound: The First Documented Neighborhood ● Honoring Clay County’s World War II Veterans Fall & Winter 2015 • Volume 31, Number 2 Clay County Ancestral News Clay County Ancestral News Fall & Winter 2015 Cover: Our cover features a 1917 photo of Englishman Cecil Sharp and his assistant Maud Karpeles who traveled the area collecting mountain songs. See page 10 for the story. Clay County’s In This Edition Musical Heritage P 3 Message from the President 2 Clay County’s Musical Heritage Part 1 By Donald Sasser 3 Clay County’s Musical Heritage Part 2 By Donald Sasser 10 Remembering Charles House By Mike and LaBerta White 17 Granddaddy and the Fesser By Charles House 19 “Flo’Tucks” vs. “O’Tucks” By LJ Smothers 27 Anne Shelby as “Aunt Molly Jackson” - Historic Bible Reading 30 Frederick Family History in SE Kentucky By James Clark 31 The Flavor of the Mountains Submitted by Elsie Wilson Phillips 35 Remembering My Relationship to “Jim Danger” By Elsie Wilson Phillips 38 Charles House P 17 Pleaz Smith Family By Mildred Edwards 38 Newfound: First Documented Neighborhood By James C. Davidson 39 Quarterly Membership Report 45 Jim Brown Remote Mountain Community By James C. Davidson 46 City Support - Officers 49 Breaking Up A Still - New Lifetime Members 50 Queries and Thanks 51 New CCHS Members 53 CCHS Donations 55 Books & DVDs For Sale 57 Honoring Clay County Veterans of World War II By Gary Burns 61 Society Pays Tribute to Clay WWII Veterans 68 Honoring Our Clay What’s Going On At The Society? 69 County Veterans of About the Clay County Historical Society 70 World War II P 61 Letter From The Boone Society 71 Membership Application 72 1 Clay County Ancestral News Message From The President It’s been a very active and exciting time here at the Society since our last CCAN was published. -
Learning Lineage and the Problem of Authenticity in Ozark Folk Music
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Learning Lineage And The Problem Of Authenticity In Ozark Folk Music Kevin Lyle Tharp Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Tharp, Kevin Lyle, "Learning Lineage And The Problem Of Authenticity In Ozark Folk Music" (2020). Electronic Theses and Dissertations. 1829. https://egrove.olemiss.edu/etd/1829 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. LEARNING LINEAGE AND THE PROBLEM OF AUTHENTICITY IN OZARK FOLK MUSIC A Dissertation presented in partial fulfillment of requirements for the degree of Doctor of Philosophy in the Department of Music The University of Mississippi by KEVIN L. THARP May 2020 Copyright Kevin L. Tharp 2020 ALL RIGHTS RESERVED ABSTRACT Thorough examination of the existing research and the content of ballad and folk song collections reveals a lack of information regarding the methods by which folk musicians learn the music they perform. The centuries-old practice of folk song and ballad performance is well- documented. Many Child ballads and other folk songs have been passed down through the generations. Oral tradition is the principal method of transmission in Ozark folk music. The variants this method produces are considered evidence of authenticity. Although alteration is a distinguishing characteristic of songs passed down in the oral tradition, many ballad variants have persisted in the folk record for great lengths of time without being altered beyond recognition. -
A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used -
Missouri Folklore Society Journal
Missouri Folklore Society Journal Special Issue: Songs and Ballads Volumes 27 - 28 2005 - 2006 Cover illustration: Anonymous 19th-century woodcut used by designer Mia Tea for the cover of a CD titled Folk Songs & Ballads by Mark T. Permission for MFS to use a modified version of the image for the cover of this journal was granted by Circle of Sound Folk and Community Music Projects. The Mia Tea version of the woodcut is available at http://www.circleofsound.co.uk; acc. 6/6/15. Missouri Folklore Society Journal Volumes 27 - 28 2005 - 2006 Special Issue Editor Lyn Wolz University of Kansas Assistant Editor Elizabeth Freise University of Kansas General Editors Dr. Jim Vandergriff (Ret.) Dr. Donna Jurich University of Arizona Review Editor Dr. Jim Vandergriff Missouri Folklore Society P. O. Box 1757 Columbia, MO 65205 This issue of the Missouri Folklore Society Journal was published by Naciketas Press, 715 E. McPherson, Kirksville, Missouri, 63501 ISSN: 0731-2946; ISBN: 978-1-936135-17-2 (1-936135-17-5) The Missouri Folklore Society Journal is indexed in: The Hathi Trust Digital Library Vols. 4-24, 26; 1982-2002, 2004 Essentially acts as an online keyword indexing tool; only allows users to search by keyword and only within one year of the journal at a time. The result is a list of page numbers where the search words appear. No abstracts or full-text incl. (Available free at http://catalog.hathitrust.org/Search/Advanced). The MLA International Bibliography Vols. 1-26, 1979-2004 Searchable by keyword, author, and journal title. The result is a list of article citations; it does not include abstracts or full-text. -
The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 19 (2017) Issue 3 Article 4 The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads Ana Belén Martínez García University of Navarra Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Literature in English, British Isles Commons, Literature in English, North America Commons, and the Spanish Literature Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Martínez García, Ana Belén. "The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads." CLCWeb: Comparative Literature and Culture 19.3 (2017): <https://doi.org/10.7771/1481-4374.3017> This text has been double-blind peer reviewed by 2+1 experts in the field. -
The English Occupational Song
UNIVERSITY OF UMEÅ DISSERTATION ISSN 0345-0155-ISBN 91-7174-649-8 From the Department of English, Faculty of Humanities, University of Umeå, Sweden. THE ENGLISH OCCUPATIONAL SONG AN ACADEMIC DISSERTATION which will, on the proper authority of the Chancellor's Office of Umeå University for passing the doctoral examination, be publicly defended in Hörsal E, Humanisthuset, on Saturday, May 23, at 10 a.m. Gerald Porter University of Umeå Umeå 1992 ABSTRACT THE ENGLISH OCCUPATIONAL SONG. Gerald Porter, FL, Department of English, University of Umeå, S 901 87, Sweden. This is the first full-length study in English of occupational songs. They occupy the space between rhythmic work songs and labour songs in that the occupation signifies. Occupation is a key territorial site. If the métier of the protagonist is mentioned in a ballad, it cannot be regarded as merely a piece of illustrative detail. On the contrary, it initiates a powerful series of connotations that control the narrative, while the song's specific features are drawn directly from the milieu of the performer. At the same time, occupational songs have to exist in a dialectical relationship with their milieu. On the one hand, they aspire to express the developing concerns of working people in a way that is simultaneously representational and metaphoric, and in this respect they display relative autonomy. On the other, they are subject to the mediation of the dominant or hegemonic culture for their dissemination. The discussion is song-based, concentrating on the occupation group rather than, as in several studies of recent years, the repertoire of a singer or the dynamics of a particular performance. -
Violence, Gender and Faith in 19Th Century Appalachian Murdered Girl Ballads Ariadne Blayde
Fordham University Masthead Logo DigitalResearch@Fordham American Studies Senior Theses American Studies 2012 “I Ran My Fingers Through Her Coal Black Hair to Cover Up My Sin” : Violence, Gender and Faith in 19th Century Appalachian Murdered Girl Ballads Ariadne Blayde Follow this and additional works at: https://fordham.bepress.com/amer_stud_theses Part of the American Popular Culture Commons Recommended Citation Blayde, Ariadne, "“I Ran My Fingers Through Her Coal Black Hair to Cover Up My Sin” : Violence, Gender and Faith in 19th Century Appalachian Murdered Girl Ballads" (2012). American Studies Senior Theses. 25. https://fordham.bepress.com/amer_stud_theses/25 This is brought to you for free and open access by the American Studies at DigitalResearch@Fordham. It has been accepted for inclusion in American Studies Senior Theses by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. “I Ran My Fingers Through Her Coal Black Hair to Cover Up My Sin” : Violence, Gender and Faith in 19th Century Appalachian Murdered Girl Ballads By Ariadne Blayde Fordham University AMST 3500. American Studies Senior Seminar Profs. Julie Kim and Oneka LaBennett Senior Thesis 2 Abstract My thesis presents a literary and historical examination of the genre of songs known as “Murdered Girl ballads” in the canon of 19th century Southern Appalachian folk music. The Murdered Girl ballad, which tells the story of a young woman murdered by her male lover, became an archetypal narrative in Appalachian folklore in the 1800’s. In my research I examine some of the many Appalachian Murdered Girl ballads and the mountain society they sprang from, drawing connections between the lyrics of the ballads and three specific aspects of Appalachian mountain life: violence, gender roles, and religion.