1. Follow Me up to Carlow 2. Dark Rosaleen 3. John O'dwyer of the Glen 4. Kilcash 5. After Aughrim's Great Disaster 6. the Jacke

Total Page：16

File Type：pdf, Size：1020Kb

1. Follow Me up to Carlow 2. Dark Rosaleen 3. John O'dwyer of the Glen 4. Kilcash 5. After Aughrim's Great Disaster 6. the Jacke

1. Follow Me Up to Carlow 45. Foggy Dew 2. Dark Rosaleen 46. Wrap the Green Flag Round Me 3. John O'Dwyer of the Glen 47. Tri-Coloured Ribbon 4. Kilcash 48. The Dying Rebel 5. After Aughrim's Great Disaster 49. Shall My Soul Pass Through Old Ireland? 6. The Jackets Green 50. Teach Us How to Die 7. Clare's Dragoons 51. Kevin Barry 8. The Outlaw Rapparee 52. Sean Treacy 9. The Rising of the Moon 53. Barry’s Column 10. Boolavogue 54. The Boys of Kilmichael 11. Kelly the Boy from Killane 55. Lonely Woods of Upton 12. Roddy McCorley 56. The Valley of Knockanure 13. Henry Joy 57. Johnson's Motor Car 14. General Munro 58. Black and Tan Gun 15. Protestant Men 59. Come Out Ye Black and Tans 16. The Men of the West 60. Ireland Divided 17. Sean Bhean Bhocht 61. The Drumboe Matyrs 18. Rouse Hibernians 62. The Soldiers of ‘22 19. The Wearing of the Green 63. Belfast Brigade 20. The Croppy Boy 64. A Song of the Loyal Irish 21. The Three Flowers 65. McAlpine’s Fusiliers 22. Tone Is Coming Back Again 66. Spancil Hill 23. Bold Robert Emmett 67. The Ould Orange Flute 24. The Fields of Athenry 68. Croppies Lie Down 25. The Great Hunger 69. The Legion of the Rearguard 26. A Nation Once Again 70. The Patriot Game 27. The West’s Awake 71. Seán South of Garryowen 28. O’Donovan Rossa’s Farewell to Dublin 72. Nelson's Farewell 29. God Save Ireland 73. The Long March to Derry 30. Down by the Glenside 74. The Men Behind the Wire 31. Avondale 75. Long Kesh 32. Pat O’Donnell 76. Give Ireland Back To The Irish 33. Lough Sheelin Eviction 77. Sunday Bloody Sunday (Lennon’s version) 34. Slieve Gallion Brae 78. Sunday Bloody Sunday (U2’s version) 35. As I Roved Out 79. Take Me Home to Mayo 36. Bachelor’s Walk 80. Roll of Honour 37. The British Army 81. The Loughall Ambush 38. Ring Money 82. Little Armalite 39. Pat Reilly 83. The Lid of Me Granny's Bin 40. Erin Go Bragh 84. The Irish Navy 41. Bloodstained Bandage 85. The Soldiers' Song 42. James Connolly 86. Rock On Rockall 43. Banna Strand 87. Irish Ways and Irish Laws 44. The Merry Ploughboy 88. Four Green Fields .

Copy Link

Recommended publications

Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000.
[Show full text]
Napper Tandy
Napper Tandy The Story of a real Irish Patriot by Brian Igoe, Published: 2016 J J J J J I I I I I Table of Contents Introduction & Chapter 1 … The Last Invasion of Ireland. Chapter 2 … Meath and Dublin. Chapter 3 … London, Philadelphia. Chapter 4 … North Sea and Bergen. Chapter 5 … Hamburg. Chapter 6 … London. Chapter 7 … Dublin. Chapter 8 … Lifford. Chapter 9 … Bordeaux. Historical Note. Principal Sources. J J J J J I I I I I Introduction I met with Napper Tandy and he took me by the hand, How is dear old Ireland, and how does she stand? It's the most disgraceful country that I have ever seen, They're hanging men and women for the wearing of the green . —Anon, 1798 If you ask most people today, they will never have heard of Napper Tandy, unless they are Irish. Then they may, just MAY, remember the words of the ballad quoted above. By way of introduction, some words on the state of Ireland in general and Dublin in particular in the second half of the 18th century, the backdrop against which much of this story is painted, may be of interest. If not, skip forward to Chapter 1. It was in many respects a lawless place, quite literally, for there was no effective police force until well into the 19th century. And yet they were an extremely litigious crowd, those Georgian Irish. They fought with their tongues and their pens with great skill. But equally they fought with their swords and their pistols too.
[Show full text]
A Short History of Irish Memory in the Long Twentieth Century
Thomas Bartlett (ed.), The Cambridge History of Ireland Irish Memory in the Long Twentieth Century (Cambridge, 2018), vol. IV: 1800 to Present would later be developed by his disciple Maurice Halbwachs, who coined the term collective memory ('la memoire collective'). By calling attention to the social frameworks in which memory is framed ('les cadres sociaux de la 23 · memoire'), Halbwachs presented a sound theoretical model for understand ing how individual members of a society collectively remember their past. 3 A Short History of Irish Memory in The impression that modernisation had uprooted people from tradition and the Long Twentieth Century that mass society suffered from atomised impersonality gave birth to a vogue GUY BEINER for commemoration, which was seen as a fundamental act of communal soli darity, in that it projected an illusion of continuity with the past.4 Ireland, outside of Belfast, did not undergo industrialisation on a scale comparable with England, and yet Irish society was not spared the upheaval On the cusp of the twentieth century; Ireland was obsessed with memoriali of modernity. The Great Famine had decimated vernacular Gaelic culture sation. This condition reflected a transnational zeitgeist that was indicative of and resulted in massive emigration. An Irish variant of fin de siecle angst over a crisis of memory throughout Europe. The outcome of rapid modernisa degeneration fed on apprehensions that British rule would ultimately result tion, manifested through changes ushered in by such far-reaching processes in the loss of 'native' identity. The perceived threat to national culture, artic as industrialisation, urbanisation, commercialisation and migration, raised ulated in Douglas Hyde's manifesto on 'The Necessity for De-Anglicising fears that the rituals and customs through which the past had been habitually Ireland' (1892), stimulated a vigorous response in the form of the Irish Revival remembered in the countryside were destined to be swept away.
[Show full text]
They Dont Trust Haughey but Wont Have Fitz
09- i/-.. i . FOUNDED 1939 Organ of the LONDON Connolly Association MEMBERS ALL paid-up members in London and the South- east are entitled to attend the meeting in Marchmont Street Community Centre (Russell Square) at 2.30 pm. on Saturday March 14th. This is to continue the process begun last month of trying to draw all members into the work of the No. 517 MARCH 1987 30p Association. There will be a political discussion on The General Election results. The attendance on February 14th was modest, but there was a good feeling about, as if the Association, the oldest Irish political organisation in Britain was going to take off again. THEY DONT The E.C. will be held a fortnight later. TRUST HAUGHEY BUT ABOLISH THE —LUMP— WONT HAVE FITZ THE importance of the conference to be held at the Marchmont Street Community Centre at 2.30 pm on March 21st is thrown into relief by SO FITZ CLIMBS ON HAUGHEY'S BACK -events at McCarthy and Stones in Sutton. Surrey. This firm sacked their directly employed workforce and brought in SPRING WINS BY FIVE VOTES "self-employed lumbers." STATISTICAL man, supreme have promised to back him if he If this were to take place the Government of the Republic has mould of Irish politics would be refused to consider. The result was Union action. But adjudicator of aspiring politics puts through a tough monetarist the High Court issued an injunction has given his verdict on Charles budget, with implied emphasis on truly broken. But while The merest chance that Mr •gainst the workers and compelled the ley and Fianna Fail.
[Show full text]
Potter & Williams Collection on Irish Culture
1/30/2019 009-04-01-FA - Google Docs PROVIDENCE PUBLIC LIBRARY Special Collections 009-04-01 Potter & Williams Collection on Irish Culture, Broadside Ballads 1860s-1880s OVERVIEW OF THE COLLECTION Number: 009-04-01 Title: Potter & Williams Collection on Irish Culture, Broadside Ballads Creator: Williams, Alfred M. (Alfred Mason), 1840-1896. Dates: 1860s-1880s Quantity: 2 containers (total .8 linear feet) ADMINISTRATIVE INFORMATION Acquisition: Donated by the estate of Alfred M. Williams upon his death in 1896 as part of the initially named “Alfred M. Williams Collection of Folklore.” Included scrapbooks of ballads collected by the library after the initial bequest including a purchase of three ballads in 1953 from Dana’s Old Corner Bookshop, Providence; purchase of a scrapbook of 40 ballads from William Wreden. A letter from PPL library director in 1967 noted a total of 1,141 irish broadside ballads mostly printed in Dublin or Belfast. 124 English broadside ballads. Accruals: No accruals are expected. Custodial history: The bulk of the ballads were collected by Alfred M. Williams. He collected some himself while in Ireland in 1865-1866. Additional materials were given to him by Sir Samuel Ferguson in 1879 and by Miss Mary Banim in 1886. A note by Williams in the ﬂyleaf of one of the scrapbooks noted that the collection may have been created by Dublin printer, P. Bereton around 1869. Additional items in the collection are stamped with the National Library of Ireland. It is unclear when PPL acquired these items. Processed by: The collection was processed by Kate Wells in 2019.
[Show full text]
Erin's Hope Song Book
THE ERIN'S HOPE SONG BOOK. ~ A Collection of Patriotic Songs and Recitations. CONTENTS: Lift your Heart up, Mother Et'ln !The Memory of the Dead Despair Not I Betsy Gray . The Gael and the Green I _ The Green Flag Annle, Dear J.:. The Forging of the'Plkes Oh, Breathe not his Name "-A:;Twent Men from Dublin TOWD The Mountain Top 9.. The Men of Ninety-Eight The Maid of SlIevenamon .3 The Croppy Boy Wrap the Green Flag Rouqd m~Eirghe na Gealalghe The Green Isle of Erin .3 The Rising of the Moon Kelly of KlIlann tr- A Nation Once Again The Men of the West 't" Clare's Dragoons The Priests of Ninety-Eight J The West's Asleep Edward Moltoy , r The Patriot Mother Carroll Dawn 6 Ninety·Eight By Memory Inspired 7 . The Horseman of Dunrone DUBLIN: NUGENT AND CO., PUBLISHERS, 45 MIDDLE ABBEY STREET., Printed in Ireland.] PRICE FOURPENCE. / ERIN'S OWN ' RECITER A Collection of Popular Irish and Other Recitations This Collection has been compiled to meet the demand for a cheap .book of Recitations, and contains a number of pieces not to be found in other collections, such as .. Shanahan's QuId, Shebeen," .. A ch, I Dunno," .. Galloping H.ogan," .. Over the Hill," -this latter providing the subject for the famous film of the same name. Forty-eight pages, Crown 8vo, printed in clear type on good pape~ Price 6d. net. NUGENT AND CO., PUBLISHERS, 45 MIDDLE ABBEY ST.. DUBLIN. $ ' . ( 1 THE ERIN'S HOPE SONG BOOK. DESP AI R NOT ! LI FT YOUR HEART UP, MOTHER ERI N J.
[Show full text]
Introduction & Contents
Introduction & Contents The songs and stories you will find here were found in files left by Padraig O Meara. So too was the Irish novel The Young Detective or An Bleachtaire. Rather than throw the songs and stories out, they have been amateurly corrected. Perhaps, you can correct or add a verse? If you can e mail the corrections to [email protected] I’ll happily edit the same. As many of the stories are in Irish they could be e mailed onwards. An Bleachtaire......................................................................................................................... 3 An Tóir .................................................................................................................................... 5 Botún Mór ............................................................................................................................... 7 Dúnmharú Sa Choill .............................................................................................................. 10 An Phluais san Oileán ........................................................................................................... 13 Spota ag Obair ...................................................................................................................... 17 Clann Na hÉireann ................................................................................................................ 19 Ar An Sean Ród .................................................................................................................... 20 Óró Sé do Bheatha
[Show full text]
A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used
[Show full text]
Cultural Convergence the Dublin Gate Theatre, 1928–1960
Cultural Convergence The Dublin Gate Theatre, 1928–1960 Edited by Ondřej Pilný · Ruud van den Beuken · Ian R. Walsh Cultural Convergence “This well-organised volume makes a notable contribution to our understanding of Irish theatre studies and Irish modernist studies more broadly. The essays are written by a diverse range of leading scholars who outline the outstanding cultural importance of the Dublin Gate Theatre, both in terms of its national signiﬁcance and in terms of its function as a hub of international engagement.” —Professor James Moran, University of Nottingham, UK “The consistently outstanding contributions to this illuminating and cohesive collection demonstrate that, for Gate Theatre founders Hilton Edwards and Micheál mac Liammóir and their collaborators, the limits of the imagination lay well beyond Ireland’s borders. Individually and collectively, the contribu- tors to this volume unravel the intricate connections, both personal and artistic, linking the theatre’s directors, designers, and practitioners to Britain, Europe, and beyond; they examine the development and staging of domestic plays written in either English or Irish; and they trace across national boundaries the complex textual and production history of foreign dramas performed in translation. In addition to examining a broad spectrum of intercultural and transnational inﬂu- ences and perspectives, these frequently groundbreaking essays also reveal the extent to which the early Gate Theatre was a cosmopolitan, progressive, and inclusive space that recognized and valued women’s voices and queer forms of expression.” —Professor José Lanters, University of Wisconsin—Milwaukee, USA “Cultural Convergence is a book for which we have been waiting, not just in Irish theatre history, but in Irish cultural studies more widely.
[Show full text]
Kenneth Goldstein MUNFLA Song Collections Finding
Kenneth Goldstein MUNFLA Song Collections Finding Aid Carol Pelletier, comp. with the assistance of Sandra Hounsell March 1996 Introduction 1 Inventory of Collections 3 Tape Number Concordance 7 Song Title Index 13 Performer Index 87 Memorial University of Newfoundland Folklore and Language Archive (MUNFLA) St. John's, Newfoundland CANADA A1B 3X8 1996 ...\kgoldsco.hd This finding aid gives access to the folksong collections of Dr. Kenneth S. Goldstein (1927-1995) housed at the Memorial University of Newfoundland Folklore and Language Archive (MUNFLA). Kenneth Goldstein, a distinguished American folklore scholar and theorist, spent two years (1976-78) as the head of the Department of Folklore at the Memorial University of Newfoundland. From that time until his death on 11 November 1995 he was a Research Associate at Memorial. In this capacity and with several local collectors, from 1978 until 1990, he amassed a collection of folksongs from various parts of Newfoundland and Labrador. His Newfoundland collections came from St. John’s, the Southern Shore, St. Mary’s Bay, Placentia Bay, the Burin Peninsula, Conception Bay, Trinity Bay, Bonavista Bay, White Bay, Fogo Island, the Great Northern Peninsula and the Codroy Region. He also recorded songs in Central Labrador and the southern coast of Labrador. About 3400 songs were collected by Goldstein from 243 performers in the province. The Goldstein materials at MUNFLA comprise 208 tapes, organized into twenty-three collections. Each tape is uniquely identified by its own shelflist number (prefixed by an F- or a C-, depending on whether it is a workcopy), and each collection by its accession number.
[Show full text]
Special Offer! for a Limited Time, Get an Extra Discount When You Place an Order on Waltons Products
Waltons has been at the forefront of Irish music since the company was founded by Martin Walton in 1922. Their music publications, bodhráns and tin whistles are of quality design and will give many years of pleasure and satisfaction. Hal Leonard is proud to be the new distributor of Waltons products in North America. Browse through this brochure for more details on these quality songbooks, CDs, DVDs and instruments, then contact your Hal Leonard sales rep to place your order today! Special Offer! For a limited time, get an extra discount when you place an order on Waltons products. Call Today! 1-800-554-0626 SongbookS MELODY INSTRUMENT COLLECTIONS 110 Ireland’s 110 Ireland’s 110 TUNES SERIES BEST SESSION BEST SLOW AIRS Tunes – Volume 3 110 of Ireland’s most beautiful with Guitar Chords Volume 3 includes: After the and haunting melodies, compiled by John Canning Sun Goes Down • The Bag including laments, airs from The cream of Irish traditional music is presented in of Potatoes • The Bashful old Gaelic songs and Carolan three core collections of essential session tunes. Each Bachelor • Comely Jane tunes. Suitable for all melody book includes 110 of the most popular and enduring Downing • The Flannel Jacket instruments, but does not session tunes in Ireland and around the world. Join • Flax in Bloom • The Girl Who include guitar chords. Songs in wherever you go with these collections of jigs, Broke My Heart • Johnny Allen include: Carrickfergus • Death reels, hornpipes, polkas, slides, airs and more. All the • The Kerryman’s Daughter • Lady Townsend’s Delight and the Sinner • Eleanor Plunkett • Brian Boru’s March books feature accurate transcriptions in an easy-to-read • Molly on the Shore • The Pigeon on the Gate • The • Blind Mary • Black-Eyed Susan • Easter Snow • Do format, and include guitar chords.
[Show full text]
Fhfest Walk 2016
A Row in the Town Remembering the Easter Rising in Traditional Song and Poetry Traditional Singing Tour Sunday September 25th 2016, 10:15am, The Teachers’ Club, Parnell Square. AN GÓILÍN - FRANK HARTE FESTIVAL A Row in the Town Dublin Traditional Singing Tour Sunday September 25th 2016 Meet at 10:15am sharp at the The Teacher’s Club, Parnell Square Buses will depart to Kilmainham Gaol at 10:30am sharp. Introduction his year the tour theme is remembering the Easter Rising and those who fought and died in Dublin in a week that violently changed the course of TIrish History. The story will be told through the rendition of traditional songs, recitations and poetry. The settings will be Kilmainham Gaol where the leaders of the insurrection were interned and shot; Arbour Hill Cemetery where they were buried and the Garden of Remembrance in the heart of the city which is dedicated to the memory of all those who gave their lives in the cause of Irish freedom. All three sites are national monuments frequented daily by the public and visitors to Dublin, and are maintained and managed expertly by the OPW. An Góilin acknowledges their assistance in organising and making possible this event. Two buses have been hired to convey participants to the three sites. 2A ROW IN THE TOWN – The Sunday Morning Traditional Singing Tour 23/24/25 SEPTEMBER 2016 STOP 1: The East Wing – Kilmainham Gaol. Welcome by Niall Bergin of the OPW who will give a brief history of the prison. Kilmainham Gaol opened in 1796, seven years after the outbreak of the French revolution and four years before the Act of Union abolished the Irish Parliament and replaced it with di- rect rule from London.
[Show full text]