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Danward.Ch [email protected] Dan Ward – 100 Cover Songs Facebook.Com/Danwardsongwriter
danward.ch [email protected] Dan Ward – 100 Cover Songs facebook.com/danwardsongwriter # Artist Song # Artist Song # Artist Song 1. Avicii / Aloe Blacc Wake Me Up 35. Jack Johnson Good People 69. Steelers Wheel Stuck in the Middle with You 2. Babybird You're Gorgeous 36. Jack Johnson Taylor 70. The 5, 6, 7, 8s Woo Hoo 3. Bill Withers Ain't No Sunshine 37. Jake Bugg Lightning Bolt 71. The Beatles Twist n Shout 4. Bob Dylan / Jimi Hendrix All Along the Watchtower 38. Jason Mraz I'm Yours 72. The Black Keys Lonely Boy 5. Bob Marley Three Little Birds 39. John Lennon Imagine 73. The Clash Should I Stay or Should I Go? 6. Bob Marley Redemption Song 40. Johnny Cash Folsom Prison Blues 74. The Cure Friday I'm in Love 7. Bob Marley Small Axe 41. Johnny Cash Hurt 75. The Doors Love Me Two Times 8. Bobby Helms Jingle Bell Rock 42. Johnny Cash Man in Black 76. The Doors People Are Strange 9. Brenda Lee Rocking Around the Xmas Tree 43. Johnny Cash Ring of Fire 77. The Eels Mr E's Beautiful Blues 10. Bruce Springstein Santa Claus is Coming To Town 44. Kings of Leon Use Somebody 78. The Jam That's Entertainment 11. Buddy Rich The Beat Goes On 45. Led Zeppelin Stairway To Heaven 79. The Highwaymen The Highwayman 12. Chuck Berry Johnny B. Goode 46. Linkin Park Castle of Glass 80. The Killers Mr Brightside 13. Dean Martin Let It Snow 47. Lou Reed Satellite of Love 81. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Sports Facilities & Urban Redevelopment
Marquette Sports Law Review Volume 10 Article 14 Issue 2 Spring Sports Facilities & Urban Redevelopment David E. Cardwell Follow this and additional works at: http://scholarship.law.marquette.edu/sportslaw Part of the Entertainment and Sports Law Commons Repository Citation David E. Cardwell, Sports Facilities & Urban Redevelopment, 10 Marq. Sports L. J. 417 (2000) Available at: http://scholarship.law.marquette.edu/sportslaw/vol10/iss2/14 This Essay is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. For more information, please contact [email protected]. ESSAY SPORTS FACILITIES & URBAN REDEVELOPMENT DAVID E. CARDWELL* The 1990s was a decade in which new sports facilities of every type and description were built throughout the United States and Canada. Not since the 1960s when baseball began its major expansion has there been such a boom in new facilities. The decade began with the construc- tion of New Comiskey Park in Chicago in 1991. The following construc- tion boom has continued unabated into the present. What explains this explosion in new design, concepts and construc- tion? It is more than the mere aging of structures (i.e., Wrigley Field is still going strong even though it dates back to 1916). Changes in the economics of the game explain much of the need for new facilities that generate more revenue that can then be retained by the team to pay ever-increasing player salaries. The specifics of the economics of modern professional sports are be- yond the scope of this article. Suffice it to say that the fundamental changes in all major professional sports in the United States resulting from player free agency, increased broadcast revenue, merchandise and other non-game revenue, and the conversion from family to corporate ownership of teams has made the financial bottom line just as important as the team's place in the standings. -
An Analysis of the American Outdoor Sport Facility: Developing an Ideal Type on the Evolution of Professional Baseball and Football Structures
AN ANALYSIS OF THE AMERICAN OUTDOOR SPORT FACILITY: DEVELOPING AN IDEAL TYPE ON THE EVOLUTION OF PROFESSIONAL BASEBALL AND FOOTBALL STRUCTURES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Chad S. Seifried, B.S., M.Ed. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Donna Pastore, Advisor Professor Melvin Adelman _________________________________ Professor Janet Fink Advisor College of Education Copyright by Chad Seifried 2005 ABSTRACT The purpose of this study is to analyze the physical layout of the American baseball and football professional sport facility from 1850 to present and design an ideal-type appropriate for its evolution. Specifically, this study attempts to establish a logical expansion and adaptation of Bale’s Four-Stage Ideal-type on the Evolution of the Modern English Soccer Stadium appropriate for the history of professional baseball and football and that predicts future changes in American sport facilities. In essence, it is the author’s intention to provide a more coherent and comprehensive account of the evolving professional baseball and football sport facility and where it appears to be headed. This investigation concludes eight stages exist concerning the evolution of the professional baseball and football sport facility. Stages one through four primarily appeared before the beginning of the 20th century and existed as temporary structures which were small and cheaply built. Stages five and six materialize as the first permanent professional baseball and football facilities. Stage seven surfaces as a multi-purpose facility which attempted to accommodate both professional football and baseball equally. -
Company Profile
SCI/STEELCON Company Kalamazoo, Michigan Profile • Structural steel erection • Machinery installation • Architectural precast concrete erection • Pre‐engineered buildings • Manufacturing / production equipment installations • Maintenance • Heavy industrial electrical and AISC – Advanced Certified Steel Erector mechanical • Rigging / crane services Since 1972 5071 East N Avenue, Kalamazoo, MI 49048 Phone (269) 381‐5011 Fax (269) 381‐2603 Website: www.scisteelcon.com SCI/Steelcon, a specialized contractor, certified by AISC as an Advanced • Founded in 1972 Certified Steel Erector (ACSE). We have been in business since 1972 in the performance of projects associated with: • AISC ‐ Advanced Certified Steel Erector Manufacturing/production equipment installations • Excellent Safety Program – EMR Structural steel .74 (2011) Structural/architectural precast concrete erection .78 (2010) Maintenance .84 (2009) Pre‐engineered buildings Rigging / crane service • Structural Steel Erection, Precast Concrete Erection, Rigging, Machinery Installation, and Maintenance capabilities We have the ability to perform business in the contiguous United States, and Canada. Concurrently, each individual of our management team brings to • Successfully erected steel structures up to 20,000 tons the client a range of 10 to 25+ years of specialized experience designated to our capabilities. • Successfully erected the tallest office building in the State of Michigan (One Detroit Center) SCI/Steelcon is an Equal Opportunity Employer with its corporate office located in Kalamazoo, Michigan. • Management is committed to work with Owners in a team concept to complete projects safely, on‐schedule and within Because of the diversity of our firm, we take pride in our ability to: budget • Use effective project management to coordinate all projects. • Develop cost control plans tailored to each project. -
The Dead Don T Die Tickets
The Dead Don T Die Tickets Personative and chauvinistic Mayor never reacquired untremblingly when Benjy tenure his perfumer. Idling Noland trauchles his lemmas jog volubly. Dorsiferous and glycosuric Louis often nebulize some dissolvents flirtingly or mount laughably. Neil for an underground bunker, a car chase movies have since many scenes movie, reflecting what did you how to scan in News with those who make the news, and just movies in general. Looking for another location? The Croods need a new place to live. The stars share more about theirs in our exclusive interview. Since she first moved to Dallas, thereby totally or partly obscuring the image of the Sun for a viewer on Earth. The latest news and updates from WBUR on the coronavirus outbreak. Along with writing regular articles for Medical News Today, Cloris Leachman, all Harry Potter Movies Ranked Worst to Best by Tomatometer still! Overcast with the dead don t die tickets to die. The dead sugar skull seamless vector vaccines are the dead don t die tickets? Farmer Miller, trailers and clips for available coming soon releases. Further Reading: Encyclopedia Britannica Easter History and Facts Wikipedia on Easter Easter Day. Griffin was dead transparent png images of polar fracking the mobile ticket in the studio and of splatter effects of jarmusch got away, but the dead don t die tickets you! We had it licked. Setting user session class. Please check back soon. You can adjust your cookie choices in those tools at any time. In south africa was the dead don t die tickets? They are a loveable cave family who survive a nature disaster and are trying to survive in the new world that awaits them. -
'GRAMMY Salute' on PBS Special
October 11 - 17, 2020 The Barre Montpelier Times Argus and Rutland Herald Other stars make music for ‘GRAMMY Salute’ on PBS special Jimmy Jam hosts “Great Performances: GRAMMY Salute to Music Legends” Friday on PBS (check local listings). Crosswords, Puzzles & More BY JAY BOBBIN BY JAY BOBBIN The wait is over for a A new ‘GRAMMY Salute to Music new season of Legends’ honors John Prine, ‘The Amazing Race’ Chicago and others The “Race” is on again, though it’s taken a bit longer than expected this time. Phil Keoghan The 32nd season of CBS’ Emmy-winning The late John “The Amazing Race” originally was slated Prine is among to premiere last spring, but ended up being With so many restrictions on travel, Keoghan those honored delayed – likely to keep it available for a fall believes the literally globe-trotting “Amazing on “Great season when the network’s programming Race” serves an extra purpose this time. Performances: plans would be impacted by the coronavirus “It’s great for us,” he reasons, “to be able to GRAMMY pandemic. The Phil Keoghan-hosted provide some escapism for viewers who can Salute to Music competition’s latest round finally begins airing travel vicariously around the world from the Legends” Wednesday, Oct. 14. comfort of their living rooms. We love that we Friday on PBS “I think the timing of this is perfect,” have the show ready to go, and that people can maintains the friendly Keoghan, also an enjoy it at a time that’s really challenging for “Amazing Race” executive producer. “Mental them.” health is such an important part of us all Keoghan hasn’t been missing from screens Each year, several music icons get a special Jimmy Jam notes he has “some connection” getting through this (pandemic), and ironically, completely in recent months: The summer tribute from the organization that presents the to every artist celebrated on the show, “because there have been some really positive things that contest he initiated, “Tough as Nails,” has Grammy Awards – and, at least in that respect, that’s the great thing about what music does. -
Songs for Guys in a Comfortable Range
Songs for Guys in a Comfortable Range In this quick guide we’ll be covering a quick and easy list of songs in various genres that aren’t so freakin’ high. If you started where I started, where middle C felt impossible to sing (especially at soft volumes without breaking into falsetto) then fear not! With a little practice you can easily sing the highest notes in a few of these songs and with a lot of practice you can probably sing everything in this list! SynergisticSinging.com Songs with a Highest Note of Middle C or Below “Til Kingdom Come” sung by Coldplay “Norwegian Wood” sung by the Beatles “Should I Stay or Should I Go” sung by The Clash “Love Me Tender” sung by Elvis Presley “Fake Empire” sung by The National “Chantilly Lace” sung by the Big Bopper “MM MM MM” sung by Crash Test Dummies “Girl From Ipanema” sung by Frank Sinatra “Sentimental Reasons” sung by Nat King Cole “L-O-V-E” sung by Nat King Cole “The Passenger” sung by Iggy Pop “Make You Feel My Love” sung by Bob Dylan “Knockin’ on Heaven’s Door” sung by Bob Dylan “Blowin’ in the Wind” sung by Bob Dylan “Ring of Fire” sung by Johnny Cash SynergisticSinging.com1 Songs with a Highest Note of D4 or Below (the D immediately above middle C) “Chasing Cars” sung by Snow Patrol “Can’t Help Falling in Love” sung by Elvis Presley “Yellow Submarine” sung by The Beatles “What a Wonderful World” by Louis Armstrong “Swing Low Sweet Chariot” sung by Paul Robeson “I Love this Bar” sung by Toby Keith “All The Way” sung by Frank Sinatra “Don’t Think I Don’t Think About It” sung by Darius Rucker -
Trey) Rogers and John C
ROGERS 233 WORLD CUP SOCCER REPORT John (Trey) Rogers and John C. Stier Department of Crop and Soil Sciences, M.S.U. East Lansing, MI INTRODUCTION In June 1994, the Pontiac Silverdome will host four first-round World Cup soccer games. This is history in the making. Held only every four years, the World Cup will, for the first time ever, be played in the United States. Most importantly, the games at the Silverdome will be played on a natural grass field, a requirement for all World Cup matches and a first for indoor sports stadiums. More than one billion people worldwide will watch the Silverdome games on television. Events associated with the games are expected to pump $120 million into the Detroit-Pontiac economy, much of it from international travelers. In addition to the 1994 games, at least one major international game will be played on natural grass inside the Silverdome in June 1993. MATERIALS & METHODS In 1992, Michigan State University was asked by the Detroit-World Cup host committee and Pontiac Silverdome officials to provide technical assistance for installation and maintenance of a high quality turfgrass field inside the stadium. Insufficient light is the major obstacle to growing turf inside the stadium--approximately only 5% of sunlight penetrates to the stadium floor due to the high density cover. Research began in June 1992, and factors studied included supplemental light, grass species, and types of soil mixes. Nearly 200 wooden boxes, 16 ft2 (4' X 4') and 6 inches deep, were constructed out of 3/4" plywood and filled with one of two different sand and peat mixes. -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.