Guide to String Sextets
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Artikelverzeichnis
Artikelverzeichnis A B Aa, Michel van der Bacewicz, Grazyna˙ Abaco, Evaristo Felice Dall’ Bach-Bogen Abel, Jenny Bach, Carl Philipp Emanuel Abstrich, Aufstrich Bach, Johann Sebastian Accardo, Salvatore Badings, Henk Herman Accolaÿ, Jean-Baptiste Baillot, Pierre (Marie François de Sales) Accordatura Balestrieri, Tommaso Achron, Joseph Baltzar, Thomas Adams, John (Coolidge) Banks, Benjamin Adern Einlagen Bariolage Akkordspiel Barockvioline Alard, Jean-Delphin Barthélémon, François-Hippolyte Alban, Matthias Bartók, Béla (Viktor János) Albicastro, Henrico Bartók-Pizzicato Albinoni, Tomaso Giovanni Baryton Amati (Famile) Bass, Bassgeige Amoyal, Pierre Bassani, Giovanni Battista Antoniazzi (Familie) Bassbalken Antonii, Pietro degli Bassett Halbbass Applicatura, Applikatur Basso continuo Arányi, Jelly d’ Batiashvili, Lisa archet Bauch arco Bax, Arnold (Edward Trevor) arco normale Bazzini, Antonio Arditti, Irvine Bearbeitung Arpeggio, arpeggiando Bebung Arpeggione Beethoven, Ludwig van Arrangement Bearbeitung Bell, Joshua (David) Artesono-Violine Benda, Franz Artikulation Bennewitz, Antonín Asmussen, Svend Bereifung ASTA Berg, Alban (Maria Johannes) au chevalet sul ponticello Bergonzi (Familie) Auer, Leopold (von) Berio, Luciano Aufführungspraxis Bériot, Charles-Auguste de Aufstrich Abstrich Berlioz (Louis) Hector Aulin, Tor (Bernhard Vilhelm) Bernardel (Familie) AUSTA Bertolotti, Gasparo Gasparo da Salò Ayo, Félix Berwald, Franz (Adolf) Betts, John Edward 18 Artikelverzeichnis Beyer, Amandine Carter, Elliott (Cook) Bezug Cartier, Jean-Baptiste -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭. -
Library of Congress Medium of Performance Terms for Music
A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭. -
Cimcim Newsletter
.. CIMCIM NEWSLETTER NEWSLETTER 0~ THE INTERNATIONAL COMM ITTEE OF MUSICAL INSTRUMENT COLLECTIONS BULLETIN DU COMITE INTERNATIONAL DES MUSEES ET COLLECTIONS D'INSTRUMENTS DE MUSIQUE I . I \ I . VI 1 9 7 8 I I I . I· . I . EDITORIAL ~· In CIMCIM Newsletter Nr. 5 I emphasised that this is your publication. I stressed its value as an ideal medium· for the exchange of news, views, comments and questions. But my letter-box has remained empty - which must mean that you have no queries, no problems concerning the collection of musical instruments. All .the better! Perhaps, however, you already possess· a large collection of instruments - not to mention a great deal of valuable ex perience in this fascinating·field. If so, why not make use of the CIMCIM Newsletter to pass on some of your know-how, ideas ·and other advice to less-knowledgeable fellow collector exhibitors? ·r look forward to being able to publish in our next issue further contributions on the theme of "Exhibitions of musical instruments (your ideas and suggestions)". And please start thinking today about the special subject of "Publications ·I specialising in musical instruments", so that we may all be informed of such specialist publications worldwide. This newsletter Nr. 6 is dedicated to Professor Emmanuel Winter nitz, the prominent organologist, authority on music icono graphy, man of letters, former CIMCIM President, and valued friend, who on 4 August this year celebrated his 80th birth day. I should like to express our heartfelt greetings and gratitude to P!ofessor Winternitz - not with a traditional birthday rhyme, but with the eulogy of another great Viennese jurist Franz Grillparzer, who said in 1850: "Dem Meister, der in dieser Zeit des Viel-Wollens und Wenig- l Konnens das Grosse kann, das er will." To the master, who in these days of wanting much and knowing little is able to accomplish the greatness. -
Intersections of Music and Science in Experimental Violins of the Nineteenth Century Sarah M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Intersections of Music and Science in Experimental Violins of the Nineteenth Century Sarah M. Gilbert Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC INTERSECTIONS OF MUSIC AND SCIENCE IN EXPERIMENTAL VIOLINS OF THE NINETEENTH CENTURY By SARAH M. GILBERT A thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2013 i Sarah M. Gilbert defended this thesis on March 27, 2013. The members of the supervisory committee were: Douglass Seaton Professor Directing Thesis Michael Broyles Committee Member Benjamin Sung Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I would like to acknowledge the faculty of the College of Music for providing me with the Curtis Mayes Orpheus Grant, which allowed me to research experimental violins at the National Music Museum in Vermillion, South Dakota, in the summer of 2012. I would also like to thank the staff of the National Music Museum, especially Arian Sheets, for their assistance during my visit. iii TABLE OF CONTENTS List of Figures ..................................................................................................................................v -
Arbeitshilfe AH-001 "Liste Der Normierten Besetzungsangaben"
Arbeitsstelle für Standardisierung (AfS) Stand: 13. Oktober 2020 Arbeitshilfe Liste der normierten Besetzungsangaben Besetzung als Element nach RDA 6.15 Besetzung als Ergänzung für Sucheinstiege nach RDA 6.28 Besetzung als Teil des bevorzugten Titels für Werke für eine allgemeine oder eine bestimmte Besetzung nach RDA 6.14.2.8.2 Einleitung Die vorliegende Liste enthält die für D-A-CH normierten Begriffe für die Besetzung nach RDA 6.15 und die Verwendung für den normierten Sucheinstieg nach RDA 6.28. Die Spalten der Tabelle enthalten: A. Besetzung nach Informationsquelle B. Besetzungsangabe nach RDA 6.15 C. Verwendung im normierten Sucheinstieg nach RDA 6.28 D. Verwendungshinweise und Erläuterungen Arbeitshilfe AH-001 1 | 28 Allgemeine Verwendungshinweise Die Liste der Besetzungsangaben kann niemals vollständig sein. Als Besetzung im normierten Sucheinstieg und als Datenelement nach RDA 6.15 können daher auch Instrumente erfasst werden, z. B. seltene Volksmusikin- strumente, die nicht auf der Liste stehen, soweit sie nicht dem Sinn der Liste widersprechen. Wenn sich ein bestimmtes Instrument nicht auf der Liste befindet, bedeutet das also nicht, dass stattdessen ein unbestimmtes Instrument erfasst werden müsste. Die Schreibweise der Instrumente und Besetzungsangaben soll sich an der Dudenschreibweise orientieren. Das ist in der vorliegenden Liste noch nicht voll- ständig vollzogen. Die Besetzung als Ergänzung im Sucheinstieg weicht nur insoweit von der Besetzung nach RDA 6.15 ab, als Ausnahmen gemäß RDA 6.28 zutreffen. Die Spalte C berücksichtigt somit die einzige D-A-CH-relevante Ausnahme RDA 6.28.1.9.1 g) für den normierten Sucheinstieg, nach der bei Instrumenten die Bezeichnung der Tonart oder die Stimmlage wegzulassen sind. -
Candidate Music Genre/Form Terms for Discussion
Candidate Music Genre/Form Terms for Discussion This list, which is primarily derived from Library of Congress Subject Headings (LCSH). was last updated on March 22, 2013. The list should not be used as a source of current LCSH vocabulary, as LCSH terms may be modified in between updates. KEY TO STATUS COLUMN cancel:LCMPT = cancel heading:use Library of Congress Medium of Performance Thesaurus for Music (LCMPT). LCSH heading will be cancelled unless already used topically; medium terms will be available in LCMPT. The final forms of terms as incorporated into LCMPT will not necessarily be exactly as the terms appear in this list. cancel:LCMPT+LCGFT = cancel heading:use LCMPT and Library of Congress Genre/Form Terms for Library and Archival Materials (LCGFT). Add medium terms to LCMPT; add genre terms to LCGFT. The final forms of terms as incorporated into LCMPT and LCGFT will not necessarily be exactly as the terms appear in this list. cancel:OutOfScopeLCGFT = cancel heading:terms with a language qualifier and text names are out of scope for LCGFT. carrier = carrier/extent term. Not in scope for LCGFT; may be in scope for LCMPT. LCSH = invalid as genre/form or medium of performance term; used as a topical term in LCSH. LCGFT = add to Library of Congress Genre/Form Terms for Library and Archival Materials. The final forms of terms as incorporated into LCGFT will not necessarily be exactly as the terms appear in this list. -
LCSH Section MP
A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭. -
Draft Authorized Vocabulary for Medium of Performance Statements
MEDIUM OF PERFORMANCE TERMS FOR LIBRARY OF CONGRESS MEDIUM OF PERFORMANCE THESAURUS FOR MUSIC DRAFT AUTHORIZED VOCABULARY FOR MEDIUM OF PERFORMANCE STATEMENTS IN BIBLIOGRAPHIC RECORDS AS AGREED ON BY THE LIBRARY OF CONGRESS AND THE MUSIC LIBRARY ASSOCIATION February 2013 Introduction The Library of Congress, in cooperation with the Music Library Association, is developing a new thesaurus of terms representing vocabulary for the medium of performance of musical works, Library of Congress Medium of Performance Thesaurus for Music (LCMPT). The vocabulary is intended to be used, at least initially, for two bibliographic purposes: 1) to retrieve music by its medium of performance in library catalogs, as is now done by the controlled vocabulary, Library of Congress Subject Headings (LCSH); 2) to record the element “medium of performance” of musical works according to the cataloging standard, RDA: Resource Description and Access (RDA). The table that follows, which contains approximately 850 terms, updates the previously posted table of terms the collaborators recommend for the new medium of performance thesaurus. The table is a working document, subject to change. Background Medium of performance is now recognized as a separate and distinct bibliographic facet that should have its own vocabulary and vocabulary structure. Searches by medium should enable users to retrieve music by a particular instrument or instrumental group, voice or vocal group, or other medium of performance term or terms the searcher may specify. As presently incorporated into LCSH, medium of performance terms may occur in headings in two ways: either along with a term for genre, form, type, or style of music (as in Sonatas (Violin and piano)), or in headings that have only one or more medium terms in them (as in Violin and piano music). -
Domesticity in Brahms's String Sextets, Opp. 18 and 36
Georgia State University ScholarWorks @ Georgia State University Music Faculty Publications School of Music 2014 Domesticity in Brahms’s String Sextets, Opp. 18 and 36 Marie Sumner Lott Georgia State University, [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/music_facpub Part of the Music Commons Recommended Citation Sumner Lott, Marie, "Domesticity in Brahms’s String Sextets, Opp. 18 and 36" (2014). Music Faculty Publications. 67. https://scholarworks.gsu.edu/music_facpub/67 This Book Chapter is brought to you for free and open access by the School of Music at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Music Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. published in Brahms in the Home and the Concert Hall (2014) Chapter 3 Domesticity in Brahms’s String Sextets, Opp. 18 and 36 Marie Sumner Lott (Georgia State University) When we speak of domestic music-making in Brahms’s lifetime, piano music and song frequently dominate the conversation. Scenes of women and, less often, men gathered around the keyboard to sing through a popular song or aria or to play four-hand dances and arrangements of larger works spring readily to mind. Indeed, many music history textbooks and surveys of the period emphasize new genres and approaches to the piano in order to illustrate the Romantic style of the 1830s-50s and discuss works like the piano quintets of Robert Schumann and Johannes Brahms to demonstrate the centrality of the keyboard in Romantic musical life.1 Such sources often imply that this focus on the keyboard and on producing music, instruments, and instruction for domestic pianists replaced previous generations’ interest in chamber genres like the string quartet and quintet, genres that had occupied composers and their patrons in the Classical and early Romantic eras (c.1770s- 1820s). -
South Place Magazine
No. 6. MARCH 1907. Vol. XII. SOUTH PLACE MAGAZINE C onten ts PA GE SUMMARIES OF SUNDAY MORNING DISCOURSES DELIVERED AT SOUTH PLACE CHAPEL .. .. 81 THE MODERN ORCHESTRA ... .. .. .. ... 87 NOTES AND COMMENTS ....... .... .. .. .. ... 91 IN MEMORIAM-Mrs. Sarah S. Westbury. .. .. .. .. .... 92 AN OUTLINE OF PANTHEISM. .. .... ... ........ 94 E.A. c. SOUTH PLACE DISCUSSION. .. .. .. .. .... .. .. ... 95 NOTICES ...... .. ... ..... .. .. ... ... .... .. ... 95 Monthly, 2d., O R 2s. 6d. P ER A N NUM, P O S T F RE E. ~ol\bon : SOUTH PLACE ETHICAL SOCIETY, FINSBURY, E .C. A. & H. B. BONNER, 1&2 T OOK'S COURT , FURNIVAL STREET, E C. 'tluttr Ilart ®trriral ~ tlritiu. -------------................-- ----------- South Place Chapel & Institute, Finsbury, E.C Object of the Society. " The object of the Society is the cultivation of a rational religious sentiment, the study of ethical principles, and the promotion of human welfare, in harmony with advancing knowledge. " MARCH, 1907. The followillg DiSCOURSES will be delivered 011 SWlday 1II0rmllg5, Service be~i1l1Iillt: at 11.15. March 3rd.-G. P. GOOCH, M.P.-Historyand Progress. Antbems ! 1. Wbat of the nigbt, watchman (No. 75) ... ... T~o"s ..lIe I', I slept and dreamed (No. 239·) ... ... ... De Lacey' ) No. 121. All grim and soiled, and brown with tan Hymns ,No. 59. We all must work with bead or band (No .•81 O.B.) March loth.-JOHN M. ROBERTSON, M .P.-Hopes and Fears from Woman Suffrage. A tb \1. Now arisetb the sun of liberty ............... Mo za.l. n ems I.. If I were a voice (No. 250) ... ... ... ... Ambroise Thomas. H I No. 99· Be true to every Inmost thougbt (No. -
For Violin Free Download
FOR VIOLIN FREE DOWNLOAD Mary Cohen | 16 pages | 01 May 2011 | Faber Music Ltd | 9780571536009 | English | London, United Kingdom 5 Minutes That Will Make You Love the Violin Part of a series on. The composer is Johann Sebastian Bachone of the most appreciated classical composers of all time. Vibrato can be produced by a proper combination of finger, wrist and arm motions. Stringed instruments are at their best when For Violin regularly. Viola 11" 12" 13" 14" 15" A patch cable or wireless transmitter sends the signal For Violin an amplifier of a PA system. Players who haven't yet scaled these For Violin are also For Violin to access his music and develop their understanding of Baroque playing techniques. Order from Edition Peters. Steel core The steel For Violin string was introduced for violins at the beginning of the 20th century and was followed by the other steel-core strings and various windings, usually chrome steel. Wikimedia Commons. This is the most poignant, tender few minutes that Beethoven ever wrote for violins. To be For Violin as an acoustic violin, electro-acoustic violins retain much of the resonating body of the For Violin, and often resemble an acoustic violin or fiddle. The third and succeeding odd-numbered harmonics are harder to play because they break the string into an For Violin number of vibrating parts and do not share as many nodes with other harmonics. Fine tuners on all four of the strings are very For Violin when using those that have a steel For Violin, and some players use them with synthetic strings as well.