Observations Made During a Tour Through Parts of England, Scotland
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Digitalisation: Re-Imaging the Real Beyond Notions of the Original and the Copy in Contemporary Printmaking: an Exegesis
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2017 Imperceptible Realities: An exhibition – and – Digitalisation: Re- imaging the real beyond notions of the original and the copy in contemporary printmaking: An exegesis Sarah Robinson Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Printmaking Commons Recommended Citation Robinson, S. (2017). Imperceptible Realities: An exhibition – and – Digitalisation: Re-imaging the real beyond notions of the original and the copy in contemporary printmaking: An exegesis. https://ro.ecu.edu.au/theses/1981 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1981 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). -
Stowe: a Description of the Magnificent House and Gardens of the Right Honourable Richard Grenville Nugent Temple
www.e-rara.ch Stowe: a description of the magnificent house and gardens of the Right Honourable Richard Grenville Nugent Temple ... Seeley, Robert Benton Buckingham, 1780 ETH-Bibliothek Zürich Shelf Mark: Rar 6719 Persistent Link: http://dx.doi.org/10.3931/e-rara-830 A Description of the House. www.e-rara.ch Die Plattform e-rara.ch macht die in Schweizer Bibliotheken vorhandenen Drucke online verfügbar. Das Spektrum reicht von Büchern über Karten bis zu illustrierten Materialien – von den Anfängen des Buchdrucks bis ins 20. Jahrhundert. e-rara.ch provides online access to rare books available in Swiss libraries. The holdings extend from books and maps to illustrated material – from the beginnings of printing to the 20th century. e-rara.ch met en ligne des reproductions numériques d’imprimés conservés dans les bibliothèques de Suisse. L’éventail va des livres aux documents iconographiques en passant par les cartes – des débuts de l’imprimerie jusqu’au 20e siècle. e-rara.ch mette a disposizione in rete le edizioni antiche conservate nelle biblioteche svizzere. La collezione comprende libri, carte geografiche e materiale illustrato che risalgono agli inizi della tipografia fino ad arrivare al XX secolo. Nutzungsbedingungen Dieses Digitalisat kann kostenfrei heruntergeladen werden. Die Lizenzierungsart und die Nutzungsbedingungen sind individuell zu jedem Dokument in den Titelinformationen angegeben. Für weitere Informationen siehe auch [Link] Terms of Use This digital copy can be downloaded free of charge. The type of licensing and the terms of use are indicated in the title information for each document individually. For further information please refer to the terms of use on [Link] Conditions d'utilisation Ce document numérique peut être téléchargé gratuitement. -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
Rembrandt Remembers – 80 Years of Small Town Life
Rembrandt School Song Purple and white, we’re fighting for you, We’ll fight for all things that you can do, Basketball, baseball, any old game, We’ll stand beside you just the same, And when our colors go by We’ll shout for you, Rembrandt High And we'll stand and cheer and shout We’re loyal to Rembrandt High, Rah! Rah! Rah! School colors: Purple and White Nickname: Raiders and Raiderettes Rembrandt Remembers: 80 Years of Small-Town Life Compiled and Edited by Helene Ducas Viall and Betty Foval Hoskins Des Moines, Iowa and Harrisonburg, Virginia Copyright © 2002 by Helene Ducas Viall and Betty Foval Hoskins All rights reserved. iii Table of Contents I. Introduction . v Notes on Editing . vi Acknowledgements . vi II. Graduates 1920s: Clifford Green (p. 1), Hilda Hegna Odor (p. 2), Catherine Grigsby Kestel (p. 4), Genevieve Rystad Boese (p. 5), Waldo Pingel (p. 6) 1930s: Orva Kaasa Goodman (p. 8), Alvin Mosbo (p. 9), Marjorie Whitaker Pritchard (p. 11), Nancy Bork Lind (p. 12), Rosella Kidman Avansino (p. 13), Clayton Olson (p. 14), Agnes Rystad Enderson (p. 16), Alice Haroldson Halverson (p. 16), Evelyn Junkermeier Benna (p. 18), Edith Grodahl Bates (p. 24), Agnes Lerud Peteler (p. 26), Arlene Burwell Cannoy (p. 28 ), Catherine Pingel Sokol (p. 29), Loren Green (p. 30), Phyllis Johnson Gring (p. 34), Ken Hadenfeldt (p. 35), Lloyd Pressel (p. 38), Harry Edwall (p. 40), Lois Ann Johnson Mathison (p. 42), Marv Erichsen (p. 43), Ruth Hill Shankel (p. 45), Wes Wallace (p. 46) 1940s: Clement Kevane (p. 48), Delores Lady Risvold (p. -
Sebasco Harbor Resort, Rte
04_595881 ch01.qxd 6/28/06 9:57 PM Page 1 Chapter 1 Taking in the Scenery Awesome Vistas . 2 Seven Beautiful Bridges . 12 Drives . 20 Train Rides . 32 Boat Rides . 41 COPYRIGHTED MATERIAL Sequoia National Park. 04_595881 ch01.qxd 6/28/06 9:57 PM Page 2 TAKING IN THE SCENERY Awesome Vistas 1 Monument Valley The Iconic Wild West Landscape Ages 6 & up • Kayenta, Arizona, USA WHEN MOST OF US THINK of the American visits backcountry areas that are other- West, this is what clicks into our mental wise off-limits to visitors, including close- Viewmasters: A vast, flat sagebrush plain ups of several natural arches and with huge sandstone spires thrusting to Ancient Puebloan petroglyphs.) the sky like the crabbed fingers of a Sticking to the Valley Drive takes primeval Mother Earth clutching for the you to 11 scenic overlooks, once-in-a- heavens. Ever since movie director John lifetime photo ops with those incredible Ford first started shooting westerns here sandstone buttes for backdrop. Often in the 1930s, this landscape has felt famil- Navajos sell jewelry and other crafts at iar to millions who have never set foot the viewing areas, or even pose on horse- here. We’ve all seen it on the big screen, back to add local color to your snapshots but oh, what a difference to see it in real (a tip will be expected). life. John Wayne—John Ford’s favorite lead- If you possibly can, time your visit to ing cowboy—roamed these scrublands include sunset—as the sheer walls of on horseback, and seeing it from a West- these monoliths capture the light of the ern saddle does seem like the thing to do. -
Insights from Stourhead Gardens
Open Research Online The Open University’s repository of research publications and other research outputs Myth In Reception: Insights From Stourhead Gardens Thesis How to cite: Harrison, John Edward (2018). Myth In Reception: Insights From Stourhead Gardens. PhD thesis The Open University. For guidance on citations see FAQs. c 2017 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000d97e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Myth in reception: Insights from Stourhead gardens John Edward Harrison BSc (Hons) Psychology, University of Hertfordshire, UK Dip CS, Open University, UK PhD Neuroscience, University of London, UK Thesis submitted to The Open University in partial fulfilment of the requirement for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences (FASS) The Open University December 2017 1 Declaration I declare that this thesis represents my own work, except where due acknowledgement is made, and that is has not been previously submitted to the Open University or to any other institution for a degree, diploma or other qualification. 2 Abstract The focus of my thesis is the reception of classical myth in Georgian Britain as exemplified by responses to the garden imagery at Stourhead, Wiltshire. Previous explanations have tended to the view that the gardens were designed to recapitulate Virgil’s Aeneid. -
Artes Na Esfera P Ú B Lica
Entre o Chiado, o Carmo e Paris Artes na Esfera Pública Artes na Esfera Coord. José Quaresma Coord. José Casa de Portugal — André de Gouveia Entre o Chiado, o Carmo e Paris Artes na Esfera Pública Artes na Esfera Coord. José Quaresma Coord. José Casa de Portugal — André de Gouveia © das obras, dos textos e das traduções: os autores traduções: e das textos dos obras, © das Edição Lisboa, Dezembro 2020 Faculdade de Belas-Artes Universidade de Lisboa Largo da Academia Nacional de Belas-Artes, 1249-058 Lisboa Tel. [+351] 213 252 108 [email protected] www.belasartes.ulisboa.pt Coordenação José Quaresma Revisão Revisão de textos pelos autores Tradução e Revisão de Textos Texto da p. 228, Rev. de Magdalena Maciaszczyk. Texto da p. 320, Trad. e Rev. Magdalena Maciaszczyk. Texto da p. 308, Trad. Elzbieta Rodzen-Lesnikowska, e Rev. de Karolina Kozera Fotografias do Catálogo Vários autores (ver p. 345 do Catálogo) Fotografia da Capa Alexandre Nobre Design Tomás Gouveia Impressão e Acabamento inPrintout ISBN 978-989-8944-34-4 Depósito Legal 478010/20 Agradecimentos Aos Artistas Aos Ensaístas À Casa de Portugal — André de Gouveia Ao Instituto Camões À Faculdade de Belas-Artes da Universidade de Lisboa Ao Gabinete de Comunicação e Imagem da FBAUL Ao Museu Arqueológico do Carmo Ao Alexandre Nobre À Doutora Ana Paixão Ao Doutor José Manuel da Costa Esteves Índice Introdução Parte II P. 10 Chiado, Carmo, Utopia e Imagem em Movimento Texto de acolhimento da Casa de Portugal Cinema e «Orpheu» — André de Gouveia — Momento Essencial... P. 14 Guilherme d’Oliveira Martins P. -
Automatic Meaning Discovery Using Google
Automatic Meaning Discovery Using Google Paul Vitanyi CWI, University of Amsterdam, National ICT Australia Joint work with Rudi Cilibrasi New Scientist, Jan. 29, 2005 Slashdot: News for Nerds; Stuff that Matters, Jan. 28, 2005 Dutch Radio: TROS Radio Online, March 8, 2005 The Problem: Given: Literal objects (binary files) 1 2 3 45 Determine: “Similarity” Distance Matrix (distances between every pair) Applications: Clustering, Classification, Evolutionary trees of Internet documents, computer programs, chain letters, genomes, languages, texts, music pieces, ocr, …… TOOL: z Information Distance (Li, Vitanyi, 96; Bennett,Gacs,Li,Vitanyi,Zurek, 98) D(x,y) = min { |p|: p(x)=y & p(y)=x} Binary program for a Universal Computer (Lisp, Java, C, Universal Turing Machine) Theorem (i) D(x,y) = max {K(x|y),K(y|x)} Kolmogorov complexity of x given y, defined as length of shortest binary ptogram that outputs x on input y. (ii) D(x,y) ≤D’(x,y) Any computable distance satisfying ∑2 --D’(x,y) ≤ 1 for every x. y (iii) D(x,y) is a metric. However: z x X’ Y Y’ D(x,y)=D(x’,y’) = But x and y are much more similar than x’ and y’ z So, we Normalize: Li Badger Chen Kwong Kearney Zhang 01 Li Vitanyi 01/02 Li Chen Li Ma Vitanyi 04 z d(x,y) = D(x,y) Max {K(x),K(y)} Normalized Information Distance (NID) The “Similarity metric” Properties NID: z Theorem: (i) 0 ≤ d(x,y) ≤ 1 (ii) d(x,y) is a metric symmetric,triangle inequality,: d(x,x)=0 (iii) d(x,y) is universal d(x,y) ≤ d’(x,y) for every computable, normalized (0≤d’(x,y)≤1) distance satisfying standard “density” condition. -
Game Certificates
A typical gamekeeper Game Certificates A list of Gamekeepers’ Certificates issued in the county aforesaid, with respect to the said duty, from the 1st day of July, 1807, to the 21st day of November, 1807, inclusive, pursuant to an Act of Parliament granting a duty of £1 1s on each certificate. By Whom Deputed Given Surname Given Manors Names Surname Title Names Fonthill Gifford; Fonthill Andrews James Blackford W. Esq. Bishop; East Hatch; Tisbury Parsonage; Chicksgrove Great Sherstone and Austen William Cresswell E. Esq. Sherstone Parva or Sherstone Pinkney Baily William Thynne Thomas Marquis of Bath Horningsham George Earl of Baker Stephen Herbert Bulbridge Augustus Pembroke ©Wiltshire OPC Project/2016/Maureen Withey Barnes William Wyndham W. Esq. Teffont Evias Littlecot with Rudge; Chilton Foliat with Soley; North Standen with Oakhill; & Charnham Street; with liberty Popham E. W. L. Esq. to kill game within the said manors of Littlecot with Rudge and Chilton Foliat with Soley Goddard A. Esq. Wither L. B. Esq. Northey W. Esq. Barrett Joseph Brudenell- Thomas Earl of Ailesbury Bruce Rev., D.D., Popham E. Clerk Froxfield Vilet T. G. Rev., Ll.d., Clerk Rt. Hon., Bruce C. B. commonly called Lord Bruce Goddard E. Rev., Clerk Michell T. Esq. Warneford F. Esq. North Tidworth; otherwise Batchelor Henry Poore E. Dyke Esq. Tidworth Zouch; and Figheldean Scrope W. Esq. Castle Coomb Beak William Sevington Vince H. C. Esq. Leigh-de-la-Mare Beck Thomas Astley F .D. Esq Boreham Pewsey; within the tithings of Beck William Astley F. D. Esq. Southcott and Kepnell Bennett John Williams S. -
Illustrated Catalogue of Magic Lanterns
OUR SPECIALTIES. 2. 3. 4. and Stereopticon Com- I —Dr. McIntosh Solar Microscope 5. bination. —McIntosh Combination Stereopticon. — McIntosh Professional Microscope. —Mclntosh-lves Saturator. —McIntosh Sciopticon. 6—Everything in Projection Apparatus. will be supplied Specialties manufactured or sold by other houses furnished to illustrate almost any at their advertised prices. Slides colored slides painted to order by the best artists of •ubject ; also the day. We have a commodious room fitted up to exhibit the practical working of our apparatus to prospective purchasers. TERMS. Registered Let- i. —Cash in current funds, which may be sent by sent C. O. D., ter, Draft, Postal Money Order or Express. Goods balance provided twenty-five per cent of bill is sent with order, the to be collected by the Express Company. greatest care to avoid 2 —All goods will be packed with the foi them breakage in transportation, but we cannot be responsible after leaving our premises, except under special contract. reported within ten days from 3. —Any errors in invoice must be receipt of goods. all no old stock. Our Goods are new ; we have and Nos. 141 AND 143 Wabash Ave„ CHICAGO, ILLS., U. S. A. ILLUSTRATED CATALOGUE Stereopticons, Sciopticons, DISSOLVING VIEW APPARATUS, MICROSCOPES, SOLAR MICROSCOPE STEREOPTICON COMBINATION, OBJECTIVES, PHOTOGRAPHIC TRANSPARENCIES, Artistically Colored Views and Microscopical Preparations. MANUFACTURED AND IMPORTED BY THE OPTICAL DEPARTMENT OP THE McIntosh Battery and Optical Co., Nos. 141 and 143 Wabash Ave, CHICAGO, ILLS,, U. S. A. THE WORLD’S INDUSTRIAL -A-isrio C&tlott Centennial ^Exposition* GEI^FIBIGAJFE OB AWAI^D dr. ^zccinBrTOSE:, UNITED STATES, FOE SOLAS MICROSCOPES AND OPTICAL INSTBUIEMTS, Sc. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Normalized information distance Vitányi, P.M.B.; Balbach, F.J.; Cilibrasi, R.L.; Li, M. Publication date 2008 Link to publication Citation for published version (APA): Vitányi, P. M. B., Balbach, F. J., Cilibrasi, R. L., & Li, M. (2008). Normalized information distance. Institute for Logic, Language and Computation. http://arxiv.org/abs/0809.2553 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 Chapter 3 Normalized Information Distance Paul M. B. Vita´nyi, Frank J. Balbach, Rudi L. Cilibrasi, and Ming Li Abstract The normali ed in!ormation distance is a uni"ersal distance measure !or ob#ects o! all kinds. $t is based on %olmogoro" com&le'ity and thus uncom&utable, but there are (ays to utili e it. -
French Furniture Under Louis Xiv
UC-NRLF inni«^fctM»i-tHrtftrtrirtiii-tftrtrtfrrirtr»rtrtitfl THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA IN MEMORY OF Carl and Lucia Gr onraie LITTLE ILLUSTRATED BOOKS ON OLD FRENCH FURNITURE II. FRENCH FURNITURE UNDER LOUIS XIV Large Arm-chair covered in Wool Velvet (End of the Louis XIV style) LITTLE ILLUSTRATED BOOKS ON FRENCH FURNITURE II FRENCH FURNITURE UNDER LOUIS XIV BY ROGER DE FELICE Translated by F. M. ATKINSON ILLUSTRATED. NEW YORK FREDERICK A. STOKES COMPANY '^'/^^ , ? u4 eKJ\J\ Printed in Great Britain ' hi K- 5 b f'i> INTRODUCTION: SOME SETS OF FURNITURE UNDER m \/ LOUIS XIV The Louis XIV style is one that chance has en- dowed with a splendid name, Louis Ouatorze. Those sonorous, sumptuous syllables, as rich as the gold of the Gallery of Mirrors at Versailles, are they not in themselves completely expressive ? If the Louis XV style was to ex- press a whole society of voluptuous refinement, the Louis XIV style is verily the style of the King. It was to satisfy his taste, to express his mind, to titillate his pride and to proclaim his glory that Le Brun and Le Pautre devised their pompous decorations, that Perrault and Mansard marshalled their columns and raised their cupolas, that Le Nostre planted his alleys on lines meted out by stretched cords, that the Kellers founded bronze, that Domenico Cucci and Claude Ballin chased precious metals, that Andre-Charles Boulle cunningly wedded brass and tortoise shell with ebony in the Louvre, and at the Gobelins the lapidaries matched the stones of Florence, the cabinet-makers put together their ingenious cabinets, the silver- smiths made tables and pots for orange trees out of solid silver, the tapestry workers wove their enormous hangings stitch by stitch, while at vi INTRODUCTION Tourlaville the glass workers made mirrors larger and clearer than those of Venice, Whole volumes might be written on the Louis XV and Louis XVI styles without even a mention of the princes whose names they bear, but this would be quite impossible with the style we are about to discuss in this little book.