Teaching to Transgress: Education As the Practice of Freedom Would Be a Book of Essays Mostly Directed to Teachers
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Black Women, Educational Philosophies, and Community Service, 1865-1965/ Stephanie Y
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2003 Living legacies : Black women, educational philosophies, and community service, 1865-1965/ Stephanie Y. Evans University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Evans, Stephanie Y., "Living legacies : Black women, educational philosophies, and community service, 1865-1965/" (2003). Doctoral Dissertations 1896 - February 2014. 915. https://scholarworks.umass.edu/dissertations_1/915 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. M UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST LIVING LEGACIES: BLACK WOMEN, EDUCATIONAL PHILOSOPHIES, AND COMMUNITY SERVICE, 1865-1965 A Dissertation Presented by STEPHANIE YVETTE EVANS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2003 Afro-American Studies © Copyright by Stephanie Yvette Evans 2003 All Rights Reserved BLACK WOMEN, EDUCATIONAL PHILOSOHIES, AND COMMUNITY SERVICE, 1865-1964 A Dissertation Presented by STEPHANIE YVETTE EVANS Approved as to style and content by: Jo Bracey Jr., Chair William Strickland, -
In This Issue
The Women’s Review of Books Vol. XXI, No. 1 October 2003 74035 $4.00 I In This Issue I In Zelda Fitzgerald, biographer Sally Cline argues that it is as a visual artist in her own right that Zelda should be remembered—and cer- tainly not as F. Scott Fitzgerald’s crazy wife. Cover story D I What you’ve suspected all along is true, says essayist Laura Zimmerman—there really aren’t any feminist news commentators. p. 5 I “Was it really all ‘Resilience and Courage’?” asks reviewer Rochelle Goldberg Ruthchild of Nehama Tec’s revealing new study of the role of gender during the Nazi Holocaust. But generalization is impossible. As survivor Dina Abramowicz told Tec, “It’s good that God did not test me. I don’t know what I would have done.” p. 9 I No One Will See Me Cry, Zelda (Sayre) Fitzgerald aged around 18 in dance costume in her mother's garden in Mont- Cristina Rivera-Garza’s haunting gomery. From Zelda Fitzgerald. novel set during the Mexican Revolution, focuses not on troop movements but on love, art, and madness, says reviewer Martha Gies. p. 11 Zelda comes into her own by Nancy Gray I Johnnetta B. Cole and Beverly Guy-Sheftall’s Gender Talk is the Zelda Fitzgerald: Her Voice in Paradise by Sally Cline. book of the year about gender and New York: Arcade, 2002, 492 pp., $27.95 hardcover. race in the African American com- I munity, says reviewer Michele Faith ne of the most enduring, and writers of her day, the flapper who jumped Wallace. -
ABSTRACT Title of Dissertation : FEMINISM À LA QUEBEC
ABSTRACT Title of dissertation : FEMINISM À LA QUEBEC: IDEOLOGICAL TRAVELINGS OF AMERICAN AND FRENCH THOUGHT (1960-2010) Geneviève Pagé, Doctor of Philosophy, 2012 Dissertation directed by: Professor Claire Moses Department of Women’s Studies This dissertation examines the travelings of three concepts central to feminism – gender, queer, and intersectionality – as they move between the United States, France, and Quebec. The concept of gender, central to U.S. feminism, is relatively absent from feminist theory in France and Quebec until the 1990s; rather, drawing on Marxist and existentialist traditions, French and Quebec feminists will deploy the term “rapports sociaux de sexe” to identify that differences among women and men are grounded in social structure and, further, that the two classes, women and men, are constituted in hierarchicized relation. The term queer, linguistically subversive in English but lacking this potential when translated into French, is mainly resisted by French materialist feminists and feminist scholars in Quebec on the basis that it displaces social reality focusing instead on resistance through performance. Nonetheless, in Quebec, activists groups such as Les panthères rose are able to present a version of queer that also addresses systemic oppressions. Finally, the concept of intersectionality, theorized first by feminists of color in the U.S. trying to reconcile their allegiances to multiple struggles, provides a useful tool for analyzing the interaction between different systems of oppression and how they shape the lives of people differently located. In France, a similar desire to theorize multiple oppressions led to the development of the concept of “consubstantialité des rapports sociaux,” whereby social “rapports” of sex and of socio- economic class are co-constituted. -
Selected Resources for Understanding Racism
Selected Resources for Understanding Racism The 21st century has witnessed an explosion of efforts – in literature, art, movies, television, and other forms of communication—to explore and understand racism in all of its many forms, as well as a new appreciation of similar works from the 20th century. For those interested in updating and deepening their understanding of racism in America today, the Anti-Racism Group of Western Presbyterian Church has collaborated with the NCP MCC Race and Reconciliation Team to put together an annotated sampling of these works as a guide for individual efforts at self-development. The list is not definitive or all-inclusive. Rather, it is intended to serve as a convenient reference for those who wish to begin or continue their journey towards a greater comprehension of American racism. February 2020 Contemporary Alexander, Michelle. 2010. The New Jim Crow: Mass Incarceration in the Age of Colorblindness. Written by a civil rights litigator, this book discusses race-related issues specific to African-American males and mass incarceration in the United States. The central premise is that "mass incarceration is, metaphorically, the New Jim Crow". Anderson, Carol. 2017. White Rage. From the Civil War to our combustible present, White Rage reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America. Asch, Chris Myers and Musgrove, George Derek. 2017. Chocolate City: A History of Race and Democracy in the Nation's Capital. A richly researched and clearly written analysis of the history of racism in Washington, DC, from the 18th century to the present, and the efforts of people of color to claim a voice in local government decisionmaking. -
In Raisin in the Sun and Caroline, Or Change Theresa J
Spring 2006 127 “Consequences unforeseen . .” in Raisin in the Sun and Caroline, or Change Theresa J. May Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We the people must redeem The land, the mines, the plants, the rivers The mountains and the endless plain— All the stretch of these great green states— And make America again! —Langston Hughes (1938)1 Ecological sanity now requires social justice. —Barry Commoner (1971)2 We all live in the wake of hurricane Katrina. The implications and implicated deposit now on everyone’s doorsteps like the alluvial sludge from a mighty river burdened with the legacies of history. Past exploitations of land and people give rise to present litanies and lamentations. But for those whose faces, cries, and signs for help have been paraded across the media stream, the loss is ongoing, unrelenting, and disproportionately personal. These consequences were not unforeseen. (Witness, among other warnings, “Gone with the Water,” National Geographic, October 2004.)3 As officials tallied the dead, my attention was arrested by the lock step between systemic social injustice and environmental lunacy. The so-called natural disaster has exposed the un-natural systems of domination buried under decades of business as usual, unearthing a white supremacist patriarchy through which racism, poverty, and environmental degradation are inseparably institutionalized. Once again ecologically ill-conceived strategies for controlling, taming, and mining nature Theresa J. May is Assistant Professor of Theatre Arts at the University of Oregon. She has published articles on ecocriticism, performance studies, and feminism in the Journal of Dramatic Theory and Criticism, On-Stage Studies, and Journal of American Drama and Theater Insight. -
Groundwork Humans & Nature Reader
Environmental Readings Volume 1: Humans Relationships With Nature Published by: Groundwork Education www.layinggroundwork.org Compiled & Edited by Jeff Wagner with help from Micaela Petrini, Caitlin McKimmy, Jason Shah, Parker Pflaum, Itzá Martinez de Eulate Lanza, Jhasmany Saavedra, & Dev Carey First Edition, June 2018 This work is comprised of articles and excerpts from numerous sources. Groundwork and the editors do not own the material or claim copyright or rights to this material, unless written by one of the editors. This work is distributed as a compilation of educational materials for the sole use as non-commercial educational material for educators. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free to edit and share this work in non-commercial ways. Any published derivative works must credit the original creator and maintain this same Creative Commons license. Please notify us of any derivative works or edits. Environmental Readings Volume 1: Human Relationships With Nature Published by Groundwork Education, compiled & edited by Jeff Wagner Skywoman Falling by Robin Wall Kimmerer .......................................................1 An alternative view: how to frame a relationship with the natural world that’s not just extractive and destructive. The Gospel of Consumption by Jeffrey Kaplan ....................................................4 What is the origin of our consumption-based society, and when did we make this choice as a people? Earthbound: On Solid Ground by bell hooks .......................................................9 “More than ever before in our nation’s history black folks must collectively renew our relationship to the earth…” Do we really love our land? by David James Duncan ..........................................11 What do people mean when they speak of “love of the land?” Most Americans claim to feel such a love. -
History 600: Public Intellectuals in the US Prof. Ratner-Rosenhagen Office
Hannah Arendt W.E.B. DuBois Noam Chomsky History 600: Public Intellectuals in the U.S. Prof. Ratner-Rosenhagen Lecturer: Ronit Stahl Class Meetings: Office: Mosse Hum. 4112 Office: Mosse Hum. 4112 M 11 a.m.-1 p.m. email: [email protected] email: [email protected] Room: Mosse Hum. 5257 Prof. RR’s Office Hours: R.S.’s Office Hours: T 3- M 9 a.m.-11a.m. 5 p.m. This course is designed for students interested in exploring the life of the mind in the twentieth-century United States. Specifically, we will examine the life of particular minds— intellectuals of different political, moral, and social persuasions and sensibilities, who have played prominent roles in American public life over the course of the last century. Despite the common conception of American culture as profoundly anti-intellectual, we will evaluate how professional thinkers and writers have indeed been forces in American society. Our aim is to investigate the contested meaning, role, and place of the intellectual in a democratic, capitalist culture. We will also examine the cultural conditions, academic and governmental institutions, and the media for the dissemination of ideas, which have both fostered and inhibited intellectual production and exchange. Roughly the first third of the semester will be devoted to reading studies in U.S. and comparative intellectual history, the sociology of knowledge, and critical social theory. In addition, students will explore the varieties of public intellectual life by becoming familiarized with a wide array of prominent American philosophers, political and social theorists, scientists, novelists, artists, and activists. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
Women and Work
Women and Work Women and Work: The Labors of Self-Fashioning Edited by Christine Leiren Mower and Susanne Weil Women and Work: The Labors of Self-Fashioning, Edited by Christine Leiren Mower and Susanne Weil This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Christine Leiren Mower and Susanne Weil and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2422-4, ISBN (13): 978-1-4438-2422-4 TABLE OF CONTENTS List of Illustrations ................................................................................... viii Acknowledgments ...................................................................................... ix Chapter One................................................................................................. 1 “Let Us Own Ourselves, Our Earnings, Our Genius”: The Uneasy Marriage of Women and Work Christine Leiren Mower and Susanne Weil Part I: Redefining the Nature of Women’s Work Chapter Two .............................................................................................. 50 Feminine Duty and Desire: Revising the Cultural Narrative in Gissing’s The Odd Women Gretchen -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
The Politics of Urban Cultural Policy Global
THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12. -
Talking Back, Talkin' Up: Voicing Indigenous Feminism
CHAPTER 1 TALKING BACK, TALKIN’ UP: VOICING INDIGENOUS FEMINISM Moving from silence into speech is for the oppressed, the colonized and the exploited, and those who stand and struggle side by side a gesture of defian- ce that heals, that makes new life and new growth possible. It is that act of speech, of “talking back,” that is no mere gesture of empty words, that is the expression of our movement from object to subject—the liberated voice. bell hooks, Talking Back: Thinking Feminist, Thinking Black (9) In her early, ground-breaking writing on Black feminist thought in the United States, bell hooks explains the importance of the concept of “talking back” and the impact it had on her when she was growing up in a family where “woman talk” was rich, poetic and intense but relegated to the kitchens of Black women and directed inwards, to the community of female friends and family, rather than out- wards into the public sphere, as the voices of Black male preachers were (5). “Talk- ing back,” characterized by hooks as “speaking as an equal to an authority figure,” as “daring to disagree” and “having an opinion” (5), is a strategy that many women of ethnic minorities had to learn to use in order to be heard and recognized as subjects capable of expressing their difference in an environment where the em- phasis was more on assimilating difference in the name of the common struggle against patriarchy. A decade later, Indigenous scholar Aileen Moreton-Robinson used a very similar term to describe the act of Australian Aboriginal women’s talking back.