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Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
A Short History of Irish Memory in the Long Twentieth Century
Thomas Bartlett (ed.), The Cambridge History of Ireland Irish Memory in the Long Twentieth Century (Cambridge, 2018), vol. IV: 1800 to Present would later be developed by his disciple Maurice Halbwachs, who coined the term collective memory ('la memoire collective'). By calling attention to the social frameworks in which memory is framed ('les cadres sociaux de la 23 · memoire'), Halbwachs presented a sound theoretical model for understand ing how individual members of a society collectively remember their past. 3 A Short History of Irish Memory in The impression that modernisation had uprooted people from tradition and the Long Twentieth Century that mass society suffered from atomised impersonality gave birth to a vogue GUY BEINER for commemoration, which was seen as a fundamental act of communal soli darity, in that it projected an illusion of continuity with the past.4 Ireland, outside of Belfast, did not undergo industrialisation on a scale comparable with England, and yet Irish society was not spared the upheaval On the cusp of the twentieth century; Ireland was obsessed with memoriali of modernity. The Great Famine had decimated vernacular Gaelic culture sation. This condition reflected a transnational zeitgeist that was indicative of and resulted in massive emigration. An Irish variant of fin de siecle angst over a crisis of memory throughout Europe. The outcome of rapid modernisa degeneration fed on apprehensions that British rule would ultimately result tion, manifested through changes ushered in by such far-reaching processes in the loss of 'native' identity. The perceived threat to national culture, artic as industrialisation, urbanisation, commercialisation and migration, raised ulated in Douglas Hyde's manifesto on 'The Necessity for De-Anglicising fears that the rituals and customs through which the past had been habitually Ireland' (1892), stimulated a vigorous response in the form of the Irish Revival remembered in the countryside were destined to be swept away. -
Potter & Williams Collection on Irish Culture
1/30/2019 009-04-01-FA - Google Docs PROVIDENCE PUBLIC LIBRARY Special Collections 009-04-01 Potter & Williams Collection on Irish Culture, Broadside Ballads 1860s-1880s OVERVIEW OF THE COLLECTION Number: 009-04-01 Title: Potter & Williams Collection on Irish Culture, Broadside Ballads Creator: Williams, Alfred M. (Alfred Mason), 1840-1896. Dates: 1860s-1880s Quantity: 2 containers (total .8 linear feet) ADMINISTRATIVE INFORMATION Acquisition: Donated by the estate of Alfred M. Williams upon his death in 1896 as part of the initially named “Alfred M. Williams Collection of Folklore.” Included scrapbooks of ballads collected by the library after the initial bequest including a purchase of three ballads in 1953 from Dana’s Old Corner Bookshop, Providence; purchase of a scrapbook of 40 ballads from William Wreden. A letter from PPL library director in 1967 noted a total of 1,141 irish broadside ballads mostly printed in Dublin or Belfast. 124 English broadside ballads. Accruals: No accruals are expected. Custodial history: The bulk of the ballads were collected by Alfred M. Williams. He collected some himself while in Ireland in 1865-1866. Additional materials were given to him by Sir Samuel Ferguson in 1879 and by Miss Mary Banim in 1886. A note by Williams in the flyleaf of one of the scrapbooks noted that the collection may have been created by Dublin printer, P. Bereton around 1869. Additional items in the collection are stamped with the National Library of Ireland. It is unclear when PPL acquired these items. Processed by: The collection was processed by Kate Wells in 2019. -
Project Gutenberg's a Popular History of Ireland V2, by Thomas D'arcy Mcgee #2 in Our Series by Thomas D'arcy Mcgee
Project Gutenberg's A Popular History of Ireland V2, by Thomas D'Arcy McGee #2 in our series by Thomas D'Arcy McGee Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: A Popular History of Ireland V2 From the earliest period to the emancipation of the Catholics Author: Thomas D'Arcy McGee Release Date: October, 2004 [EBook #6633] [Yes, we are more than one year ahead of schedule] [This file was first posted on January 6, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK A POPULAR HISTORY OF IRELAND *** This etext was produced by Gardner Buchanan with help from Charles Aldarondo and the Online Distributed Proofreading Team. A Popular History of Ireland: from the Earliest Period to the Emancipation of the Catholics by Thomas D'Arcy McGee In Two Volumes Volume II CONTENTS--VOL. -
Introduction to the Leinster Papers
INTRODUCTION LEINSTER PAPERS Nov-2007 Leinster Papers (D3078) Table of Contents Summary .................................................................................................................2 Background: Family History .....................................................................................3 The fragmented Leinster archive .............................................................................4 The papers...............................................................................................................5 Rentals, accounts, maps, etc...................................................................................6 Correspondence ......................................................................................................7 The 2nd Duke of Leinster.........................................................................................8 The 3rd Duke of Leinster .........................................................................................9 Lord Justice during the famine...............................................................................10 Post-1849 correspondence....................................................................................11 Significant correspondents of the 3rd Duke ...........................................................12 The 4th Duke of Leinster........................................................................................13 Miscellaneous papers ............................................................................................14 -
Why Has St. Patrick's Day Become a Global
WHY HAS ST. PATRICK’S DAY BECOME A GLOBAL CELEBRATION? Rudy Ray Seward Monday, 4th March 2018 11:45am, & 1:15pm UNT Denton Campus OLLI Classroom What do you think of first when hear or read of St. Patrick’s Day? Common responses: • Parades • Pubs • Patron Saint • Paddywhackery • Politics • Pugnacious • Patriarchy St Patrick's day is celebrated across the world, especially in America where lots of Irish people moved for work. Why Parades? • Observances include church services, banquets, dances, sporting activities, and drinking sessions. • An special event while others carried out throughout the year. • Street parades distinctive attention seeking collective behavior carried out in public space. • Central observance in most parts of world. • All manner of Irish and allied groups march displaying their connection with Ireland or position in their adopted society. Why Parades? • Offers spectacle and movement via ornate dress, colors, banners, and the like in procession, together with music and feet marching in unison. • Beside stimulating senses it provides a narrative via images, symbols, and messages. • Politics of performance and representation: – Must have a rightful claim to parade publicly. – Must be both lawful and unlikely to cause offence. Irish diaspora or Diaspóra na nGael • Irish people and descendants who live outside the island of Ireland. • Emigration recorded since Early Middle Ages. • Irish raiders settled along the West Coast of Roman Britain and recruited by Roman Army. • Irish missionary monks pioneered a wave of emigration into Great Britain and continental Europe and helped save civilization. • Norman invasion in 1169 marked beginning of over 800 years of English involvement. • In 1600s, England started transporting many Irish by choice and force to Australia, South Africa, Bermuda, among other destinations. -
The Society of United Irishmen and the Rebellion of 1798
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1988 The Society of United Irishmen and the Rebellion of 1798 Judith A. Ridner College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the European History Commons Recommended Citation Ridner, Judith A., "The Society of United Irishmen and the Rebellion of 1798" (1988). Dissertations, Theses, and Masters Projects. Paper 1539625476. https://dx.doi.org/doi:10.21220/s2-d1my-pa56 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE SOCIETY OF UNITED IRISHMEN AND THE REBELLION OF 1798 A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Judith Anne Ridner 1988 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts *x CXm j UL Author Approved, May 1988 Thomas Sheppard Peter Clark James/McCord TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS................................................. iv ABSTRACT................................. V CHAPTER I. THE SETTING.............. .................................. 2 CHAPTER II. WE WILL NOT BUY NOR BORROW OUR LIBERTY.................... 19 CHAPTER III. CITIZEN SOLDIERS, TO ARMS! ........................... 48 CHAPTER IV. AFTERMATH................................................. 76 BIBLIOGRAPHY........................................................... 87 iii ABSTRACT The Society of United Irishmen was one of many radical political clubs founded across the British Isles in the wake of the American and French Revolutions. -
TUNE BOOK Kingston Irish Slow Session
Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected]. -
Hibernian News
Fr. Donald J. Whelan AOH Division 2 P.O. Box 206 Cornwall, NY 12518 www.div2aoh.org Hibernian News Volume 7 Issue 4 James Napper Tandy ~ Patriot April 2006 Division 2 Officers James Napper Tandy fled to the United States was granted because of was born in 1740 in Dublin and then to France, where the stern demand of Father John McCarthy, and grew up to be a small he was given the title of Napoleon Bonaparte to Chaplain metal tradesman in Dublin. general. Feeling that free "his General". Tandy Michael Shannon, Many know the famous military action was was freed in 1803 and President name or even associate the necessary, Tandy rounded went to Bordeaux, France Raymond Fitzgerald, name Napper Tandy with up a small force of men and to live and to die that Vice President the string of pubs named on September 16, 1798 set year. Patrick Finn, after him but few know the sail in the brig Anacréon, Napper Tandy may Recording Sec. true story of the ineffectual one of the fastest ships in have failed to win Dennis Malone, yet true Irish revolutionary. the French navy and freedom for his Financial Sec. James Napper Tandy eventually landed at countrymen or to even Patrick Healey, first gained attention by his Rutland Island, off the win any great military Treasurer verbal attacks on municipal Donegal coast but he battle, but he did win the James Kiernan, corruption and his proposal abandoned the venture the hearts of his fellow Marshall to boycott English goods. same day when he countrymen. -
Copyrighted Material: Irish Manuscripts Commission
Proclamations of Ireland vol 5_Layout 1 13/03/2014 18:42 Page i Commission Manuscripts Irish Material: THE PROCLAMATIONS OF IRELAND 1660–1820 Copyrighted Proclamations of Ireland vol 5_Layout 1 13/03/2014 18:42 Page ii Commission Manuscripts Irish Material: Copyrighted Head and shoulders portrait of George III (1738–1820), stipple engraving by P. W. Tomkins, London, 1801 (private collection). Proclamations of Ireland vol 5_Layout 1 13/03/2014 18:42 Page iii THE PROCLAMATIONS OF IRELAND 1660–1820 Commission VOLUME 5 Proclamations issued during the reign of George III Manuscripts Part 2: 1791–1820 Irish Edited by JAMES KELLY Material: with MARY ANN LYONS Copyrighted IRISH MANUSCRIPTS COMMISSION 2014 Proclamations of Ireland vol 5_Layout 1 13/03/2014 18:42 Page iv Published by Irish Manuscripts Commission 45 Merrion Square Dublin 2 Ireland Commission www.irishmanuscripts.ie ISBN 978-1-906865-22-1 Copyright © Irish ManuscriptsManuscripts Commission 2014 James Kelly and Mary Ann Lyons have Irishasserted their right to be identified as the authors of this work in accordance with the Copyright and Related Rights Act 2000, Section 107. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise,Material: without prior written permission of the publisher. Proclamations of Ireland, 1660–1820, Vol. 1, Charles II, 1660–85, ISBN 978-1-906865-18-4 Proclamations of Ireland, 1660–1820, Vol. 2, James II, 1685–91; William and Mary, 1689–1702; Anne, 1702–14, ISBN 978-1-906865-19-1 Proclamations of Ireland, 1660–1820, Vol. -
Special Offer! for a Limited Time, Get an Extra Discount When You Place an Order on Waltons Products
Waltons has been at the forefront of Irish music since the company was founded by Martin Walton in 1922. Their music publications, bodhráns and tin whistles are of quality design and will give many years of pleasure and satisfaction. Hal Leonard is proud to be the new distributor of Waltons products in North America. Browse through this brochure for more details on these quality songbooks, CDs, DVDs and instruments, then contact your Hal Leonard sales rep to place your order today! Special Offer! For a limited time, get an extra discount when you place an order on Waltons products. Call Today! 1-800-554-0626 SongbookS MELODY INSTRUMENT COLLECTIONS 110 Ireland’s 110 Ireland’s 110 TUNES SERIES BEST SESSION BEST SLOW AIRS Tunes – Volume 3 110 of Ireland’s most beautiful with Guitar Chords Volume 3 includes: After the and haunting melodies, compiled by John Canning Sun Goes Down • The Bag including laments, airs from The cream of Irish traditional music is presented in of Potatoes • The Bashful old Gaelic songs and Carolan three core collections of essential session tunes. Each Bachelor • Comely Jane tunes. Suitable for all melody book includes 110 of the most popular and enduring Downing • The Flannel Jacket instruments, but does not session tunes in Ireland and around the world. Join • Flax in Bloom • The Girl Who include guitar chords. Songs in wherever you go with these collections of jigs, Broke My Heart • Johnny Allen include: Carrickfergus • Death reels, hornpipes, polkas, slides, airs and more. All the • The Kerryman’s Daughter • Lady Townsend’s Delight and the Sinner • Eleanor Plunkett • Brian Boru’s March books feature accurate transcriptions in an easy-to-read • Molly on the Shore • The Pigeon on the Gate • The • Blind Mary • Black-Eyed Susan • Easter Snow • Do format, and include guitar chords. -
The Art of Humbling Tyrants: Irish Revolutionary Internationalism During the French Revolutionary and Napoleonic Era, 1789-1815 Nicholas Stark
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 The Art of Humbling Tyrants: Irish Revolutionary Internationalism during the French Revolutionary and Napoleonic Era, 1789-1815 Nicholas Stark Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE ART OF HUMBLING TYRANTS: IRISH REVOLUTIONARY INTERNATIONALISM DURING THE FRENCH REVOLUTIONARY AND NAPOLEONIC ERA, 1789-1815 By NICHOLAS STARK A Thesis submitted to the Department of History in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2014 © 2014 Nicholas Stark Nicholas Stark defended this thesis on March 27, 2014. The members of the supervisory committee were: Rafe Blaufarb Professor Directing Thesis Darrin M. McMahon Committee Member Jonathan Grant Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I would like to thank my adviser, Rafe Blaufarb, for all of his help in guiding me through the process of my thesis and degree, in addition to the teaching he has provided. Serving with him as his research assistant has also been very enlightening and rewarding. In addition, I wish to express my gratitude to the Institute on Napoleon and the French Revolution at Florida State University (FSU) for providing excellent resources and materials for my education and research. The staff in Special Collections, Strozier Library at FSU has also been most helpful. Outside of the university, the archivists in Manuscripts at Trinity College Dublin and the National Library of Ireland deserve special note.