Cas the Center for Austrian Studies 2015-16 Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

Cas the Center for Austrian Studies 2015-16 Annual Report the center for austrian studies cas 2015-16 annual report cas the 2015-16 cas staff 2015-16 CAS staff, left to right: Jan Volek, Martin Baresch, Jennifer Hammer, Christopher Flynn, Daniel Pinkerton, Howard Louthan. Not pictured: Michaela Bunke. Photo: Lisa Miller. Director Editor Howard Louthan specializes in the intellectual Daniel Pinkerton has been the editor and art Student Employees and cultural history of early modern Central director of the Austrian Studies Newsmagazine Christopher Flynn is a fifth year graduate Europe with special attention to religion. His (ASN) since 1992 and the CAS Annual Re- student in the Department of History. He stud- books include The Quest for Compromise, an port since 1991. He assisted with the website ies early medieval history and is working on a examination of toleration in late 16th century redesign, performed other design and editorial dissertation on late Carolingian warfare. He was Vienna, and Converting Bohemia, an explora- duties, and assisted the director on special proj- assistant editor of the AHY and chief copyeditor tion of the recatholization of the Czech lands in ects, such as administering the CAS Book and of the ASN. the seventeenth and eighteenth centuries. His Dissertation Prize competition. Pinkerton holds current work examines the religious cultures of an MFA in playwriting and an MA in European Jan Volek is a doctoral student in history who 16th century Poland. Louthan has previously history. Outside of the university, he is an award- works on the religious history of central Europe taught at the University of Notre Dame, Warsaw winning playwright and lyricist. in the late medieval and early modern periods. University, and the University of Florida. He assumed various editorial duties with the Program Coordinator book series and the ASN. Jennifer Hammer joined CAS in January 2015, with primary responsibilities for supporting pro- Michaela Bunke, a junior majoring in history contents gramming in the Center for Austrian Studies, as and minoring in religious studies, with interests well as the Center for Holocaust and Genocide in the Czech lands and early modern history, The Director’s View 3 Studies. She led our web redesign team. Jennifer was an undergraduate administrative worker for Publications 4 earned a BA at the University of Minnesota in spring semester. Anthropology and Japanese and has done gradu- Events 7 ate work at Parsons the New School of Design. Faculty 10 Jennifer studied in Nagoya, Japan, and has lived CAS-BMWFW Fellow Student Support 12 in Graz and New York. She has previously worked Martin Baresch was the 2015-16 CAS-BMWFW for the non-profit organizations JSTOR, Artstor, Fellow. Please see back cover for details about Partnerships 13 Minneapolis Institute of Arts, and others. the fellowship and about Martin. Support & Collaboration 14 FRONT COVER: TOP: Participants in the CAS Graduate Student Workshop on Early Modern Making a Gift 15 Central Europe. Left to right: Jan Volek, Vojtěch Bažant, Lisa Scott, Pavel Soukup, Sara Ludin, Věra 2015-16 BMWFW Fellow 16 Vejrychová, Amy Nelson, Suzanna Ivanič, Agnieszka Rec, Aaron Moldenhauer, Michael Van Dussen, Christina Traxler. BOTTOM: 1950s bumper car from the exhibit In den Prater! Wiener Vergnügen seit 1766 at the Wien Museum. (Photos: Daniel Pinkerton.) 2015 2 2016 the director’s view cas Past, present, and future at CAS I write my first annual report from Lebanon, on the Habsburgs from Vienna, to create a series and as I reflect back on a week spent in busy Bei- of public lectures that was one of the most suc- rut, I marvel at the remarkable diversity of this cessful programs the Center has ever run. Middle Eastern capital. The ethnic and religious CAS seeks to build upon this solid founda- vibrancy of this city is singular, and though this tion and continue to offer coverage on a range Levantine and Middle Eastern culture is unique of themes and topics, but at this important mo- to this bustling port on the Mediterranean, it ment of transition we do face a series of challeng- does remind me of what I have found so attrac- es that may impact the scope of our activities. tive and engaging in the study of Central Europe. We construct our programming around faculty Central Europe, too, has boasted a dynamic and interests, and with the retirement of Gary Co- cosmopolitan culture that has been a product of hen at the end of 2016, the university will be left constant churning and change, a mixing of peo- without a faculty member who regularly teaches ple and the ways of life they brought with them. the history of modern Central Europe. Though Photo: Lisa Miller During my first year as director of the Cen- we at CAS will continue to advocate for a new ter for Austrian Studies, we have attempted position in this area, we have undertaken a series Minneapolis from universities in Vienna, Prague, to reflect this rich cultural legacy through our of initiatives to strengthen and reinforce a Cen- New Haven, Berkeley, and Chicago. Please see the programming. A quick scan of our calendar will tral European presence at Minnesota. This year profiles of these emerging scholars who have par- show a wide range of activities in many differ- for the first time we established a graduate stu- ticipated in our CAS Seminar program (https:// ent fields. We opened and closed our academic dent advisory council to bring together students cla.umn.edu/austrian/research/projects/semi- year with theatrical productions—in September at the university from all colleges who share an nar-fellows). We are already making preparations a cabaret show from the Jewish ghetto of Terezín/ interest in Central Europe. It provides a way for for future workshops as we reach out to and Theresienstadt and in May a children’s musical us to work with future scholars and a platform to bring together promising young scholars from from the very same place. The academic lectures help launch their young careers. This past fall we both sides of the Atlantic. we sponsored also spanned a wide range, both in took two of these students to the Czech Repub- In conclusion, I would like to recognize the terms of chronology and discipline. lic, where they presented portions of their dis- contributions of many at CAS who have made As we look forward to the future, we also re- sertation research at an international convention what we do possible. Jennifer Hammer, after 18 flect back on the past and recognize the leader- of Austrian centers. We have also created an un- months as program coordinator, has become ship of Gary Cohen, who shaped the direction dergraduate advisory board, and we are working an indispensable fixture at CAS. Our graduate of CAS in such a critical fashion. Gary arrived towards an undergraduate internship program at student editors, Chris Flynn, Sharon Park, and at the University of Minnesota in July 2001 and the Center. We hope this will bolster interest in Jan Volek, made important contributions to our led the Center until July 2010 before moving on Central Europe among undergraduates. publications, particularly the Austrian History and serving as chair of the history department. A final initiative to note concerns our wider Yearbook. Martin Baresch, the BMWFW Fellow He returned as acting director in 2014-15. If I mission supporting research and scholarship from Austria, enriched our intellectual and so- could sum up Gary’s achievement at the Cen- nationally and internationally. It is no secret that cial life. Joshkin Sezer and Michaela Bunke were ter, I would emphasize the energy he invested the footprint of Central European Studies in the our undergraduate fellows this year and helped broadening the reach and scope of our activities Anglophone world is slowly shrinking. We con- us rethink our undergraduate program. Finally, I in terms of geography, chronology, and subject tinue to see declining enrollments in German would like to single out our longtime editor of matter. This was reflected in the wide array of and other languages of the region, which in turn the Austrian Studies Newsmagazine, Dan Pinker- conferences, workshops, and programs he led at affects a broad range of disciplines in the arts, hu- ton. Dan began work at CAS in 1990 as an RA, the Center—from climate change to Baroque cit- manities, and social sciences. Graduate students became a civil servant in 1994, and will be retiring ies, contemporary social policy and patterns of working on Central European topics now more at the end of 2016. As directors have come and Austrian-American migration. Just last year, he than ever need support and encouragement. gone, Dan has been a consistent presence at the collaborated with the Minneapolis Institute of To help accomplish that, we ran a workshop for Center and has represented the Center so well for Art, which was sponsoring a visiting exhibition advanced level graduate students who came to so many years. Thank you, Dan! v OUR MISSION THE CENTER FOR AUSTRIAN STUDIES • SERVES as an international leader in promoting new scholarship about Austria and Central Europe across disciplines in the humanities, the social sciences, international business management, and the fine arts; • CONNECTS scholars, students, and an international community to resources in Minnesota, Austria, Central Europe, and the EU; • REACHES OUT to students, scholars, and an international community of educated nonacademics, bringing an awareness of Austria and the new Europe and its relevance to American life; • ENRICHES THE TEACHING MISSION of the university and the College of Liberal Arts by connecting its research and outreach programs with classroom opportunities for students. The Center pursues its mission through a variety of activities, including research projects, publications, international interdisciplinary symposia, student and faculty exchanges, scholarships, and outreach events for both students and the Twin Cities community.
Recommended publications
  • EUROPEAN DIVERSITY and BUSINESS CONGRESS ED IC
    IVERSITY DLEADERSHIP Beatrice Achaleke Diversity in Leadership & Consulting e.U. European Diversity & Business Congress Europe´s groundbreaking Congress for CEOs, HR & CSR Managers, Academia, Consultants, Diversity Executives & Practitioners st nd IVERSITY 1 – 2 of March 2012,Vienna DLEADERSHIP Beatrice Achaleke DiversityLeadership & Consulting e.U. EDIC EUROPEAN DIVERSITY and BUSINESS CONGRESS Diversity and Business@Work Congress Program Page 41 Guss Takkale’s keynote is made up of two parts: Part one: intro to the journey of change and outlining the ne- cessary tools to get through the journey, and part two: going through the change: the 5C`s of Change. Gus is known for energizing his audiences from the get-go. He creates a bang from the beginning to the end, while he is on stage. Speakers‘ List: | Gus Takkale - International Change Catalyst & Speaker, Canada Introducer: | Simon Inou - M-MEDIA, Austria 10:45-11:30am Keynote 3: Increasing Diversity in German Management DQG6XSHUYLVRU\%RDUGVò,VLWZRUWKWKH(IIRUW" 5DLIIHLVHQ)RUXP6DDO:LHQ There are numerous advantages of diverse boards and probably just as many possibilities to enhance the propor- tion of the so far neglected groups, especially of women. But why does homogeneity still prevail despite the rising interest in the topic and the partly comprehensive implementation of diversity-increasing measures, especially in larger companies? And why are SMEs noticeably reluctant when it comes to action? Besides reasons such as the old boys’ network and the traditional mentality, there might exist more obstacles preventing minorities to reach the top of the corporate hierarchies. According to recent statements about the shortage of women on their Z\WLY]PZVY`IVHYKZ.LYTHUJVTWHUPLZISHTLPU[LYHSPH[OLVUNVPUNÄ]L`LHYWLYPVKVMJ\YYLU[THUKH[LZ6M course, merely adding women would lead to inappropriately large boards.
    [Show full text]
  • Daniel Blaufuks B
    Daniel Blaufuks b. 1963 Jean-Kenta Gauthier [gallery] [office] [email protected] 5 rue de l’Ancienne-Comédie 47 rue Blanche www.jeankentagauthier.com F-75006 Paris F-75009 Paris 1 Daniel Blaufuks Born in 1963 in Portugal, lives in Libon, Portugal. --- Formation: AR.CO, Lisbon, Portugal, 1989 Royal College of Art, London, UK, 1993 Watermill Center, New York City, USA, 1994 International Studio and Curatorial Program, New York City, USA, 2001-2002 Location One, New York City, USA, 2003 PhD, University of Wales, Cardiff, UK, 2017 Professor / teaching experiences: AR.CO, ETIC, EPI, Maumaus (co-founder), IPA, Atelier de Lisbon, Lisbon, Portugal SESC, Rio de Janeiro, Faculdade de Belas Artes, Lisbon, Portugal Masterclasses in institutions (selection): Consortium, Universidade Católica, Lisbon, Portugal Universidade Nova de Lisbon, Lisbon, Portugal Faculdade de Belas-Artes, Lisbon, Portugal Faculdade de Belas-Artes, Porto, Portugal Universidade do Minho, Braga, Portugal University of Minnesota, Minneapolis, USA Mount Holyoke College, South Hadley, Massachussets, USA Kahn Institute, Smith College, Northampton, Massachussets, USA Hampshire College, Amherst, Massachussets, USA Summer School, Universidade Católica, Lisbon, Portugal Jean-Kenta Gauthier [gallery] [office] [email protected] 5 rue de l’Ancienne-Comédie 47 rue Blanche www.jeankentagauthier.com F-75006 Paris F-75009 Paris 2 Awards and nominations: nomination, Deutsche Boerse Award, 2015 Best Portuguese Documentary, IndieLisboa, 2011 Best proposal, LOOP, Barcelone, 2008
    [Show full text]
  • Daniel Blaufuks-Paris Photo
    Nos 60 anos da Revolução Cubana, Daniel On the 60 years of the Cuban Revolution, Blaufuks mostra nesta edição da feira Paris Photo DANIEL BLAUFUKS Daniel Blaufuks shows a photographic diptych um conjunto de trabalhos em que se destaca um taken after Fidel Castro’s death capturing what díptico fotográfico que representa o que aparenta seems to be an old man’s solitude and ser a solidão e orfandade de um homem idoso orphanhood of this longtime leader. The other depois da morte do líder histórico. Outros works from the series Cuba reveal a trabalhos da mesma série - Cuba - revelam um suspended time as if it were an index of tempo suspenso como se fosse um índice da displacement after the passage of a perda do sentido de pertença depois da transfiguring reality. passagem de uma realidade transfiguradora. The series "The Business of Living”, inspired by A série de "O Ofício de Viver" é um trabalho, Cesare Pavese's diaries, is about the inspirado nos diários de Cesare Pavese, sobre a experience of time and the memories that experiência do tempo e das recordações que remain after the passing days. Living as a restam dos dias que passam. Viver como um ofício, business, as something that requires its own como algo que necessita da sua própria ordem, order, as a task taken place in some office, como se tratasse de uma tarefa em algum sometimes a mechanical and bureaucratic escritório e da necessidade, por vezes mecânica e need, tidying up time: waking up, eating, burocrática, de arrumar o tempo: acordar, comer, thinking, doing, working, sleeping, living.
    [Show full text]
  • Daniel Blaufuks Utz
    Sep 22 – Nov 16 2012 Opening— Tuesday to Saturday From 2pm to 7pm September 21 at 10 pm Daniel Blaufuks Utz Av. 24 de Julho, 54–1ºE 1200-868 Lisboa Portugal T/F +351 213950177 www.veracortes.com Text by daniel blaufuks The exhibition “UTZ” presents several recent works of mine, dealing with “SELFPORTRAY”, sole work in video, but equally existing as photographs Lisbon, September, 2012 the history of Photography as a reproduction method and as an object of outside of the show, is a double object based on a double image by Man www.danielblaufuks.com artistic creation. Ray, an artist who experimented fully with his “rayographs”, rediscovering an old technique of setting an object under the light of the enlarger Using different techniques, partly obsolete, such as printing with the to create a copy of its shadow, a positive-negative. It is therefore in help of solar light (cyanotype), stereographs and polaroid, and contrast- direct connection with the other works in the show, including the image ing these with recent ones as inkjet printing and video projection, the of “THE PHOTOGRAPHER”, a contact printed under solar light from exhibition will try do dialogue directly with works by seminal photogra- a found negative. phers, such as Talbot, Niepce and Man Ray, thus establishing connec- tions with the memory of photography itself as a practice and with the Another project for this show is “THE FIRST IMAGE”, a series of fourteen present evolution of the process, from analogue to digital, not only in polaroids in 8.5 x 8.5 cm.
    [Show full text]
  • Österreich Und Die EU-Strategie Für Den Donauraum
    Österreich und die EU -Strategie für den Donauraum Erfahrungen und Perspektiven im ersten Umsetzungsjahr ExpertInnenbericht erarbeitet im Auftrag des Bundeskanzleramts, finalisiert nach Diskussion mit österreichischer EUSDR- Koordinationsplattform am 12.9.2012 Metis GmbH Alice Radzyner (Projektleitung) Marlene Hahn Jürgen Pucher Peter Schneidewind Paul Niederbichler Wien, September 2012 Österreich und die EU -Strategie für den Donauraum Erfahrungen und Perspektiven im ersten Umsetzungsjahr Österreich und die EU-Strategie für den Donauraum Inhalt Österreich in der EU-Strategie für den Donauraum - Einleitung .............................. 8 1 Die EU Strategie für den Donauraum aus österreichischer Perspektive ...... 11 1.1 Die Strategie im Aufbau ........................................................................................ 11 1.2 Beteiligung Österreichs an der Strategieumsetzung ............................................ 14 1.3 Erwartungen an die Donauraumstrategie ............................................................. 18 2 Strategieumsetzung im Fokus ........................................................................... 22 2.1 Wie gegenwärtig Fortschritte beobachtet und dokumentiert werden ................... 22 2.2 Vorschläge zur Beobachtung der österreichischen Beiträge ................................ 27 3 Der österreichische Beitrag der Strategie ........................................................ 30 3.1 Governance: Wer sind die österreichischen Akteure? ......................................... 30 3.2
    [Show full text]
  • Remarks by Fulbright Austria Executive Director Dr. Lonnie
    Remarks by Fulbright Austria Executive Director Dr. Lonnie Johnson at the Celebration of 65 Years of Fulbright Exchanges at the Austrian Cultural Forum in New York City on April 5, 2016 I would like to briefly introduce you to Ambassador Kathryn Walt-Hall and Craig Hall, whom we want to acknowledge this evening. Kathryn Walt-Hall is a grower of fine wines today and her career as a vintner actually began back in the 1970, when her family purchased their first vineyard. She has had a multifaceted career as a successful businesswoman, attorney, community activist, and, as you know, she served as the United States ambassador to Austria from 1997-2001. Craig Hall is the chairman and founder of the Dallas-based Hall Financial Group. He always has been a passionate entrepreneur, and he is a businessman and investor with a wide range of interests. I will never forget the story he once told me about the beginning of his entrepreneurial career at the University of Michigan, when he, as a student, figured out that based on the rents that he and his roommates were paying in their off-campus housing he could buy the house they were living in. And he did. During her tenure as US Ambassador to Austria, one of Ambassador Hall’s many responsibilities was serving as one of the two honorary co-chairs of the binational Austrian- American Fulbright Commission – along with the Austrian Minister for Science and Research, a position that happens to be filled by the Austrian Vice Chancellor Reinhold Mitterlehner today. She was an enthusiastic advocate of educational and cultural exchange and all things Fulbright, and the annual receptions she and her husband hosted at their residence for the incoming US Fulbright grantees as well as the homecoming Austrian Fulbright grantees were always memorable experiences for all parties involved.
    [Show full text]
  • CV 2010! Between Times
    Clare Strand CV Born 1973! Living and working in Brighton Uk.! www.clarestrand.co.uk! http://clarestrand.tumblr.com! !www.macdonaldstrand.co.uk.! ! ! Solo Exhibitions! 2015 ! Grimaldi Gavin. london . (Title TBC)! 2014! Further Reading. National Museum Of Krakow. Photomonth, Krakow.! 2013! Arles Discovery Award. Rencontre Arles. France.! 2012! Tacschenspielertrick, Forum Fur Fotografie, Cologne. Germany.! 2011! Sleight, Brancolini Grimaldi Gallery, London.! 2009! Clare Strand Fotographie Und Video, Museum Fur Photograhie Braunschweig,! Germany.! Clare Strand Fotographie Und Video, Museum Folkwang, Essen, Germany.! 2008! Clare Strand Recent Works, Fotografins Hus, Stockholm Sweden.! 2005! The Betterment Room – Devices for Measuring Achievement, Senko Studio. Denmark.! 2003! Gone Astray, London College of Communication, London.! 2000! Wasted, Galleri Image, Aarhus, Denmark.! 1998! Seeing Red, Museum of Photography Film and Television, Bradford, England; Imago! Festival, Universidad Salamanca, Spain; Viewpoint Gallery, Salford, England and! Royal Photographic Society, Bath England.! 1997! !The Mortuary, F-Stop Gallery, Bath.! ! Group Exhibitions.! 2015! A History of Art, Archetecture, Design from the 1980’s until Today. curated by Christiane Macel. Center Pompidou. Paris France.! European Portraits ( working title) The Centre of Fine Arts, Brussels, Bozor, Nedermands Fotomuseum , Rotterdam and The National Museum of Photography in Thessaloniki .! 2014! (Mis) Understanding Photography, Folkwang Museum, Essen, Germany. Curated by Florian Ebner!
    [Show full text]
  • Full of Bright Minds
    Full of bright minds. AUSTRIAN-AMERICAN EDUCATIONAL COMMISSION GESCHÄFTSBERICHT 2015/16 INHALTSVERZEICHNIS EXECUTIVE SUMMARY 3 DAS AUSTRIAN-AMERICAN EDUCATIONAL COMMISSION BOARD: FULBRIGHT AUSTRIA 6 PARTNERINSTITUTIONEN 8 DAS FULBRIGHT PROGRAMM: EINE KURZFASSUNG 9 DIE FINANZIERUNG DES FULBRIGHT PROGRAMMES IN ÖSTERREICH 10 FINANZIERUNG 2015/16 (BASIEREND OF DEM JAHRESABSCHLUSS) 11 TEILNEHMERINNEN AN DEN PROGRAMMEN NACH STIPENDIENKATEGORIE: 1951/52–2015-16 12 FACHGEBIETE DER TEILNEHMERINNEN 2015-16 13 FULBRIGHT STIPENDIATINNEN UND US FREMDSPRACHENASSISTENTINNEN 2015-16 15 © AUSTRIAN-AMERICAN EDUCATIONAL COMMISSION 2017 EXECUTIVE SUMMARY MISSION STATEMENT: LEITBILD Fulbright Austria fördert den wechselseitigen Wissenstransfer und institutionelle Zusammenarbeit, Kultur- und Wissenschaftstransfer zwischen die grenzüberschreitend und völkerverbindend ist. der Republik Österreich und den Vereinigten Seit 1951 hat Fulbright Austria mehr als Staaten von Amerika. Als Teil eines weltweiten 6000 österreichische und US-amerikanische Netzwerks von Fulbright Programmen bieten wir Studierende, FremdsprachenassistentInnen, seit über 60 Jahren aufstrebenden und kreativen Lehrende, KünstlerInnen, ForscherInnen und österreichischen und US-amerikanischen WissenschafterInnen unterstützt. Zudem hat Studierenden und WissenschafterInnen aus die Kommission seit 1962 mehr als 3000 US- verschiedenen Fachrichtungen die Möglichkeit, im amerikanische Fremdsprachenassistentinnen an jeweiligen Partnerland zu studieren, zu lehren und Sekundarschulen in ganz Österreich
    [Show full text]
  • CONTEMPORARY AUSTRIAN STUDIES Volume 18
    The Schüssel Era in Austria Günter Bischof, Fritz Plasser (Eds.) CONTEMPORARY AUSTRIAN STUDIES Volume 18 innsbruck university press Copyright ©2010 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, ED 210, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America. Published and distributed in the United States by Published and distributed in Europe by University of New Orleans Press: Innsbruck University Press: ISBN 978-1-60801-009-7 ISBN 978-3-902719-29-4 Library of Congress Control Number: 2009936824 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Assistant Editor Ellen Palli Jennifer Shimek Michael Maier Universität Innsbruck Loyola University, New Orleans UNO/Vienna Executive Editors Franz Mathis, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Sándor Kurtán Universität Graz Corvinus University Budapest Peter Berger Günther Pallaver Wirtschaftsuniversität
    [Show full text]
  • The J. William Fulbright Prize for International Understanding
    The J. William Fulbright Prize for International Understanding Honoring Angela Merkel Chancellor of Germany Award Ceremony January 28, 2019 Berlin, Germany J. William F ulbright Prize | 1 The J. William Fulbright Prize for Evening Program Peace and Understanding 6:00-8:30 pm The Fulbright Prize was established to honor the largest and Performance by Fulbright Jazz Ensemble, featuring Sara Decker, Julian Hesse, most significant educational exchange program in history, as Hagen Möller, Tom Berkmann, Martin Terens, and Matt Jacobson. well as the career and spirit of its creator, the late Senator J. William Fulbright. The Prize recognizes and rewards outstanding 6:00 pm – Awards Ceremony contributions toward bringing peoples, cultures, or nations to Welcome — Manfred Philipp, Past President, Board of Directors greater understanding of others. The Fulbright Prize was initially supported by a generous grant from the Coca-Cola Foundation. Remarks — Oliver Schmidt, Executive Director The Prize is now supported by the J. William Fulbright Prize German-American Fulbright Commission Endowment, a fund created with a bequest from the late John B. — Fulbright Alum Hurford, a former Fulbright Association officer and director. The Prize event is supported by sponsorships and contributions from Video Message — Renée Fleming, Soprano, Fulbright Alumna, and Fulbright alumni and friends around the world. Lifetime Achievement Awardee Prize Remarks — Mary Ellen Heian Schmider, Prize Committee Chair The J. William Fulbright Prize for International Understanding inaugural winner was former South African President Nelson Introduction of Prize Laureate — Christiane Amanpour, Journalist Mandela (1993). Four recipients of the Fulbright Prize, Nelson Mandela, Jimmy Carter, Kofi Annan, and Martti Ahtisaari, were Presentation of the J.
    [Show full text]
  • Let. to Melissa Petersen 7/9/95
    1 PETER I. ROSE Sophia Smith Professor Emeritus of Sociology and Anthropology Senior Fellow, Kahn Liberal Arts Institute Smith College Northampton, MA 01063 Education 1950-1954 Syracuse University A.B., magna cum laude 1954 1954-1958 Cornell University M.A. 1957 Cornell University Ph.D. 1959 Academic Appointments 1953-1954 Syracuse University: Teaching Assistant 1954-1958 Cornell University: Teaching Fellow (1954-1957); Research Supervisor (1957-1958) 1958-1960 Goucher College: Instructor in Sociology and Anthropology 1960- Smith College: Assistant Professor (1960-1963) Director, Social Science Research Center (1961-69, 1972-73, 1977-78) Associate Professor (1963-1967) Professor (1967-73) Sophia Smith Professor of Sociology and Anthropology (1973-2003) Appointed Sophia Smith Professor Emeritus, 2003 Chair of Department (1967-74) Chair of Division, History and Social Sciences (1971-1977) Co-Director, American Studies Diploma Program [for foreign graduate students] (1969-1972) Director, American Studies Diploma Program (1972-2003) Jean Picker Fellow (1991-1992) Danziger Fellow (1999-2002) Organizing Fellow and Director, Project on “The Anatomy of Exile,” Kahn Institute (2000-2001) Senior Fellow, Kahn Liberal Arts Institute (2001- ) 1961- University of Massachusetts: Lecturer in Sociology (1961-1963); Associate Professor (1965-1966); Professor (1971-1972); Part- time appointments. Member of the Graduate Faculty since 1961. 1964-1965 University of Leicester, England: Visiting Senior Lecturer and Senior Fulbright Lecturer 1966-1967 Wesleyan University: Visiting Associate Professor in Public Affairs 1968 University of Colorado: Visiting Professor (Summer) 1968-1969 University of Leicester, England: Visiting Professor (October; April-May) 1969 University of California at Los Angeles: Visiting Professor (Summer) 1969-1970 Yale University: Visiting Professor, part-time appointment.
    [Show full text]
  • Graciela Iturbide's Private Universe
    Graciela Iturbide’s Private Universe September 24th, 2010 by Cassandra McGrath An ostrich stares indignantly at me, hip jutting out as though I had ditched its Thanksgiving dinner. “What are you doing in this gallery staring at me?” it seems to say. “Why didn’t you bring the cranberry sauce?” Like an exaggerated cartoon version of an image in National Geographic, the ostrich is one of the more vivid subjects in Graciela Iturbide’s most recent exhibition, Graciela Iturbide: asor, ending this week in the Rose Gallery at the Santa Monica Museum of Art. Iturbide once said, “While using my camera I am, above all, an actress participating in the scene taking place at the moment, and the other actors know what role I play.” In “asor,” taken straight from her personal archive, Iturbide creates a fantasy world that explores the terror and joy of childhood solitude. Inspired by her grandchildren and Alice in Wonderland, Iturbide photographed the Southern United States, Italy, India and Mexico, using snippets from each location but nothing identifiable from any of them. Instead, she crafted a new narrative that makes the fantastic pedestrian and the pedestrian fantastic. Clocks and abandoned buildings take on the significance of mythical creatures. In one pair of photographs, two blank eyeholes carved out of rocks peer out at the viewer, observing and saying nothing. Birds gather ominously in the sky like locusts, and in one arresting image, sunflowers are backlit and shot from below, drooping and spiky as Venus Fly Traps. Iturbide plays with perspective: A giant plaster head sits next to a parked car, disorienting any sense of scale.
    [Show full text]