Machine Learning (Ml) for Tracking the Geo-Temporality of a Trend: Documenting the Frequency of the Baseball-Trucker Hat on Social Media and the Runway
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Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
Стиль2009 Весна Лето 2 Апреля 2009 Номер 58 (02)
Стиль2009 весна лето 2 апреля 2009 номер 58 (02) Коммерсантъ мужские коллекции №4113 с момента возобновления издания Цветные тематические страницы №17–48 являются составной частью газеты «Коммерсантъ» Рег. №01243 22 декабря 1997 года. Распространяются только в составе газеты. emporio.Style(2_1).indd 1 3/23/09 5:27:55 PM emporio.Style(2_1).indd 2 3/23/09 5:29:00 PM СОДЕРЖАНИЕ СТИЛЬ апреЛЬ 2009 IMAXTREE БРЕмя БЕлОгО (22) В чем пережить лето. БесстрашНАя НЕБРЕЖНОСть (24) Тенденции нового сезона. Под зНАкОм кАчествА (26) Ярмарка Pitti Immagine Uomo БЕлый (28) чЕРНый (30) УзкИЕ БРюкИ (32) ШирокИЕ штАНы (33) гЕОмЕтРИя (34) ДлИННАя рубахА (36) ОткРытАя шЕя (37) ПлАщИ (38) ЖИлЕты (39) ЗасучЕННыЕ рукАвА (40) ПодвЕРНУтыЕ штАНИНы (41) клЕткА (42) ПОлОСкА (43) СУмкИ (44) ОБУвь (46) IMAXTREE IMAXTREE IMAXTREE IMAXTREE IMAXTREE IMAXTREE глав ный ре дак тор еле на ну си но ва | ди зайн-про ект ана то лий гу сев | фэшн-ре дак тор ма ри на про хо ро ва | глав ный ху дож ник де нис лан дин | бильд-ре дак тор ма рия ло ба но ва | вы пу ска ю щий ре дак тор на та лия даш ков ская | ре дак тор еле на гах | кор рек тор ири на пет тин гилл | ди рек тор по рек ла ме ид «ком мер сантъ» ека те ри на куз не цо ва | ди рек ция по рек ла ме: от дел про даж на деж да ер мо лен ко e-ma il: er mo len ko@kom mer sant.ru | от дел раз ме ще ния на талья чу па хи на e-ma il : chu pa hi na@ kom mer sant.ru | (499)943 9108 | (499)943 9110 | (499)943 9112 | (495)101 2353 Коммерсантъ Стиль апрель 2009 20 etro.Style(1_1).indd 1 3/23/09 5:32:07 PM Летом, когда невозможно спрятаться под броней паЛьто, выбор костюма — деЛо особенно ответственное. -
(QTR) Apparel Program Supercharges Licensing in Complementary Categories Across Isaac Mizrahi, H Halston, and Judith Ripka Brands
November 9, 2016 Xcel Brands, Inc. Quick Time Response (QTR) Apparel Program Supercharges Licensing in Complementary Categories Across Isaac Mizrahi, H Halston, and Judith Ripka Brands NEW YORK, Nov. 09, 2016 (GLOBE NEWSWIRE) -- Xcel Brands, Inc. (NASDAQ:XELB) is pleased to announce multiple new licenses across its owned brands as licensees look to pursue growth in categories complementary to Xcel's successful quick time response (QTR) apparel programs at Lord & Taylor and Hudson's Bay stores. CEO and Chairman of Xcel Brands, Inc. Robert W. D'Loren remarked, "With the rise of a ‘see-now-buy-now' consumer shopping mentality and the need to respond to trends as they happen, Xcel created an innovative solution to bring exclusive brands to our department store partners in a quick time response format. The rapid growth of these apparel programs has generated excitement within the licensing community across numerous complementary categories. With these new partnerships we will continue to build meaningful lifestyle brands under the IMNYC Isaac Mizrahi and H Halston labels." New licensees under the Isaac Mizrahi brand include tech accessories and luggage, with product set to retail in Spring 2017. Xcel Brands, Inc. entered into a licensing agreement with Bytech NY Inc. for tech accessories for smartphones, PCs, tablets, and personal audio across the Isaac Mizrahi New York, IMNYC Isaac Mizrahi, and Isaac Mizrahi Live! labels. Xcel also entered into a licensing agreement with Longlat Inc. for a collection of hard and soft luggage under the Isaac Mizrahi New York and Isaac Mizrahi Live! labels. New licensees under the H Halston brand include sleepwear and intimates, legwear and slippers, and non-optical sunglasses and readers. -
Amity Synergy Card Offers</Center>
<h3><center>Amity Synergy Card Offers</center></h3> <table cellspacing="0" rules="all" border="1" id="dgOfExport" style="border-coll apse:collapse;"> <tr> <td>Sr-No</td><td>Category Name</td><td>Outlet Name</td><td>Offe rs</td> </tr><tr> <td> 1 </td><td> Food and Beverages </td><td> Flavors </td><td> 10% discount on food & beverage, excluding take- away. </td> </tr><tr> <td> 2 </td><td> Food and Beverages </td><td> Shack </td><td> 15% discount on Food & Beverage. </td> </tr><tr> <td> 3 </td><td> Food and Beverages </td><td> Curry Leaf </td><td> 15% discount on Food & Beverage. </td> </tr><tr> <td> 4 </td><td> Food and Beverages </td><td> Punjabi Galiyara </td><td> 20% discount on Lunch hours. 15% discount on Dinner hours. </td> </tr><tr> <td> 5 </td><td> Food and Beverages </td><td> Stone </td><td> 15% discount on food & Beverage. </td> </tr><tr> <td> 6 </td><td> Food and Beverages </td><td> Sushi </td><td> 15% discount on food & Beverage. </td> </tr><tr> <td> 7 </td><td> Food and Beverages </td><td> Chonas </td><td> 15% Discount on Food & Beverage. </td> </tr><tr> <td> 8 </td><td> Food and Beverages </td><td> Earth </td><td> 15% discount on Food & Beverage. </td> </tr><tr> <td> 9 </td><td> Food and Beverages </td><td> Cookie Man </td><td> 15% Discount. </td> </tr><tr> <td> 10 </td><td> Food and Beverages </td><td> Mandarintrail- authentic chinese cuisine </td><td> 20% discount on food, beverage and liquor (IMFL only). </td> </tr><tr> <td> 11 </td><td> Food and Beverages </td><td> Moets </td><td> 15% discount on food & Beverage. -
The Aesthetics of Mainstream Androgyny
The Aesthetics of Mainstream Androgyny: A Feminist Analysis of a Fashion Trend Rosa Crepax Goldsmiths, University of London Thesis submitted for the degree of Ph.D. in Sociology May 2016 1 I confirm that the work presented in this thesis is my own. Rosa Crepax Acknowledgements I would like to thank Bev Skeggs for making me fall in love with sociology as an undergraduate student, for supervising my MA dissertation and encouraging me to pursue a PhD. For her illuminating guidance over the years, her infectious enthusiasm and the constant inspiration. Beckie Coleman for her ongoing intellectual and moral support, all the suggestions, advice and the many invaluable insights. Nirmal Puwar, my upgrade examiner, for the helpful feedback. All the women who participated in my fieldwork for their time, patience and interest. Francesca Mazzucchi for joining me during my fieldwork and helping me shape my methodology. Silvia Pezzati for always providing me with sunshine. Laura Martinelli for always being there when I needed, and Martina Galli, Laura Satta and Miriam Barbato for their friendship, despite the distance. My family, and, in particular, my mum for the support and the unpaid editorial services. And finally, Goldsmiths and everyone I met there for creating an engaging and stimulating environment. Thank you. Abstract Since 2010, androgyny has entered the mainstream to become one of the most widespread trends in Western fashion. Contemporary androgynous fashion is generally regarded as giving a new positive visibility to alternative identities, and signalling their wider acceptance. But what is its significance for our understanding of gender relations and living configurations of gender and sexuality? And how does it affect ordinary people's relationship with style in everyday life? Combining feminist theory and an aesthetics that contrasts Kantian notions of beauty to bridge matters of ideology and affect, my research investigates the sociological implications of this phenomenon. -
Calm Down NEW YORK — East Met West at Tiffany on Sunday Morning in a Smart, Chic Collection by Behnaz Sarafpour
WINSTON MINES GROWTH/10 GUCCI’S GIANNINI TALKS TEAM/22 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • September 13, 2004 • $2.00 Accessories/Innerwear/Legwear Calm Down NEW YORK — East met West at Tiffany on Sunday morning in a smart, chic collection by Behnaz Sarafpour. And in the midst of the cross-cultural current inspired by the designer’s recent trip to Japan, she gave ample play to the new calm percolating through fashion, one likely to gain momentum as the season progresses. Here, Sarafpour’s sleek dress secured with an obi sash. For more on the season, see pages 12 to 18. Hip-Hop’s Rising Heat: As Firms Chase Deals, Is Rocawear in Play? By Lauren DeCarlo NEW YORK — The bling-bling world of hip- hop is clearly more than a flash in the pan, with more conglomerates than ever eager to get a piece of it. The latest brand J.Lo Plans Show for Sweetface, Sells $15,000 Of Fragrance at Macy’s Appearance. Page 2. said to be entertaining suitors is none other than one that helped pioneer the sector: Rocawear. Sources said Rocawear may be ready to consider offers for a sale of the company, which is said to generate more than $125 million in wholesale volume. See Rocawear, Page4 PHOTO BY GEORGE CHINSEE PHOTO BY 2 WWD, MONDAY, SEPTEMBER 13, 2004 WWW.WWD.COM WWDMONDAY J.Lo Talks Scents, Shows at Macy’s Accessories/Innerwear/Legwear By Julie Naughton and Pete Born FASHION The spring collections kicked into high gear over the weekend with shows Jennifer Lopez in Jennifer Lopez in from Behnaz Sarafpour, DKNY, Baby Phat and Zac Posen. -
Spring 2017 Arches 5 WS V' : •• Mm
1 a farewell This will be the last issue o/Arches produced by the editorial team of Chuck Luce and Cathy Tollefton. On the cover: President EmeritusThomas transfers the college medal to President Crawford. Conference Women s Basketball Tournament versus Lewis & Clark. After being behind nearly the whole —. game and down by 10 with 3:41 left in the fourth |P^' quarter, the Loggers start chipping away at the lead Visit' and tie the score with a minute to play. On their next possession Jamie Lange '19 gets the ball under the . -oJ hoop, puts it up, and misses. She grabs the rebound, Her second try also misses, but she again gets the : rebound. A third attempt, too, bounces around the rim and out. For the fourth time, Jamie hauls down the rebound. With 10 seconds remaining and two defenders all over her, she muscles up the game winning layup. The crowd, as they say, goes wild. RITE OF SPRING March 18: The annual Puget Sound Women's League flea market fills the field house with bargain-hunting North End neighbors as it has every year since 1968 All proceeds go to student scholarships. photojournal A POST-ELECTRIC PLAY March 4: Associate Professor and Chair of Theatre Arts Sara Freeman '95 directs Anne Washburn's hit play, Mr. Burns, about six people who gather around a fire after a nationwide nuclear plant disaster that has destroyed the country and its electric grid. For comfort they turn to one thing they share: recollections of The Simpsons television series. The incredible costumes and masks you see here were designed by Mishka Navarre, the college's costumer and costume shop supervisor. -
The Shape of Women: Corsets, Crinolines & Bustles
The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth. -
Urban Representation in Fashion Magazines
Chair of Urban Studies and Social Research Faculty of Architecture and Urbanism Bauhaus-University Weimar Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines Doctoral dissertation presented in fulfillment of the requirement for the degree of Doctor philosophiae (Dr. phil.) Maria Skivko 10.03.1986 Supervising committee: First Supervisor: Prof. Dr. Frank Eckardt, Bauhaus-University, Weimar Second Supervisor: Prof. Dr. Stephan Sonnenburg, Karlshochschule International University, Karlsruhe Thesis Defence: 22.01.2018 Contents Acknowledgements ................................................................................................................................. 5 Thesis Introduction .................................................................................................................................. 6 Part I. Conceptual Approach for Studying Fashion and City: Theoretical Framework ........................ 16 Chapter 1. Fashion in the city ................................................................................................................ 16 Introduction ....................................................................................................................................... 16 1.1. Fashion concepts in the perspective ........................................................................................... 18 1.1.1. Imitation and differentiation ................................................................................................ 18 1.1.2. Identity -
800 228340 Via Isidoro La Lumia 27A Tel. 091.580180
Salvo Ioco personal Stylist di Mattia Briga Dal 1986 Isi & Company rappresenta il punto di riferimento per l’uomo che vuole al mondo del su misura, personale tecnico qualificato a soddisfare tutte le vostre distinguersi. Eleganza, unicità, qualità sartoriale tipica del Made in Italy sono le basi esigenze. La scelta dei tessuti che vi verrà proposta è costituita dai marchi più presti-- sullesulle qualiquali sisi fonda la filosofia dell’azienda. Isi & Company realizza su misura abiti, giosi quali E. Zegna, Loro Piana, Cerruti 1881, Draper’s, Vitale Barberis Canonico, soprabiti,soprabiti, camiciecamicie e cravatte, impreziosite da finiture di livello e accessori orientati Bottoli, Larusmiani e tanti altri. Potrete inoltre usufruire di un servizio dedicato a chi versoverso il top della qualità (fodere puro Bemberg, filati Gutermann, interni in pelo non ha il tempo o la voglia di recarsi in negozio. È possibile infatti rilevare le misure di cammello, crine di cavallo, bottoni in corozo, in vero corno, in madreperla, in e scegliere il modello e il tessuto presso la vostra abitazione o il vostro posto di lavo-- gioiello, etc). Abiti confezionati per chi desidera indossare un capo unico, fuori dai ro, Dove e Quando desiderate. Tutte le fase della lavorazione sono rigorosamente canoni tradizionali e rappresentativo del proprio stile. Stile garantito dall’estro e eseguite in Italia, all’interno dei nostri laboratori, seguendo un’unica filiera produt-- dalla maestria dello stilista Salvo Ioco, giovane ma ricco di esperienza e passione. tiva che permette di offrire capi di assoluta qualità contraddistinti dada unun rapportorapporto Salvo Ioco, col suo intuito, propone abiti che rispettano la tradizione, interpretan- qualità-prezzo competitivo e da uno stile unico e inimitabile. -
Sarah Cassidy
SARAH WORK EDUCATION CASSIDY- Copywriter/Creative Director, Freelance Stanford University London and Berlin, 2013 - present Palo Alto, 2005 WEI Japanese Studies research Apple — Campaign celebrating the 5th anniverary of the App Store on apple.com. Global grant recipient strategy and headlines for advertising and digital marketing kits for Apple Premium Resellers. I’m a writer, so of course I love words. I also love Airbnb — Developed a print, video and digital campaign to encourage hosting. Stanford University images. And ideas. And Blockhead — Created a brand identity, launch campaign and website for new product in a Japanese Studies Center putting them all together to category of its own. Kyoto, 2005 solve problems. Advanced Japanese Other clients include Google, Chevrolet, Garmin and Anna Sui. But I think what I love most is to create things — stories, University of Chicago experiences, emotions — Senior Copywriter, Jung von Matt Chicago, 2004 that are worth something. Berlin, 2010 - 2012 B.A. with highest honors in both History and Cinema Mercedes-Benz — Global brand campaigns for the SL and SL AMG. Studies Nikon — Global brand campaigns for COOLPIX and 1. Waseda University Tokyo, 2002 Copywriter, Wieden+Kennedy Intermediate Japanese Shanghai, 2006 - 2009 Converse — Rebranded Converse and launched their first three campaigns in China and Asia-Pacific. Created China’s first ever music road trip and supported local rock bands along the way with an interactive site (and a collaboration with Dazed Digital). In a tribute to fans around the region, our music site brought together underground indie bands in 11 countries. Nike — Award-winning work leading up to the Beijing Olympics, from a 6-episode Kobe Bryant reality show broadcast on CCTV with interactive site connecting basketball fans, a Ronaldinho football site dedicated to supporting participation in the game, a Beijing LANGUAGES Marathon minisite and viral course video to inspire and educate a billion potential runners, and an in-depth digital journey to bring Nike athlete training to China. -
Halston, Netflix's New Series, Imagines How the Designer Created Halston
Halston, Netflix’s new series, imagines how the designer created Halston, his spectacularly successful 1975 fragrance. Grin or groan at the screenwriter’s fiction, the truth is much more interesting. Here is the real Halston story, an excerpt from AMERICAN LEGENDS, Michael Edwards’ new book coming out in Fall 2023. Twenty years in research, it traces the evolution of American perfumery thru forty legendary fragrances. By 1972, Halston’s business was grossing nearly $30 million in retail sales. That year, he won his fourth Coty Award and was acclaimed by Women’s Wear Daily as “one of the greats”. The elegance of the new American style was never more evident than at the couture show mounted in November 1973 to raise funds for the restoration of the Palace of Versailles. Five American designers - Bill Blass, Stephen Burrows, Halston, Anne Klein and Oscar de la Renta - joined five French couturiers in presenting their collections. The French used elaborate backdrops and props. The Americans used a bare stage and ten Black models. Their spare elegance put the French to shame. In late 1973, in a move that stunned the fashion industry, Halston sold his name, his company and his design services to David Mahoney of Norton Simon for sixteen million dollars. Norton Simon Inc. was one of the conglomerates stitched together in the 1960s. It owned such diverse interests as Hunt Food, Somerset Liquor, Avis Car Rental, Hartman Luggage and McCall Patterns. “We had also just bought the Max Factor cosmetic company,” said Dan Moriarty, then assistant to chairman of the board David Mahoney.