DOCSLIB.ORG

WDR 3 Open Sounds

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WDR 3 Open Sounds Musikliste WDR 3 Open Sounds Iggy Pop 70 Zwischen Proto-Punk und Post-Chanson Eine Sendung von Thomas Mense Redaktion Markus Heuger 22.04.2017, 22:04 Uhr Webseite: www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-open-sounds/index.html // Email: akustische.kunst(at)wdr.de 1. Main Street Eyes K/T: Iggy Pop (James Osterberg Music/Bug Music BMI 1990) CD: Brick By Brick, 1990, Virgin Länge: 3.02 Minuten 2. 1969 K: James Osterberg (Iggy Pop)/ Ron Asheton, 1969 CD: The Stooges, 1988 Elektra/Asylum Records, LC 0192 Länge: 0.53 3. Search and Destroy K: Iggy Pop/ James Williamson, 1973 I: Iggy and The Stooges CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge: 0.42 5. I wanna live K: Iggy Pop/ Whitey Kirst CD: Iggy Pop: Naughty Little Doggie, 1996, Virgin 1996, LC 3098 Länge: 0.12 6. I wanna be your dog K/T: Pop/ Scott Asheton/ Ron Asheton/ Dave Alexander CD: The Stooges, 1969/1988 Elektra/Asylum LC 0192 Länge: 1.12 WDR 3 Open Sounds // Musikliste // 1 7. Penetration K/T: Iggy Pop/James Williamson CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge: 2.30 8 . Dirt K/T: Iggy Pop/ Ron Asheton/ Scott Asheton CS. Funhouse, 1988 Elektra/ Asylum Records, LC 0192 Länge: 2.55 9. Gimme danger K:T. Iggy Pop/ James Williamson CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge:2.35 10. Nightclubbing K/T: David Bowie/Iggy Pop James Osterberg Music/Bewlay Bros.s:A.R.L./Fleur Music CD: Iggy Pop-The Idiot, Virgin Records 1990,077778615224 Länge: 1.00 11. Lust for Life K/T: David Bowie/ Iggy Pop, Bewlay Bros. Music/Virgin CD. Iggy Pop: Lust for Life, 1990, Virgin Records, 077778615323 Länge: 1.05 12. New Values K/T: Iggy Pop/ Schott Thurston CD: New Values (1978), Buddah Records, 2000,BMG,LC03484 Länge:1.44 13. Girls K/T: Iggy Pop CD: New Values (1978), Buddah Records, 2000, BMG,LC03484 Länge: 2.14 14. African Man K/T: Iggy Pop CD: New Values (1978), Buddah Records, 2000, BMG,LC03484 Länge: 1.47 15. I 'm A Conservative K: Iggy Pop (Virgin Music Publishers) I: Iggy Pop CD: Soldier, 1979, Arista Records, LC 3484 Länge : 2.19 16. Run Like A Villain K/T:Iggy Pop/ Robert DuPrey (James Osterberg Music,BMI, 1982) CD: Zombie Birdhouse, P&A Alchemy Entertainment 2003, Pilot 171 Länge: 1.18 WDR 3 Open Sounds // Musikliste // 2 17. The Villagers K: Iggy Pop/ Robert DuPrey (James Osterberg Music,BMI, 1982) CD: Zombie Birdhouse, P&A Alchemy Entertainment 2003, Pilot 171: Länge: 2.55 18. American Caesar K: Iggy Pop/ Eric Schermerhorn, 1993 Tambora Music (BMI) CD: American Caesar, Virgin Records 1993, LC3098 Länge: 0.17 19. Wild America K: Iggy Pop/ Eric Schermerhorn, Tambora Music (BMI), 1993 CD: American Caesar, Virgin Records 1993, LC3098 Länge: 0.39 20. Jealousy K: Iggy Pop, Tambora Music (BMI) 1993 CD: American Caesar, Virgin Records 1993, LC3098 Länge: 1.07 21. It's Our Love K: Iggy Pop, Tambora Music (BMI) 1993 CD: American Caesar, Virgin Records 1993, LC3098 Länge: 2.49 22. Social Life K/T: Iggy Pop, Tambora Music (BMI) 1993 CD: American Caesar, Virgin Records 1993, LC3098 Länge: 2.35 23. Mixing The Colors K/T: Iggy Pop, Tambora Music BMI) 1993 CD: American Caesar, Virgin Records 1993, LC3098 Länge: 1. 10 24. Louie Louie K/T: Richard Berry (Windswept Pacific Entertainment (BMI), 1957) CD: American Caesar, Virgin Records 1993, LC3098 Länge: 1.19 25. No Shit K: Iggy Pop (James Osterberg Music, 1999) CD: Avenue B, Virgin Records, 1999, 7243 8 48216 2 3 Länge: 0.48 26. Nazi Girl Friend K: Iggy Pop (James Osterberg Music, 1999) CD: Avenue B, Virgin Records, 1999, 7243 8 48216 2 3 Länge: 0.59 27. She Called Me Daddy K: Iggy Pop (James Osterberg Music, 1999) CD: Avenue B, Virgin Records, 1999, 7243 8 48216 2 3 Länge: 0.56 WDR 3 Open Sounds // Musikliste // 3 28. Afraid To Get Close K: Iggy Pop (James Osterberg Music, 1999) CD: Avenue B, Virgin Records, 1999, 7243 8 48216 2 3 Länge: 0.47 29. I Felt The Luxury K: Iggy Pop/ John Meski/ William Martin / Christopher Wood (James Osterberg Music, 1999 / Bug Music/ Beatworld Music (BMI)) CD: Avenue B, Virgin Records, 1999, 7243 8 48216 2 3 Länge: 0.1.20 30. Les Feuilles Mortes K: Joseph Kosma/ Jacques Prévert (EMI Music Publishing France) CD: Iggy Pop: Préliminaires , 2009 EMI Music France, LC0542 Länge: 1.17 31. A Machine For Loving K: Iggy Pop/ Hal Cragin, T: Michel Houellebecq, Top Notch Booty (Bug,BMI), Catvalleysongs (Bug ,BMI), 2009 CD: Iggy Pop: Préliminaires , 2009 EMI Music France, LC0542 Länge: 1.56 32. The Passenger K/T: David Bowie/ Iggy Pop CD: Post Pop Depression; Live At The Royal Albert Hall London Universal, 2016 Länge: 3.15 33. Chocolate Drops K/T: Iggy Pop/ Joshua Homme/ Dean Fertita CD: Post Pop Depression; Live At The Royal Albert Hall London Universal, 2016 Länge: 2.35 34. Paraguay K/T: Iggy Pop/ Joshua Homme CD: Post Pop Depression; Live At The Royal Albert Hall London Universal, 2016 Länge: 2.16 WDR 3 Open Sounds // Musikliste // 4 .
Load more

Recommended publications
  • Danward.Ch [email protected] Dan Ward – 100 Cover Songs Facebook.Com/Danwardsongwriter
    danward.ch [email protected] Dan Ward – 100 Cover Songs facebook.com/danwardsongwriter # Artist Song # Artist Song # Artist Song 1. Avicii / Aloe Blacc Wake Me Up 35. Jack Johnson Good People 69. Steelers Wheel Stuck in the Middle with You 2. Babybird You're Gorgeous 36. Jack Johnson Taylor 70. The 5, 6, 7, 8s Woo Hoo 3. Bill Withers Ain't No Sunshine 37. Jake Bugg Lightning Bolt 71. The Beatles Twist n Shout 4. Bob Dylan / Jimi Hendrix All Along the Watchtower 38. Jason Mraz I'm Yours 72. The Black Keys Lonely Boy 5. Bob Marley Three Little Birds 39. John Lennon Imagine 73. The Clash Should I Stay or Should I Go? 6. Bob Marley Redemption Song 40. Johnny Cash Folsom Prison Blues 74. The Cure Friday I'm in Love 7. Bob Marley Small Axe 41. Johnny Cash Hurt 75. The Doors Love Me Two Times 8. Bobby Helms Jingle Bell Rock 42. Johnny Cash Man in Black 76. The Doors People Are Strange 9. Brenda Lee Rocking Around the Xmas Tree 43. Johnny Cash Ring of Fire 77. The Eels Mr E's Beautiful Blues 10. Bruce Springstein Santa Claus is Coming To Town 44. Kings of Leon Use Somebody 78. The Jam That's Entertainment 11. Buddy Rich The Beat Goes On 45. Led Zeppelin Stairway To Heaven 79. The Highwaymen The Highwayman 12. Chuck Berry Johnny B. Goode 46. Linkin Park Castle of Glass 80. The Killers Mr Brightside 13. Dean Martin Let It Snow 47. Lou Reed Satellite of Love 81.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Marc Zermati
    Marc Zermati: farewell to the 'hippest man in Paris' Zermati, who has died aged 74, was an anglophile dandy whose label Skydog crashlanded rock’n’roll into conservative France Andrew Gallix Wed 17 Jun 2020 13.42 BST arc Zermati, who died of a heart attack on Saturday at the age of 74, was a true underground legend: a national treasure France had never heard of and probably did not deserve. Rock Is My Life – the title of a 2008 exhibition celebrating his career on the radical fringes of the music business – would serve as a fitting M epitaph. Skydog, which Zermati co-created with Pieter Meulenbrock in 1972, was the first modern indie label, directly inspiring the launch of Chiswick and Stiff in England – its most successful release was the Stooges’ Metallic KO in 1976. As a promoter Zermati organised the world’s first punk festival, at Mont-de-Marsan, and introduced bands such as the Clash to a French audience. His heroin addiction and wheeler-dealing landed him on the wrong side of the law, and in latter years his curmudgeonly rightwing views alienated many people. But as one of the earliest champions of punk his importance in rock history cannot be overstated; if cut, he would have bled vinyl. Zermati was born into a family of Sepharadi Jews in Algiers. Growing up against the bloody background of the war of independence, he took refuge in rock’n’roll records imported from the US, which were more readily available – as he often boasted – than in metropolitan France. Like so many other pieds-noirs (the name given to people of European origin born in Algeria under French rule) the family fled to la métropole in 1962, when the country gained independence.
    [Show full text]
  • Joy Division and Cultural Collaborators in Popular Music Briana E
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music.
    [Show full text]
  • November 2016
    The Bijou Film Board is a student-run UI org dedicated FilmScene Staff The to American independent, foreign and classic cinema. The Joe Tiefenthaler, Executive Director Bijou assists FilmScene with programming and operations. Andy Brodie, Program Director Andrew Sherburne, Associate Director PictureShow Free Mondays! UI students FREE at the late showing of new release films. Emily Salmonson, Dir. of Operations Family and Children’s Series Ross Meyer, Head Projectionist and Facilities Manager presented by AFTER HOURS A late-night OPEN SCREEN Aaron Holmgren, Shift Supervisor series of cult classics and fan Kate Markham, Operations Assistant favorites. Saturdays at 11pm. The winter return of our ongoing series of big-screen Dec. 4, 7pm // Free admission Dominick Schults, Projection and classics old and new—for movie lovers of all ages! Facilities Assistant FilmScene and the Bijou invite student Abby Thomas, Marketing Assistant Tickets FREE for kids, $5 for adults! Winter films play and community filmmakers to share Saturday at 10am and Thursday at 3:30pm. Wendy DeCora, Britt Fowler, Emma SAT, 11/5 SAT, their work on the big screen. Enter your submission now and get the details: Husar, Ben Johnson, Sara Lettieri, KUBO & THE TWO STRINGS www.icfilmscene.org/open-screen Carol McCarthy, Brad Pollpeter (2016) Dir. Travis Knight. A young THE NEON DEMON (2016) Spencer Williams, Theater Staff boy channels his parents powers. Dir. Nicolas Winding Refn. An HORIZONS STAMP YOUR PASSPORT Nov. 26 & Dec. 1 aspiring LA model has her Cara Anthony, Felipe Disarz, for a five film cinematic world tour. One UI Tyler Hudson, Jack Tieszen, (1990) Dir.
    [Show full text]
  • The Rolling Stones and Performance of Authenticity
    University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Kids, Libraries, and LEGO® Great Programming, Great Collaborations
    Children the journal of the Association for Library Service to Children Libraries & Volume 10 Number 3 Winter 2012 ISSN 1542-9806 Kids, Libraries, and LEGO® Great Programming, Great Collaborations Playing with Poetry PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT Table Contents● ofVolume 10, Number 3 Winter 2012 Notes 28 Louisa May Alcott The Author as Presented in 2 Editor’s Note Biographies for Children Sharon Verbeten Hilary S. Crew 36 More than Just Books Features Children’s Literacy in Today’s Digital Information World 3 Arbuthnot Honor Lecture Denise E. Agosto Reading in the Dark 41 Peter Sís From Board to Cloth and Back Again 9 C Is for Cooperation A Preliminary Exploration of Board Books Public and School Library Allison G. Kaplan Reciprocal Responsibility in Community Literacy Initiatives 45 Play to Learn Janet Amann and Sabrina Carnesi Free Tablet Apps and Recommended Toys for Ages 3-7 14 He Said, She Said Hayley Elece McEwing How the Storytime Princess and the Computer Dude Came Together to Create a Real-Life Fairytale Shawn D. Walsh and Melanie A. Lyttle Departments 17 The People on the Bus . 35 Author Guidelines Louisiana Program Targets Community Literacy 40 Call for Referees Jamie Gaines 52 Children and Technology 20 Brick by Brick Here to Stay ® LEGO -Inspired Programs in the Library Mobile Technology and Young Tess Prendergast Children in the Library Amy Graves 24 Carnegie Award Acceptance Speeches 55 School-Age Programs and Services Bringing Lucille to Life Kick Start Your Programming! Melissa Reilly Ellard and Paul R.
    [Show full text]
  • The Tufts Daily Volume Lxxii, Number 47
    La femme in STEM: the women who dominate the envi- TUFTS FIELD HOCKEY ronmental engineering program Field hockey scores spot in see FEATURES / PAGE 3 the final four How to get away with an extended plot twist: Shonda Rhimes’ hit still promises much drama with mid-sea- SEE SPORTS / BACK PAGE son finale see ARTS & LIVING / PAGE 5 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 THE TUFTS DAILY VOLUME LXXII, NUMBER 47 MEDFORD/SOMERVILLE, MASS. WEDNESDAY, NOVEMBER 16, 2016 tuftsdaily.com Diana Chigas of Fletcher School appointed first Senior International Officer by John Fedak Contributing Writer Diana Chigas (F ’88) has been appoint- ed to the newly-created position of senior international officer as of Sept. 1 in an effort to continue increasing Tufts’ global presence and ensure that Tufts alumni and faculty can work successfully abroad. “There was a sense that Tufts does a lot internationally, but both the visibility and impact is not as great as it could be, and that we could also do better at filling in gaps here, bringing global issues here and providing opportunities to students here,” Chigas said. According to Provost David Harris, no one was previously responsible for devel- oping and leading the university’s global strategy. Before the senior international officer position existed, Chigas said that it was not easy for Tufts-associated researchers, students and faculty to connect outside of the United States. “There’s a lot to bring together, and part of my role is to help facilitate those connections,” she said. International work and international ALONSO NICHOLS/TUFTS UNIVERSITY Tufts Associate Provost, Senior International Officer and Professor of the Practice at the Fletcher School of Law and Diplomacy Diana Chigas see INTERNATIONAL, page 2 poses for a photo on Sept.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • Post Pop Depression Late Show with Stephen Colbert
    IGGY POP POST POP DEPRESSION LIMITED RUN OF ONE-TIME-ONLY LIVE DATES ANNOUNCED TICKETS ON SALE TO THE PUBLIC JANUARY 29 ALBUM OUT MARCH 18 “BREAK INTO YOUR HEART” AND “GARDENIA” BOTH AVAILABLE INSTANTLY WITH PRE-ORDERS LATE SHOW WITH STEPHEN COLBERT WEB EXCLUSIVE PERFORMANCE HERE “Post Pop Depression... picks up where Lust for Life left off… The lyrics reflect on memories, hint at characters and offer advice and confessions; they can be hard-nosed, remorseful, flippant, combative or philosophical.”—THE NEW YORK TIMES “A slice of stratospheric punk-funk”—ROLLING STONE “‘Gardenia’ has the same sort of mean, skeletal, machinelike groove that so many of those great old Iggy songs had… over this sort of spartan groove, he sounds awesome.”—STEREOGUM “Iggy in finer form than ever and Homme’s distinctive driving guitar melodies firmly anchoring his florid vocals. Basically: it’s shit hot stuff and this album cannot come soon enough”—NOISEY “Pop gave the song a relatively restrained and poignant performance. The single, from his wonderfully titled new album Post Pop Depression,’ continues the bleak, grooving moods from his great David Bowie collaborations, and it's perhaps his catchiest new tune in a generation.”—THE LOS ANGELES TIMES “Glorious… ’Gardenia’ itself feels like a callback to the glory days of new wave, with Iggy’s trademark low voice channeling the spirit of his dearly departed friend David Bowie. Homme provides backing vocals and typically excellent guitar work.”—PASTE Its existence having been revealed to the world via a one-two punch of an appearance on The Late Show with Stephen Colbert and exclusive profile in The New York Times, it can now be announced that Iggy Pop’s new album Post Pop Depression (Rekords Rekords/Loma Vista/Caroline International) will be supported by a very limited run of one-time-only live performances in specially selected venues.
    [Show full text]
  • RAW POWER · Llletal Lllachine Lllagazine NO.I
    ------4~. ~-- --~-·- .__,....-. ____ 25¢ RAW POWER · llletal lllachine lllagazine NO.I CHEAP TRICK ANGEL DAMNED DOGS WEIRDOS concert and albulll revte".,.s• upcoming concerts RAW POWER CONTENTS iCheap Trick •••••. 3 STAFF :Getting More for Your Money . 3 Quick Draw 'Saturday's Party Place 4 & ; Angel • . • • 5 Bobalouie (Punk Theater 6 •concert Review 7 (We Do Everything) 'The Damned 8 :Rodney on the Rocks 9 Special thanks to: ·Album Reviews . 9 Jim Davidson . 10 & :upcoming Concerts . • 10 Linda Hartman I N F 0 Send all letters and mail to: Quick Draw Our ads are cheap 23938 Mariano Phone: 888-7205 Woodland Hills, CA 91364 Q.D. BOBALOUIE i i GETTING MORE l CHEAP TRICK FOR YOUR MONEY '-~y Quick Draw By Bobalouie Rick Nielsen, Cheap Trick's lead : All you suckers out there who guitarist, owns 35 guitars and wait overnight or get up at dawn to probably a million guitar picks. go down and buy concert tickets are During a Cheap Trick concert, Rick really showing your mentality ... flicks almost 50 picks into the Zero; you guys are so dumb. There crowd. Sitting third row at a are ten ways you can get great recent show, I gathered several of seats and pay the cheapest prices, his picks myself. I was amazed at just by reading this article. Rick's stage antics. He hops all 1. Lay a bouncer on to a twenty over the stage, bug-eyed with an or try to get to be good friends ever-changing weird face. Chord­ with him. slamming clean and sharp. The 2.
    [Show full text]
  • Press Release
    Press Release February 2016 Brooklyn Museum Announces Iggy Pop Life Class, Conceived by Artist Jeremy Deller, to Be the Focus of an Exhibition in Fall 2016 Twenty-one artists, from all walks of life, gathered at the New York Academy of Art on Sunday, February 21, 2016, for a special life drawing class with a guest model, American rock legend Iggy Pop. The class was organized by the Brooklyn Museum and conceived by artist Jeremy Deller. The drawings created during the class will be part of a Brooklyn Museum exhibition in fall 2016, with a tour to be announced later. In stark contrast to his kinetic stage persona, Pop methodically posed nude on a different kind of stage. “The life class is a special place in which to scrutinize the human form. As the bedrock of art education and art history, it is still the best way to understand the body,” says Deller. “For me it makes perfect sense for Iggy Pop to be the subject of a life class; his body is central to an understanding of rock music and its place within American culture. His body has witnessed much and should be documented.” The participating artists represent New York’s diverse community, ranging from 19 to 80 years of age with varying backgrounds, and include undergraduate and graduate students, practicing artists, and retirees. The life drawing class was led by artist and drawing professor Michael Grimaldi. The twenty-one participants were selected by Deller and Sharon Matt Atkins, Vice Director, Exhibitions and Collections Management, Brooklyn Museum, from recommendations made by instructors at the Brooklyn Museum’s Gallery/Studio Program, the Art Students League of New York, Kingsborough Community College, the New York Academy of Art, Pictured: (l-r): Jeremy Day, Patricia Hill, Jeannette Farrow, Danielle Rubin, and Pratt Institute.
    [Show full text]