Library of Congress Magazine November/December 2016
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Simone De Beauvoir's Photographic Journey Inspired by Her Diary, America Day by Day
Inspiration / Photography Simone de Beauvoir's photographic journey inspired by her diary, America Day by Day Written by Katy Cowan 22.01.2019 Esher Bubley, Coast to Coast, SONJ, 1947. @ Estate Esther Bubley / Courtesy Howard Greenberg Gallery / Sous Les Etoiles Gallery This month, Sous Les Etoiles Gallery in New York presents, 1947, Simone de Beauvoir in America, a photographic journey inspired by her diary, America Day by Day published in France in 1948. Curated by Corinne Tapia, director of the Gallery, the show aims to illustrate the depiction of De Beauvoir’s encounter with America at the time. In January of 1947, the French writer and intellectual, Simone de Beauvoir landed in New York’s La Guardia Airport, beginning a four-month journey across America. She travelled from East to the West coast by trains, cars and even Greyhound buses. She has recounted her travels in her personal diary and recorded every experience with minute detail. She stayed 116 days, travelling through 19 states and 56 cities. “The Second Sex”, published in 1949, became a reference in the feminist movement but has certainly masked the talent of diarist Simone de Beauvoir. The careful observer, endowed with a chiselled and precise writing style, travelling was central guidance of the existential experience for her, a woman with infinite curiosity, a thirst for experiencing and discovering everything. In 1929, she made her first trips to Spain, Italy and England with her lifelong partner, the French philosopher Jean-Paul Sartre. In 1947, she made, this time alone, her first trip to the United States, a trip that would have changed her life: "Usually, travelling is an attempt to annex a new object to my universe; this in itself is an undertaking: but today it’s different. -
On Celestial Wings / Edgar D
Library of Congress Cataloging-in-Publication Data Whitcomb. Edgar D. On Celestial Wings / Edgar D. Whitcomb. p. cm. Includes bibliographical references. 1. United States. Army Air Forces-History-World War, 1939-1945. 2. Flight navigators- United States-Biography. 3. World War, 1939-1945-Campaigns-Pacific Area. 4. World War, 1939-1945-Personal narratives, American. I. Title. D790.W415 1996 940.54’4973-dc20 95-43048 CIP ISBN 1-58566-003-5 First Printing November 1995 Second Printing June 1998 Third Printing December 1999 Fourth Printing May 2000 Fifth Printing August 2001 Disclaimer This publication was produced in the Department of Defense school environment in the interest of academic freedom and the advancement of national defense-related concepts. The views expressed in this publication are those of the author and do not reflect the official policy or position of the Department of Defense or the United States government. This publication has been reviewed by security and policy review authorities and is cleared for public release. Digitize February 2003 from August 2001 Fifth Printing NOTE: Pagination changed. ii This book is dedicated to Charlie Contents Page Disclaimer........................................................................................................................... ii Foreword............................................................................................................................ vi About the author .............................................................................................................. -
1 Madama Butterfly I Personaggi E Gli Interpreti
1 G V M e i r a a s i d c o n o a e Madama Butterfly m m o o r a i Versione originale del 17 febbraio 1904 g i P B n u a u l c Giacomo Puccini e t c t d e i e n r l i f 1 l 7 y f e Stagione d’Opera 2016 / 2017 b b r a i o 1 9 0 4 S t a g i o n e d ’ O p e r a 2 0 1 6 / 2 0 1 7 Madama Butterfly Versione originale del 17 febbraio 1904 Tragedia giapponese in due atti Musica di Giacomo Puccini Libretto di Luigi Illica e Giuseppe Giacosa (da John L. Long e David Belasco) Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Mercoledì 7 dicembre 2016, ore 18 REPLICHE dicembre Sabato 10 Ore 20 – TurNo B Martedì 13 Ore 20 – TurNo A VeNerdì 16 Ore 20 – TurNo C DomeNica 18 Ore 20 – TurNo D VeNerdì 23 Ore 20 – TurNo E REPLICHE gennaio 2017 Martedì 3 Ore 20 – Fuori abboNameNto DomeNica 8 Ore 15 – Fuori abboNameNto ANteprima dedicata ai GiovaNi LaScalaUNDER30 Domenica 4 dicembre 2016, ore 18 SOMMARIO 5 Madama Butterfly . Il libretto 40 Il soggetto ArgumeNt – SyNopsis – Die HaNdluNg – ࠶ࡽࡍࡌ – Сюжет Claudio Toscani 53 Giacomo PucciNi Marco Mattarozzi 56 L’opera iN breve Claudio Toscani 58 La musica Virgilio Bernardoni 62 La prima Butterfly , uN ricoNoscimeNto morale all’Autore. UNa possibilità iN più di ascolto, coNfroNto e coNosceNza INtervista a Riccardo Chailly 67 “UNa vera sposa...”? INgaNNo e illusioNe Nella prima Arthur Groos scaligera di Madama Butterfly 83 Madama Butterfly, uNa tragedia iN kimoNo Michele Girardi 99 Come eseguire Madama Butterfly Dieter Schickling 110 Madama Butterfly alla Scala dal 1904 al 2007 Luca Chierici 137 Alvis HermaNis e Madama Butterfly Olivier Lexa Il gesto della fragilità 167 Riccardo Chailly 169 Alvis HermaNis 170 Leila Fteita 171 Kris t¯ıNe Jur j¯aNe 172 Gleb FilshtiNsky 173 INeta SipuNova 174 Alla Sigalova 175 Olivier Lexa 176 Madama Butterfly . -
American Visionary: John F. Kennedy's Life and Times
American Visionary: John F. Kennedy’s Life and Times Organized by Wiener Schiller Productions in collaboration with the John F. Kennedy Presidential Library Curated by Lawrence Schiller Project Coordinator: Susan Bloom All images are 11 x 14 inches All frames are 17 x 20 inches 1.1 The Making of JFK John “Jack” Fitzgerald Kennedy at Nantasket Beach, Massachusetts, circa 1918. Photographer unknown (Corbis/Getty Images) The still-growing Kennedy family spent summers in Hull, Massachusetts on the Boston Harbor up to the mid-1920s, before establishing the family compound in Hyannis Port. 1.2 The Making of JFK A young Jack in the ocean, his father nearby, early 1920s. Photographer Unknown (John F. Kennedy Library Foundation) Kennedy’s young life was punctuated with bouts of illness, but he was seen by his teachers as a tenacious boy who played hard. He developed a great love of reading early, with a special interest in British and European history. 1.3 The Making of JFK Joseph Kennedy with sons Jack (left) and Joseph Patrick Jr., Brookline, Massachusetts, 1919. Photographer Unknown (John F. Kennedy Library Foundation) In 1919 Joe Kennedy began his career as stockbroker, following a position as bank president which he assumed in 1913 at age twenty-five. By 1935, his wealth had grown to $180 million; the equivalent to just over $3 billion today. Page 1 Updated 3/7/17 1.4 The Making of JFK The Kennedy children, June, 1926. Photographer Unknown (John F. Kennedy Presidential Library and Museum) Left to right: Joe Jr., Jack, Rose Marie, Kathleen, and Eunice, taken the year Joe Kennedy Sr. -
Oral History Interview with Roy Emerson Stryker, 1963-1965
Oral history interview with Roy Emerson Stryker, 1963-1965 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Roy Stryker on October 17, 1963. The interview took place in Montrose, Colorado, and was conducted by Richard Doud for the Archives of American Art, Smithsonian Institution. Interview Side 1 RICHARD DOUD: Mr. Stryker, we were discussing Tugwell and the organization of the FSA Photography Project. Would you care to go into a little detail on what Tugwell had in mind with this thing? ROY STRYKER: First, I think I'll have to raise a certain question about your emphasis on the word "Photography Project." During the course of the morning I gave you a copy of my job description. It might be interesting to refer back to it before we get through. RICHARD DOUD: Very well. ROY STRYKER: I was Chief of the Historical Section, in the Division of Information. My job was to collect documents and materials that might have some bearing, later, on the history of the Farm Security Administration. I don't want to say that photography wasn't conceived and thought of by Mr. Tugwell, because my backround -- as we'll have reason to talk about later -- and my work at Columbia was very heavily involved in the visual. -
Preview Issue, the American Historian
PREVIEW ISSUE: APRIL 2014 The American Historian ORGANIZATION OF AMERICAN HISTORIANS The ACT of HISTORY The Promise and Pitfalls of Historic Portrayals ALSO INSIDE Finding Time for Social Media p. 8 The Vexing Challenges of Contingent Historians p. 10 Writing History with Emotion p. 12 Reviews p. 28 Career and family... We’ve got you covered. Organization of American Historians’ member insurance plans and services have been carefully chosen for their valuable benefits at competitive group rates from a variety of reputable, highly-rated carriers. Professional Home & Auto • Professional Liability • GEICO Automobile Insurance • Private Practice Professional Liability • Homeowners Insurance • Student Educator Professional Liability • Pet Health Insurance Health Life • TIE Health Insurance Exchange • New York Life Group Term • New York Life Group Accidental Death Life Insurance† & Dismemberment Insurance† • New York Life 10 Year Level • Cancer Insurance Plan Group Term Life Insurance† • Medicare Supplement Insurance • Educators Dental Plan † Underwritten by New York Life Insurance Company, New York, NY 10010 Policy Form GMR. Please note: Not all plans are available in all states. Trust for Insuring Educators Administered by Forrest T. Jones & Company (800) 821-7303 • www.ftj.com/OAH Personalized Long Term Care Insurance Evaluation Featuring top insurance companies and special discounts. This advertisement is for informational purposes only and is not meant to define, alter, limit or expand any policy in any way. For a descriptive brochure that summarizes features, costs, eligibility, renewability, limitations and exclusions, call Forrest T. Jones & Company. Arkansas producer license #71740, California producer license #0592939. 2 The American Historian | April 2014 #6608 0314 6608 OAH All Coverage Ad.indd 1 2/26/14 3:46 PM Career and family.. -
Documenting the Dissin's Guest House: Esther Bubley's Exploration of Jewish-American Identity, 1942-43
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2013-06-03 Documenting the Dissin's Guest House: Esther Bubley's Exploration of Jewish-American Identity, 1942-43 Vriean Diether Taggart Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Taggart, Vriean Diether, "Documenting the Dissin's Guest House: Esther Bubley's Exploration of Jewish- American Identity, 1942-43" (2013). Theses and Dissertations. 3599. https://scholarsarchive.byu.edu/etd/3599 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Documenting the Dissin’s Guest House: Esther Bubley’s Exploration of Jewish- American Identity, 1942-43 Vriean 'Breezy' Diether Taggart A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts James Russel Swensen, Chair Marian E. Wardle Heather Jensen Department of Visual Arts Brigham Young University May 2013 Copyright © 2013 Vriean 'Breezy' Diether Taggart All rights reserved ABSTRACT Documenting the Dissin’s Guest House: Esther Bubley’s Exploration of Jewish- American Identity, 1942-43 Vriean 'Breezy' Diether Taggart Department of Visual Arts Master of Arts This thesis considers Esther Bubley’s photographic documentation of a boarding house for Jewish workingmen and women during World War II. An examination of Bubley’s photographs reveals the complexities surrounding Jewish-American identity, which included aspects of social inclusion and exclusion, a rejection of past traditions and acceptance of contemporary transitions. -
FSA Photographers in Indiana
Websites about FSA Photographers in Indiana Esther Bubley Carnegie Library of Philadelphia: The Photographers http://www.clpgh.org/exhibit/photog6.html Esther Bubley, Photojournalist. http://estherbubley.com/ Women Come to the Front: Journalists, Photographers and Broadcasters during WWII: Esther Bubley http://www.loc.gov/exhibits/wcf/wcf0012.html Women Photojournalists: Esther Bubley http://www.loc.gov/rr/print/coll/womphotoj/bubleyintro.html Paul Carter The Carters of Yorkshire: As they relate to "The Rectory Family" and beyond http://www.cartertools.com/cartyork.html Jack Delano Center for Railroad Art and Photograph http://www.railphoto-art.org/galleries/delano.html Chicago Rail Photographs of Jack Delano: Chicago Reader http://www.chicagoreader.com/TheBlog/archives/2010/09/03/the-chicago-rail-photographs-of- jack-delano Jack Delano at the Museum of Contemporary Photography http://www.mocp.org/collections/permanent/delano_jack.php Smithsonian Archives of American Art: Interview with Jack Delano http://www.aaa.si.edu/collections/oralhistories/transcripts/delano65.htm Indiana Farm Security Administration Photographs Digital Collection http://www.ulib.iupui.edu/IFSAP FSA Photographers in Indiana - 2 Theodor Jung Theodor Jung Photo Collection http://www.shorpy.com/image/tid/124 Dorothea Lange America’s Stories from America’s Library: Dorothea Lange http://www.americaslibrary.gov/aa/lange/aa_lange_subj.html The Art Department of the Oakland Museum of California Dorothea Lange Collection: http://www.museumca.org/global/art/collections_dorothea_lange.html -
Actor, Assassin, Patriot, Pawn; What You Think You Know About John Wilkes Booth”
April 14, 2016 The Civil War: April 12, 1861 - May 9, 1865 “Actor, Assassin, Patriot, Pawn; What you think you know about John Wilkes Booth” It was sad news to hear of Don “Duffy” Forsyth’s pass- ing last month. His gentle smile has been missed the last few months. His efforts in getting the speaker for our last luncheon were important to the success of the event. I was pleased to hear from his wife, Nancy, about how much he enjoyed the time he spent with Old Baldy. We are grateful that the family listed Old Baldy as an organization to which a donation could be made to honor Don. Bob Hanrahan, Jr. told us all about the battle between the Kearsarge and the Alabama last month. This month Joanne Hulme, a Booth descendant, will inform us what we do not know about John Wilkes Booth. Next month our vice-president Bob Russo will share his research on Arlington National Cemetery. Be sure to tell others about Joanne Hulme our great programs and activities. Ticket sales for our Iwo Jima print are going well. Pick up a flyer at the meeting to display in your area. Join us at 7:15 PM on Thursday, April 14th, at Camden Planning for our October Symposium is coming along well. County College in the Connector Building, Room 101. At our meeting on the 14th, we will present opportunities This month’s topic is "Actor, Assassin, Patriot, Pawn; for some members to assist on the project. Some tasks we What you think you know about John Wilkes Booth" have identified so far include contacting local businesses presented by Joanne Hulme. -
SOCKKIDS™ Meet Lincoln Cip to Come the SOCKKIDS™ Meet Lincoln
The SOCKKIDS™ Meet Lincoln cip to come The SOCKKIDS™ Meet Lincoln by Michael John Sullivan and Susan Petrone he sock drawer shook from side to side, which could only mean one thing: the Sockkids were Tdancing! It was Saturday in their human’s house. What’s so special about Saturday? Why, it’s wash day! What sock doesn’t like to take a swim in the washing machine? “Whew, it sure is smelly in here,” said Grandpa Bleach. “These kids may need the extra wash cycle.” “I need a long wash,” said Stretch, a tube sock who spent most of his time with the humans playing sports. His little sister, Rinse, took a sniff in his direction. “Yuck!” she said. Rinse was very happy. She loved swimming in the washer. She adjusted her goggles and pretended to be a dolphin swimming up and down in the water. “Yay!” she squealed. “Don’t get fuzzies!” Rainbow said to her husband Parch, who loved to lounge in the dryer all day. “That includes you, too, Grandpa. No dozing.” The Sockkids laughed. Grandpa would often fall asleep in the dryer and wake up covered with fuzzies. Yes, fuzzies! Fuzzies were those little knots that clung to their bodies. Then the humans would have to pull them off. The pinging pain sent even the most courageous sock to the nearest laundry basket for another wash. Oh, it was terrible to even say the word “fuzzies!” One of the humans scooped up the entire Socker family and headed for the laundry room, where the water was already pouring into the washer. -
[T] IMRE PALLÓ
VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses. -
Farm Security Administation Photographs in Indiana
FARM SECURITY ADMINISTRATION PHOTOGRAPHS IN INDIANA A STUDY GUIDE Roy Stryker Told the FSA Photographers “Show the city people what it is like to live on the farm.” TABLE OF CONTENTS Introduction 1 The FSA - OWI Photographic Collection at the Library of Congress 1 Great Depression and Farms 1 Roosevelt and Rural America 2 Creation of the Resettlement Administration 3 Creation of the Farm Security Administration 3 Organization of the FSA 5 Historical Section of the FSA 5 Criticisms of the FSA 8 The Indiana FSA Photographers 10 The Indiana FSA Photographs 13 City and Town 14 Erosion of the Land 16 River Floods 16 Tenant Farmers 18 Wartime Stories 19 New Deal Communities 19 Photographing Indiana Communities 22 Decatur Homesteads 23 Wabash Farms 23 Deshee Farms 24 Ideal of Agrarian Life 26 Faces and Character 27 Women, Work and the Hearth 28 Houses and Farm Buildings 29 Leisure and Relaxation Activities 30 Afro-Americans 30 The Changing Face of Rural America 31 Introduction This study guide is meant to provide an overall history of the Farm Security Administration and its photographic project in Indiana. It also provides background information, which can be used by students as they carry out the curriculum activities. Along with the curriculum resources, the study guide provides a basis for studying the history of the photos taken in Indiana by the FSA photographers. The FSA - OWI Photographic Collection at the Library of Congress The photographs of the Farm Security Administration (FSA) - Office of War Information (OWI) Photograph Collection at the Library of Congress form a large-scale photographic record of American life between 1935 and 1944.