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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Psychotherapy in Pop Song Lyrics
Psychotherapy in pop song lyrics Running head: Psychotherapy in pop song lyrics ‘That boy needs therapy’: Constructions of psychotherapy in popular song lyrics Miltiades Hadjiosif1 and Adrian Coyle2 1Department of Health & Social Sciences, University of the West of England, Bristol, UK, and Scholar of the Alexander S. Onassis Public Benefit Foundation 2Department of Psychology, Kingston University London, UK Corresponding author: Dr Miltiades Hadjiosif, Department of Health & Social Sciences, University of the West of England, Frenchay Campus, Bristol BS16 1QY, UK. Email: [email protected] Miltiades Hadjiosif is a Chartered Counselling Psychologist and a Scholar of the Alexander S Onassis Public Benefit Foundation. He is Senior Lecturer in Counselling Psychology at the University of the West of England and sits on the Committee of the British Psychological Society's Community Psychology Section. His research focuses on discursive dimensions of psychotherapeutic constructs. Adrian Coyle is Professor of Social Psychology at Kingston University London. His areas of research expertise concern identity, psychology and religion, loss and bereavement, and qualitative research methods. With Evanthia Lyons, he was co-editor of Analysing Qualitative Data in Psychology (SAGE, 2016). Acknowledgements We would like to thank three anonymous reviewers for their helpful comments on an earlier version of this paper. Our heartfelt appreciation goes to our key informants for their time and enduring interest in our work. Special thanks to Giannis Papazachos for sound mixing an audio clip to play at conferences where we have presented a version of this paper. Word count: 6729 (excluding references and Appendix) 1 Psychotherapy in pop song lyrics ‘That boy needs therapy’: Constructions of psychotherapy in popular song lyrics Abstract Despite a plethora of academic and clinical descriptions of psychotherapy, less research attention has been focused on the ways in which psychotherapy is talked about and represented in popular culture. -
Paula Guerra
Paula Guerra Lou Reed: rock and roll is so genial in its conception that some people would be willing to die for it (…). Music gives a pulse that allows you to dream. It’s an entire generation walking to the sound of a Fender bass. It’s necessary that people be willing to die for music, that is all. People die no matter what, so why not music? Die for it. Isn’t it pretty? To want to die for beauty? (McNeil & McCain, 2006: 45). The 1960’s, from an music aesthetic and expression point of view, were marked by an intense creativity that spread throughout all artistic and cultural mediums. We associate this era with a revolutionary mark, be in cultural, moral or social terms, with the importance of figures such as Rimbaud, north American black blues, rock pioneers, beat generation, Henry Miller, Malraux, Baudelaire, Marcuse, Indian gurus, Marx, Trotsky, Mao Tse Tung… (Paraire, 1992: 75-77). In the USA, rock acquired an institutionalization close to that of the traditional star system, with the role of the English pop movement, in particular that of the Beatles, one of the most remarkable in this respect. It will not, then, be out of place to consider that rock music throughout the -------- 1 This text was first published in Portuguese with the following reference: Guerra, P., 2010. A instável leveza do rock. Génese, dinâmica e consolidação do rock alternativo em Portugal. The unstable lightness of rock. Genesis, dynamics and consolidation of alternative rock in Portugal (1980-2010). Faculty of Arts of University of Porto, Porto. -
Song List by Artist
AMAZING EMBARRASSONIC Song list by Artist CALIFORNIA LUV 2PAC AND DR.DRE DANCING QUEEN ABBA MAMA MIA ABBA S. O. S. ABBA BIG BALLS AC/DC HAVE A DRINK ON ME AC/DC HELLS BELLS AC/DC HIGHWAY TO HELL AC/DC LIVE WIRE AC/DC SIN CITY AC/DC TNT AC/DC WHOLE LOT OF ROSIE AC/DC YOU SHOOK ME ALL NIGHT LONG AC/DC CUTS LIKE A KNIFE ADAMS, BRYAN SUMMER OF '69 ADAMS, BRYAN DRAW THE LINE AEROSMITH SICK AS A DOG AEROSMITH WALK THIS WAY AEROSMITH REMEMBER( WALKING IN THE SAND) AEROSMITH BEAUTIFUL AGUILARA, CHRISTINA LOST IN LOVE AIR SUPPLY MOUNTAIN MUSIC ALABAMA ROOSTER ALICE IN CHAINS ONE WAY OUT ALLMAN BROS RAMBLIN MAN ALLMAN BROS SISTER GOLDEN HAIR AMERICA SHE'S HAVING MY BABY ANKA, PAUL SUGAR, SUGAR ARCHIES AINT SEEN NOTHING YET BACHMAN TURNER OVERDRIVE LET IT RIDE BACHMAN TURNER OVERDRIVE TAKIN CARE OF BUSINESS BACHMAN TURNER OVERDRIVE EVERYBODY BACKSTREET BOYS FEEL LIKE MAKIN' LUV BAD CO. GOOD LOVIN' GONE BAD BAD CO. SHOOTING STAR BAD CO. NO MATTER WHAT BADFINGER DO THEY KNOW IT'S X-MAS BAND-AID MANIC MONDAY BANGLES WALK LIKE AN EGYPTIAN BANGLES SATURDAY NIGHT BAY CITY ROLLERS IN MY ROOM BEACH BOYS FIGHT FOR YOUR RIGHT TO PARTY BEASTIE BOYS COME TOGETHER BEATLES DAY TRIPPER BEATLES HARD DAYS NIGHT BEATLES LET IT BE BEATLES HELTER SKELTER BEATLES HEY JUDE BEATLES SOMETHING BEATLES TWIST AND SHOUT BEATLES LOSER BECK JIVE TALKIN' BEE GEES www.amazingembarrassonic.com Page 1 9/30/15 AMAZING EMBARRASSONIC Song list by Artist MASSACHUSETTS BEE GEES STAYIN' ALIVE BEE GEES HEARTBREAKER BENATAR, PAT HELL IS FOR CHILDREN BENATAR, PAT HIT ME W/YOUR BEST SHOT -
Entire Songlist
APA Mobile Disco 1300 723 555 Songlist - All June 2003 title artist - 06 - It Is A Fire Portishead "family affair." mary j. blige. "Judy"(hooked on coke) ice jupiter groove (05)Fragma - Every Time You Need Me (Pulse Driver Remix) Various Artists (alabama_with_n'sync)-god_myust_have_spent_a_little_more_time_on_you (B.Z. feat Joanne) - Jackie (beatles) twist and shout (brooks_&_dunn)-missing_you artist (dixie_chicks)-ready_to_run artist (I Can't Get No) Satisfaction Britney Spears (Kenny Loggins) Foot loose (Let Me Be Your) Teddy Bear Elvis Presley (toybox)-the Sailor Song (Who Says) You Can't Have It All Alan Jackson (Your Drive Me) Crazy Britney Spears ...Bobyahead! Tag team ...Is calling sm trax [Silence] Dixie Chicks [Your Drive Me] Crazy Britney Spears 001 I-O 01 - Across The Night Silverchair 01-50 Cent In The Club Dirty-cms 01-i Saw Her Standing There Beatles 01-ja_rule_feat._cadillac_tah_ aint_that_funny_(main-ego 02 02 - Simple Creed Live 03 03 - MARTINA McBRIDE I LOVE YOU RUNAWAYBRIDE - MUSIC 03 - Somethin stupid Robbie Williams 04 - Homeworld 04 - I Try Macy Gray 041 James - Laid 04-ll Cool J-paradise Ft Amerie 04-ll_cool_j-paradise_ft_ameri 05 05 - Bug A Boo DESTINY'S CHILD 05 - S Club 7-Bring It All Back NOW 43 05 - SMOOTH FEATURING ROB THOMAS SANTANA-SUPERNATURAL 05 Stimulant DJ's - Kickin' da Hard House Anthems 3 06 07 07 - Crush Mandy Moore 08 09 09 Promises My-Albums.com Billie Piper 1 - Korn 1 - Bad Moon Arisen Creedance Clearwater Revival 1 - Hallowed Point 1 - Hell Awaits Slayer 1 - Suzie Q Creedance Clearwater Revival -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
WDR 3 Open Sounds
Musikliste WDR 3 Open Sounds Iggy Pop 70 Zwischen Proto-Punk und Post-Chanson Eine Sendung von Thomas Mense Redaktion Markus Heuger 22.04.2017, 22:04 Uhr Webseite: www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-open-sounds/index.html // Email: akustische.kunst(at)wdr.de 1. Main Street Eyes K/T: Iggy Pop (James Osterberg Music/Bug Music BMI 1990) CD: Brick By Brick, 1990, Virgin Länge: 3.02 Minuten 2. 1969 K: James Osterberg (Iggy Pop)/ Ron Asheton, 1969 CD: The Stooges, 1988 Elektra/Asylum Records, LC 0192 Länge: 0.53 3. Search and Destroy K: Iggy Pop/ James Williamson, 1973 I: Iggy and The Stooges CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge: 0.42 5. I wanna live K: Iggy Pop/ Whitey Kirst CD: Iggy Pop: Naughty Little Doggie, 1996, Virgin 1996, LC 3098 Länge: 0.12 6. I wanna be your dog K/T: Pop/ Scott Asheton/ Ron Asheton/ Dave Alexander CD: The Stooges, 1969/1988 Elektra/Asylum LC 0192 Länge: 1.12 WDR 3 Open Sounds // Musikliste // 1 7. Penetration K/T: Iggy Pop/James Williamson CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge: 2.30 8 . Dirt K/T: Iggy Pop/ Ron Asheton/ Scott Asheton CS. Funhouse, 1988 Elektra/ Asylum Records, LC 0192 Länge: 2.55 9. Gimme danger K:T. Iggy Pop/ James Williamson CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge:2.35 10. Nightclubbing K/T: David Bowie/Iggy Pop James Osterberg Music/Bewlay Bros.s:A.R.L./Fleur Music CD: Iggy Pop-The Idiot, Virgin Records 1990,077778615224 Länge: 1.00 11. -
The Legendary Stooges Axeman, 1948-2009: He Didn't Just Play the Guitar
The legendary Stooges axeman, 1948-2009: he didn't just play the guitar. BY TIM "NAPALM" STEGALL The first thing you noticed, after seeing the perfect picture of teenage delinquency in quartet form on the cover (and how much the band depicted resembles a prehistoric Ramones, if you're of a certain age), was the sound: Corrosive, brittle, brassy, seemingly untamed. It was the sound of an electric guitar being punished more than played. And the noise got particularly nasty once Mr. Guitar Flogger stepped on his wah-wah pedal. Because unlike whenever Jimi Hendrix stepped on a wah, this guitar didn't talk. It snarled and spat and attacked like a cobra. As the six string engine that drove The Stooges, Ron Asheton didn't play guitar. He played the amp. And the fuzztone. And the wah-wah pedal. In the process, he didn't just give singer Iggy Pop a sonic playground in which he could run riot and push the boundaries of then-acceptable rock stagecraft. ("Ron provided the ammo," says Rolling Stone Senior Writer David Fricke. "Iggy pulled the trigger.") Ron Asheton also changed the way rock 'n' roll was played and energized a few generations to pick up guitars themselves, creating several subgenres in the process. Ron Asheton was found dead in the wee hours of January 6, 2009, in the Ann Arbor home he and brother Scott (The Stooges' drummer) and sister Kathy (muse to a few late Sixties Detroit rockers and lyrical inspiration for The Stooges' classic "TV Eye") grew up in after the family relocated from the guitarist's native Washington, DC. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
“RON WAS the Riffmeister and All That Was Good in This World
“RON WAS THE Riffmeister and all that was good in this world,” declares Andrew Innes of Primal Scream, just one of countless bands who owe an inestimable debt to Ron Asheton’s (pictured, in glasses) monolithic stun guitar onslaughts on the first two Stooges albums. Asheton, found dead yesterday at his Ann Arbor home from a suspected heart attack, was the most influential punk guitarist of all time, his monosyllabic, piledriver riffs providing blueprints for later applecart- upsetters like the New York Dolls and Sex Pistols. Even former Captain Beefheart and Jeff Buckley guitarist Gary Lucas has paid tribute to “some of the best and most iconic riffs in punk history”. In his own private world Asheton, whose unusual pantheon of heroes included Adolf Hitler and the Three Stooges, was the most dangerous embodiment of the Stooges’ dum dum boys aesthetic, infamous for his extensive collection of Nazi memorabilia and the unsavoury swastika armbands later adopted by UK punk- shockers. Ironically, he was the only Stooge who eschewed hard drugs. Ron was born in Washington DC in 1948, brought to Ann Arbor by his mother after his Marine Corp pilot father Ronald’s death in 1963. Besotted by the Beatles and the Stones, he became obsessed with Pete Townshend after a Who gig during a mid-’60s pilgrimage to London with high school buddy Dave Alexander. He played bass in local bands including the Prime Movers, Chosen Few and Dirty Shames before forming the Psychedelic Stooges with Alexander, Scott and a local kid he’d met called James Osterberg – rechristened Iggy after a stint in a band called The Iguanas. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt.