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The Women’s Review of Books Vol. XXI, No. 1 October 2003 74035 $4.00 I In This Issue I In Zelda Fitzgerald, biographer Sally Cline argues that it is as a visual artist in her own right that Zelda should be remembered—and cer- tainly not as F. Scott Fitzgerald’s crazy wife. Cover story D I What you’ve suspected all along is true, says essayist Laura Zimmerman—there really aren’t any feminist news commentators. p. 5 I “Was it really all ‘Resilience and Courage’?” asks reviewer Rochelle Goldberg Ruthchild of Nehama Tec’s revealing new study of the role of gender during the Nazi Holocaust. But generalization is impossible. As survivor Dina Abramowicz told Tec, “It’s good that God did not test me. I don’t know what I would have done.” p. 9 I No One Will See Me Cry, Zelda (Sayre) Fitzgerald aged around 18 in dance costume in her mother's garden in Mont- Cristina Rivera-Garza’s haunting gomery. From Zelda Fitzgerald. novel set during the Mexican Revolution, focuses not on troop movements but on love, art, and madness, says reviewer Martha Gies. p. 11 Zelda comes into her own by Nancy Gray I Johnnetta B. Cole and Beverly Guy-Sheftall’s Gender Talk is the Zelda Fitzgerald: Her Voice in Paradise by Sally Cline. book of the year about gender and New York: Arcade, 2002, 492 pp., $27.95 hardcover. race in the African American com- I munity, says reviewer Michele Faith ne of the most enduring, and writers of her day, the flapper who jumped Wallace. p. 26 romanticized, images we have of into fountains and got her picture in the O early 20th-century art and culture is papers, the woman who had it all and then that of the Jazz Age. Consider the artists, went famously mad. Her story is paradig- I and more... writers, and dancers whose works we contin- matic of the era, or at least it has seemed so. ue to revere. Think of the stories and And it is here, in the tensions between what 10> exploits, the heady tales of living high and seems and what is, that biographer Sally dying young, the image of expatriates Cline has found her richest material. Her aim squeezing every last drop of experience out is to set the record straight, “to give Zelda a of the years between the two world wars. life of her own,” separate from as well as 0374470 74035 There in the midst of it all is Zelda intertwined with Scott Fitzgerald’s and their Fitzgerald, icon extraordinaire—a Southern “golden couple” image. The structuring PRINTED IN THE USA belle married to one of the most celebrated continued on page three The Women’s Review Contents of Books Wellesley College Center for Research on Women 1 Nancy Gray I Zelda Fitzgerald: Her Voice in Paradise by Sally Cline Wellesley, MA 02481 (781) 283-2087/ (888) 283-8044 4 Letters www.wellesley.edu/WomensReview Volume XXI, No. 1 5 Laura Zimmerman I WHERE ARE THE WOMEN? The strange case of the missing feminists. October 2003 When was the last time you saw one on TV? EDITOR IN CHIEF: Amy Hoffman 6 Rebecca Steinitz I A Lady’s Life in the Rocky Mountains by Isabella Bird; Letters to Henrietta [email protected] by Isabella Bird, edited by Kay Chubbuck; The Nomad: The Diaries of Isabelle Eberhardt PRODUCTION EDITOR: Amanda Nash by Isabelle Eberhardt, edited by Elizabeth Kershaw; Travels in West Africa by Mary Kingsley [email protected] I CONTRIBUTING EDITORS: Martha Nichols, 8 Gretchen A. Case Dubious Equalities and Embodied Differences: Cultural Studies on Cosmetic Jan Zita Grover Surgery by Kathy Davis POETRY EDITOR: Robin Becker 9 Rochelle Goldberg Ruthchild I Resilience and Courage: Women, Men, and the Holocaust by Nehama Tec ADVERTISING MANAGER: Anita D. McClellan [email protected] 11 Martha Gies I No One Will See Me Cry by Cristina Rivera-Garza, translated by Andrew Hurley OFFICE MANAGER: Nancy Wechsler 12 Marilyn Richardson I Regarding the Pain of Others by Susan Sontag [email protected] EDITORIAL BOARD: Margaret Andersen I 13 Sharifa Rhodes-Pitts I Longing to Tell: Black Women Talk About Sexuality and Intimacy by Tricia Rose Robin Becker I Claudia M. Christie I Marsha Darling I Anne Fausto-Sterling I 14 Lori D. Ginzberg I The Syntax of Class: Writing Inequality in Nineteenth-Century America Carol Gilligan I Sandra Harding I Nancy by Amy Schrager Lang Hartsock I Carolyn Heilbrun I Evelyn Fox Keller I Jean Baker Miller I Ruth Perry I 15 Siobhan Senier I Helen Hunt Jackson: A Literary Life by Kate Phillips Peggy Phelan I Helene Vivienne Wenzel 16 Lesley Hazleton I Beyond Belief: The Secret Gospel of Thomas by Elaine Pagels EDITORIAL POLICY: The Women’s Review of Books is feminist but not 17 E. Frances White I Having It All? Black Women and Success by Veronica Chambers; Rock My Soul: restricted to any one conception of feminism; Black People and Self-Esteem by bell hooks all writing that is neither sexist, racist, homo- phobic, nor otherwise discriminatory is wel- Margaret Weigel I Buffy the Vampire Slayer and Philosophy: Fear and Loathing in Sunnydale come. We seek to represent the widest possi- 18 ble range of feminist perspectives both in the edited by James B. South books reviewed and in the content of the reviews. We believe that no one of us can 20 Cathleen Calbert I Poem speak for feminism, or women, as such; all of our thinking and writing takes place in a spe- 20 Adrian Oktenberg I Outlandish Blues by Honorée Fanonne Jeffers; Bellocq’s Ophelia: Poems cific political, social, ethnic, and sexual con- by Natasha Trethewey text, and a responsible review periodical should reflect and further that diversity. The 22 Becky Tuch I Grace: A Memoir by Mary Cartledgehayes Women’s Review takes no editorial stance; all the views expressed in it represent the opinion of 23 Barbara Haber I Manly Meals and Mom’s Home Cooking: Cookbooks and Gender in Modern the individual authors. America by Jessamyn Neuhaus; Made from Scratch: Reclaiming the Pleasures of the American ADVERTISING POLICY: Hearth by Jean Zimmerman Visit www.wellesley.edu/WomensReview to book an ad online; preview the current issue 23 Anne Coray I Two Poems and classified ads; and download a media kit including display, classified, and line rates, 25 Melissa McFarland Pennell I The Life and Writings of Betsey Chamberlain: Native American sizes and shapes, policies, and deadlines. Millworker by Judith A. Ranta The Women’s Review of Books (ISSN #0738- 26 Michele Faith Wallace I Gender Talk: The Struggle for Women’s Equality in African American 1433) is published monthly except August by Communities by Johnnetta B. Cole and Beverly Guy-Sheftall The Women’s Review, Inc., 828 Washington Street, Wellesley, MA 02481. Annual subscrip- tions are $27.00 for individuals and $47.00 for institutions. Overseas postage fees are an additional $20.00 airmail or $5.00 surface mail Contributors to all countries outside the US. Back issues are available for $4.00 per copy. Please allow 6-8 CATHLEEN CALBERT is the author of two books of poetry: recipient of the George Washington Williams Fellowship from the weeks for all subscription transactions. Lessons in Space and Bad Judgment. Her work has appeared in a number of Independent Press Association. Periodicals class postage paid at Boston, MA publications, including The Best American Poetry 1995, Feminist Studies, Ms., MARILYN RICHARDSON, principal of African-Americana and additional mailing offices. POSTMAS- and The Nation. She is a professor of English at Rhode Island College. Consultants, is a writer and independent curator in Watertown, MA. TER: send address corrections to The Women’s Review of Books, Wellesley College Center for GRETCHEN A. CASE is a PhD candidate in performance studies at the ROCHELLE GOLDBERG RUTHCHILD is on the faculty of Research on Women, Wellesley, MA 02481. University of California, Berkeley. She studies the body in medical settings. Vermont College of The Union Institute and University, and an associ- ANNE CORAY lives at her birthplace on remote Qizhjeh Vena (Lake ate at the Davis Center for Russian and Eurasian Studies at Harvard. The Women’s Review of Books is a project of the Clark) in Southwestern Alaska. Her chapbook, Ivory, won the 2001 She dedicates this review to those Jews who survived the fight against Wellesley College Center for Research on Anabiosis Press Competition. the Nazis, especially Asya Vershubskaya Fedorova and Gdalya Toker, Women. As an autonomous publication it has MARTHA GIES teaches creative writing at Lewis and Clark College, who took her into the Belorussian forests and shared with her his its own editorial board and board of directors, in Portland, Oregon, and in Veracruz, Mexico. Her writing appears in incredible experiences with the Bielski partisan brigade. who set policy with regard to its editorial, many literary quarterlies and her book Up All Night, a portrait of the SIOBHAN SENIER teaches English and American studies at the financial and organizational character. city told through the stories of 23 people who work the graveyard University of New Hampshire. She is the author of Voices of American The Women’s Review is distributed by Total shift, is due from Oregon State University Press in 2004. Indian Assimilation and Resistance: Helen Hunt Jackson, Sarah Winnemucca, Circulation, New York City, NY; Ingram, LORI D. GINZBERG teaches history and women’s studies at Victoria Howard. Nashville, TN; and Armadillo Trading, Culver Pennsylvania State University. She is the author of Women and the Work REBECCA STEINITZ is an associate professor of English at Ohio City, CA.