DOCSLIB.ORG

T H E U N I V E R S I T Y O F W I S C O N S I N S Y S T

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
T H E U N I V E R S I T Y O F W I S C O N S I N S Y S T T h e U n i v e r s i t y o f W i s c o n s i n S y s t e m Feminist Collections A Quarterly of Women’s Studies Resources W OMEN’ S S TUDIES Volume 25, Number 3, Spring 2004 Published by Phyllis Holman Weisbard L IBRARIAN Women’s Studies Librarian Feminist Collections A Quarterly of Women’s Studies Resources Women’s Studies Librarian University of Wisconsin System 430 Memorial Library 728 State St. Madison, WI 53706 Phone: 608-263-5754 Fax: 608-265-2754 Email: [email protected] Website: http://www.library.wisc.edu/libraries/WomensStudies/ Editors: Phyllis Holman Weisbard, JoAnne Lehman Cover illustration: Miriam Greenwald Cartoon (p.6): Steve Greenberg for the Seattle Post-Intelligencer, 1999. Reprinted with permission. Other line drawings: Miriam Greenwald Graphic design assistance: Dan Joe Staff assistance: Elizabeth Drake, Linda Fain, Melissa Gotlieb, Christine Kuenzle, Ingrid Markhardt, Mary Pfotenhauer Subscriptions: $30 (individuals or nonprofit women’s programs, outside Wisconsin); $55 (institutions, outside Wisconsin); $16 (Wisconsin individuals or nonprofit women’s programs); $22.50 (Wisconsin institutions); $8.25 (UW individuals); $15 (UW organizations). Wisconsin subscriber amounts include state tax, except for UW organization amount. Postage (for foreign subscribers only): surface mail (Canada: $13; all others: $15); air mail (Canada: $25; all others: $55). (Subscriptions are by calendar year and cover three publications produced by this office: Feminist Collections, Feminist Periodicals, and New Books on Women & Feminism.) Make checks payable to University of Wisconsin-Madison and send to the above address. Please indicate if you do not want your name and address shared with other groups. Back issues: Single back issues are $3.50; ask about availability. Numerous bibliographies and other informational files are available on the Women’s Studies Librarian’s website, www.library.wisc.edu/libraries/WomensStudies/ You'll find information about the office, tables of contents and selected full-text articles from recent issues of Feminist Collections, tutorials, WAVE: Women’s Audiovisuals in English, a link to the Women’s Studies Core Books Database, a listing of Wisconsin Bibliographies in Women’s Studies, including full text of a number of them, and links to hundreds of other selected websites and databases on women and gender. ISSN: 0742-7441 © 2004 Regents of the University of Wisconsin System Feminist Collections A Quarterly of Women’s Studies Resources Volume 25, Number 3, Spring 2004 CONTENTS From the Editors/Letters ii Book Review: Jeanne Miller Beyond the Numbers: Qualitative Research 1 on Low-Income Women Kathryn McGrath Pushed to the Margins: The Slow Death and 4 Possible Rebirth of the Feminist Bookstore Website Review: Malgorzata Chmielecka Polish Women’s Organizations on the Internet 10 JoAnne Lehman E-Sources on Women & Gender 15 Phyllis Holman Weisbard & Others New Reference Works in Women’s Studies 18 JoAnne Lehman Periodical Notes 27 Melissa Gotlieb Items of Note 31 Books Recently Received 33 Subscription Form 35 FROM THE EDITORS LETTERS We first took a look at feminist June 17, 2004 parenthetical “(Southern),” and real- zines in 1996 (in Angela Richardson’s Could you please pass along to ized that I was about to embark on a “Come On, Join the Conversation!,” Mhaire Fraser my thanks for her won- condescending and poorly written FC v.17, nos.3-4), and two years ago derful review of my zine The Visible piece of writing. But considering that I we made a commitment to reviewing Woman [in FC v.25, no.2, Winter am a great fan of some of the zines them on a regular basis in Feminist 2004, p.25] — it meant a lot to me to listed, and know some of the writers, I Collections. Since then we’ve published read her perceptive and very kind continued to read. four “Zine and Heard” columns by analysis. I am not sure where to begin my Mhaire Fraser, each looking at a num- Best, list of complaints, although I am ex- ber of these alternative, fringe-feminist Liz Seymour tremely surprised that you call yourself self-publications by and for “grrrls” a “feminist” and that this was even and women, and Phyllis has reviewed a published in a credible academic jour- zine by “librarrrians.” In June of this nal. (In your review of The Language year, we displayed about forty feminist of No, your response to the authors’ zines at the Milwaukee gathering of point that patriarchy exists in the National Women’s Studies Associa- underground/alternative tion, where they were enthusiastically scenes — “This may be an received by conference attendees, and arguable point and I am not we’ve collected many more since; these sure where they wanted to go will all become part of the University with it, but I think the idea may of Wisconsin–Madison Libraries. have teeth” — was bewildering. Why do we give so much space Uh, duh.) I am also extremely sur- and attention to this popular-culture prised that you consider the South phenomenon in FC, which is, after to be your heritage, but perhaps you all, “a credible academic journal” (to are so busy “eating fresh fruit” and quote one reader below)? We feel “collecting freckles” that a carcinogenic it’s important to review zines in sun-haze has induced an identity crisis. these pages because they can Third, I am also extremely surprised serve as a gauge of the produc- that you enjoy or are familiar with tion of (mostly) young feminists, zines and zine culture, since you have and therefore they are a potentially obviously missed the point of zines. significant resource for women’s studies Which, in case you are in need of re- courses and research. The reviews minding, are personal, unprofessional, themselves are starting to generate independent, and not intended to be some discourse as well. We offer the spaces for writing that is formulaic, letters below in the hope of inspiring July 12, 2004 dry, and school-ish. They are extremely even more feedback and dialogue. Dear M.L. Fraser: subjective lenses to personal and politi- What do you think about all this? It was with interest that I picked cal issues. The vast majority are written We’d love to hear from you, whether up your zine review article, “Rebel by young people, for young people. you’re a zine maker, a zine reader, or Song” [in FC v.25, no.2, Winter 2004, The condescending tone you have in even a newcomer to the whole idea. pp.23–26], seeing as I am Southern, a your approach is disappointing — “the feminist, and a zine writer (Invasion of angst-filled diary is what we all wrote J.L. & P.H.W. the Bee Girls). Unfortunately, I should ‘back then’”; “It is quite the grownup have stopped reading once I saw the thing to do and quite the communica- tion” (Brazen Hussy); “it still smacks of Page ii Feminist Collections (v.25, no.3, Spring 2004) Letters ‘girl growing up in her twenties’” “poorly written” part, I’m not sure in their thirties and sometimes forties, (Negrita). I am glad you are able to what the exact charge is, so I can’t re- as well as by women in their fifties who pinpoint when zine writers are acting spond to it. I will tell you that my edi- have come to feminism later in their “grownup,” and I am also glad that you tor and I decided it was appropriate for lives. Often these publications are are able to write belittling sentences the language used in the column to amazing in their insight and argumen- such as “it is not a bad little book” have a “zine-like” tone. Could that be tation. Sometimes, they are not. But (Negrita). I am also going to assume what you meant? your argument that my review is bad that you are white, considering your I also cannot respond to the per- because I do not understand that zines insistence that it is “race,” not “color,” sonal attacks (that is, that I am not a are the voice of youth is, simply put, a and your dismissive attitude towards feminist, Southern, or a person of bad argument. Negrita’s treatment of racism. color, all of which will come as a big I do agree with you that “[zines] I do not want you to think this is surprise to those who know me). The are extremely subjective lenses to per- a personal issue because I know some claiming of a self-identity is the corner- sonal and political issues.” Absolutely. of the zine authors reviewed; I am also stone of zine writing, and to argue However, many zine writers make the a scholar of zines, and in fact wrote my someone’s identity from outside that mistake of including filler consisting of undergraduate thesis on the subject. I identity promotes separatism. As I see whatever randomly strikes them as es- realize that there are thousands of bad it, one goal of zines is to decenter this sential to the human condition. Unfor- zines out lurking in the world, but kind of separatism that often holds tunately for us all, they are not always there are also bad reviews (not just forth in feminist discourse, especially, right. The zine is a form of discourse negative reviews, but reviews that are as you so astutely point out, in aca- between writer and reader, as I’m sure arbitrary and irresponsible). I hope you demic journals. Thus, to respond to you know, and the job of the writer is will be more supportive of women this attack would further the separa- to communicate his or her voice in a punks next time; otherwise, stick to tions that I as a feminist and zine way that resonates with the reader.
Load more

Recommended publications
  • PDF of This Issue
    MlT's The Weather Oldest and Largest Today: Partly sunny, 35°F (2°C) Tonight: Clear, cold, 20°F (-60C) Newspaper Tomorrow: Cloudy, 37°F (30C) De~, Page 2 Volume 115, Number 8 Cambridge, Massachusetts 02139 Friday, March 3, 1995 loan Grows But Keeps Flexibility By Jeremy Hylton more applications this year than last, TECHNOWGY DIRECTOR and each graduate received an aver- The Sloan School of Manage- age of3.5 job offers, he said. ment will increase the size of its The increased class size will ~llso master's program by 33 percent bring "much added visibility and over the next two years, bringing impact in the' marketplace," Abeln e program's total enrollment to said. "We'll have more alumni out 80 students by fall 1996. there who can come back as An increased demand - both recruiters or recommend students." from applicants and from recruiters Abeln explained that the - prompted the school to expand increased number of applicants enrollment, said Dean of the Sloan reflects a more general trend in busi- School of Management 'Glen L. ness education. "Generally there is Urban in a February announcement. an increased demand for th.e master "We have seen a sustained of business administration degree. demand, both from prospective stu- Many of business schools are expe- ents seeking a Sloan degree and riencing similar increases in appli- from industry for Sloan master's cations," he said. graduates:: Utban said. : The difference between Sloan "We feel we're responding to the and other schools is size: Next " stomer," said Lawrence S. Abeln, year's entering class of 340 director of the master's program.
    [Show full text]
  • In This Issue
    The Women’s Review of Books Vol. XXI, No. 1 October 2003 74035 $4.00 I In This Issue I In Zelda Fitzgerald, biographer Sally Cline argues that it is as a visual artist in her own right that Zelda should be remembered—and cer- tainly not as F. Scott Fitzgerald’s crazy wife. Cover story D I What you’ve suspected all along is true, says essayist Laura Zimmerman—there really aren’t any feminist news commentators. p. 5 I “Was it really all ‘Resilience and Courage’?” asks reviewer Rochelle Goldberg Ruthchild of Nehama Tec’s revealing new study of the role of gender during the Nazi Holocaust. But generalization is impossible. As survivor Dina Abramowicz told Tec, “It’s good that God did not test me. I don’t know what I would have done.” p. 9 I No One Will See Me Cry, Zelda (Sayre) Fitzgerald aged around 18 in dance costume in her mother's garden in Mont- Cristina Rivera-Garza’s haunting gomery. From Zelda Fitzgerald. novel set during the Mexican Revolution, focuses not on troop movements but on love, art, and madness, says reviewer Martha Gies. p. 11 Zelda comes into her own by Nancy Gray I Johnnetta B. Cole and Beverly Guy-Sheftall’s Gender Talk is the Zelda Fitzgerald: Her Voice in Paradise by Sally Cline. book of the year about gender and New York: Arcade, 2002, 492 pp., $27.95 hardcover. race in the African American com- I munity, says reviewer Michele Faith ne of the most enduring, and writers of her day, the flapper who jumped Wallace.
    [Show full text]
  • Blueprint for a Feminist Bookstore Future A
    Spring 2020 67 BLUEPRINT FOR A FEMINIST BOOKSTORE Errol “E.R” Anderson, Charis Circle Executive Director TBooks and More is how homey the space feels, how “safe.” It is, in part, this feeling of warmth, of respite in an increasingly fractured world, that has kept customers and program attend- ees returning to Charis for more than forty-four years. I cannot write about Charis in an objective way because Charis raised me and made me so much of the person I am today. I came to Charis through the young women’s writer’s program run by Charis co- founder Linda Bryant in 1998 and have grown up within the walls of 1189 Euclid Ave., honing my politics and my writing, making - ris Circle. Because we have survived when many other feminist and independent bookstores have not, people want to know how we do it. As I write this in March of 2019, Charis is preparing to embark on a once in a lifetime move to begin a partnership with independent, feminist bookstore, Charis Books and More and and add Charis at Agnes Scott College, a school store serving the needs of the Agnes Scott College Community. This is our story 68 Sinister Wisdom 116- Making Connections The Charis Story, 1974–19951 a twenty-one-year-old philanthropist named Edie Cofrin that her dream of being “surrounded by books that would encourage and enlighten people.” Linda and her cofounder Barbara Borgman started without a business plan, or business experience, using an owner-operator setup, in a neighborhood that was then more run-down than revolutionary.
    [Show full text]
  • Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
    Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century.
    [Show full text]
  • The Sexual Politics of Meat by Carol J. Adams
    THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women .
    [Show full text]
  • Polish Journal for American Studies Yearbook of the Polish Association for American Studies
    Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) Warsaw 2020 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Ewa Antoszek, Edyta Frelik, Elżbieta Klimek-Dominiak, Zofia Kolbuszewska, Tadeusz Pióro, Elżbieta Rokosz-Piejko, Małgorzata Rutkowska, Stefan Schubert, Joanna Ziarkowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Vegas Options” from the series “Las Vegas.” By permission. www.flickr/photos/jurek_durczak/ ISSN 1733-9154 eISSN 2544-8781 Publisher Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 110 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents ARTICLES Justyna Włodarczyk Beyond Bizarre: Nature, Culture and the Spectacular Failure of B.F. Skinner’s Pigeon-Guided Missiles .......................................................................... 5 Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s ................................................................ 19 Arkadiusz Misztal Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon ............................................................................... 37 Ewelina Bańka Walking with the Invisible: The Politics of Border Crossing in Luis Alberto Urrea’s The Devil’s Highway: A True Story .............................................
    [Show full text]
  • Anarcha-Feminism.Pdf
    mL?1 P 000 a 9 Hc k~ Q 0 \u .s - (Dm act @ 0" r. rr] 0 r 1'3 0 :' c3 cr c+e*10 $ 9 TABLE OF CONTENTS Introduction.... 1 Anarcha-Feminism: what it is and why it's important.... 4 Anarchism. Feminism. and the Affinity Group.... 10 Anarcha-Feminist Practices and Organizing .... 16 Global Women's Movements Through an anarchist Lens ..22 A Brief History of Anarchist Feminism.... 23 Voltairine de Cleyre - An Overview .... 26 Emma Goldman and the benefits of fulfillment.... 29 Anarcha-Feminist Resources.... 33 Conclusion .... 38 INTRODUCTION This zine was compiled at the completion of a quarters worth of course work by three students looking to further their understanding of anarchism, feminism, and social justice. It is meant to disseminate what we have deemed important information throughout our studies. This information may be used as a tool for all people, women in particular, who wish to dismantle the oppressions they face externally, and within their own lives. We are two men and one woman attempting to grasp at how we can deconstruct the patriarchal foundations upon which we perceive an unjust society has been built. We hope that at least some component of this work will be found useful to a variety of readers. This Zine is meant to be an introduction into anarcha-feminism, its origins, applications, and potentials. Buen provecho! We acknowledge that anarcha-feminism has historically been a western theory; thus, unfortunately, much of this ziners content reflects this limitation. However, we have included some information and analysis on worldwide anarcha-feminists as well as global women's struggles which don't necessarily identify as anarchist.
    [Show full text]
  • Women in Transition
    eminist Collections Quarterly of Women's Studies Resources versity of Wisconsin System Memorial Library :Phyllis Holman Weisbard, Linda Shult : Miriam Greenwald sistance from: Ingrid Markhardt, Renee Beaudoin, Beth r, Christina Stross nsin individuals or nonprofit women's programs); $22.50 Feminkf CoIleCtiom, full text of Core Lids in Women's Studies on such topics as aging, feminist peda- gogy, fdm studies, health, lesbian studies, mass media, and women of color in the U.S., a listing of WinsinBibliographies in Women's Studies, including full text of a number of them, a catalog of films and videos in the UW System Women's Studies Audiovisual Collection, and links to other selected websites on women and gender as well as to search engines and general databases. Copyright 1996 Regents of the University of Wisconsin System Feminist Collections A Quarterly of Women's Studies Resources Volume 17, Nos.3-4, SpringISummer 1996 CONTENTS From the Editors Book Reviews Contesting Culture: Gender Interests and Strategies of Resistance by Sharon Tiffany "Get Used to the Noise. The Next Generation is Coming." by Amy Shepherd Exiles, Immigrants, and Refugees: Women Making Choices by Ivette Valdes Feminist Visions: Women in Transition: Perspectives from the Chippewa Valley by Sarah Harder Come On, Join the Conversation!:'Zines as a Medium for Feminist Dialogue and Community Building by Angela Richardson Computer Talk Compiled by Linda Shult Feminist Publishing Wisconsin Bibliographies in Women's Studies New Reference Works in Women's Studies Reviewed by Phyllis Holman Weisbard (with contributions by Margery Katz and Linda Krikos) Periodical Notes Compiled by Linda Shult Items of Note Compiled by Renee Beaudoin Books Recently Received Supplement: Index to Vo1.17 Contesting Culture: Gender Interests the wave of terror that swept the Guatemalan highlands during the and Strategies of Resistance 1970's and 1980's.
    [Show full text]
  • Barbara Grier--Naiad Press Collection
    BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library.
    [Show full text]
  • Decolonial Feminist Comix Methodology (With Handy Illustrations)
    From Inclusion to Transformation: Decolonial Feminist Comix Methodology (With Handy Illustrations) Frances Amelia Howes Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Rhetoric and Writing Katrina M. Powell, Chair Paul Heilker James M. Dubinsky Kelly Belanger Malea Powell June 27, 2014 Blacksburg, VA Keywords: rhetoric, comics, feminism, decolonial, composition Copyright 2014 From Inclusion to Transformation: Decolonial Feminist Comix Methodology (With Handy Illustrations) Frances Amelia Howes ABSTRACT Feminist rhetorics need to move us from inclusion to transformation: instead of “including” more and more marginalized groups into the scholarly status quo, or “including” comics into methods of analysis that we already use, we need to transform our practices themselves. Seeing comics research as an expedition into comics doesn't work. The spatial metaphor is failing because it's analogous to a takeover in the colonial sense. I center the both/and experience of being a producer of comics and analyst of them. Drawing from a critical reading of my own comic, I describe “the disobedient how,” a way of learning from transgressive models. I argue that instead of “collecting” comics, decolonial feminist methodology asks that we “attend” comics through listening, experiencing, and having a relationship with them and their creators. As Shawn Wilson's work suggests, knowledge lies in relationships. I use this concept to guide an analysis of Lynda Barry’s recent comics work as well as her comments during a panel at the Comics: Philosophy and Practice conference. In order for academics to have true knowledge about Barry’s work, we must have a right relationship to her and to it, which requires decolonizing our relationship to texts and taking Barry’s comics seriously as sources of theory.
    [Show full text]
  • The National Organization for Women in Memphis, Columbus, and San Francisco
    RETHINKING THE LIBERAL/RADICAL DIVIDE: THE NATIONAL ORGANIZATION FOR WOMEN IN MEMPHIS, COLUMBUS, AND SAN FRANCISCO DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Stephanie Gilmore, M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by: Professor Leila J. Rupp, Advisor _________________________________ History Graduate Advisor Professor Susan M. Hartmann Professor Kenneth J. Goings ABSTRACT This project uses the history of the National Organization for Women (NOW) to explore the relationship of liberal and radical elements in the second wave of the U.S. women’s movement. Combining oral histories with archival documents, this project offers a new perspective on second-wave feminism as a part of the long decade of the 1960s. It also makes location a salient factor in understanding post– World War II struggles for social justice. Unlike other scholarship on second-wave feminism, this study explores NOW in three diverse locations—Memphis, Columbus, and San Francisco—to see what feminists were doing in different kinds of communities: a Southern city, a non-coastal Northern community, and a West Coast progressive location. In Memphis—a city with a strong history of civil rights activism—black-white racial dynamics, a lack of toleration for same-sex sexuality, and political conservatism shaped feminist activism. Columbus, like Memphis, had a dominant white population and relatively conservative political climate (although less so than in Memphis), but it also boasted an open lesbian community, strong university presence, and a history of radical feminism and labor activism.
    [Show full text]
  • A Queer Return to the Feminist Bookstore
    THE DEPARTMENT OF WOMEN’S AND GENDER STUDIES FEMINIST RESEARCH SPEAKERS SERIES 2016–2017 PRESENTS MAPPING FEMINIST GHOST SITES: A Queer Return to the Feminist Bookstore an artist talk by Dr. Roewan Crowe Thursday, October 13, 3:30 – 5:00 Senate Chamber (Arts and Convocation Hall 3-26) Abstract: Biography: In this artist talk, Roewan Crowe explores Artist Roewan Crowe is energized by acts of the possibilities of a queer return to the disruption, radical transformation and the tactical feminist bookstore. Drawing from her radically deployment of self-reflexivity. Born under the interdisciplinary, trans-media, site-specific big skies of Saskatchewan and raised in scofflaw artistic practice, she reflects on her early Alberta, Crowe left the prairies to deepen her witchy experiences at the feminist bookstore engagements with art and feminism, and to do in Edmonton to reimagine a generative and graduate studies at the Ontario Institute for radical feminist space that might provide a Studies in Education, University of Toronto. A home for feminist cultural productions. Crowe return to the prairies inspired art and writing mixes a magical concoction: one part Deleuze centered on queer feminist reclamation practices and Guattari’s notions of deterritorialization to ask questions about the land, whiteness and and reterritorialization brought into relationship queer settler identities and explore possibilities with LaDuke’s deep understanding of right for regeneration. Recent work includes the relationship to the land; one part queer futurity queer Western, Quivering Land (ARP), a gritty by Muñoz; with one part Spivak’s passion for feminist meditation on the possibilities of art to making the imagination a material practice.
    [Show full text]