For the Creative Professional Working in Hot, Warm, and Cold September/October 2016

$7.00 U.S. $8.00 Canada Volume 31 Number 5 2016-2017 Directory of Supplies www.GlassArtMagazine.com Artist Patty Gray demonstrating Pro Series Combing at Pacific Artglass in Gardena, CA.

The Artist Patty Gray was introduced to glass blowing in 1973. She and her husband built their first glass- The Kiln blowing studio in 1975. Together they have been The GM22CS com- producing architectural fused/cast glasswork monly referred to for installations in major hotels, public buildings as “The Clamshell” ,and private residences for over ten years. Patty is particularly well is constantly on the road sharing her knowledge suited for combing of fusing in workshops all over the world. To see because of it’s easy more of Patty’s work visit: access design and the www.pattygray.com fact that a tilt switch cuts the power to the Combing elements whenever Combing is a technique used to distort patterns the lid is opened to prevent electrical shock. in molten glass for interesting effects. Typically a For more information on the GM22CS visit our tile is made of fused, varied-color strips of glass website at: and heated to a point where it is soft enough to www.glasskilns.com “comb” with stainless steel rods. The piece can then be blown into a vessel using a process called “a pick up” like the piece shown here. For more information on combing visit: www.glasskilns.com/proseries/combing

Patty GrayV4.indd 1 12/13/11 8:53:09 AM Letter from the Editor 4 The Season to Broaden Your Glass Horizons by Shawn Waggoner September/October 2016 Volume 31, Number 5

Hot Glass Studio Profile Grant Garmezy 6 A Young Artist Finding His Way to Glass by Colleen Bryan

Historical Perspectives Scholarly Electronic Resources at Corning 10 The Techniques of Renaissance Venetian Glassworking by The Staff of the Corning Museum of Glass

CGS News 14 The 2016 Contemporary Glass Society Exhibition by Pam Reekie

Winning Glass 16 The 2016 Glass Craft & Bead Expo Gallery of Excellence

Marketing 22 Time to Get Creative by Mark Veit

24 2016–2017 Directory of Industry Supplies

Retailer Profile McMow Art Glass 42 Reinvigorating an Intergenerational Legacy Business Using a Millennial’s Perspective by Colleen Bryan

Educational Glass Perspectives of Graal Glass 48 A Symposium and Master Classes at Bild-Werk Frauenau by Bild-Werk Frauenau, Germany/Bavaria

International Glass Listening to Art 50 The Palau de la Música Catalana by Leslie Gibbs

SAMA News 54 SAMA Leaves a Mosaic Legacy in El Cajon by Shawn Newton

57 Readers’ Forum

58 What’s New Above: McMow Art Glass, Golfing Chimp door panel. On the cover: Desert Blossom by Grant and Erin Garmezy. Photo by Brian Cannizzaro. 62 Advertisers’ Index

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www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 3 Glass Art Letter from the Editor Volume 31, Number 5 The Season to Broaden Your Glass Horizons Publisher ~ Maureen James Editor ~Shawn Waggoner The September/October 2016 issue of Glass Art continues the Copy Editor ~ Darlene Welch magazine’s comprehensive coverage of hot, warm, and cold glass Accounting ~ Rhonda Sewell beginning with up-and-coming artist Grant Garmezy’s high-end, realistic glass honoring the natural world of the South. Circulation Manager ~ Kathy Gentry International glass is represented in articles featuring the stained Advertising ~ Maureen James glass of Barcelona’s Palau de la Música and the electronic re- Graphic Artists ~ Dave Burnett source, The Techniques of Renaissance Venetian Glassworking Mark Waterbury by artist and scholar William Gudenrath, released by the Corning Contributing Artists and Writers Museum of Glass. Bild-Werk Frauenau’s Perspectives of Graal Bild-Werk Frauenau, Colleen Bryan Glass, a symposium and master class, is also showcased. In addition to reporting on the many glass organizations and their activities, Glass Art Leslie Gibbs, Shawn Newton presents its annual Directory of Industry Supplies. This indispensable tool—available in Pam Reekie print and online—provides the perfect way for artists, retailers, and suppliers to connect to Staff of The Corning Museum of Glass make the buying and selling process mutually beneficial. These comprehensive, alphabeti- Mark Veit, Shawn Waggoner cal listings provide addresses, phone and fax numbers, contact names, and products and Darlene Welch services available, plus brief comments from each glass art supplier. Glass Art™ Listen while you work! Subscribe to Glass Art magazine’s Talking Out Your Glass pod- cast on iTunes or Stitcher. Episodes include Richard Marquis, pioneer of murine making and ISSN 1068-2147 is published bimonthly ; Narcissus Quagliata’s groundbreaking personal and public work in stained by Glass Patterns Quarterly, Inc. and fused glass; and Dr. Laura Schlessinger, radio personality and philanthropic fused glass POSTMASTER: Send address artist. You’ll also find a conversation with Tina Oldknow, former curator of modern and changes to Glass Art, contemporary glass at the Corning Museum of Glass; how Ben Belgrad gives back through 8300 Hidden Valley Road, his art; the early life and times of glassblowing pioneer ; P.O. Box 69, Westport, KY 40077 and a tribute to beloved artist and owner of Hunt Studio, the late Nicholas Parrendo. Contact us for sponsorship opportunities for this growing bimonthly podcast. Telephone: 800-719-0769 Fall is a great time to learn a new skill, and our expert Webinars provide the perfect 502-222-5631 way to add to your technical repertoire without ever leaving home. We have nearly 40 Facsimile: 502-222-4527 Webinars listed in all types of glass techniques, some brand new to our program. Included Website: www.GlassArtMagazine.com are warm glass classes with Lisa Vogt and Barry Kaiser, copper foil overlay with Cathy E-mail: [email protected] Claycomb, boro pendants with Brent Graber, fusing with Randy Wardell, sandblasting and Subscriptions: United States, Canada, cold working with Dennis Brady, and many more. For the complete Webinar schedule, visit www.glassartmagazine.com. and Mexico (U.S. Funds): one year $30; two years $48; three years $60. Foreign Helping subscribers to never stop learning, in print and online, (U.S. Funds): one year $56, one year airmail $70. Single copy price (U.S.) $7. All subscriptions must be paid in Shawn Waggoner U.S. dollars with an international Editor money order or with a check drawn on a U.S. bank. Periodicals Postage Paid at Westport, KY 40077 and additional mailing offices. ©2016 Glass Patterns Quarterly, Inc. All items submitted to Glass Art become McMow Art Glass, Mermaid and Turtle stained glass panel (detail). the sole property of Glass Art and cannot be reproduced without the written con- sent of the publisher. Advertisers and/or Advertising Deadlines agencies assume all liabilities for printed advertisements in Glass Art. Opinions November/December 2016 January/February 2017 expressed in Glass Art may not necessar- Ad Closing September 20, 2016 Ad Closing October 20, 2016 ily reflect the opinion of the magazine, its Ad Materials September 30, 2016 Ad Materials November 30, 2016 management, or its advertisers. Issue Mails October 24, 2016 Issue Mails December 26, 2016

4 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 5 Hot Glass Studio Profile GRANT GARMEZY

A Young Artist by Colleen Bryan

Finding His Way rant Garmezy blows high-end realistic glass Gsculpture with distinctly Southern imagery to Glass from a furnace at The Glass Spot in Richmond, Virginia. His work features the animal life of the rural South, where the artist grew up surrounded by nature and animals and the rhythms of farm life. He transfers techniques learned from realist Southern sculptors. The young artist is gaining a reputation in places as far distant as the Czech Re- public, Turkey, South Korea, and Southern France. Garmezy’s story is one of a young artist making his way through various media and recounting the chal- lenges he navigated to establish himself as a professional glass artist. Glass Art caught up with Garmezy just as he returned from teaching his first class in advanced sculpting at The Studio of The Corning Museum of Glass and readying himself for an intensive summer of international travel, demonstra- tions, and teaching.

The Artist’s Roots Garmezy grew up on a farm outside Nashville, Tennessee, with parents who were very supportive of him pursuing art. “Nothing else came naturally to me, so I was enrolled at age 10 in private lessons with a cartoonist to practice drawing, and that naturally evolved. I apprenticed with a coppersmith in high school, where I learned how to work with metals, the discipline of being an artist, and the hardships of being a working artist. My early portfolio is filled with metalwork.” Out of high school, Garmezy applied to 10 art schools and was ac- cepted by nine. An accidental encounter with a recruiter in an elevator led him to discover Virginia Commonwealth University School of the Arts (VCUarts). “I found an amazing school, far enough away from home, with the best art facilities I’d seen and among the top arts programs in the country. They also had lots to offer beyond arts, and I wanted to be immersed in a diverse school.” Garmezy entered VCUarts intending to specialize in metalwork- ing. He studied ceramics, furniture design, and metalworking for a year but was fascinated when he first observed glassblowing. “There were music, students working in teams with molten material, people having a good time. I was, like, how do I get in there? I asked the head of the department for an override slip and changed my focus from metalsmithing to glassblowing.” The artist’s introduction to glass was hardly a love match. Instruction focused on the basics, the mechanics, and the functional side of blowing. “I wasn’t drawn to functional glassblowing at all. I didn’t enjoy the rigid steps just to yield an end product that was a cup—something that has already been made much better than I could ever make it. That was unexciting, when this material could be so much more. I was impatient to move beyond simple functional items.”

Grant and Erin Garmezy, Desert Blossom, (detail) hot sculpted furnace glass, lampworked borosilicate glass, electroplated copper, 17" x 11" x 6", 2015. Photo by Brian Cannizzaro.

6 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Grant and Erin Garmezy, Dramatic Descent, hot sculpted furnace glass, silver leaf, 38" x 24" x 10", 2015. Photo by Brian Cannizzaro. Working across Materials That summer Garmezy returned home to apprentice with bronze sculptor Alan LeQuire, who made the Athena Parthenos sculpture On completion of his residency, the Royal Scottish Academy in Nashville’s Parthenon. LeQuire taught Garmezy how to coax awarded Garmezy the Benno Schotz award for most promising figures from the material. “I returned to the glass program ready to young sculptor in the United Kingdom. “I returned to the United apply all that I’d learned about clay sculpting to glass. I couldn’t States on a total high.” put my hands on the material, so the challenge was to make the Back home in Richmond, Garmezy rented time at The Glass tools become my hands.” Spot, a local studio. He felt himself going through the motions of He began to tweak what he learned in class—for example, making work, though nothing great. “I remember it as a fun time, making a bowl in order to transform the functional object into unrealistic just off the high of graduation and residency.” Slowly, representational art, perhaps a turtle shell. Emilio Santini, a fifth- he started to build a team of fellow artists. generation Murano glassworker, was the professor at After a year of moving through the routines, Garmezy came to VCUarts, and Garmezy sought his advice on glass sculpting using the sobering realization that he was stuck, having invested time in lampworking techniques. Garmezy applied those tips in the hot glassblowing without accruing any selling experience, artistic rec- shop and began sculpting animals. He grew more adept at bringing ognition, or body of work. “It all came to a head in 2008 and 2009 life out of furnace glass. “I found that the material can look like with the economic crash. For about three years I worked part-time anything—reptile skin, wood, stone, fish scales. As I gained control at Home Depot to make enough money to rent time in the studio.” over a sizable vocabulary of textures in glass, my work bloomed.” Moving past this dry period took more than simply waiting for the economy to improve. Garmezy had to figure out how to turn Transitioning to a New Context glassblowing into a livelihood. One key challenge was taking control Garmezy graduated from VCUarts in 2007 and was immediately of his own artistic future. A pivotal decision, Garmezy now reflects, awarded the Northlands Creative Glass Residency on the far north- was setting himself a goal to grow his business 1 percent every day. ern coast of Scotland for eight weeks. “Having received a gift of “Doing that could be something as small as writing an e-mail or sculpting tools as a graduation present, I spent the residency blowing sketching out ideas. My belief was that by the end of a year, I would glass bubbles and sculpting them from the inside.” be 365 percent better than I was the year before.”

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 7 Grant Garmezy, River Buck, hot sculpted furnace glass, electroplated copper, steel, 27" x 24" x 26", 2014. Photo by Brian Cannizzaro.

Grant and Erin Garmezy, Richmond, Virginia, 2014. Photo by Brian Cannizzaro.

balance, stay the course, and avoid the distraction of shiny objects that keep you from pursuing your passion. Hard times usually lead In real terms, Garmezy’s goal translated to making the kind of to success if you just hang on to get past the immediate hurdle.” glass he wanted to make, applying for residencies and teaching gigs, and creating a new easier-to-access website that focused on Anchoring in Community the viewer rather than the artist. He searched out prospective men- Garmezy emphasizes that artistic success is not an overnight tors—artists who had accomplished what he was attempting. “I phenomenon. “I’m 31, and a lot of people see what I’ve accom- started reaching out to the community, using old connections to help plished as quick success. But it has taken me 10 years to get where discover new ones. Having never before done any self-promotion, I am now. That was 10 years of practice with a lot more failures I started reading and learning more about entrepreneurship.” He than achievements, but I kept chiseling away a little every day.” learned one key thing from this era: “I had to become less self- Particularly with a long goal, a deep and supportive community conscious of what people might say or think about me.” provides an important anchor. The glassmaking community in Adopting the model of 1 percent a day was a game changer for Richmond is small. The Glass Spot, owned by Chris Skibbe, is the Garmezy. “That was the point where I stopped waiting for the piece only hot shop in the area beyond the one at VCUarts and provides of mail, news of a sale, or for a particular client to see and like my a nucleus of activity and community for glass artists. That is a work. I stopped putting my future as an artist in the hands of other resource Garmezy values highly. people and started taking charge of it myself.” As a young artist, Garmezy says his best decision was surround- With this orientation, the artist also recognized the importance of ing himself with people who loved him and supported his dream. keeping balance in his life over the long haul. He structures every Several members of the seven-person team have been around for day to incorporate a healthy workout, something that moves his eight years now. “We’ve worked for a long time and have come a career forward, some time with friends and family, and feeding his long way together. Having this supportive inner circle from Day soul. Hard-won advice to other young artists includes, “Keep the One has been essential.”

8 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Reaching Across Barriers Approach to Teaching When Skibbe began staging Third Thursdays at the hot shop In February 2016, Garmezy taught his first class in advanced with a free, open-to-the-public demonstration of glassblowing, sculpting at The Studio of The Corning Museum of Glass. “I am not public interest in the performance of the medium exploded. “The a smooth glassblower like the Venetian glassmakers. Watch them public was elated.” Third Thursdays helped Garmezy connect with work and you see very straight backs and elbows. I do very high-end Jerrod Fergeson of the J Fergeson Gallery, who gave the artist his glass sculpting but engage the material in a way that might make first show in New York in 2013. From there the artist reached out people uncomfortable. My style is very raw.” to demonstrate and teach. For Garmezy, sculpting is all about feeling the material rather Garmezy was invited to lecture at the Korea National Univer- than moving through a sequential process. This sculpting style sity of Arts (K-Arts) and Namseoul University. “I fell even more dictates a highly personalized teaching style. He stands beside the deeply in love with glass as a language, since it provided a common students while placing his hand alongside theirs on the tweezers, vernacular for reaching across verbal and cultural barriers. I always guiding their hands to create a jawbone sculpture. “They quickly tell people that glassblowing is like dancing. If you can salsa and I learn the subtle moves that bring them success.” can salsa, we can probably salsa together.” During the summer of 2016, Garmezy taught at The Glass Fur- Following his Korean adventures, Garmezy was asked to be a nace outside Istanbul, Turkey, followed by a stint at Cesty Skla Glass visiting artist at the Chrysler Museum of Art in Norfolk, Virginia, Center in Prague, the Czech Republic. He was also invited to be part during its Third Thursdays After Hours series. “It was an incredible of an international glass festival in Southern France. “It is a small night. I had invited my parents and my girlfriend’s parents. We cre- town on the coast near Barcelona that hosts an annual international ated a giant sea turtle in front of a crowd of hundreds, and when the glass festival, the Festival du Verre à Palau Del Vidre. I was one piece was finished, I proposed to my now wife, Erin.” of two Americans among 10 artists visiting from around the world, demonstrating for five days. It was a busy summer.”

Look for Subscriber Benefits coming to Subscribers Only via links in upcoming e-mails from Glass Art. This Bonus Content de- scribes Grant Garmezy’s development of a personal artistic style, his exploration of intricate detailing in commission work, and what he has done to crack the code to business success as a full-time artist.

Grant Garmezy, Owner Grant Garmezy Glass (615) 476-3337 [email protected] Grantgarmezyglass.com Instagram @Garmezyglass Facebook grantgarmezyglass © Copyright 2016 by Glass Art. Demoing a lifesize pelican at Ignite All rights reserved. Glass Studio Chicago.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 9 Historical Perspectives Scholarly Electronic Resources at Corning The Techniques of Renaissance Venetian Glassworking

by The Staff of The Corning Museum of Glass Photos Courtesy of The Corning Museum of Glass

n February 1, 2016, The Corning Museum of Glass released its first-ever scholarly electronic resource,The Techniques Oof Renaissance Venetian Glassworking by artist and scholar, William Gudenrath. A culmination of a lifetime of research, this digital resource details the techniques used to make glass on Mu- rano, the historic glassmaking island near Venice, between AD 1500 and 1700, a period known as “the golden age of .” Through 360-degree photography and high-definition video, complete reconstructions of Venetian glassmaking tech- niques unknown for centuries have now been revealed.

Exploring the Pinnacle of Glassblowing It is a widely held belief that Venetian techniques represent the pinnacle of difficulty in glassblowing. artists have long studied Venetian glassblowing methods in an effort to develop and refine their skills, even if their work bears no rela- tion to Venetian glass of any period. Not well known, however, is how Venetian objects of the Renaissance were made, since the Venetian government carefully kept secret the processes behind the technically confounding glass coming out of Murano. “With the publication of this work, The Corning Museum of Glass has enabled lovers of Renaissance Venetian glass, wherever they reside or whatever their level of interest, to appreciate this material more deeply through the technical observations the work contains,” said Karol Wight, president and executive director of The Corning Museum of Glass. “Bill’s years of research and celebrated teaching methods come together in this electronic resource, an engaging and exciting way to further our mission to tell the world about glass.”

Devotion to the Study of Historical Glasswork Gudenrath is a glassblower, scholar, lecturer, teacher, and resident advisor at The Studio of The Corning Museum of Glass. He has devoted decades to the careful study of histori- cal glassworking methods, with a strong emphasis on Venetian glass objects of the 16th through the 18th centuries, spending countless hours at his own glassblowing furnace attempting to recreate telling features noted in original objects.

Dragon-Stem Goblet, Venice, Italy, 1630–1670. 51.3.118.

10 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Experience the variety.

Experience the savings.

Experience the difference.

educate. lead. inspire. www.edhoy.com

Robin Kittleson

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 11 Enameled Goblet, Venice, Italy, 1500. Bequest of Jerome Strauss. 79.3.185.

Winged Goblet, Venice, Italy, Providing a Broad Access to Important Resources 1675–1725. 2000.3.14. As part of an ongoing effort to make the collection more digi- tally accessible, The Corning Museum of Glass chose to release The Techniques of Renaissance Venetian Glassworking as a free “This is my investigation into the probable working practices of electronic resource. It is full of rich content meant to inform the some of the most skilled artisans of all time—the glassblowers of research of scholars, inspire artists, and captivate the curious public. Renaissance Venice,” said Gudenrath, who presents more than 40 “Scholars of glass reside around the world, as do the collections of narrated demonstration videos in the electronic resource, illustrating Venetian glass,” said Scott Sayre, chief digital officer of The Corn- the re-creation of 25 “key objects” in The Corning Museum of Glass ing Museum of Glass. “We want to make this knowledge available collection, as well as 10 additional techniques. “With no detailed to the broadest possible audience by making it an easily accessed contemporaneous descriptions of the maestros’ working methods, digital resource.” the objects alone must tell the story of how they were made.” This project was realized through funding from the Kress Gudenrath has been teaching classes in Venetian glassmaking Foundation and was a cross-team effort between Gudenrath and the techniques to eager students at The Studio of The Corning Museum Museum’s Studio, publications department, A/V team, photography of Glass for many years. During 2016—the 20th anniversary of The and registration teams, and the digital media team. Studio, which he and his wife, Amy Schwartz, started in 1996—he’s excited to share this new resource with his students. I envision this The Corning Museum of Glass is home to the world’s most resource being a big help in teaching both the fundamentals and important collection of glass, including the finest examples of extremely advanced procedures to the many dedicated students of glassmaking spanning 3,500 years. Live demonstrations offered glassblowing in the Venetian style,” said Gudenrath. The artist- at the Museum, on the road, and at sea on Celebrity Cruises bring teacher will present a lecture-video demo based on this electronic the material to life. Visit www.cmog.org to find out more about the resource at this year’s Glass Art Society (GAS) conference, which outstanding offerings available at the Museum. will be held June 9–11, 2016, in Corning, New York. © Copyright 2016 by Glass Art. All rights reserved.

12 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Nortel Limited Glassworking Burners, Torches and Glass Wet Cut Saws MINI MILON BENCH BURNER

UNITORCH Ovation-1213 interior: HAND TORCH 28” deep, 40 ½” wide x 13 ¼” high

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www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 13 CGS News

Featuring the latest from the Contemporary Glass Society

The 2016 Contemporary Glass Society Exhibition by Pam Reekie

ondon Glassblowing, known for its extensive use of color, is excited to be hosting the 2016 Contemporary Glass Society L(CGS) exhibition, Black to White & Back Again. The selected glass art will be on display from September 16 through October 8, 2016. For this juried exhibition, CGS members were challenged to strip away all color and work in monotones in response to this unusual brief. Over 160 CGS members from across the world took up the challenge and made some extraordinary submissions. The selection process was extremely challenging and took hours of discussion before 55 artists were chosen for the show. Exhibitors are predominantly from Britain, but also selected were artists from Canada, Estonia, France, Ireland, Israel, New Zealand, and Spain. It will truly be an international show.

David Reekie, Casual Bystanders IX.

A Stellar Collection of Entries The selection panel members were delighted to see several new CGS members and artists shine so brightly. CGS Chair Julia Ste- phenson shared: “I am sorry to use a cliché, but the standard was incredibly high across the board. CGS is going from strength to strength as a result of the quality of work created by our members. I was really proud to represent our organization on the selection panel. The final selection is international, the work uses wide- ranging techniques and approaches, and the subject matter is hugely diverse. The artists represented range from acknowledged master to recent graduates.” Peter Layton of London Glassblowing, the hosting gallery, stated: “I am thrilled that there was such an exciting and varied submission with a great deal of first-class work that deserved a place. Sadly, we did have to limit the number, and it became very hard to decide what to exclude. In the event, we accepted more than originally planned. This is going to be an excellent and unusual show, and I am very much looking forward to seeing it in our gallery.”

Stewart Hearn, Chandelier.

14 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Anthony Scala and Cathryn Shilling, The Fragile Nature of Earthly Pleasures (detail). Photo by Ester Segarra.

Selected Artists It is the vision of CGS that all glass artists reach their artistic potential and that the public and collectors have the opportunity to give them the recognition they deserve. The organization aims to encourage experimentation, debate, refinement of skills, and excellence at all levels. In keeping with that vision and goal, CGS is pleased to announce that the 2016 exhibition will include work by: Philippa Beveridge, Catherine Brown, Effie Burns, Nicholas Collins, Robin Crawford, Róisín De Buitléar, James De- vereux, Montserrat Duran Muntadas, Helen Eastham, Fiaz Elson, Hanne Enemark & LouisThompson, Dominic Fondé, Stephen Foster, Harvey Goodall, Ashraf Hanna, Joseph Har- rington, Louise Hawkins, Stewart Hearn, Catherine Hough, Katherine Huskie, Angela Jarman, Julie Johnson, Amber King, Alison Kinnaird M.B.E., Jon Lewis, Alison Lowry, Bruce Marks, James Maskrey, Elizabeth McClure, Laura McKinley, Kira Meyer, Linda Morley, Keïko Mukaïde, Tracy Nicholls, Yoshiko Okada, Jochen Ott, Alexander Pearce, Jade Pinnell, Tim Rawlinson, David Reekie, Liam Reeves, Colin Reid, Mare Saare, Anthony Scala & Cathryn Shilling, Boris Shpeizman, Paul Stopler, Nancy Sutcliffe, Angela Thwaites, Jean-Simon Trottier, Elliot Walker, Clare Wilson, and Emma Woffenden & Jeff Zimmer. Laura Mckinley, Introspection Black and White, © Copyright 2016 by Glass Art. All rights reserved. Photo by ESPhotography.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 15

Winning Glass TheThe 20162016 GlassGlass CraftCraft && BeadBead ExpoExpo

he 22nd Annual Glass Craft & Bead Expo was held at the South Point Hotel, Casino & Spa�allery in Las Vegas, Nevada. Attendees of �xcellence Tfrom all over the world came� to take part in some of the 250-plus � classes offered by renowned artist-instructors who are experts in their respective fields. The show floor provides an additional highlight to the event with everything from the latest types and colors of glass to the most innovative kilns, plus many tools and specialty items. The Gallery of Excellence juried art competition was once again sponsored by Glass Art and sister publications Glass Patterns Quarterly and The Flow. The panel of judges selected first, second, and third place winners from the entries, and there was also an op- portunity for attendees to cast a vote for the People’s Choice Award. As always, the entries for the professional and amateur categories as well as those from local high school students astounded viewers with their beauty and the skills demonstrated by the artwork. All of the winning entries can be viewed by visiting the “Gallery of Excellence” link at www.glasscraftexpo.com.

Mary Harris Spring Fairy

Deanne Matthew Pamela Bruce Eagle Desert Sunrise

16 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Professional Category

Beads & Jewelry Fused/Cast/Kiln Worked First Place First Place Pamela Bruce Michael Apfel Desert Sunrise Threshold of Light Second Place Second Place & People’s Choice Sharon Marchant Nadine Booth Fused Fantasy Steps in the Trail Third Place Third Place Susan McGarry Kristin Karlin Looking into the Kaleidoscope Tsukimi a Moon Jellyfish People’s Choice Mosaics Andrea Olson Firedancer First Place & People’s Choice Mary Harris Blown & Flameworked Spring Fairy First Place Second Place Filip Vogelpohl Peggy Christian Rogers Everyday Tools Way Out West Second Place & People’s Choice Third Place Kylee Koenig Chris Pinkel Urchin Cluster Dangers of the Deep Third Place Stained Glass Lisa St. Martin First Place & People’s Choice Imperial Winter Christine Harris Christine Harris Asian Dragon Cold Working Asian Dragon First Place & People’s Choice Second Place Deanne Matthew Deanne Matthew Eagle Winter Garden

Filip Vogelpohl Michael Apfel Everyday Tools Threshold of Light

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 17

Amateur Category

Beads & Jewelry First Place Hope Morris Café Au Lait Second Place & People’s Choice Debra Prillman Earthy Third Place Emily Johnsen Corazón

Fused/Cast/Kiln Worked First Place & People’s Choice Roger Anderson Morning Mist Hope Morris Anne Horst Second Place Café Au Lait Midnight Shooting Star Rob Sechico Blue Third Place Roger Anderson Leaves

Mosaics First Place & People’s Choice Lori Hudson Resting Peafowl

Cold Working Roger Anderson First Place & People’s Choice Morning Mist Anne Horst Midnight Shooting Star

Blown/Flameworked First Place Emily Johnsen Baby Alien Second Place & People’s Choice Josh Wiedemeier Hatching Fire

Emily Johnsen Baby Alien Lori Hudson Resting Peafowl

18 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Expand your range

Featuring exciting new glass styles and an array of helpful new tools and supplies, the latest Bullseye catalog is ready for you. Order or download at bullseyeglass.com/catalog

Glass Accessories International

an Diego artist and author Leslie Perlis combines fused glass and mosaic in her life-size art. Her glass cutter is a Toyo Custom Grip Supercutter ® with Tap-Wheel ® technology. For more on Leslie and her art, visit: www.glassaccessories.com/leslie

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 19

High School

Beads & Jewelry First Place Katrin McGriff Luxor Second Place Tiffany Durbin Victorious Third Place Makayla Henson Quilted Glass People’s Choice Faith Fraser Royal Promenade

Fused/Cast/Kiln Worked First Place Katrin McGriff Jade Walker Luxor Back in the ’60s Jade Walker Second Place Flower Child Rebecca Wilson Summer Time Third Place & People’s Choice Clarissa Chaligoj Wise Ol’ Owl

Mosaics First Place Jade Walker Flower Child Second Place Jade Walker Jera White Back in the ’60s Elan Vital Third Place & People’s Choice Sevie Kinzer World Affairs

Hot Mosaic First Place & People’s Choice Lily Pyle Elephant from Afar Second Place Alex Miller Jellyfish Third Place Sarah O’Hanahan Lily Pyle Pop Art & Cupcakes Elephant from Afar

© Copyright 2016 by Glass Art. All rights reserved.

20 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Glass Expert Webinars™ Live, Interactive Web Workshops No Traveling Required! Cathy Claycomb Copper Foil Overlay Coatings By Sandberg September 6

Barry Kaiser Images on Glass September 8 Celebrating Brent Graber Flameworked Borosilicate Pendants 20 Years September 13

Margot Clark & Dr. Saulius Jankauskas of Creating Accents & Artisans

September 15 d o e L c M Randy Wardell te Ka Joy of Fusing September 20 Artwork by

Tony Glander Screen Printing September 22

Dennis Brady Simply Super Sandblasting September 27 Cold Working September 29 The Susan McGarry Kaleidoscope Pattern Bar ART October 4

Dennis Brady New Mica Magic October 11 and 13 of Dichroic Petra Kaiser Fusing with Petra October 18 1996 - 2016 New Paul Messink Exterminate Your Bubbles Lecture October 20

Dennis Brady COATINGS BY SANDBERG, INC. MANUFACTURER OF DICHROIC GLASS Vitrigraph October 25

Lisa St. Martin Flameworked Beads October 27

Tony Glander Shatterglass Complete November 8 Fused Fantasies step-by-step Books now available from fusing instructions! Lisa Vogt Make a Fused Glass Patterns Quarterly Glass Sink November 10

Cathy Claycomb Sticks & Stones November 17 Visit the Glass Expert Webinars™ link under “What’s New” at www.GlassArtMagazine.com 800-719-0769 for more details and local times. www.GlassPatterns.com

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 21 Marketing

Time to Get Creative

by Mark Veit

o much has changed in the art glass world since the last edition of Glass Art. If you haven’t kept up on the climate of glass Smanufacturing in America, I urge you to comb through social media and Google for more information. Without rehashing the who, what, where, and when, I would just like to say that I am cautiously opti- mistic that we will be back to business as usual in the near future.

Pulling Together Recent agreements between the glass manufacturers and the Portland, Oregon, government look to be a step in the right direction. I am hopeful that both sides consider themselves winners when all is said and done. The environment will benefit from a more cleanly produced product, and the glass art world will continue to have the availability of beautiful glass. I would like to thank the entire glass art community for making your voices heard through social media, telegrams, and public meet- Glass Jewelry by Tanya Veit ings these past months. Paul Tarlow of fusedglass.org was instru- mental in getting the ball rolling with his telegram campaign as well as the hashtags #savecoloredglass and #glassheals. These hashtags Thousands of glass artists around the world were able to be have spawned stories from glass artists around the world—stories heard in a matter of minutes by being connected on social media. of how important colored glass is, not only for its aesthetic beauty You can help spread the word about the importance of colored glass but also for its ability to heal and connect people. by including these hashtags in all of your posts that are related to glass art. As time goes on, these hashtags will fill with pictures and The Healing Aspects of Glass Art stories from around the world, further showing the importance of While the marketing articles in this column are usually geared colored glass. toward helping you promote yourself and your business, my eyes have been opened to a whole other side of glass art that is focused Looking Forward to Greater Things on healing and connecting people. I have seen stories of people Okay. So in the past few months, things were buzzing along using glass art to help recover from serious illness or depression. as usual. Then the news of the glass manufacturers being severely Some retirement homes encourage glass art as a way to keep people limited by new government regulations shook up the community. involved and giving back to the community. Now an agreement has been reached, however, to allow the manu- Parents are also introducing their children to glass art and getting facturers to slowly get back to business. Those are some serious ups to spend quality time together while they do. Some schools and local and downs in a niche industry that is comprised of so many small community centers are even offering classes for kids. It is easy to businesses and solo artists. see the tangible beauty of colored glass when it is transformed into In light of these events, I think it is important to pause for a art, but the positive effect that colored glass has on the quality of moment, collect your thoughts, and take a look at the business plan life of some people is immeasurable. you had in place for this year. By no means should you be tearing it up and looking to start over based on the happenings of the past Spreading the Word through Social Media few months. Make sure, however, that everything is still possible For those who have used the hashtags mentioned above on your with the materials currently available to you. Chances are you may Twitter and Facebook pages, thank you. If you haven’t had the need to substitute one technique for another if you can’t currently chance yet, search the hashtags #savecoloredglass and #glassheals get a color of glass you need, but don’t let that derail the momentum to see what glass artists around the world have to say. This is the you have built over the past months and years. Artists are resilient power of social media today. and resourceful, and they can adapt to situations better than most.

22 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com It is great to see artists coming into our studio with a positive attitude and a willingness to try something new. It is forcing many of us to get out of our comfort zones, and you know what happens when artists get out of their comfort zones . . . amazing things! This is a time in glass art history that will be talked about forever. Even with so much uncertainty, there lies so much opportunity. While everything may not be the same, in the end everything will be okay. -Coldwork- think When you think Mark Veit currently owns and

operates www.aaeglass,com along Covington! with partners Tanya and John Veit. They create enamel waterslide decals for glass artists and sell them on their website along with unique silver set- tings for glass. They also wholesale their fused glass jewelry to galleries and boutiques. Constantly attending workshops, seminars, and classes Grind with master artisans helps Veit and his partners evolve Needs One! Every Studio Every Studio their work and makes it possible for them to offer glass and Bevel jewelry artists a unique medium to maximize their sales. Polish Visit www.aaeglass.com or e-mail [email protected] for more information. 909-793-6636 ~ 877-793-6636 www.covington-.com [email protected] © Copyright 2016 by Glass Art. All rights Reserved. AAE GLASS THE FUTURE OF WARM GLASS

• Bullseye Products • Wholesale • System 96 • Video On Demand • CBS Dichroic • E-commerce • Kilns & Equipment • Brick & Motor Store • Online • Distributors • Classes & Workshops

WWW.AAEGLASS.COM

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 23 How to Use The 2016–2017 DIRECTORY of INDUSTRY SUPPLIES Keep this Directory handy! Our 2016–2017 DIRECTORY OF INDUSTRY SUPPLIES is dedicated to making the buying and selling process between artists/retailers and suppliers mutually beneficial by providing glass artists with new sources of supplies and suppliers with new prospects and customers. We urge you to consider this your source for virtually everything you need to operate your business. The companies listed in the Directory are in business to serve you. Give them an opportunity to prove how good they are. The 2016–2017 DIRECTORY OF INDUSTRY SUPPLIES consists of two sections: COMPANY LISTINGS...... 25 These comprehensive, alphabetical listings provide address, phone number, toll-free (800) Amy West number, fax number, Web address, e-mail, contact person, products or services available, product trade names, and brief comments for each glass art supplier. Some suppliers chose not to have all the information printed. Each listing includes all of the pertinent data submitted by the supplier. PRODUCTS AND SERVICES...... 32 The products and services are listed alphabetically by state, and as an extra convenience, the suppliers of these products and services are listed alphabetically by state. For example, if you live in California and would like to purchase pliers, simply find the category titled “Pliers” and look for California suppliers who carry them. Some categories are divided into subheadings, so you can quickly and accurately pinpoint the listing you need. Refer to the company listings section for detailed information on each supplier.

Joe Porcelli

Craig Smith

24 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com AAE GLASS 661-294-0090 PRODUCT TRADE NAMES: BLENKO GLASS CO., INC. 1228 Lafayette St 800-884-2556 Choice™ hand tools, Choice™ bevels, 9 Bill Blenko Drive, 9 Fair Grounds Rd Cape Coral, FL 33904 FAX NUMBER: 661-294-0096 Choice™ bevel clusters, Choice™ glue Milton, WV 25541 239-471-7724 WEB: www.hakkousa.com chip glass, Choice™ solder. 304-743-9081 WEB: www.aaeglass.com EMAIL: [email protected] 877-425-3656 EMAIL: [email protected] CONTACT: Rick Richards ARTIST’S RELIABLE TOOL FAX NUMBER: 304-743-0547 CONTACT: Tanya Veit PRODUCTS OR SERVICES: COMPANY A.R.T.C.O. WEB: www.blenkoglass.com PRODUCTS OR SERVICES: Soldering Irons, Tips, Cleaners, 348 N 15th St EMAIL: [email protected] Wholesale accounts, Bullseye Glass, Fume Extraction Systems. San Jose, CA 95112 CONTACT: Dean Six CBS Dichroic Glass, fused glass PRODUCT TRADE NAMES: 408-288-7978 PRODUCTS OR SERVICES: decals, silver jewelry settings, Olympic Hakko FX-601. FAX NUMBER: 408-288-7832 Art Glass, , Hand blown Kilns, Gemini Saws, Covington Lap WEB: www.artcoinc.com stained glass. Wheels, instructional DVDs, classes ANGELGILDING.COM EMAIL: [email protected] PRODUCT TRADE NAMES: & workshops, System 96 glass, frit, 619 Clarence Ave CONTACT: Malcolm Spann Blenko Glass. and supplies, online education, fully Oak Park, IL 60304 PRODUCTS OR SERVICES: equipped coldworking room. 708-383-3340 Glassblowing and casting tools and BULLSEYE GLASS RESOURCE BRIEF ADDITIONAL COMMENTS: 866-341-3340 supplies. Mold making materials, books CENTER BAY AREA AAE Glass is owned and operated by FAX NUMBER: 708-383-9059 and videos. 4514 Hollis Street Master Glass Artist Tanya Veit. Tanya WEB: www.angelgilding.com Emeryville, CA 94608 generously shares her techniques both EMAIL: [email protected] AUSTIN THIN FILMS 510-595-1318 online and in Florida’s best equipped CONTACT: Sarah King 16813 Radholme Ct Bldg B WEB: www.bullseyeglass.com fused glass studio. AAE Glass is a PRODUCTS OR SERVICES: Round Rock, TX 78664 EMAIL: [email protected] leader in fused glass education and Supplies and tools to mirror glass. 512-246-1122 CONTACT: Camille Hamilton, Manager offers unique supplies to bring BRIEF ADDITIONAL COMMENTS: 800-268-6163 PRODUCTS OR SERVICES: your art to the next level. We have supplies to create silver, gold, FAX NUMBER: 512-246-1133 The Bay Area’s premiere kiln-glass PRODUCT TRADE NAMES: copper, or galena mirrors. WEB: www.dichro.com center offers creative classes for all levels taught, in a supportive, AAE Glass. PRODUCT TRADE NAMES: EMAIL: [email protected] inspirational environment. Find the Angel Gilding. CONTACT: Glenn Brown tools, supplies, and instruction you AANRAKU STAINED GLASS PRODUCTS OR SERVICES: need for kilnforming. Access the full AANRAKU GLASS STUDIOS ARMOUR PRODUCTS Dichroic glass, sheets, rods, stringers, line of Bullseye compatible 41 S Railroad Ave 176-180 5th Ave noodles, frit, tie-dye patterns, coated including billets, frits, rods, stringers, San Mateo, CA 94401-3209 Hawthorne, NJ 07506 patterns, laser etching, scrap, all COEs. and confetti. Volume discounts. 650-372-0527 973-427-8787 BRIEF ADDITIONAL COMMENTS: FAX NUMBER: 650-372-0566 FAX NUMBER: 973-427-8823 State-of-the-art dichroic glass. BRIEF ADDITIONAL COMMENTS: Our gallery hosts artist talks, panel WEB: www.abasg.com WEB: www.etchworld.com PRODUCT TRADE NAMES: discussions, and exhibits artwork that EMAIL: [email protected] EMAIL: [email protected] DichroMagic®, DichroMosaic. explores the potential and complexity CONTACT: Jeffrey Castaline CONTACT: Sydney St. James of kilnformed glass. Open seven days. PRODUCTS OR SERVICES: PRODUCTS OR SERVICES: B & B ETCHALL PRODUCTS, INC. Online store ships nationally. Video Pattern books, grinder bits, pattern Glass etching and mirror decorating PO Box 1415 lessons available. shears, jewelry bails, belt buckle kits, stencils, and supplies. Sun City, AZ 85372 blanks, lead and glass stop blocks, PRODUCT TRADE NAMES: 623-933-4567 PRODUCT TRADE NAMES: glass grippers, foil burnishers, bottle Armour Etch, Rub `N’ Etch, Peel ‘N’ FAX NUMBER: 623-815-9095 Tekta, Bullseye Compatible glass, stoppers for beads and fused glass, Etch, Sand Etch, Inflate ‘A’ Booth, WEB: www.etchall.com Bullseye Shelf Primer, Bullseye wall-mounting devices, pendant plates, ThinFire paper, Chopstix sheet glass, Over ‘N’ Over Stencils, and custom- EMAIL: [email protected] and pattern design services. Disco Pack, Hot Rods Starter Pack, made stencils. CONTACT: Barbara C. Bosler Class Pack, Painting with Glass pack, BRIEF ADDITIONAL COMMENTS: PRODUCTS OR SERVICES: Studio Fuser pack, GlasTac fusing Teaching studio for stained glass, fused ARTISANS Etchall Crème; Etchall Dip ‘n Etch; adhesive. glass, and lampworking. Full-service 1440 W 52nd Ave Etchall Resist Gel; Etchall Kits; Etchall repair and restoration studio, full-service Denver, CO 80221 Etchmask Vinyl; Etchall Transfer Sheets; retail. BULLSEYE GLASS RESOURCE 303-777-5177 Etchall Stencils; Personalized Stencils. PRODUCT TRADE NAMES: CENTER LOS ANGELES 800-525-9008 BRIEF ADDITIONAL COMMENTS: Aanraku, Twofers, Thinline, Tracker, 143 Pasadena Avenue, Suite B FAX NUMBER: 303-777-0161 Chemical etch, permanent, works on Nick’s Grinder Mate. South Pasadena, CA 91030 WEB: www.artisanssupply.com glass, mirror, marble, slate, china, 323-675-1006 EMAIL: [email protected] gemstones, and beads. Large areas as AMERICAN GLASS SUPPLY WEB: www.bullseyeglass.com CONTACT: Scott Childress well as small - safe and easy to use. COMPANY EMAIL: [email protected] PRODUCTS OR SERVICES: Reusable!! We do - You do! 2442 Ludelle St CONTACT: Erich Schlieske, Manager Artisans is a full-line wholesale Fort Worth, TX 76105 PRODUCT TRADE NAMES: PRODUCTS OR SERVICES: art glass distributor serving the 817-535-2651 etchall®. Southern California’s premiere kiln-glass professional retailer, artist, glass 866-535-2651 center offers creative classes for all crafter, studio, manufacturer, FAX NUMBER: 817-536-7120 BETHLEHEM BURNERS levels in a supportive, inspirational and distributor since 1974. Artisans WEB: www.AmericanGlassSupply.com 890 Front St, PO Box Y environment. Find the tools,supplies, stocks everything you need for EMAIL: [email protected] Hellertown, PA 18055 and instruction you need for traditional stained glass, glass CONTACT: Pat Conner or 610-838-7034 kilnforming. Access the full line of fusing, lampworking, beadmaking, Connie Speer FAX NUMBER: 610-838-6333 Bullseye compatible glasses including jewelry, glass painting, mosaics, and PRODUCTS OR SERVICES: WEB: www.bethlehemburners.com billets, frits, rods, stringers, and Glass equipment and supplies, kilns, much more. Our inventory includes EMAIL: [email protected] confetti. We offer volume discounts. thousands of sheets of glass from tools, sheet glass, molds, kits, and CONTACT: Rachel Lawrence BRIEF ADDITIONAL COMMENTS: more than 20 manufacturers and packages. PRODUCTS OR SERVICES: Premium online video lessons by everything you need in tools and BRIEF ADDITIONAL COMMENTS: Glassworking torches and torch repair subscription. supplies. Glass fusing classes and workshops. services. PRODUCT TRADE NAMES: Consulting programs. BRIEF ADDITIONAL COMMENTS: BRIEF ADDITIONAL COMMENTS: Tekta, Bullseye Compatible glass, Artisans is an industry leader providing Surface mixed gas-oxygen torches. Bullseye Shelf Primer, Bullseye AMERICAN HAKKO PRODUCTS quality service for over 40 years. PRODUCT TRADE NAMES: ThinFire paper, Chopstix sheet glass, 28920 Ave Williams Dedicated to meeting the needs of your Alpha Burner, Bravo Burner, Champion Disco Pack, Hot Rods Starter Pack, Valencia, CA 91355 business. Complete export services. Burner, Grand Burner. Class Pack, Painting with Glass Pack,

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 25 Studio Fuser Pack, GlasTac fusing WEB: www.bullseyeglass.com counting, the line is revolutionizing the CRESS MANUFACTURING adhesive, Color Line Paints. EMAIL: [email protected] way beads are made. Check out our COMPANY, LLC. CONTACT: Morgan Dougherty, Manager new ear gauges. 4736 Convair Dr BULLSEYE GLASS RESOURCE PRODUCTS OR SERVICES: PRODUCT TRADE NAMES: Carson City, NV 89706 CENTER NEW YORK The Southwest’s premiere kiln-glass CGBeadrollers. 775-884-2777 115 Hoyt Avenue center offers creative glass classes 800-423-4584 Mamaroneck, NY 10543 and workshop vacation packages CLARITY GLASS DESIGN FAX NUMBER: 775-884-2991 914-835-3794 for all levels taught in a supportive, 8049 E Lakeside Pkwy #205 WEB: www.cressmfg.com WEB: www.bullseyeglass.com inspirational environment. Find the Tucson, AZ 85730 EMAIL: [email protected] EMAIL: [email protected] tools, supplies, and instruction you 520-885-3536 CONTACT: Arturo Maldonado CONTACT: Michele Fais, Manager need for kilnforming. Access the full line 800-327-5430 PRODUCTS OR SERVICES: PRODUCTS OR SERVICES: of Bullseye compatible glasses, FAX NUMBER: 520-885-4540 Electric Kilns. Opening in Fall 2013. Westchester’s including sheet, rods, billets, frits, WEB: www.clarityglass.com premiere kiln-glass center offers stringers, and confetti. Volume EMAIL: [email protected] D&L ART GLASS SUPPLY creative classes for all levels taught in 1440 W 52nd Ave discounts. CONTACT: Terri Karahalios a supportive, inspirational environment. Denver, CO 80221 BRIEF ADDITIONAL COMMENTS: PRODUCTS OR SERVICES: Find all the tools, supplies, and 303-449-8737 Open Tuesday - Saturday. Online store Stained glass projects, kaleidoscope instruction you need for kilnforming 800-525-0940 ships nationally. Online video lessons supply, and finishing compound. Front with the full line of Bullseye compatible FAX NUMBER: 303-442-3429 available. surface mirror in two grades, A and B. colored glass, including sheets, billets, WEB: www.dlartglass.com PRODUCT TRADE NAMES: PRODUCT TRADE NAMES: frits, rods, stringers, and confetti. EMAIL: [email protected] Tekta, Bullseye Compatible glass, All kits and compounds are trade Volume discounts. CONTACT: Scott Childress Bullseye Shelf Primer, Bullseye names of Clarity Glass Design. One- BRIEF ADDITIONAL COMMENTS: PRODUCTS OR SERVICES: ThinFire paper, Chopstix sheet glass, of-a-kind products for the stained glass Our gallery hosts artist talks, panel D&L Art Glass Supply is a full-line Disco Pack, Hot Rods Starter Pack, industry. wholesale art glass distributor serving discussions, and exhibits artwork Class Pack, Painting with Glass Pack, exploring the potential and complexity the professional retailer, glass crafter, Studio Fuser Pack, GlasTac fusing COATINGS BY SANDBERG, INC. of kilnformed glass. Online store ships studio artist, manufacturer, and adhesive. 856 N Commerce St nationally. Video lessons available. borosilicate lampworker for over 40 Orange, CA 92867 years. D&L Art Glass Supply stocks PRODUCT TRADE NAMES: CANADIAN STAINED GLASS 714-538-0888 everything you need for traditional Tekta, Bullseye Compatible glass, WAREHOUSE FAX NUMBER: 714-538-2767 stained glass, fusing, lampworking, Bullseye Shelf Primer, Bullseye 260 3rd Ave WEB: www.cbs-dichroic.com beadmaking, jewelry, glass painting, ThinFire paper, Chopstix sheet glass, Quebec, QC G1L 2X3 Canada EMAIL: [email protected] mosaics, and much more. Our Disco Pack, Hot Rods Starter Pack, 418-648-0969 CONTACT: Dana S. Baldwin 42,000-squqare-foot warehouse is fully Class Pack, Painting with Glass Pack, 877-918-0969 Studio Fuser Pack, GlasTac fusing PRODUCTS OR SERVICES: stocked with thousands of sheets of FAX NUMBER: 418-648-6100 adhesive. Leading manufacturer of dichroic glass from more than 20 manufacturers WEB: www.canadianstainedglassware coated glass 19- or-24-inch rounds, and everything you need in tools and house.com BULLSEYE GLASS RESOURCE starter packs, patterns, and custom supplies. EMAIL: [email protected] CENTER PORTLAND coatings. 90 COE, 96 COE, Moretti, BRIEF ADDITIONAL COMMENTS: CONTACT: Jocelyne Vezina 3610 SE 21st Ave borosilicate, float, or your glass. As the largest wholesale art glass PRODUCTS OR SERVICES: Portland, OR 97202 Sculpture, tubes, crystals, rods, distributor in the West, D&L Art Glass Stained glass supplies. 503-227-2797 stringers, bevels, bowls, castings, Supply has been providing “Quality BRIEF ADDITIONAL COMMENTS: 888-220-3002 prisms, beads, buttons, and more. Service from People Who Care” for Everything for stained glass and glass WEB: www.bullseyeglass.com Exclusive to Coatings By Sandberg: over 40 years. Our customer-focused fusing. EMAIL: [email protected] Dichroic coated ceramic tiles, dichroic sales staff is dedicated to meeting CONTACT: Janet Bartholomew, Manager extract, Glow Pigment and Glow the needs of your business. D&L CASCADE LEAD PRODUCTS PRODUCTS OR SERVICES: Decals, Dichroic Coated Copper Foil, specializes in domestic & international 1614 W 75th Ave Find the tools, supplies, inspiration and Dichroic Firestrips. shipping. Visit D&L and handpick your Vancouver, BC V6P 6G2 Canada instruction you need for kilnforming. glass or take a class in our state-of-the- 604-261-8884 BRIEF ADDITIONAL COMMENTS: Connected to the Bullseye Glass Co. art classroom! 877-298-8884 Technical assistance always available factory, you can access the full line of PRODUCT TRADE NAMES: FAX NUMBER: 604-261-8464 for your questions regarding dichroic or Bullseye compatible glasses, including Armstrong, Bullseye, Cascade, WEB: www.cascademetals.com your personal project. sheets, billets, rods, frits, stringers, and Chicago Metallic, Choice™ hand tools, EMAIL: [email protected] PRODUCT TRADE NAMES: confetti. Choice™ bevels, Choice™ bevel CONTACT: Michael Turvey Coatings By Sandberg, CBS. BRIEF ADDITIONAL COMMENTS: clusters, Choice™ glue chip glass, PRODUCTS OR SERVICES: We offer classes for all levels in a Choice™ solder, CBS Dichroic, Colour Came: brass, zinc, copper, lead. Came COVINGTON ENGINEERING supportive, inspirational environment. de Verre, Evenheat, Fremont, Gemini, benders, re-strip, solder, lead knives, CORP. Open seven days per week. Online Glass Alchemy, Glastar, Gryphon, Lil® notchers. Steel and zinc rebar. 715 W Colton Ave, PO Box 35 store ships nationally. Free instructional Hakko, Inland, Kokomo, Northstar, Redlands, CA 92374 articles and videos on our website. Paragon, Simax, Skutt, Spectrum, CG BEADS 909-793-6636 Premium online video lessons by System 96®, Toyo, Uroboros, Weller. 877-793-6636 subscription. 703 N 5th St Sanger, TX 76266 FAX NUMBER: 909-793-7641 PRODUCT TRADE NAMES: DENVER GLASS MACHINERY, INC. 940-458-8322 WEB: www.covington-engineering.com Tekta, Bullseye Compatible glass, 2800 S Shoshone St WEB: www.cgbeads.com EMAIL: sales@covington-engineering. Bullseye Shelf Primer, Bullseye Englewood, CO 80110 [email protected] com ThinFire paper, Chopstix sheet glass, EMAIL: 303-781-0980 Donna Felkner CONTACT: Ashlee Emoto Disco Pack, Hot Rods Starter Pack, CONTACT: FAX NUMBER: 303-781-9067 PRODUCTS OR SERVICES: Class Pack, Painting with Glass Pack, PRODUCTS OR SERVICES: WEB: www.denverglass.com Glass tools and machines for beginners Studio Fuser Pack, GlasTac fusing CG Beadrollers (graphite cavity EMAIL: [email protected] and professionals alike. adhesive. marvers), jewelry findings and blanks, CONTACT: Holly Morrison Double Helix Glass, Frit, Lampwork. BRIEF ADDITIONAL COMMENTS: PRODUCTS OR SERVICES: BULLSEYE GLASS RESOURCE BRIEF ADDITIONAL COMMENTS: We have coldworking tools for any size Manufacturer of kilns, beveling CENTER SANTA FE While graphite cavity marvers are not studio. equipment, engravers, glass band saws, 805 Early Street, Bldg E a new concept, CG Beads was the first PRODUCT TRADE NAMES: grinders, glassblowing furnaces, Santa Fe, NM 87505 company to bring the concept to market Covington, Covington Engineering, annealers, glory holes, and custom 505-467-8951 in this form. With over 200 designs and Rociprolap®. machinery.

26 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com BRIEF ADDITIONAL COMMENTS: solid, or with custom-made beveled kiln products and superior customer PRODUCT TRADE NAMES: Machinery built for the professional glass. Technical help is also available. service to domestic and global markets. Spectrum, Uroboros, Bullseye, glass art studio. PRODUCT TRADE NAMES: PRODUCT TRADE NAMES: Youghiogheny, Kokomo, Armstrong, PRODUCT TRADE NAMES: Doors by Decora. Ramp Master®, Ramp Master II®, GNA, System 96®, Glamir, , DGM / Denver Glass Machines. Set-Pro, Rapid Fire, Hot Box, Hot Shot, Glastar, Inland, Morton, Gryphon, ED HOY’S INTERNATIONAL Jewel Box, Studio 8, Studio Pro and Gemini, Toyo, Fletcher, Weller, Pro DIAMOND TECH 27625 Diehl Rd Dyna-Lift. Up to 10 RampMaster II equipped Tools, Fan Out, American Hakko, 5600 Airport Blvd, Suite C Warrenville, IL 60585 kilns directly from your personal CKE Odyssey, Clarity, Cascade Tampa, FL 33634 630-836-1353 computer. We also custom-make Metals, Canfield, Amerway, Lamp 813-806-2923 800-323-5668 RampMaster II and Set-Pro Wallmount Base Specialties, Evenheat Kilns, 800-937-9593 FAX NUMBER: 630-836-1362 controllers that allow you to convert any Skutt Kilns, Coatings By Sandberg, FAX NUMBER: 813-806-1988 WEB: www.edhoy.com manually operated kiln to automatic. DichroMagic®, and Bibo Mercantile. WEB: www.diamondtechcrafts.com EMAIL: [email protected] In addition we carry a full line of kiln EMAIL: [email protected] CONTACT: Kyle Niewald accessories and replacement parts FRANKLIN ART GLASS CONTACT: Selene Carlisle such as full shelves, half shelves, PRODUCTS OR SERVICES: STUDIOS, INC. PRODUCTS OR SERVICES: Wholesale and retail art glass and posts, glass separator, haik brushes, 222 E Sycamore St Art glass tools and supplies supplies. hot gloves, and all kiln components. Columbus, OH 43206 PRODUCT TRADE NAMES: BRIEF ADDITIONAL COMMENTS: The most recent addition to the kiln line 614-221-2972 Studio Pro, Jennifer’s Mosaics, Largest glass inventory available, is the Dyna-Lift. The Dyna-Lift makes 800-848-7683 , Fuseworks, Max Grinders, monthly classes, over 12,000 supplies. lifting the heaviest of lids a breeze, FAX NUMBER: 614-221-5223 Diamond Laser Saws, Bearfoot Tools PRODUCT TRADE NAMES: all while not putting any stress on the WEB: www.franklinartglass.com By Studio Pro, G2 Bottle Cutter. GlassPro®, Infinity®, Hotline®, Primo body. The Dyna-Lift is easy to install on EMAIL: [email protected] Primer™, Glaskolben, ‘Dye’ namic your older Evenheats as well as your Gary L. Helf DICHROIC ALCHEMY Infusion, Hot Head Torches. new one. CONTACT: 3151 E Main St Unit B PRODUCTS OR SERVICES: Ashland, OR 97520 EDCO COPPER FIRELITE FORMS & DISPLAY Franklin Art Glass is a full-line 866-451-2254 323 36th Street STANDS INC. wholesale distributor and retailer that WEB: www.dichroicalchemy.com Brooklyn, NY 11232 5704 Lawton Dr has been family owned and operated EMAIL: [email protected] 718-788-8108 Sarasota, FL 34233 for over 90 years. Franklin carries CONTACT: Matthew Simpson FAX NUMBER: 718-788-0839 941-371-5492 everything for traditional stained glass, PRODUCTS OR SERVICES: WEB: www.edcosupply.com 888-800-3901 fusing, jewelry, painting, and more. Dichroic sheet glass, dichroic tubing, EMAIL: [email protected] FAX NUMBER: 941-870-3039 See our website for more details. laser etched dichroic images. CONTACT: Arlene Amuso WEB: www.fireliteforms.com BRIEF ADDITIONAL COMMENTS: BRIEF ADDITIONAL COMMENTS: PRODUCTS OR SERVICES: EMAIL: [email protected] Our knowledgeable staff is ready Focus on dichroic coatings and Copper Foil. CONTACT: Jini Prusinski to answer all of your questions. applications for flameworking. PRODUCTS OR SERVICES: Easy phone and online ordering are PRODUCT TRADE NAMES: EVENHEAT KILN, INC. Fusing and slumping molds, casting available. We ship UPS and USPS, Boroimages, Dichrosilicate Tubing. PO Box 399, 6949 Legion Rd molds, stainless steel molds, metal and most orders processed within 24 Caseville, MI 48725-0399 and acrylic display stands, adhesives, hours. Export orders available. DICHROIC INC. 989-856-2281 fusing tools and accessories. 6057 Kenneth Way PRODUCT TRADE NAMES: FAX NUMBER: 989-856-4040 PRODUCT TRADE NAMES: Auburn, CA 95602 Wissmach, Kokomo, Spectrum, WEB: www.evenheat-kiln.com Firelite Forms. 530-878-7483 Youghiogheny, Bullseye, Lamberts, EMAIL: [email protected] FAX NUMBER: 580-878-0423 GNA, Inland, Morton, Clarity, Odyssey, CONTACT: Mike Kelly FRANCISCAN GLASS CO. WEB: www.dichroicinc.com Worden, Cascade, Avril, Weller, PRODUCTS OR SERVICES: 35255 Fircrest St EMAIL: [email protected] Fletcher, Gryphon, Gemini, Toyo, and We manufacture electric kilns of all Newark, CA 94560 CONTACT: Carol Fonda-Clark more! sizes with interior dimensions ranging 510-505-9775 PRODUCTS OR SERVICES: from 6 x 6 to 74 x 50 x 13 inches. We 800-229-7728 Dichroic glass 90 and 96 COE, Beads FUSION HEADQUARTERS, INC. offer many enhancements to customize FAX NUMBER: 800-229-7730 by Carol Fonda-Clark and Monty Clark. 15500 NE Kincaid Rd your kiln such as built-in or handheld WEB: www.franciscanglass.com BRIEF ADDITIONAL COMMENTS: Newberg, OR 97132 units as well as the new Swing View EMAIL: [email protected] We offer CBS Coatings on special 503-538-5281 Option for Ramp Master and Set-Pro CONTACT: Phil Bibo order textures and glass. FAX NUMBER: 503-538-6527 controllers. Handheld and Swing View PRODUCTS OR SERVICES: PRODUCT TRADE NAMES: WEB: www.fusionheadquarters.com units can either be installed directly Franciscan Glass Co, Inc. is a full Distributors - CBS, Wissmach, [email protected] at the factory or supplied as a retro-fit line Distributor of Stained Glass and EMAIL: Bullseye, Uroboros; Dichroic Inc. kit for kilns currently in the field. The related tools and supplies for traditional CONTACT: Gil Reynolds Products, Sandcarved™ Products, Ramp Master has the ability to run the PRODUCTS OR SERVICES: Dicro-Dots™, Silversilk Chain. stained glass as well as fused and most complex of firing schedules with hot glass. We have a wide selection Glass Fusing supplies, equipment, and features such as Power Tame, which classes. DOORS BY DECORA of architectural glass for cabinets and allows for a percentage control of lid PRODUCT TRADE NAMES: 3332 Atlanta Highway, PO Box 3426 sidelights that can be fabricated to cut elements without the use of separate Fuse Master Products. Montgomery, AL 36109 sizes with the capability to temper or infinite switches. The Set-Pro is equally 334-277-7910 laminate for safety glazing. We have valuable as a controller with On-the-Fly GAFFER GLASS USA LTD 800-359-7557 been family owned and operated for 50 features to give you total control of your 19622 70th Ave South Bay #4 FAX NUMBER: 334-279-5470 years. Our staff is very knowledgeable firing. Other options for customizing Kent, WA 98032 WEB: www.doorsbydecora.net and helpful, ready to answer all of your kiln are digital and analog 253-395-3361 EMAIL: [email protected] your questions. We ship via UPS and pyrometers, large 2 x 4-inch viewing CONTACT: J.K. Jones common carrier daily and get most 877-395-7600 window, vent holes, Orton Vent Master PRODUCTS OR SERVICES: orders out within 24 hours. Export FAX NUMBER: 253-395-3363 for single or multi kiln use, and the Kiln Custom front entryways, doors, orders welcome. WEB: www.gafferglassusa.com Integrated Software System that allows sidelights, and transoms. Stained glass BRIEF ADDITIONAL COMMENTS: EMAIL: [email protected] you to program, monitor, collect firing windows. Great customer service is our goal. We CONTACT: Hallynd Hayes data, and start/stop. BRIEF ADDITIONAL COMMENTS: hand select all glass as if it were for our PRODUCTS OR SERVICES: Each door individually made to your BRIEF ADDITIONAL COMMENTS: own work. All orders are packed with Blowing, Casting, Lampworking glass, order, so custom sizes are no problem. Evenheat Kiln, Inc. has over 60 years care and pride to be sure you receive Frit Mixes, Red Hot Metal Tools, All doors are available open for glass, of experience in providing top-of the-line your goods intact. Maruko Tools.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 27 GEMINI SAW COMPANY, INC. GLASS PATTERNS QUARTERLY, INC. WEB: www.hisglassworks.com FAX NUMBER: 718-297-3090 3300 Kashiwa Street PO Box 69 EMAIL: [email protected] WEB: www.jsussmaninc.com Torrance, CA 90505 Westport, KY 40077 CONTACT: Mark Bolick EMAIL: [email protected] 310-891-0288 800-719-0769 PRODUCTS OR SERVICES: CONTACT: Jon Sussman FAX NUMBER: 310-891-0265 FAX NUMBER: 502-222-4527 Coldworking tools, machinery, and PRODUCTS OR SERVICES: WEB: www.geminisaw.com WEB: www.glasspatterns.com accessories from diamond disks and Custom aluminum frames and EMAIL: [email protected] EMAIL: [email protected] wheels to flex laps, belt sanders, and ventilators for stained and/or protective CONTACT: Jesse Cogswell CONTACT: Maureen James lathes, to adhesives, acid etching, and glass. Venting and hurricane impact is PRODUCTS OR SERVICES: PRODUCTS OR SERVICES: safety equipment. available. Special aluminum extrusions We sell “Ring Saws” and accessories Glass Patterns Quarterly is the BRIEF ADDITIONAL COMMENTS: for protective coverings of existing art BRIEF ADDITIONAL COMMENTS: leading international glass publication. We carry top-of-the-line tools and glass windows. Our ring saws are used for both straight We’ve been providing inspiration equipment and test all products we BRIEF ADDITIONAL COMMENTS: and curved cuts in stained and fused and information since 1985 to glass carry in order to offer top-notch support Family owned and run since 1906, hobbyists and professional artists. This glass, lapidary, tile, marble, and stone for all our products. J. Sussman, Inc. is the oldest and has been accomplished by developing industries. PRODUCT TRADE NAMES: largest manufacturer of custom-made relationships with experts in glass PRODUCT TRADE NAMES: Covington Engineering, Abrasive windows and special aluminum and sharing their techniques with Revolution XT, Apollo Ring Saw, Technology, Flex, Alpha tools, Suhner, extrusions for the art and leaded glass you through in-depth, step-by-step Taurus 3, Accessory Kit, Super Slicer, Hxtal NYL-1, Hang Your Glass™, trade. We have BIM. Double Sided Sintered Blades, tutorials. In every issue you can enjoy Crystalite, Gemini Saw, 3M, Dumont PRODUCT TRADE NAMES: Wire Blades. great content with popular artists and Instruments, VID, MK Diamond, Sunbilt Sunrooms, skylights, instructors and cutting-edge techniques Husqvarna, Steinert, Cyclone Blasters greenhouses, light boxes, ceiling lights, GLASS ACCESSORIES INT’L, INC. using the latest industry products. and more. metal bending. 714-962-1777 New Books, Products, Industry News, FAX NUMBER: 714-962-1777 and What’s Hot keep you abreast of HOEVEL JAX CHEMICAL COMPANY WEB: www.glassaccessories.com the latest happenings in glass. These 12102 Venice Blvd features along with our 16-page, pullout 640 South Fulton Ave EMAIL: [email protected] Los Angeles, CA 90066 patterns section, most of which are full- Mt Vernon, NY 10550 CONTACT: Steve Shupper 310-313-6829 size, make Glass Patterns Quarterly 914-668-1818 PRODUCTS OR SERVICES: 800-959-9264 the number one glass art publication in FAX NUMBER: 914-668-8490 North American source for Toyo glass FAX NUMBER: 310-313-6848 circulation, advertising, and newsstand WEB: www.jaxchemical.com cutters. WEB: www.hoevel.com sales. EMAIL: [email protected] BRIEF ADDITIONAL COMMENTS: EMAIL: [email protected] CONTACT: Anthony Nappi TOYO TAP Technology can now be PRODUCT TRADE NAMES: CONTACT: Craig Bradley PRODUCTS OR SERVICES: found on the popular TOYO Pistol-grip Glass Patterns Quarterly, Glass PRODUCTS OR SERVICES: Green patina and metal finishing Supercutter®. TAP Technology adds Patterns Quarterly Digital, Glass Tools to make art glass more creative, solutions. a micro vibration as the wheel rotates, Patterns Quarterly CD Version, faster, with higher quality. Color Magic for added color to glass carving. Cut driving scores deeper with less applied Glass Expert Webinars™, foiling of stained glass in half with JOHNSON MANUFACTURING pressure. The self-oiling wheel will cut Master Glass Artisan Lecture Series™, higher quality. COMPANY six miles of glass. GlassPatterns.com. BRIEF ADDITIONAL COMMENTS: 114 Lost Grove Rd, PO Box 96 PRODUCT TRADE NAMES: HANDLEY INDUSTRIES, LTD See our Website for additional product Princeton, IA 52768 TOYO TAP Pistol-grip Supercutter®. 241 Lombard St information and where to purchase all 563-289-5123 Buffalo, NY 14212 of our products. 800-747-0030 GLASS ART MAGAZINE 716-893-5377 PRODUCT TRADE NAMES: FAX NUMBER: 563-289-3825 PO Box 69 FAX NUMBER: 716-895-5144 Color Magic™ Glass Stains and Paint, WEB: www.johnsonmfg.com Westport, KY 40077 WEB: www.handleylampparts.com Diegel Foiler, Kwik-Clean Flux and EMAIL: [email protected] 502-222-5631 EMAIL: [email protected] Patina Cleaner, Kwik Crimp, Copper CONTACT: Aaron Morrow 800-719-0769 CONTACT: Jim Handley Magic™ Sheets, Color Magic™ PRODUCTS OR SERVICES: FAX NUMBER: 502-222-4527 PRODUCTS OR SERVICES: Outline Pen. Manufacturers of Johnson’s Pure WEB: www.glassartmagazine.com Table and floor bases, general Solders, Soldering Fluxes, Paste EMAIL: [email protected] electrical supplies, pendants, jack and HOLLANDER GLASS ATLANTA Solders, Flux Sticks, Sal-Blocks, and a CONTACT: Maureen James, Shawn fixture chain, foil, cutters, solder, and (AT BEVEL KING DOORS) wide variety of related chemicals and Waggoner so much more. 4400 Commerce Circle SW supplies. PRODUCTS OR SERVICES: BRIEF ADDITIONAL COMMENTS: Atlanta, GA 30336 Glass Art is for the creative BRIEF ADDITIONAL COMMENTS: Largest supplier of bases and electrical 678-904-1136 professional working in hot, warm, and Johnson Manufacturing has been supplies to the stained glass industry. 877-238-5464 cold glass. It provides inspiration and around since 1909. FAX NUMBER: 678-904-3360 tips through the substantial profiles that PRODUCT TRADE NAMES: HANDY HANGER MFG. WEB: www.hollanderglass.com are featured bimonthly. Artists, retailers, Johnson, L.B. Allen, SA-Day 390 Creekside Dr EMAIL: [email protected] Products, plus-Flux-N-Solder, Lloyd’s, and educators from around the world Onalaska, TX 77360 CONTACT: George Rochler Alumaweld, Superbraze, Xcel, Fluxes, share what works within their own 979-864-0556 PRODUCTS OR SERVICES: business and how they adapt to global Flo Rite™ pastes, Super Flo™ Solder, WEB: www.handyhanger.net Stained glass and supplies, warm glass and BrazeAL. shifts and trends, sharing lessons from EMAIL: [email protected] and supplies, mahogany and their own successes and failures. CONTACT: Lori Thomas doors. JUBLIEE CREATIVE BRIEF ADDITIONAL COMMENTS: PRODUCTS OR SERVICES: BRIEF ADDITIONAL COMMENTS: 3610 Weber Road Whatever your role in the world of Brass hangers for hanging stained We offer a comprehensive inventory, St. Louis, MO 63125 glass art, our goal is to help you gain glass pieces and small fused glass kiln rental time, studio rental time, valuable insights from the experience panels. state-of-the-art classroom studio. 239-980-3808 www.jubileecreative.com of your contemporaries across the PRODUCT TRADE NAMES: PRODUCT TRADE NAMES: WEB: industry and help you take your own Handy Hanger. Spectrum, Wissmach, Uroboros, EMAIL: [email protected] glass business to greater heights. In Schott, St. Gobain, Kokomo, Bullseye, CONTACT: Ann Novotney addition to these profiles, we also offer HIS GLASSWORKS, INC. many more. PRODUCTS OR SERVICES: regular features on managing your 2000 Riverside Dr Suite 19 COE 96 and COE 90 Fusible Precut glass business, marketing artwork, Asheville, NC 28804 J. SUSSMAN, INC. Glass Shapes and Designs, Jewelry and keeping up with the latest glass 828-254-2559 109-10 180th Street Findings, Fusible Glass Paint, industry news and new product 800-914-7463 Jamaica, NY 11433 Aluminum Fusaic/Mosaic announcements. FAX NUMBER: 828-254-2581 718-297-0228 Bases, Glass Molds, and more.

28 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com BRIEF ADDITIONAL COMMENTS: and RedMax Bench Burners, MultiMix, OLYMPIC KILNS PRODUCT TRADE NAMES: Custom Waterjet Glass Cutting. TwinFuel and Ranger Hand Torches, PO Box 1347, 4225 Thurmon Tanner Pkwy Wissmach 90™, Wissmach 96™, Nortel Cut-off Machines. Flowery Branch, GA 30542 English Muffle, Aerolite, Stream X, KWC, INC. 770-967-4009 Corella Classic, Wisspy, Granite, 7369 Hwy 62 NORTHWEST ART GLASS INC. 800-241-4400 Ripple, Victorian Mottle, Cube, Dew Maquoketa, IA 52060 9003 - 151st Ave NE FAX NUMBER: 770-967-1196 Drop, Seville, Flemish, Aqualite, Seedy, 563-652-4422 Redmond, WA 98052 WEB: www.greatkilns.com Figure C, Mystic Cathedral, Mystic 800-250-1790 425-861-9600 EMAIL: [email protected] Streaky, Mystic Wisspy, and Matrix. FAX NUMBER: 563-652-6308 800-888-9444 CONTACT: Cynthia Haugen WEB: www.tablefoiler.com FAX NUMBER: 425-861-9300 PRODUCTS OR SERVICES: PEGASUS GLASS EMAIL: [email protected] WEB: www.nwartglass.com Manufacturer of high temperature 211 Shearson Crescent CONTACT: Bryon Carlson EMAIL: [email protected] furnaces for heat treating glass - warm Cambridge, ON N1T 1J5 Canada PRODUCTS OR SERVICES: CONTACT: Richard Mesmer and hot ceramics and pottery. Gas and 519-620-7991 Table Foiler®, Grinder Cookie™, Magic PRODUCTS OR SERVICES: electric kilns, custom kilns available by 800-315-0387 Cutter™. Full-line glass and tool source. request. FAX NUMBER: 519-620-7992 BRIEF ADDITIONAL COMMENTS: BRIEF ADDITIONAL COMMENTS: BRIEF ADDITIONAL COMMENTS: WEB: www.pegasus-glass.com Looking to support the stained glass Largest supplier of glass and tools in Made in the USA. EMAIL: [email protected] Mark Trent industry as needed. Pacific Northwest and the best source PRODUCT TRADE NAMES: CONTACT: of specialty patterned glass. Olympic Kilns. PRODUCTS OR SERVICES: LAMP BASE SPECIALTIES PRODUCT TRADE NAMES: Glass tubing and rod, blank flasks, PO Box 171 Fremont Antique, Verre de Saint-Just PANED EXPRESSIONS blank bottles, ground joints, hex feet. Get your tubes and rods cut to length Worth, IL 60482 antique, Spectrum Glass, Wissmach STUDIOS, INC. fast and cheap. 708-361-1199 Glass, Kokomo Glass, Uroboros 1418 Trimble Rd BRIEF ADDITIONAL COMMENTS: FAX NUMBER: 708-361-4870 Glass, Youghiogheny Glass, Bullseye Edgewood, MD 21040-3007 www.lampbasespecialties.com North America’s #1 source of WEB: Glass, Oceana Glass, Duncan Glass, 410-676-1248 CONTACT: Irving Harris borosilicate specialty glass tubing, Glaverbel Glass, Saint Gobain FAX NUMBER: 410-676-2112 PRODUCTS OR SERVICES: glass rod, and custom glass. Glass, Schott Glass, Frandisa Glass, WEB: www.panedexpressions.com Tiffany-style lamp bases. A wide PRODUCT TRADE NAMES: Pilkington Glass, Mosaic Glass, EMAIL: sgpatterns@panedexpressions. assortment of styles and sizes of Simax, ® Duran® Borofloat® Toyo Cutters, Optul Jewels, Skutt com quality American-made Tiffany-style Pegasus. Kilns, Evenheat Kilns, Olympic Kilns, CONTACT: J. L. Parker lamp bases. All our lamp bases, Cascade Lead, Amerway Solder, PRODUCTS OR SERVICES: including the floor models, are fully POTTERY SUPPLY HOUSE Glastar Grinders and Tools, System 96® Custom Pattern Design Service wired and assembled, and guaranteed EUCLID KILNS Products, Creative Paradise Molds. BRIEF ADDITIONAL COMMENTS: 100% against defects. Look for the 1120 Speers Rd Patterns Designed for Hot/Cold/Etched/ Lamp Base Specialties label on the Oakville, ON L6L 2X4 Canada ODYSSEY LAMP SYSTEMS Carved Glass. socket. In business since 1974. 905-849-0671 8317 Secura Way PRODUCT TRADE NAMES: 800-296-5456 Santa Fe Springs, CA 90670 Paned Expressions Studios. MORTON GLASS WORKS, INC. FAX NUMBER: 905-849-0001 562-696-9331 170 E Washington Street, PO Box 465 WEB: www.euclidkilns.com 800-403-1981 PARAGON INDUSTRIES, L.P. Morton, IL 61550 EMAIL: [email protected] FAX NUMBER: 562-696-9392 2011 S Town East Blvd 309-266-5712 CONTACT: Geoff Farrow www.mosaicshades.com Mesquite, TX 75149-1122 800-635-2113 WEB: PRODUCTS OR SERVICES: EMAIL: [email protected] 972-288-7557 FAX NUMBER: 309-263-8376 Glass kilns, elements for any kiln, CONTACT: Jenny Hanley-Palmer 800-876-4328 WEB: www.mortonglass.com vents, controls, switches and repair FAX NUMBER: 972-222-0646 EMAIL: [email protected] PRODUCTS OR SERVICES: parts, replacement bricks and slabs, Bronze Tiffany reproduction lamp WEB: www.paragonweb.com CONTACT: Don or Sherrie Abel kiln building materials, kiln furniture, [email protected] PRODUCTS OR SERVICES: bases and hardware, fiberglass mold EMAIL: and digital pyrometers. kits and patterns. CONTACT: Arnold Howard Manufacturer of hand tools for the art BRIEF ADDITIONAL COMMENTS: glass hobbyist and professional. BRIEF ADDITIONAL COMMENTS: PRODUCTS OR SERVICES: Specializing in custom kilns including Furnaces, kilns, and heating elements. PRODUCT TRADE NAMES: True Tiffany reproduction, beginner to vertical-lift fiber kilns. Mini Surface Plus, Teeny Circle advanced levels! BRIEF ADDITIONAL COMMENTS: PRODUCT TRADE NAMES: System, Portable Glass Shop, Safety PRODUCT TRADE NAMES: Manufacturer of a full line of glass kilns, Euclid Kilns, Euclid’s Elements. Break System, Layout Block System, Tacky Wax, Mold Mud. from the QuikFire to the giant Pearl-56. Strongline, Clean Cut, Mr. Splash, PRODUCT TRADE NAMES: PRE-CUT PATTERNS, INC. Safety Splash, Cutter Caddy, Morton OLYMPIC COLOR RODS Sentry Digital Controller, QuikFire, 76 Veterans Drive Suite 130 Twister, Grinder Tongs, Glass Caddy, 818 John St, PO Box 9240 Caldera Kiln, Fusion series kilns, Pearl Holland, MI 49423 Assembly Tray, Circle Border System, Seattle, WA 98109 series, Janus series, FireFly, Vulcan 616-392-4415 Liquid Stringer Caddy. 206-343-7336 crucible furnace, Clamshell series. FAX NUMBER: 616-392-4432 800-445-7742 WEB: www.pre-cut.com NORTEL MANUFACTURING, LTD. FAX NUMBER: 206-343-2292 PAUL WISSMACH GLASS EMAIL: [email protected] 2040 Ellesmere Rd, Bldg 18 WEB: www.glasscolor.com COMPANY, INC. CONTACT: Lori Corbat-Appeldoorn Scarborough, ON M1H 3B6 Canada EMAIL: [email protected] 420 Stephen St, PO Box 228 PRODUCTS OR SERVICES: 416-438-3325 CONTACT: Mark Hood Paden City, WV 26159 4 mil and 10 mil vinyl stencils for FAX NUMBER: 416-438-7140 PRODUCTS OR SERVICES: 304-337-2253 abrasive and chemical etch. Custom CONTACT: Peter Norton Glass color, glass tools, lampworking FAX NUMBER: 304-337-8800 Graphic Design services for custom PRODUCTS OR SERVICES: glass and tools. WEB: www.wissmachglass.com designs. Armour Etch chemical etching Manufacturer of burners, hand torches, BRIEF ADDITIONAL COMMENTS: EMAIL: [email protected] cream, etching kits. and Polariscope Strain Viewers for hot Largest Reichenbach glass inventory in CONTACT: Mark Feldmeier BRIEF ADDITIONAL COMMENTS: glassworking of beads, paperweights, North America. PRODUCTS OR SERVICES: Serving customers since 1987. Original and larger glass items. PRODUCT TRADE NAMES: Manufacturer of opalescent and Pre-cut Patterns. Vinyl stencils for BRIEF ADDITIONAL COMMENTS: Reichenbach, Jim Moore Tools, cathedral sheet glass. Wissmach 90 etchers with stock designs, custom Full line of equipment and supplies Blockhead Tools, Spiral Arts, Correll, and Wissmach 96 fusing glass and designs, and custom sizing. for artistic and scientific glassworking, Uroboros, System 96®, System 96® temperable clear and colored textures. including wet abrasive cut-off saws. Nuggets, Spectrum Premium Nuggets, BRIEF ADDITIONAL COMMENTS: RAINBOW ART GLASS, INC. PRODUCT TRADE NAMES: Coatings By Sandberg, Metal Leaf, Manufacturer of the widest variety of art 1761 Route 34 South Minor, MegaMinor, Midrange, Major, Cast-a-lot Mold Mix, Gott Garments. glass in the world for 112 years. Farmingdale, NJ 07727

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 29 732-681-6003 RAYER’S BEARDEN STAINED EMAIL: [email protected] as a professional trade association, 800-526-2356 GLASS CONTACT: Sharon Andonov has provided support, marketing, and FAX NUMBER: 732-681-4984 6205 W Kellogg Dr PRODUCTS OR SERVICES: education to the stained and decorative WEB: www.rainbowartglass.com Wichita, KS 67052 Clean-All Heavy Metals Hand & Body glass arts including the award EMAIL: [email protected] 316-942-2929 Soap. winning magazine The Stained Glass CONTACT: Anthony Longo 800-228-4101 BRIEF ADDITIONAL COMMENTS: Quarterly. Multiple membership levels PRODUCTS OR SERVICES: FAX NUMBER: 316-945-2929 Stay safe! Get the lead out with Clean- allow studios, artists, retailers, and Full-line art glass inventory of over WEB: www.beardens.us All Soap, the soap that safely removes enthusiasts to all be included and enjoy 2,000 styles and colors to choose EMAIL: [email protected] lead residue. the many benefits the SGAA offers. from including antiques, architectural CONTACT: Randy/Tiffany BRIEF ADDITIONAL COMMENTS: patterns, dichroic, flashed glass, and PRODUCTS OR SERVICES: SKUTT KILNS The SGAA also supports and provides Classes, seminars, customs - large many more. Also related art glass 6441 SE Johnson Creek Blvd educational materials for clients and small. We sell stained glass hobby Portland, OR 97206-9552 supplies consisting of bevels, bevel seeking professional level studios. The supplies, lighting, entry doors, gifts, and 503-774-6000 clusters, tools, sundries, mosaics, Stained Glass School provides hands- collectibles. 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Bullseye, Canfield, Cascade, Chicago 800-221-7379 PRODUCT TRADE NAMES: STAINED GLASS UNLIMITED Metallic by Cascade, Clarity, Weller, FAX NUMBER: 973-471-1640 Slide Hi-Temp 1800 Boro Nitride 7332 Main Street Diamond Tech, Dichroic (Austin, WEB: www.bendheimstainedglass.com Release. The Colony, TX 75056 CBS), Edco, Evenheat, Exquisite™ EMAIL: [email protected] 972-625-3416 Fletcher, Gemini, Glastar, Gryphon, CONTACT: Jen Miret SLUMPY’S WEB: www.StainedGlassUnl.com Inland, Kokomo, Leponitt, Morton, PRODUCTS OR SERVICES: 710 Catawba St EMAIL: [email protected] Novacan, Odyssey, Paragon, Toyo, Bendheim offers the most extensive line Belmont, NC 28012 CONTACT: Denise Feeney Uroboros, Venture, Wardell, Worden, of colored glass in the stained glass 704-829-9293 PRODUCTS OR SERVICES: Youghiogheny, Reusche, Skutt, Hakko, industry, now available to registered 866-758-6797 We design and build Custom Stained, System 96® and 90 COE, Value Brand, wholesale customers directly online at FAX NUMBER: 704-829-7992 Beveled, and Etched Glass. We do Aanraku, Amerway, Creative Paradise, www.bendheimstainedglass.com. WEB: www.slumpys.com on-site and in-studio repairs and Slumpy Mold, Colour De Verre Molds, BRIEF ADDITIONAL COMMENTS: EMAIL: [email protected] restoration. Van Gogh. Bendheim is proud to be the exclusive CONTACT: Tina Roberts BRIEF ADDITIONAL COMMENTS: importer of Lamberts mouth-blown PRODUCTS OR SERVICES: In the same location since 1983. RANSOM & RANDOLPH art glass and authentic mouth-blown Slumpy’s carries high-quality ceramic PRODUCT TRADE NAMES: 3535 Briarfield Blvd Restoration. and stainless steel molds for slumping, Spectrum, Kokomo, Wissmach, Maumee, OH 43537 PRODUCT TRADE NAMES: fusing, and draping. We also carry Bullseye, Uroboros, Inland, Glastar, 419-865-9482 Lamberts; Restoration Glass®; tools, kilns, supply kits, COE 90 Gryphon, Aanraku, Gemini, Novacan, 800-253-4502 Schott (Desag); Kokomo; Spectrum; and 96 rich glass colors in blanks, Canfield, etc. FAX NUMBER: 419-865-9777 English Muffle; Uroboros; Wissmach; frit, and more. Fired Glass Paints & WEB: www.glass-cast.com Youghiogheny, Glue Chip, Toyo, Knipex, Silkscreens. SUNSHINE GLASSWORKS, LTD. EMAIL: [email protected] Fletcher, Weller, Hexacon, and more. 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Over PRODUCT TRADE NAMES: SASHA’S INTERNATIONAL, INC. 800-438-9581 1,200 colors of glass from Wissmach, R&R® Glass-Cast™ 101 BANDUST 333 Arthur Godfrey Rd Ste 322 FAX NUMBER: 816-737-2801 Kokomo, Youthiogheny, Uroboros, and investment, R&R® Glass-Cast™ 400 Miami Beach, FL 33140 WEB: www.stainedglass.org Spectrum. investment, R&R® Glass-Cast™ 910 305-695-8990 EMAIL: [email protected] BRIEF ADDITIONAL COMMENTS: investment, R&R® Glass-Cast™ 965 800-757-8141 CONTACT: Katei Gross Small or larger orders - no problem. investments; R&R® Mold Mix 50/50 FAX NUMBER: 305-695-8991 PRODUCTS OR SERVICES: Shipping around the world and just investment. WEB: www.sashas.net For more than 100 years the SGAA, minutes from Canada.

30 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com PRODUCT TRADE NAMES: BRIEF ADDITIONAL COMMENTS: available as Double Rolled Smooth with titles for Stained Glass, Fusing, Wissmach, Uroboros, Youghiogheny, Manufacturer of the luminary series or in a variety of textures. All three Casting, Jewelry, and Glass Mosaics - Kokomo, Oceana, Schott, Spectrum, of LED display bases and signage of these Product lines are Iridized for a total of 43 titles in print. Most of their Cascade, Canfield, Hexacon, products. added sparkle and depth. In addition books are also available for immediate Evenheat, Macinnes, Odyssey, Venture PRODUCT TRADE NAMES: to sheet glass, System 96 and FX90, download in eBook format on the (3M), Creative Paradise, Morton, CBS Crystaledge®. we have complementary glass Internet at www.ebooksforartglass.com. 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We 80 Thompson St create either a footed bowl or a footed FAX NUMBER: 608-244-8137 offer classes with world-renowned North Tonawanda, NY 14120 platter using only this one mold, the WEB: www.vineryglass.com glass instructors for advanced studies, 716-564-8888 Starfire Drape Mold with the ability to EMAIL: [email protected] beginning classes for those just getting 800-564-9353 CONTACT: Denny Berkery started in glass, and host artists from add a stemmed foot and the Drop-Thur FAX NUMBER: 716-564-8889 PRODUCTS OR SERVICES: all over the world in our Artist-in- Mold system that aligns the glass drop WEB: www.techniglass.net Custom stained glass, repairs Residence program. Additionally, our to a wine-glass style foot. Find out EMAIL: [email protected] and restoration, supplies for the facility has numerous kilns available more at: www.joyoffusing.com. CONTACT: Cheryl Gondek hobbyist and professional, classes in for rental. 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These features GLASS COMPANY, INC. 2139 N Kerby Ave EMAIL: [email protected] along with the continuation of our 300 South First St, PO Box 800 Portland, OR 97227 CONTACT: Dan Brucker special-themed issues, inspiring gallery Connellsville, PA 15425 503-284-4900 PRODUCTS OR SERVICES: showcases, and dynamic general 724-628-3000 FAX NUMBER: 503-284-7584 Glassblowing tools and supplies. interest articles as well as health and FAX NUMBER: 724-628-5060 WEB: www.uroboros.com Corning Pyrex® glass tubing and rod. safety information make The Flow WEB: www.youghioghenyglass.com EMAIL: [email protected] Beadmaking supplies. the leading international lampworking EMAIL: [email protected] CONTACT: Sales PRODUCT TRADE NAMES: journal. 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www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 31 ACID ETCHING EQUIPMENT AND SUPPLIES Colored ARTISANS, CO WARDELL PUBLICATIONS AND PRODUCTS, FL AANRAKU STAINED GLASS, CA FRANCISCAN GLASS CO., CA UNIQUE GLASS COLORS, FL HOEVEL, CA RAYER’S BEARDEN STAINED GLASS, KS FIRELITE FORMS & DISPLAY STANDS INC., FL FRANCISCAN GLASS CO., CA RAINBOW ART GLASS, INC., NJ DIAMOND TECH, FL COATINGS BY SANDBERG, INC., CA SUNSHINE GLASSWORKS, LTD., NY HOLLANDER GLASS ATLANTA, GA ARTISANS, CO FRANKLIN ART GLASS STUDIOS, INC., OH ED HOY’S INTERNATIONAL, IL D&L ART GLASS SUPPLY, CO THE VINERY, WI RAYER’S BEARDEN STAINED GLASS, KS AAE GLASS, FL GLASS PATTERNS QUARTERLY, INC., KY HOLLANDER GLASS ATLANTA, GA Custom STAINED GLASS ASSOCIATION OF AMERICA, MO ED HOY’S INTERNATIONAL, IL SLUMPY’S, NC RAYER’S BEARDEN STAINED GLASS, KS D&L ART GLASS SUPPLY, CO HIS GLASSWORKS, INC., NC PRE-CUT PATTERNS, INC., MI ARTISANS, CO RAINBOW ART GLASS, INC., NJ HIS GLASSWORKS, INC., NC RAYER’S BEARDEN STAINED GLASS, KS SUNSHINE GLASSWORKS, LTD., NY ARMOUR PRODUCTS, NJ FRANKLIN ART GLASS STUDIOS, INC., OH HANDLEY INDUSTRIES, LTD, NY RAINBOW ART GLASS, INC., NJ THE VINERY, WI FRANKLIN ART GLASS STUDIOS, INC., OH SUNSHINE GLASSWORKS, LTD., NY FUSION HEADQUARTERS, INC., OR NORTHWEST ART GLASS INC., WA Dichroic WALE APPARATUS CO. 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32 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Copper CHANNEL RAYER’S BEARDEN STAINED GLASS, KS ARTISANS, CO SLUMPY’S, NC FIRELITE FORMS & DISPLAY STANDS INC., FL FRANCISCAN GLASS CO., CA Brass RAINBOW ART GLASS, INC., NJ AAE GLASS, FL ARTISANS, CO SUNSHINE GLASSWORKS, LTD., NY ED HOY’S INTERNATIONAL, IL D&L ART GLASS SUPPLY, CO FRANCISCAN GLASS CO., CA FRANKLIN ART GLASS STUDIOS, INC., OH RAYER’S BEARDEN STAINED GLASS, KS HOLLANDER GLASS ATLANTA, GA ARTISANS, CO AMERICAN GLASS SUPPLY COMPANY, TX RAINBOW ART GLASS, INC., NJ ED HOY’S INTERNATIONAL, IL D&L ART GLASS SUPPLY, CO NORTHWEST ART GLASS INC., WA BULLSEYE GLASS RESOURCE CENTER RAYER’S BEARDEN STAINED GLASS, KS HOLLANDER GLASS ATLANTA, GA THE VINERY, WI SANTA FE, NM RAINBOW ART GLASS, INC., NJ ED HOY’S INTERNATIONAL, IL CANADIAN STAINED GLASS WAREHOUSE, BULLSEYE GLASS RESOURCE CENTER SUNSHINE GLASSWORKS, LTD., NY RAYER’S BEARDEN STAINED GLASS, KS QC Canada NEW YORK, NY FRANKLIN ART GLASS STUDIOS, INC., OH RAINBOW ART GLASS, INC., NJ FRANKLIN ART GLASS STUDIOS, INC., OH NORTHWEST ART GLASS INC., WA SUNSHINE GLASSWORKS, LTD., NY COMPUTER DESIGN SYSTEMS FUSION HEADQUARTERS, INC., OR THE VINERY, WI HANDLEY INDUSTRIES, LTD, NY BULLSEYE GLASS RESOURCE CENTER VICTORIAN ART GLASS, BC Canada FRANKLIN ART GLASS STUDIOS, INC., OH ED HOY’S INTERNATIONAL, IL PORTLAND, OR CASCADE LEAD PRODUCTS, BC Canada NORTHWEST ART GLASS INC., WA RAYER’S BEARDEN STAINED GLASS, KS NORTHWEST ART GLASS INC., WA CANADIAN STAINED GLASS WAREHOUSE, THE VINERY, WI RAINBOW ART GLASS, INC., NJ QC Canada CASCADE LEAD PRODUCTS, BC Canada FRANKLIN ART GLASS STUDIOS, INC., OH DOORS AND ENTRANCES VICTORIAN ART GLASS, BC Canada CANADIAN STAINED GLASS WAREHOUSE, Curling COMPUTER SOFTWARE DOORS BY DECORA, AL QC Canada HOLLANDER GLASS ATLANTA, GA ED HOY’S INTERNATIONAL, IL RAYER’S BEARDEN STAINED GLASS, KS HOLLANDER GLASS ATLANTA, GA Copper RAYER’S BEARDEN STAINED GLASS, KS FRANKLIN ART GLASS STUDIOS, INC., OH RAYER’S BEARDEN STAINED GLASS, KS EVENHEAT KILN, INC., MI FRANKLIN ART GLASS STUDIOS, INC., OH FRANCISCAN GLASS CO., CA RAINBOW ART GLASS, INC., NJ DRILLS NORTHWEST ART GLASS INC., WA ARTISANS, CO FRANKLIN ART GLASS STUDIOS, INC., OH D&L ART GLASS SUPPLY, CO STAINED GLASS UNLIMITED, TX COVINGTON ENGINEERING CORP., CA Cushioned HOLLANDER GLASS ATLANTA, GA ARTIST’S RELIABLE TOOL COMPANY, CA ED HOY’S INTERNATIONAL, IL CONSULTING AANRAKU STAINED GLASS, CA HOLLANDER GLASS ATLANTA, GA RAYER’S BEARDEN STAINED GLASS, KS FRANCISCAN GLASS CO., CA RAYER’S BEARDEN STAINED GLASS, KS RAINBOW ART GLASS, INC., NJ B & B ETCHALL PRODUCTS, INC., AZ D&L ART GLASS SUPPLY, CO FRANKLIN ART GLASS STUDIOS, INC., OH SUNSHINE GLASSWORKS, LTD., NY AANRAKU STAINED GLASS, CA ARTISANS, CO FRANKLIN ART GLASS STUDIOS, INC., OH D&L ART GLASS SUPPLY, CO AAE GLASS, FL Lead NORTHWEST ART GLASS INC., WA ARTISANS, CO HOLLANDER GLASS ATLANTA, GA THE VINERY, WI AAE GLASS, FL ED HOY’S INTERNATIONAL, IL FRANCISCAN GLASS CO., CA CASCADE LEAD PRODUCTS, BC Canada RAYER’S BEARDEN STAINED GLASS, KS ANGELGILDING.COM, IL AANRAKU STAINED GLASS, CA VICTORIAN ART GLASS, BC Canada GLASS PATTERNS QUARTERLY, INC., KY RAYER’S BEARDEN STAINED GLASS, KS D&L ART GLASS SUPPLY, CO CANADIAN STAINED GLASS WAREHOUSE, PRE-CUT PATTERNS, INC., MI HIS GLASSWORKS, INC., NC ARTISANS, CO QC Canada RAINBOW ART GLASS, INC., NJ RAINBOW ART GLASS, INC., NJ HOLLANDER GLASS ATLANTA, GA FUSION HEADQUARTERS, INC., OR SUNSHINE GLASSWORKS, LTD., NY ED HOY’S INTERNATIONAL, IL Filigree STAINED GLASS UNLIMITED, TX FRANKLIN ART GLASS STUDIOS, INC., OH RAYER’S BEARDEN STAINED GLASS, KS AMERICAN GLASS SUPPLY COMPANY, TX FUSION HEADQUARTERS, INC., OR RAINBOW ART GLASS, INC., NJ D&L ART GLASS SUPPLY, CO VICTORIAN ART GLASS, BC Canada AMERICAN GLASS SUPPLY COMPANY, TX S. 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INC., PA THE VINERY, WI STAINED GLASS UNLIMITED, TX CANADIAN STAINED GLASS WAREHOUSE, Zinc FRANCISCAN GLASS CO., CA AMERICAN GLASS SUPPLY COMPANY, TX QC Canada D&L ART GLASS SUPPLY, CO NORTHWEST ART GLASS INC., WA FRANCISCAN GLASS CO., CA ARTISANS, CO NORTEL MANUFACTURING, LTD., ON Canada ENAMELS AANRAKU STAINED GLASS, CA HOLLANDER GLASS ATLANTA, GA CANADIAN STAINED GLASS WAREHOUSE, ARTISANS, CO ED HOY’S INTERNATIONAL, IL QC Canada HOEVEL, CA D&L ART GLASS SUPPLY, CO RAYER’S BEARDEN STAINED GLASS, KS D&L ART GLASS SUPPLY, CO HOLLANDER GLASS ATLANTA, GA RAINBOW ART GLASS, INC., NJ DESIGN SERVICES ARTISANS, CO ED HOY’S INTERNATIONAL, IL SUNSHINE GLASSWORKS, LTD., NY AAE GLASS, FL RAYER’S BEARDEN STAINED GLASS, KS FRANKLIN ART GLASS STUDIOS, INC., OH B & B ETCHALL PRODUCTS, INC., AZ UNIQUE GLASS COLORS, FL STAINED GLASS UNLIMITED, TX HOLLANDER GLASS ATLANTA, GA RAINBOW ART GLASS, INC., NJ AANRAKU STAINED GLASS, CA NORTHWEST ART GLASS INC., WA RAINBOW ART GLASS, INC., NJ SUNSHINE GLASSWORKS, LTD., NY AAE GLASS, FL THE VINERY, WI RAYER’S BEARDEN STAINED GLASS, KS SUNSHINE GLASSWORKS, LTD., NY FRANKLIN ART GLASS STUDIOS, INC., OH VICTORIAN ART GLASS, BC Canada PRE-CUT PATTERNS, INC., MI FRANKLIN ART GLASS STUDIOS, INC., OH STAINED GLASS UNLIMITED, TX CASCADE LEAD PRODUCTS, BC Canada RAINBOW ART GLASS, INC., NJ FUSION HEADQUARTERS, INC., OR NORTHWEST ART GLASS INC., WA CANADIAN STAINED GLASS WAREHOUSE, FRANKLIN ART GLASS STUDIOS, INC., OH NORTHWEST ART GLASS INC., WA THE VINERY, WI QC Canada FUSION HEADQUARTERS, INC., OR CASCADE LEAD PRODUCTS, BC Canada WALE APPARATUS CO. INC., PA ENGRAVING EQUIPMENT AND SUPPLIES VICTORIAN ART GLASS, BC Canada CHEMICAL SUPPLIES CANADIAN STAINED GLASS WAREHOUSE, DIAMOND TOOLS COVINGTON ENGINEERING CORP., CA QC Canada FRANCISCAN GLASS CO., CA D&L ART GLASS SUPPLY, CO AANRAKU STAINED GLASS, CA ARTIST’S RELIABLE TOOL COMPANY, CA ARTISANS, CO CAME EQUIPMENT HOEVEL, CA FRANCISCAN GLASS CO., CA DENVER GLASS MACHINERY, INC., CO D&L ART GLASS SUPPLY, CO GEMINI SAW COMPANY, INC., CA AAE GLASS, FL D&L ART GLASS SUPPLY, CO ARTISANS, CO COVINGTON ENGINEERING CORP., CA HOLLANDER GLASS ATLANTA, GA ARTISANS, CO DIAMOND TECH, FL AANRAKU STAINED GLASS, CA ED HOY’S INTERNATIONAL, IL HOLLANDER GLASS ATLANTA, GA HOLLANDER GLASS ATLANTA, GA ARTISANS, CO RAYER’S BEARDEN STAINED GLASS, KS ED HOY’S INTERNATIONAL, IL JOHNSON MANUFACTURING COMPANY, IA DENVER GLASS MACHINERY, INC., CO PRE-CUT PATTERNS, INC., MI MORTON GLASS WORKS, INC., IL SLIDE PRODUCTS, INC., IL D&L ART GLASS SUPPLY, CO HIS GLASSWORKS, INC., NC RAYER’S BEARDEN STAINED GLASS, KS ED HOY’S INTERNATIONAL, IL AAE GLASS, FL RAINBOW ART GLASS, INC., NJ RAINBOW ART GLASS, INC., NJ ANGELGILDING.COM, IL FIRELITE FORMS & DISPLAY STANDS INC., FL FRANKLIN ART GLASS STUDIOS, INC., OH SUNSHINE GLASSWORKS, LTD., NY RAYER’S BEARDEN STAINED GLASS, KS DIAMOND TECH, FL FUSION HEADQUARTERS, INC., OR FRANKLIN ART GLASS STUDIOS, INC., OH S. A. BENDHEIM LTD., NJ HOLLANDER GLASS ATLANTA, GA WALE APPARATUS CO. INC., PA STAINED GLASS UNLIMITED, TX RAINBOW ART GLASS, INC., NJ ED HOY’S INTERNATIONAL, IL AMERICAN GLASS SUPPLY COMPANY, TX NORTHWEST ART GLASS INC., WA HANDLEY INDUSTRIES, LTD, NY ANGELGILDING.COM, IL OLYMPIC COLOR RODS, WA THE VINERY, WI SUNSHINE GLASSWORKS, LTD., NY RAYER’S BEARDEN STAINED GLASS, KS VICTORIAN ART GLASS, BC Canada CASCADE LEAD PRODUCTS, BC Canada JAX CHEMICAL COMPANY, NY HIS GLASSWORKS, INC., NC CANADIAN STAINED GLASS WAREHOUSE, CANADIAN STAINED GLASS WAREHOUSE, FRANKLIN ART GLASS STUDIOS, INC., OH RAINBOW ART GLASS, INC., NJ QC Canada QC Canada FUSION HEADQUARTERS, INC., OR FRANKLIN ART GLASS STUDIOS, INC., OH WALE APPARATUS CO. INC., PA FUSION HEADQUARTERS, INC., OR ENLARGERS CHAIN STAINED GLASS UNLIMITED, TX WALE APPARATUS CO. INC., PA NORTHWEST ART GLASS INC., WA AMERICAN GLASS SUPPLY COMPANY, TX FRANCISCAN GLASS CO., CA THE VINERY, WI DIAMOND TECH, FL FRANCISCAN GLASS CO., CA STAINED GLASS UNLIMITED, TX VICTORIAN ART GLASS, BC Canada FRANKLIN ART GLASS STUDIOS, INC., OH D&L ART GLASS SUPPLY, CO OLYMPIC COLOR RODS, WA CANADIAN STAINED GLASS WAREHOUSE, NORTHWEST ART GLASS INC., WA CANADIAN STAINED GLASS WAREHOUSE, ARTISANS, CO QC Canada VICTORIAN ART GLASS, BC Canada QC Canada ED HOY’S INTERNATIONAL, IL CANADIAN STAINED GLASS WAREHOUSE, RAYER’S BEARDEN STAINED GLASS, KS CLOCKS AND PARTS QC Canada FELT SHEETS/PADS/WHEELS RAINBOW ART GLASS, INC., NJ SUNSHINE GLASSWORKS, LTD., NY CLARITY GLASS DESIGN, AZ DISPLAY ITEMS COVINGTON ENGINEERING CORP., CA HANDLEY INDUSTRIES, LTD, NY AANRAKU STAINED GLASS, CA ARTISANS, CO FRANKLIN ART GLASS STUDIOS, INC., OH FRANCISCAN GLASS CO., CA BULLSEYE GLASS RESOURCE CENTER DENVER GLASS MACHINERY, INC., CO NORTHWEST ART GLASS INC., WA ARTISANS, CO BAY AREA, CA D&L ART GLASS SUPPLY, CO THE VINERY, WI D&L ART GLASS SUPPLY, CO BULLSEYE GLASS RESOURCE CENTER ED HOY’S INTERNATIONAL, IL CANADIAN STAINED GLASS WAREHOUSE, HOLLANDER GLASS ATLANTA, GA LOS ANGELES, CA ANGELGILDING.COM, IL QC Canada ED HOY’S INTERNATIONAL, IL D&L ART GLASS SUPPLY, CO HIS GLASSWORKS, INC., NC

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 33 RAINBOW ART GLASS, INC., NJ WALE APPARATUS CO. INC., PA VICTORIAN ART GLASS, BC Canada ED HOY’S INTERNATIONAL, IL SUNSHINE GLASSWORKS, LTD., NY STAINED GLASS UNLIMITED, TX CANADIAN STAINED GLASS WAREHOUSE, RAYER’S BEARDEN STAINED GLASS, KS HANDLEY INDUSTRIES, LTD, NY NORTHWEST ART GLASS INC., WA QC Canada RAINBOW ART GLASS, INC., NJ WALE APPARATUS CO. INC., PA OLYMPIC COLOR RODS, WA FRANKLIN ART GLASS STUDIOS, INC., OH NORTHWEST ART GLASS INC., WA THE VINERY, WI FURNACES STAINED GLASS UNLIMITED, TX CANADIAN STAINED GLASS WAREHOUSE, VICTORIAN ART GLASS, BC Canada THE VINERY, WI QC Canada CANADIAN STAINED GLASS WAREHOUSE, AANRAKU STAINED GLASS, CA VICTORIAN ART GLASS, BC Canada QC Canada DENVER GLASS MACHINERY, INC., CO FIDS ARTISANS, CO GLASS FOIL CRIMPERS/DISPENSERS/ D&L ART GLASS SUPPLY, CO FRANCISCAN GLASS CO., CA MACHINES/ROLLERS HOLLANDER GLASS ATLANTA, GA Antique AANRAKU STAINED GLASS, CA ED HOY’S INTERNATIONAL, IL HOEVEL, CA HOEVEL, CA FRANKLIN ART GLASS STUDIOS, INC., OH RAINBOW ART GLASS, INC., NJ D&L ART GLASS SUPPLY, CO FRANCISCAN GLASS CO., CA SUNSHINE GLASSWORKS, LTD., NY ARTISANS, CO ARTISANS, CO FURNITURE FRANKLIN ART GLASS STUDIOS, INC., OH DIAMOND TECH, FL D&L ART GLASS SUPPLY, CO NORTHWEST ART GLASS INC., WA HOLLANDER GLASS ATLANTA, GA HOLLANDER GLASS ATLANTA, GA BULLSEYE GLASS RESOURCE CENTER ED HOY’S INTERNATIONAL, IL KWC, INC., IA LOS ANGELES, CA Antique Mouth-Blown RAYER’S BEARDEN STAINED GLASS, KS ED HOY’S INTERNATIONAL, IL AANRAKU STAINED GLASS, CA RAINBOW ART GLASS, INC., NJ RAYER’S BEARDEN STAINED GLASS, KS BULLSEYE GLASS RESOURCE CENTER AANRAKU STAINED GLASS, CA S. A. BENDHEIM LTD., NJ RAINBOW ART GLASS, INC., NJ BAY AREA, CA D&L ART GLASS SUPPLY, CO SUNSHINE GLASSWORKS, LTD., NY S. A. BENDHEIM LTD., NJ D&L ART GLASS SUPPLY, CO ARTISANS, CO FRANKLIN ART GLASS STUDIOS, INC., OH SUNSHINE GLASSWORKS, LTD., NY ARTISANS, CO HOLLANDER GLASS ATLANTA, GA STAINED GLASS UNLIMITED, TX FRANKLIN ART GLASS STUDIOS, INC., OH FIRELITE FORMS & DISPLAY STANDS INC., FL ED HOY’S INTERNATIONAL, IL NORTHWEST ART GLASS INC., WA STAINED GLASS UNLIMITED, TX AAE GLASS, FL RAYER’S BEARDEN STAINED GLASS, KS THE VINERY, WI STAINED GLASS IMAGES, WA HOLLANDER GLASS ATLANTA, GA RAINBOW ART GLASS, INC., NJ CANADIAN STAINED GLASS WAREHOUSE, NORTHWEST ART GLASS INC., WA ED HOY’S INTERNATIONAL, IL S. A. 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BENDHEIM LTD., NJ SLUMPY’S, NC BAY AREA, CA HANDLEY INDUSTRIES, LTD, NY BULLSEYE GLASS RESOURCE CENTER ARTIST’S RELIABLE TOOL COMPANY, CA RAYER’S BEARDEN STAINED GLASS, KS FRANKLIN ART GLASS STUDIOS, INC., OH SANTA FE, NM D&L ART GLASS SUPPLY, CO HANDLEY INDUSTRIES, LTD, NY NORTHWEST ART GLASS INC., WA BULLSEYE GLASS RESOURCE CENTER ARTISANS, CO FRANKLIN ART GLASS STUDIOS, INC., OH THE VINERY, WI NEW YORK, NY DENVER GLASS MACHINERY, INC., CO FUSION HEADQUARTERS, INC., OR CANADIAN STAINED GLASS WAREHOUSE, HANDLEY INDUSTRIES, LTD, NY DIAMOND TECH, FL THE VINERY, WI QC Canada J. 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www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 41 Retailer Profile Reinvigorating an Intergenerational McMow Art Glass Legacy Business Using a Millennial’s Perspective

by Colleen Bryan

aylor Materio and her two siblings were all raised and learned their work ethic in art glass retail, but this member of the mil- Tlennial generation never really thought of making a career of the family business until the last recession hit South Florida. “Both of my parents, Shanon and Phil Materio, worked in the store since they started the business 40 years ago. My two siblings and I worked jobs here until we went to school. I started learning stained glass at age 8 and torchworking at age 10. I took classes from all of the visiting artists my parents brought in. Still, this is not what I thought I would do when I grew up.” Materio was an anthropology major at the University of Florida. After graduating, she moved to Washington, D.C., and began her career in nonprofit communications, where she worked for six years. “I loved it. But I moved home in 2011 to get married and started spending days back at McMow’s to see what I could help my folks with.”

Close-up of beveled glass details used by McMow. Photo by Sargent Architectural Photography.

Materio had just picked up communications and advertising when the recession hit hard. “It was a real smack in the face for South Florida. Seeing that the bulk of our work was custom work, especially front entryways and transoms in homes, when the hous- ing market here took a hit, McMow did as well.” Materio was in a position to observe the struggle developing about which bills to pay first and when and what the store’s future would be. This was a new experience. “Things had changed so quickly that it caught my parents off guard. They weren’t really focused in their response at the time. I started going over the finan- cials, comparing expenses and profit per job to five years prior. It soon became clear that we couldn’t just hunker down and weather the storm, but would need to make some real shifts if the business was to survive.” Materio held a mass communication minor in college and a focus on social media marketing, but she quickly identified the key advantage that McMow would have in the challenge. “Nobody would know this business better than our family.” Materio engaged the family and staff in brainstorming to identify places where the McMow Art Glass contemporary leaded glass entryway. store could trim and new markets it could tap into, both in retail Photo by Sargent Architectural Photography. and custom work.

42 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Refocusing Custom Work Over time, McMow adjusted offerings and pricing to bring more “We first brainstormed new custom markets that could help us people in the door and reflect learning about what will draw custom- survive without our bread-and-butter residential entryways.” She ers to return. “At first, we had quite a few multiday sessions. We looked at hotels, commercial spaces, and the yachting industry, found those less saleable than two-hour sessions, where the customer which continued to grow full speed ahead in South Florida through- can make something cool and take it home.” They learned to use out the recession. each session to promote the next offering a customer could attend. “We reached out to churches, temples, and synagogues, many Some Groupon deals, they found, sell better at different times of which had needs for stained glass but lacked expertise in fund- of the day. “The 18- to 34-year-olds want to do things after work, raising. We helped them put together donor programs to underwrite and they are looking for a fun way to spend an evening.” Just new or refurbished windows and started to focus our energy in our changing when they ran the classes had an immediate effect. Mc- marketing and outreach.” Mow’s ramped up its evening classes advertised for friends and date nights. “We stayed open an additional evening just for our Rethinking Retail and Glass Classes Groupon classes.” Materio also looked at what was trending in glass industry retail Price points changed following Materio’s analysis as well. “We and expanded the store’s supply of kiln forming, slumping, and fus- might run a $300 class for half price and consider it a great deal. ing materials. “Our demographic for retail was missing the 18- to But we found that we need to keep the cost under $100 to attract 34-year-olds, which can be a really hot market for glass. Because people who’ve never done glass before. That level makes it within I am a member of that demographic, it was easier for me to see range of the cost of a night out. Whenever we exceeded $100, it what changes might help to draw them in.” Classes where groups became a harder sell.” of friends go to drink wine and paint a painting were booming in In short, McMow reshaped its class schedule, structure, and the region, so McMow reached out to people who enjoyed those curriculum. “We revised what we were teaching, the setup time, activities using Groupon and Living Social. materials used, and the number of firings that went into a class to “Groupon was our first foray. There had been no social media make them more cost-effective to run. Additionally, we scheduled before I came to McMow. It took a lot of convincing for my parents classes more frequently and in the more saleable time slots of eve- to go with Groupon, because the pricing is so deeply discounted. nings and weekends.” We began to look at the loss leader class as marketing and started running deals.” The store has now been through 15 cycles with Groupon and Living Social.

McMow Art Glass, (left to right) painted and leaded glass underwater mermaid scene and Marine door panel. Door photo by Sargent Architectural Photography.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 43 Concurrent with offering Groupon and the social media outreach, McMow revamped its classroom space, painted, redesigned, re- styled, and cleaned up everything to achieve a stylistic, sharp look. “We only had one shot. People coming into the store have to love being in this space, love the teacher, love what they make during the time they are here. We got a lot of customer feedback and listened to it, even shifting how we guide people through the check-in.” In the process, Materio realized that this was what she wanted to do as her life’s work—to reinvigorate the legacy of her family’s busi- ness for another 40 years. She came into the store full time and took on a leadership role managing both retail and custom departments.

Markets within Markets In analyzing local markets for custom work, retail, and classes, Materio found it important to recognize the smaller markets that nest inside the local region and to reach out differentially to each. Palm Beach, for example, is the playground of the rich and famous. It has a massive influx of snowbirds during the winter and is com- paratively dead through the summer. Its occupants tend to come from big money that goes back through generations of people who have suffered less than their neighbors during the recession. This area provides a market for restoration work, private homes, and McMow Art Glass, Tahitian scene yachts, but it had been extremely seasonal. done in painted and leaded glass. “On the custom side of our business, we started to offer sum- mer rates to snowbirds. We marketed the idea that they could have work done while they were gone for the summer, and they could Handling the Intergenerational Shift show up for the season in October to find everything completed Many families have found that the ideal of transferring leader- and beautiful.” ship in legacy businesses between generations is easier said than Not every 18- to 34-year-old lives in Palm Beach. Across the done. McMow, however, benefited from both generations being bridge, West Palm Beach is home to a younger demographic and open to change, respectful of the other’s investment in the busi- the working class. Materio led McMow in expanding offerings to ness, and strangely, from the imperative to change provided by the these customers through summer retail classes. They reached out deep recession. to high school and college students who wanted to do something One factor gave Materio herself confidence in the changes she fun in the summer. proposed. “I am 31. The people who are coming up in the art glass “We began offering student programs that brought in retail industry moving forward are my peers. If I looked at any aspect income during the summer when custom jobs were lighter. Our of our business and my instinct was, ‘No, no, no, NO! We need to advertising budget wasn’t what it had been five years previous, so change that,’ I felt more certain that my ideas would resonate with we had to create the same buzz with fewer dollars.” Materio initi- the age of the cohort we were trying to attract.” ated a blog plus the use of Facebook and Instagram to supplement Still, she did not attempt to wrest control of the steering. “For free e-mail marketing through Mail Chimp. every one of these changes, I would take the proposal to my parents In promoting the business in general with fewer dollars, Materio and say, ‘This is what I’d like to do and why.’ They were supportive started to network more energetically with the local art community. of letting me take the studio in a direction they might not even fully McMow hosted mini-events and invited designers and architects. understand. My parents are vibrant and full of energy, but as they Every designer must maintain a specific number of continuing have grown so have their personal passions. They were willing to education credits to assert its affiliation with their industry council. have me invest my passion in the company and take a lead. We all The store sought Interior Design Continuing Education Council worked together to keep the business going, bring in every dollar (IDCEC) accreditation for a set of McMow programs and started we could, and do things in a cost-effective way.” offering “Breakfast-and-Learn” sessions for IDCEC credit. Roles at McMow shifted in this metamorphosis. Shanon Materio “We served breakfast and taught them about working with stained was named Florida Retailer of the Year by the Florida Retail Federa- glass, impact ratings, special tints on new units of glass, and such. tion in 2013. Four years ago, however, she was elected a West Palm The offering was promoted through e-mails to the design firms, and Beach city commissioner, which now takes up most of her time. the classes are very popular. Designers enjoy coming into a cool Her husband, Phil, works full time at the store as vice president, artistic space and getting ideas for using glass in creative ways as managing projects and teaching classes, and her son Phillip Joseph a backsplash behind bars, in bathrooms and kitchens, and other is the purchasing manager. architectural applications.” “Everything is very hands on and team oriented. My godmother Concurrently, the glass retailer made a special push to hotels is our designer. Many of our incredible staff have been with us for- and commercial industry. McMow approached local sites that were ever.” Taylor Materio is full time now, having moved into the role looking for artistic interior upgrades and started going after those of executive decision maker and creative director, a position from jobs as well. which she is proud to be guiding the future of McMow Art Glass.

44 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Choose the glass saw that’s right for YOU!

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www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 45 The only wholesale distributors with regional locations for the past 40 years. WAREHOUSES: • New York / New Jersey - 732-346-1211 • Houston: 713-460-0045 • Atlanta: 678-904-1136 • Phoenix: 602-278-9833 Wholesale Only

McMow Art Glass, (clockwise from upper left) custom, wrought iron–inspired Goldberg residence entryway; restoration work performed on three stained glass windows at the historic Vizacaya Museum, 2015; painted and leaded glass jungle scene with leop- ard. Goldberg photo by Sargent Architectural Photography.

46 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com SERVICE CENTERS: • Midwest Service Center: 1-800-323-4293 • Canadian Service Center: 1-888-662-0645 We have unparalleled access to domestic and international factories. We are uniquely qualified to better serve you and be your preferred wholesale supplier in the coming decades.

What Recovery Looks Like Look for Subscriber Benefits coming to Subscribers Only via links The past two years have brought South Florida’s economy in upcoming e-mails from Glass Art. This Bonus Content describes full circle, and housing prices are back to all-time highs. Mc- core aspects of the legacy that McMow Art Glass retained through its Mow, too, has regained its feet. “We have 10,000 square feet in transformed business model and new initiatives with scholarships and the studio and now teach every single week. McMow employs Art in Public Places. You’ll also find a millennial leader’s observations 15 full-time personnel and contracts with five part-time teachers. on what is happening now in the art glass industry and suggested retailer McMow teaches all of the major glass techniques except actions that could help to sustain and reinvigorate the industry itself. for glassblowing on site, and partners with a local nonprofit, Benzaiten Center for Creative Arts, to do joint classes with their full-time glassblowers. They host joint tours of both facilities. McMow Art Glass “We sponsor events together with Benzaiten that are geared Shanon and Phil Materio, Founding Owners toward promoting and reinvigorating the glass arts in this area. Taylor Materio, Co-owner and Creative Director Our shared goal is to be a glass destination in South Florida.” 701 North Dixie Highway McMow puts equal effort into retail and custom lines of Lake Worth, Florida business and currently estimates that revenues stem 60 percent 33460 from custom work and 40 percent from retail and classes. At (561) 585-9011 present, most of their custom work is for residential and com- www.mcmow.com mercial spaces, with Art in Public Places (AIPP) emerging as a significant new source of revenue. Further, Materio notes: “It is important to us to continue to do religious spaces, whether contemporary or traditional design styles. We have one or two projects for sacred spaces in-house each year. “We lasted through the tough times because of the changes Phil and Shanon Materio we put in place. Now we are better prepared for the next time at McMow 1988. the bottom falls out of the market, because we understand that it is a cycle.” In the meanwhile, McMow is enjoying the sunshine. © Copyright 2016 by Glass Art. All rights reserved.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 47 Educational Glass Perspectives of Graal Glass A Symposium and Master Classes at Bild-Werk Frauenau

by Bilk-Werk Frauenau, Germany/Bavaria

n 1916, using the term Graal, the master glassblower Knut Bergqvist and designer-artist Simon Gate of Glassworks in Itook up old techniques of interlayer decoration. Colored and relief motifs were enclosed between two layers of glass by combining cold decorating techniques with hot furnace work. Originally springing from glass engraving, cutting, and etching, the Graal technique opened endless creative possibilities between the glass furnaces and the art and design studios. Bild-Werk Frauenau will take the 100th anniversary of this discovery as an occasion to investigate the history and perspec- tives of interlayer techniques in a symposium from October 30 through November 5, 2016. In Frauenau, the cultural heritage of glasswork and the innova- tive creativity of the International Studio Glass movement will be meeting on a crossing point of potential and perspectives in glass. Two significant characteristics of Graal glass create the frame for this symposium—the fact that Graal brings together the diversity of glassblowing processes and that it shows the collaboration of artists and glassblowers from the design and glass industries. Bild-Werk Frauenau invites glassmakers, students, glass experts, manufacturers, and stakeholders in education and regional development of glass art to take part in this exchange. The International Summer Academy Bild-Werk Frauenau has always been active at the point of intersec- tion between glass art, glass craft, and glass industry. This “Graal Symposium” continues that initiative.

Opening Colloquium On October 30 during a one-day colloquium, international glass historians and experts will pursue Graal glass and its variants to discuss the interface of design, glass art, industry, and craft. The related creative ways developed in Sweden, Scandinavia, Great Britain, and the Czech Republic in the crossover of glass techniques and the interface of art, design, crafts, and industry will also be explored. Expert lecturers from art history who will follow the inspirations of Graal glass include: • Gunnel Holmer (Swedish Glass Museum, Sweden) • Charles R. Hajdamach (formerly Broadfield House Glass Museum, Great Britain) • Milan Hlaves (Museum of Decorative Arts Prague, Czech Republic) • Yann Grienenberger (International Glass Centre Meisenthal, France), and • Katharina Eisch-Angus (University of Graz, Austria). In addition, current examples of collaboration experiences of Vic Bamforth, ATLANTIC PILCHARD’S XIVa, Czech, French, and Frauenau initiatives between art and the glass 32cm x 15cm. 2008. Photo by the artist. industry through cultural heritage and studio glass will be examined in a discussion of future opportunities for these connections. The podium discussion will pick up on these questions in the context of the East Bavarian “glass crisis.”

48 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Clockwise from top left: Christian Schmidt, Maskentreffen (Meeting of Masks), 21 cm x 15 cm, 2005. Photo by Lisa ; Sue Woolhouse, Frau (detail), 170 mm x160 mm x 3 mm, 2011. Photo by the artist; Academy Building Tom's Hall, Summer 2015. Photo by Bild-Werk Frauenau.

Master Classes Advanced and professional artists, designers, and those involved Graal is understood as a technique of interlayer decoration. In in the glass crafts are invited to participate in the six master classes the six workshops, participants will work artistically on appropri- conducted from October 31 through November 5 to explore ex- ate blanks, which will be reheated in the hot shop. Two teams of perimental works in engraving, painting, silk screen, cutting, pâte experienced master glassblowers will then overcast them with clear de verre, and flameworking, which will then be blown in the Graal glass and blow them into their final vase form on the blowpipe. In technique. All courses will be lead by experienced glass artists, order to make maximum use of the course time, each course offers including: additional teaching beyond the realization of the Graal pieces. • Christian Schmidt (glass engraving, Germany) Visit www.bild-werk-graalsymposium.de for more informa- • Vic Bamforth (glass painting, Great Britain) tion on the symposium and classes. A downloadable version of the • Sue Woolhouse (silk-screening on glass, Great Britain) printed program is also available on the website. • Franz Xaver Höller (cold working, Germany) • Anne Petters (pâte de verre, Germany), and © Copyright 2016 by Glass Art. • Shane Fero (lampworking, United States). All rights reserved.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 49 International Glass

The 2,200-seat concert hall of the Listening to Art Palau de la Música Catalana. The Palau de la Música Catalana

Exploring the Magnificence of Barcelona The turn of the 20th century generated the modernist or art

nouveau period and the blossoming of the port city of Barcelona. This prolific era produced a wealth of creative talents—painters by Leslie Gibbs Pablo Picasso, Joan Miró, and Salvador Dali and architects Antoni Photography by Lorenzo di Nozzi Gaudí, Josep Puig i Cadafalch, and Lluís Domènech i Montaner— along with scores of writers and musicians who were influenced by and contributed to the renaissance of this wonderful city on the he Northeast corner of Spain, known as Catalonia, is a relatively Mediterranean Sea. small area in size, but it looms large in the worlds of art and It is no secret that Barcelona is home to many magnificent struc- Tarchitecture. The region contains some 2,000 buildings erected tures. Creative masters of architecture such as Gaudí, Domènech, during the Romanesque period, which flourished from around AD Puig and others, crafted several architectural gems that still fascinate 1000 to 1250. These early structures featured thick stone walls and us today, drawing thousands of appreciative sightseers. The Basilica ornamental arches and were primarily churches and monasteries. de la Sagrada Família, with its spires that resemble sand dripped Numerous Roman temples, castles, and bridges were also erected, castle peaks, and Park Güell, a candy land of mosaic with magic and many glorious examples still stand today, making this region at every twist and turn, along with Casa Batlló, Casa Milà, and a superb place to explore. But to me, the city of Barcelona is the Palau Güell are only a few of the many unique structures that have ultimate in architectural wonders. It is the city that endlessly tempts captivated visitors for generations. But it is the stunning Palau de me to return. la Música that mesmerized us on our last trip to Barcelona.

50 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Brilliant Architecture The Palau de la Música Catalana, or Palace of Music, is anything but your ordinary concert hall. Built between 1905 and 1908 by Domènech, it is a brilliant piece of architectural eye candy, in both the exterior and interior. The rich, decorative style is a riot of ornamental, curving, dynamic shapes. Nothing comes standard, and flights of fancy are displayed on every wall and window. Although surrounded by narrow streets and blocks of rather boring nearby buildings, the architect managed to create a sensual building full of light and color. The façade of the Palau is an amazing sight, adorned with 14 Corinthian columns covered in colorful mosaic tiles. Each pillar features a unique floral motif so detailed that it resembles rolled up carpets of vivid patterns. Centered between and above the pillars, busts of Wagner, Bach, Beethoven, and Palestrina surround the second floor and gaze down upon the visitors. Sightseers crane their necks to absorb the lush detail that surrounds the exterior walls, but the real icing on the cake is The Catalan Folk Song, the work of sculptor Miguel Blays. This amazing sculpture is actually a group of several entwined figures including a representation of St. George, since it was on his saint’s day in 1905 that the first stone was laid. A statue at the very top of the sculpture features a young woman in armor, holding a flag and gazing out at the horizon as if she has completed a great journey of discovery. Visitors realize that they are, in fact, on a great journey before even entering the building, since the exterior with its arches, carved pillars, glass and ceramic scenes, and glorious promises to be much more than architectural gift wrapping.

Magic and Elegance Upon entering the elegant vestibule of the Pa- lau, visitors realize that the magic has just begun. Soft light flows into the foyer from stained glass windows and reflects upon mosaic tiles of butter yellow and blue that cover the walls and ceiling. Detail of the center of the concert hall skylight. Golden glass and carved stone lampposts topped with domes of leaded glass flank either side of the first three steps that take concert goers to the upper floors. It was a bit difficult to ascend the main stairway, because there is just so much art to absorb. The walls, balustrades, windows, and ceiling are a wedding cake of decorative elements that are gilded, carved, sculpted, and leaded. Every surface appears to be a fanciful and beautiful piece of artwork. I felt as if I were in a kaleidoscope of elegant tableaus. With each step, the spectacle shifted into an even more amazing scene. Mesmerized by the details of the stairway, it is easy to forget that this building was built in which to hold performances—that is until you find yourself in what has to be one of the most beautiful concert halls in the world. The hall seats around 2,200 people and is drenched in light and color that surround the audience, while a complex fantasy of decoration using every style of the applied arts nearly overwhelms the senses.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 51 The stained glass skylight in the concert hall of the Palau de la Música Catalana.

Floor-to-ceiling leaded glass windows in style wrap The muses are all distinctive in attitude. Each one plays a different the seating area in shades of lilac and aqua. The concert hall is the instrument and wears unique garments and headdresses reflecting only auditorium in Europe illuminated during daylight hours entirely various styles of dress from several eras. These amazing figures, the by natural light. The ceiling is lit softly in the evening by arched work of sculptor Eusebi Arnau and ceramic mosaicist Lluís Brú i columns with floral motifs supporting sprays of lights resembling Salalles, give the stage the feeling of an oasis of color and grandeur. lamp shades in the shape of giant lotus flowers. But the most mind- boggling adornment in the hall, especially for those of us involved Lush Sights and Sounds in the glass arts, is the enormous skylight that is just breathtaking! If you are lucky enough to attend a concert in this magnificent The center of the skylight is an inverted dome resembling a giant hall, then you have experienced a moment of unparalled rapture! droplet of ravishing colors falling from the ceiling. This fabulous More than half a million people a year attend musical performances work of stained glass artistry and structure illuminates the hall dur- in the Palau that range from symphonic and chamber music to jazz ing daylight with fiery red and orange stained glass. The dome is and Canco (Catalan songs). Entertainers from all over the world surrounded by a leaded glass sun with golden rays that reach out to perform here, and we were impressed to find, nestled among the a choir of 40 female faces placed in jeweled rows around the sun. variety of musical performances in the upcoming programs, Carlos Santana. (Oh, what a show that would be!) A Stage Enclosed with Amazing Beauty Even for us astounded visitors, the Palau de la Música lived up to The stage seems almost secondary to the astonishing ornamenta- its name. While we sat in decadent splendor in the concert hall, we tions of the seating area. However, this jewel box reveals even more were treated to a short but thrilling musical interlude demonstrating treasures as we turn our attention to that part of the concert hall the hall’s acoustic perfection that accompanies its artistic richness. for which it was built. Two sculptural groupings rising three levels to the ceiling border the stage. On one side is an enormous tree in Lluís Millet Hall and the Petit Palau full summer bloom. At its lower edge is a bust of José Anselmo A simpler but no less lovely section of the main floor is a two- Clavé i Camps, beneath which sculpted children play alongside a story-high area called the Lluís Millet Hall after the founder of the fountain. The other side of the stage entrance supports a procession Orfeó Català. From this hall, surrounded by large stained glass of Valkyries sprinting across the arched opening on their galloping windows in a flower patterned motif, there is a clear view of the horses. A bust of Beethoven is positioned elegantly beneath this striking columns outside the building that are on the balcony of forceful panorama. the façade. These 14 columns, all decorated in mosaics featuring The stage itself is enclosed with a wall of amazing beauty. different floral decorations, are even more stunning when viewed Eighteen musical muses are arranged amid brick-colored trencadis up close. There is also a smaller music hall that was constructed in mosaics. Each of these goddesses is sculpted in a combination of this area during the first extension and reform during the 1980s. This stone and ceramic mosaic linked to one another by a mosaic garland. modern hall serves as a more intimate venue for chamber music.

52 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com In addition to Lluís Millet Hall, the Petit Palau, which opened in 2004, is an auditorium constructed 36 feet beneath the square, which ® once held a church. The Petit Palau was designed to be a versatile space that could be used to hold cultural and social activities. It is more modern in style, but it still reflects the treatment of light and warmth of the original concert hall. With its rich decoration and showers of light from leaded glass, the Palau is a monument to fabulous ornamentation and structural elements demonstrating what can be produced when artists and craftspeople are given creative freedom. If beauty is good for the soul, then the Palau is truly a domestic treasure that envelopes you in its gentle spell.

• Aisles of Glass Serving kiln forming, • On-line Ordering torchworking, stained glass • Superior Service artists and stores since 1974 • Domestic and International Wholesale Pricing & • State-of-the-Art Classroom Quantity Discounts 800.525.0940 303.449.8737 dlartglass.com

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Bust of Lluís Millet, founder of the Orfeó Català and namesake of Lluís Millet Hall.

With a main focus in drawing and painting, Leslie Gibbs enjoys transforming her more traditional artwork into glass. Charmed by both wildlife and the creatures of the sea, she often depicts the real along with the fanciful denizens of these worlds in her design and pattern books. Gibbs is a longtime Florida resident. She currently lives and works in a small beach town in Northern Florida, having forsaken the Badlands of South Florida for a more peaceful lifestyle featuring more wildlife and less concrete. A relentless jokester, Gibbs tackles life’s common absurdities with a wicked sense of humor and a relaxed attitude. More of her work can be seen by visiting www.LeslieGibbsStudio.com.

© Copyright 2016 by Glass Art. All rights reserved.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 53 SAMA News

Featuring the latest from the Society of American Mosaic Artists

SAMA Leaves a Mosaic Legacy in El Cajon by Shawn Newton

he Mosaic Marathon is an integral part of the an- nual conference of the Society of American Mosaic TArtists (SAMA). The event, which was co-sponsored by Laticrete, Smalti.com, and Wits End Mosaic, brought together our members for an opportunity to create a last- ing, large-scale mosaic. The finished piece is donated to a local charity or needy establishment in our host con- ference city. This year it was in San Diego, California. As a nonprofit organization, this is an opportunity for SAMA members to give back to the art community and create a lasting reminder of the legacy of the organiza- tion and its mission. The 2016 recipient of the Mosaic Marathon project is the St. Madeleine Sophie’s Center (SMSC) in El Cajon, California. The center combines a culture of care and creativity within quality programs to provide liberal arts education, practical skills devel- opment, employment, and dignity in order to educate and empower people with developmental disabilities.

Creating an Inspiring Entrance Dawn Mendelson and Jolino Beserra served as lead artists for the Mosaic Marathon. Mendelson, a Southern California artist, has led many large and small community projects from fine art to murals. She also serves as program director for Piece by Piece, a non- profit organization that brings mosaic art to underserved neighborhoods in the Los Angeles area. A California native, Beserra creates architectural mosaics for large public and residential installations. Mendelson described the project. “Our design fo- cused on the programs offered at SMSC in a colorful and inspiring mural that surrounded the entrance to the build- ing. This is the door everyone enters, and we wanted to help make that portal to their center joyful. Because both Jolino and I specialize in pique assiette mosaic, we decided to use a variety of materials, including broken plates, 3-D figurines, ceramic tile, and Mexican smalti, which was generously donated by Wit’s End Mosaic. For me, the excitement is often in choosing the materi- als and envisioning how to interpret their textures and colors into a design.” Three mosaic panels now surround the main entry to the center. Rendered in a tapestry motif, they include references to their aquatic and arts programs, as well as A close-up view of Swim Panel, which was installed to the left of the entry popular garden activities. They also provide a nod to the at St. Madeleine Sophie’s Center in El Cajon, California. Materials include culinary arts, the new vineyard, and the drama and music broken plates, 3-D figurines, ceramic tile, fused glass, and Mexican smalti. programs. The overall comprehensive design reflects the Photo by Dawn Mendelsohn.

54 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Your Subscription Any Way You Want it • Print Knowledge is Power Creativity is Freedom • Digital PDF At His Glassworks, we believe creativity shouldn’t be constrained by lack of knowledge. Check out our LEARN section online for videos • PDF on CD and tips on using coldworking tools, then head to our SHOP section for all your coldworking needs. www.hisglassworks.com

Allejandro Herrera

Our Events Calendar has gotten too big for the magazine we had

Marble by Josh Mazet to move it to the Web. Go to: A glass journal for the www.GlassArtMagazine.com flameworking community www.GlassPatterns.com www.TheFlowMagazine.com www.TheFlowMagazine.com 800.719.0769 for all the newest workshops and events in glass around the world.

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 55 playful and creative expressions found in SMSC artists’ work. To honor and acknowledge the center’s 50 years of service, their own artists created 50 fused glass elements as well as mosaic flowers to be included in the mural. Since 1996, Wet Dog Glass, LLC has worked with clients to develop and The Value of Sharing Creativity and Passion produce the best glass studio Mendelson sums it up: “The most valuable experience in both equipment money can buy. One of leading and participating in the Mosaic Marathon at SAMA is the our highest priorities is to research and develop new systems that are creating of community, the exchange of ideas and techniques, and more efficient in their energy the feeling of support and camaraderie. There is collaboration and consumption. teamwork, new friendships are forged, and old ones are rekindled. There is laughter and chatter, as well as deep discussions and mo- ments of intense concentration and quiet. And there is giving back. “As artists, two of our most valuable assets are our creativity and our passion. Sharing this with others who may not have that experience or who could use the support is incredibly important. I love that the mission of the SAMA Mosaic Marathon is not only to leave a legacy of our art form in the city to which we’ve come, but also to contribute to that local community in a way that lifts people’s spirits and reminds them of the power of art.” The entrance to this building serves as the entry to many of these participants’ days and lives. SAMA hopes it has given them a joyful vision that reflects the very nature of their creative and generous selves.

Visit www.americanmosaics.org to learn more about the Society of American Mosaic Artists and its upcoming events.

© Copyright 2016 by Glass Art. All rights reserved.

LEARN FROM THE BEST.

Connect with world-class artists and learn some of the techniques they’re best known for with Glasscraft Classes. All classes are located at our Golden, Colorado studio. For more info and to register, visit: www.glasscraftinc.com

UPCOMING CLASSES

June 16-18 Old School Sculpture with Dirty Looie (Lewis Wilson) Sept 2-5 Introduction to Fuming Hollow and Solid Applications with James Yaun and Freddy Faerron Sept 29- Oct 1 Fine Lines and Fine Wines with Robert Mickelsen and Shane Fero Nov 3-5 Functional Murrini Application with Micro Dec 2-3 Tiny Worlds Within with Miles Parker

56 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com Readers’ Forum R&R® Glass-Cast™ Dear Glass Art, MOLD MATERIALS TO MEET THE SPECIFIC NEEDS OF GLASS CASTERS I would like to commend the maga- zine for presenting a Offering a variety of mold materials variety of articles that to the glass casting production facility, speak to glass artists studio artist and hobbyist. using different tech- R&R GLASS-CAST is pleased to offer niques. The January/February 2016 issue glass casters a collection of products, included an article, “Finishing Strong,” providing unprecedented flexibility by Stan Price that I found to be extremely to the user. useful and informative. As an artist, I am al-  R&R® Glass-Cast™ BANDUST ™101 ways looking for ways to use materials and investment techniques to translate my ideas into glass.  R&R® Glass-Cast™ 400 investment I always consider lighting and display  R&R® Glass-Cast™ 910 investment ® devices, often just seeking out something L-R: Original | Silicone Mold | Wax Pattern | Glass Casting  R&R Glass-Cast™ 965 investment Created with R&R GLASS-CAST 910 investment  R&R® Mold-Mix 50/50 investment different to hold the glass without much consideration of its relationship to the work. 800.253.4502 | www.glass-cast.com

After reading the article and looking at the GK Drop Bottom_4.625x3.75.ai 10/29/2013 6:40:17 AM illustrations, I am inspired to consider dis- play as the continuous dialogue of the glass piece—the completed package. Using the knowledge and skills of a woodworker or metalsmith, or incorporating found objects as part of the display will provide new ideas and presentation opportunities. Sincerely, C Deborah Ellington M INTRODUCING Y In the July/August 2016 issue of Glass CM THE GK SERIES Art, the name of artist Indra McCraw was MY DROP-BOTTOM GLASS KILNSLNS inadvertently given as Indra McGraw in the Peter McGrain Skills and Techniques arCY- Your ideal solution to manipulatingng ticle. We apologize to the artist for this error.CMY hot glass with minimal heat loss.s.

K  Professionals and hobbyists alike are enthusiastic aboutbout our new drop-bottom action technology, which allowsows fforor Glass Art would like to extend a sincere artists to manipulate their creations while hot and malleable.alleabblee. THE thank-you to our readers who take the time to let us know how we are doing. You can Cress Manufacturing • www.cressmfg.com • (800) 423-4584 share your opinions by contacting us via postal mail, e-mail, or phone. Glass Art 8300 Hidden Valley Road Visit our website to Westport, KY 40077 [email protected] renew, subscribe, order (800) 719‑0769 (502) 222‑5631 back issues, and link to advertisers’ websites.

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Helen Millard Photo by Lara Jane Thorpe

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 57 What’s New

Coatings By Sandberg (CBS) is celebrating 20 Years of The Art of Dichroic, 1996–2016. The company has expanded over the years to include not only Dichroic glass, but also Dichroic Coated Ceramic, Glow Powder and Glow Decals, Dichroic Extract, kiln sales, and art glass classes. It is also recognized throughout the glass world for its exceptional customer SubscriberLook for these Subscriber Benefits Benefits Articles in Upcoming E-mails service. On behalf of all the employees at CBS, the company thanks from Glass Art! its customers for its continuing success. Visit the website to discover � all of the unique products available from CBS. Be sure we have your current E-mail 714‑538‑0888 address so you won’t miss this extra www.cbs-dichroic.com value offered to subscribers only. Grant Garmezy Wissmach Glass Co. has many options for glass artists Breaking Out as a Glass Artist through its Wissmach 96™ line, which is made for glass Cracking the Code of an fusing and kiln forming. Special care is taken to avoid devit- Art Business rification, and all of the company’s glass is tested to fire with McMow Art Glass any other glass that is labeled 96 COE. The 96 Opaque colors Preserving Core Strengths, include black, white, grays, blues, greens, violet, and gold. The Transparent sheets come in Implementing New golds, blues, cinnamon, green, and teals. All of the colors are available with Wissmach’s Initiatives, and Scanning Luminescent coating. Visit the company’s website for more information on these and all for Industrywide Threats of the company’s wonderful offerings. and Opportunities 304‑337‑2253 [email protected] www.wissmachglass.com

Creative Paradise Inc. presents three new molds. The GM196 6" Small Organic Control Drop can be used to make smaller organic slurry flowers or to slump flowers designed from patterns. The LM148 molds can make twelve 1" jewelry disks at a time for a great classroom project. The GM197 Drop Center Bottle Slump molds bottles with a deep recessed center for a dainty planter or a appetizer dish. 316‑794‑8621 [email protected] creativeparadiseglass.com

Glass Craft & Bead Expo is pleased to announce that it is coming together with the International Society of Beadmakers (ISGB) to offer an amazing opportunity in 2017. ISGB will be holding its annual conference, The Gathering, March 28–April 2, and Glass Craft & Bead Expo will be held March 29–April 2. ISGB will also add to the tradeshow with its Glass, Beads & Jewelry Bazaar on April 1, and this all takes place in one location at the South Point Hotel & Casino in Las Vegas, Nevada. While the two events will still be operating independently of one another, the partnership will offer an unprecedented experience for glass enthusiasts. ISGB will be holding classes on Tuesday and Wednesday as well as its usual program. Four hot glass rooms will be designated for that purpose, and the ISGB instructors will have the option to also apply for teaching the rest of the week at the Glass Craft & Bead Expo. Combining these two events is expected to bring in additional students across the board. Details for each of these events will be available on the organizations’ websites in the fall. www.glasscraftexpo.com www.isgb.org Detail of Equinox, by Grant and Erin Garmezy, Photo by Brian Cannizzaro. D&L Art Glass Supply allows artists to present their work in style. Display plates, bowls, and panels with elegant stands are now available. These sturdy interlocking stands are designed to easily break down for storing, ship flat, and are available in two www.GlassArtMagazine.com sizes and finishes. The stands and all new items can be seen on [email protected] the company’s website. 800.719.0769 800‑525‑0940 [email protected] 502.222.5631 www.dlartglass.com/products/new

58 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com The

Word in Stained Glass Patterns

Illustrated

Twenty-One Inspirational Patterns by Karen Stephenson 800-719-0769 www.GlassPatterns.com

www.GlassArtMagazine.com Glass Art TM • September/October 2016 • 59 ARTCO has been serving the glassblow- The Slider, Olympic Kilns’ newest ing community since Slide Your addition to its glass firing portfolio, is 1985. The com- a square, clamshell-designed model pany, which Glass Firing equipped with a sliding floor for ease first catered in loading and glass manipulation. The to furnace workers, has over the years Up a Notch. sleek wood handle keeps things cool so experienced an expanded customer base. you can concentrate on things hot. In 2005, it began to expand its product line even more to include products that are Sliders are completely assembled when trustworthy and dependable, and founded shipped and are attached to an 8” or the company on the concept of offering only 18” tall heavy angle iron stand, ready items that they would use themselves. Their to fire when received. Available in goal is to provide the best quality, selec- multiple sizes, Sliders are equipped with tion, and service possible. Please visit the a 12-key digital RTC-1000 controller, or company’s website for a look at the great upgrade to the new GENESIS controller products available from ARTCO. with touch-screen 408‑288‑7978 [email protected] technology. www.artcoinc.com 314 Slider – 240 or 208 volt 25” x 25” wide x 13.5” deep – His Glassworks is pleased to announce a fully extended floor is 62” new steel welded front-to-back 18-gauge table- top sandblast unit. It is now in limited availabil- 146 Slider – 120 volt ity at a low intro- 14.5” x 14.5” wide x 6” deep Contact us for an Olympic Kilns Slider Distributor – 35.5” in length front-to-back ductory price for 800.241.4400 • 770.967.4009 when floor is fully extended efficiently, eas- Fax: 770.967.1196 • [email protected] ily sandblasting small objects and saving space in your studio. The BT20 sandblast unit measures 20" x 18" x 28", EDCO COPPER FOIL uses 3.6 CFM of air at 50 psi, and offers Look for the a great solution for the small shop. It’s gold circle blue HOLDING IT available now online or by phone. Visit the letters and it’s TOGETHER FOR company’s website for more information or in the bag. GENERATIONS call to order. TO COME! 800‑914‑7463 828‑254‑2559 hisglassworks.com • Excellent Quality Ed Hoy’s International has now added • Exact Tolerance new Wissmach fusible glass sample packs • Dead Soft Copper to its world-class in- • Best Tack and Adhesive ventory. In an effort • Black Coated to present the versa- & Silver Coated tile colors and styles of fusible Wissmach • Vinyl & Paper glass products to the public, the company Sandblast Resist has created an eclectic blend of Wissmach sheet glass designed to give artists a deeper scope of one of the nation’s oldest and most • All copper foil can respected glass producers. These latest be cut 1/8" up to 35". sample packs include ten 8" x 8" sheets of • Customer names can be printed on the bags of foil Wissmach fusible glass. Interested glass free of charge. artists can learn more about Wissmach • All of our sandblast resist can be slit from 1/8" up to 24". glass products available through Ed Hoy’s • Wider rolls of copper can be cut with craft shears International or purchase these new sample for different designs. packs online. 800‑323‑5668 [email protected] (866) 397-4777 (718) 788-8108 shop.edhoy.com

60 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com GLASS ART SOCIETY JOIN US IN NORFOLK, VA For the GAS conference, June 1-3, 2017 Reflections from the Edge: Glass, Art, and Performance

The Chrysler Museum Photo: Ed Pollard of Art and its Perry Glass Studio will host the 46th annual Glass Art Society conference. Attendees will experience technical glass demon- strations on various glass processes and topics; lectures on science and art; and special events such as a local Gallery Hop, Goblet Grab, International Student Exhibition, and Live and Silent Auction. Participants will also witness groundbreaking theatrical glass performances, for which the Studio is quickly establishing a national reputation.

BECOME A GAS MEMBER The Glass Art Society is an international non-profit organization founded in 1971. We strive to stimulate communication among artists, educators, students, collectors, gallery and museum personnel, art critics, manufacturers, and all others interested in the production, technology, and aesthetics of glass. Member benefits include four online issues of GASnews per year, the annual printed Journal, free classified listings, and much more.

6512 - 23rd Ave NW, Suite 329, Seattle, WA 98117 206.382.1305 www.glassart.org [email protected] Craig Featuring interviews and discussions with Glass Art Mitchell world-renowned glass artists and Glass respected experts Magazine’s Smith in hot, warm, and cold glass Podcast Extraordinary Glass! Subscribe on iTunes or Stitcher today!

Creating Stunning, Tom Holdman currently faces the biggest challenge of his career – how Unique Sculptural Glass to depict thousands of years of world Art for Prestigious Homes history in the 200-foot stained glass wall his studio is creating for Utah and Gardens Worldwide Valley University (UVU) in Orem, Utah. Holdman, artist and CEO of Holdman Craig Mitchell Smith has been featured Studios, is a man on a mission, de- termined to complete all 80 panels for at Disney’s Epcot Center as well as in his masterwork, Roots of Knowledge numerous press articles and TV shows, (RoK), by the end of October 2016. His monumental masterpiece depicts including HGTV, as an artist who thinks the most important advances in human outside the box. knowledge and civilization, inspiring individuals to reach their full potential while illuminating stained glass as one 1220 N Washington of the highest art forms on earth. Lansing, Michigan 48906 On the cover of Glass Art magazine's (517) 349‑1345 July/August 2016 issue. www.craigmitchellsmith.com Subscribe now at Hours by Appointment Only www.glassartmagazine.com

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62 • Glass Art TM • September/October 2016 www.GlassArtMagazine.com

Wissmach

Since 1904, manufacturer of the largest variety of opalescent and cathedral glass.

Each sheet of Wissmach glass is a work of art in itself, making your work of art easier right from the start.

THE PAUL WISSMACH GLASS COMPANY P.O. Box 228, Paden City, WV 26159-0228 Tel: (304)337-2253 Fax: (304)337-8800 www.wissmachglass.com [email protected]