The National Organization for Women in Memphis, Columbus, and San Francisco
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Ecofeminism: the Pragmatic Posture of Feminism in 21St Century
International Journal on Studies in English Language and Literature (IJSELL) Volume 2, Issue 8, August 2014, PP 1-6 ISSN 2347-3126 (Print) & ISSN 2347-3134 (Online) www.arcjournals.org Ecofeminism: The Pragmatic Posture of Feminism in 21st Century S. Sushma Raj Assistant Professor, Department of English, GITAM Institute of Science, GITAM University, Visakhapatnam -530 045 Prof. L. Manjula Davidson Professor, Department of English, College of Arts & Commerce, Andhra University, Visakhapatnam-530 003 Abstract: For centuries, it was thought that the main enemy of women emancipation is gender and hence the androcentricism. Man exploited nature as much as nature-equivalent, the woman. The development of science, technology and philosophy of rational civilization suggested that the feminist aspirations are related to an ecological whole consisting of political, social and cultural constructs. The totality of the struggle is called ecofeminism in the 21st century. 1. INTRODUCTION Feminism is the struggle to achieve the aim that women should have the same rights, opportunities and dignity as men have in any given place and time. The idea that they are born unequal and hence titled for inequality had been discarded after the French revolution of 1789. Similar thinking gained momentum in the United States of America, after the unification of the country in 1848. England, though leading in many democratic values, could consider the issue only after 1878. Russia took up the gender question in 1848 and China much later in 1911. The history of feminism (Hartsock, 1983) dates back to a millennium after Christ, when women began to get educated in Athenian society of Greece. -
Mark Kitchell
A film by Mark Kitchell 101 min, English, Digital (DCP/Blu-ray), U.S.A, 2012, Documentary FIRST RUN FEATURES The Film Center Building | 630 Ninth Ave. #1213 | New York, NY 10036 (212) 243-0600 | Fax (212) 989-7649 | [email protected] www.firstrunfeatures.com www.firstrunfeatures.com/fiercegreenfire About the Film A FIERCE GREEN FIRE: The Battle for a Living Planet is the first big-picture exploration of the environmental movement – grassroots and global activism spanning fifty years from conservation to climate change. Directed and written by Mark Kitchell, Academy Award- nominated director of Berkeley in the Sixties, and narrated by Robert Redford, Ashley Judd, Van Jones, Isabel Allende and Meryl Streep, the film premiered at Sundance Film Festival 2012, won acclaim at festivals around the world, and in 2013 begins theatrical release as well as educational distribution and use by environmental groups. Inspired by the book of the same name by Philip Shabecoff and informed by advisors like E.O. Wilson and Tom Lovejoy, A FIERCE GREEN FIRE chronicles the largest movement of the 20th century and one of the keys to the 21st. It brings together all the major parts of environmentalism and connects them. It focuses on activism, people fighting to save their homes, their lives, the future – and succeeding against all odds. The film unfolds in five acts, each with a central story and character: • David Brower and the Sierra Club’s battle to halt dams in the Grand Canyon • Lois Gibbs and Love Canal residents’ struggle against 20,000 tons of toxic chemicals • Paul Watson and Greenpeace’s campaigns to save whales and baby harp seals • Chico Mendes and Brazilian rubbertappers’ fight to save the Amazon rainforest • Bill McKibben and the 25-year effort to address the impossible issue – climate change Surrounding these main stories are strands like environmental justice, going back to the land, and movements of the global south such as Wangari Maathai in Kenya. -
The Radical Feminist Manifesto As Generic Appropriation: Gender, Genre, and Second Wave Resistance
Southern Journal of Communication ISSN: 1041-794X (Print) 1930-3203 (Online) Journal homepage: http://www.tandfonline.com/loi/rsjc20 The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance Kimber Charles Pearce To cite this article: Kimber Charles Pearce (1999) The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance, Southern Journal of Communication, 64:4, 307-315, DOI: 10.1080/10417949909373145 To link to this article: https://doi.org/10.1080/10417949909373145 Published online: 01 Apr 2009. Submit your article to this journal Article views: 578 View related articles Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsjc20 The Radical Feminist Manifesto as Generic Appropriation: Gender, Genre, And Second Wave Resistance Kimber Charles Pearce n June of 1968, self-styled feminist revolutionary Valerie Solanis discovered herself at the heart of a media spectacle after she shot pop artist Andy Warhol, whom she I accused of plagiarizing her ideas. While incarcerated for the attack, she penned the "S.C.U.M. Manifesto"—"The Society for Cutting Up Men." By doing so, Solanis appropriated the traditionally masculine manifesto genre, which had evolved from sov- ereign proclamations of the 1600s into a form of radical protest of the 1960s. Feminist appropriation of the manifesto genre can be traced as far back as the 1848 Seneca Falls Woman's Rights Convention, at which suffragists Elizabeth Cady Stanton, Lucretia Coffin Mott, Martha Coffin, and Mary Ann McClintock parodied the Declara- tion of Independence with their "Declaration of Sentiments" (Campbell, 1989). -
2017 Annual Report the Resurgence of Grassroots Activism a Message from the 2017 Year in Review Executive Director
INTERNATIONAL LABOR RIGHTS FORUM 2017 ANNUAL REPORT THE RESURGENCE OF GRASSROOTS ACTIVISM A MESSAGE FROM THE 2017 YEAR IN REVIEW EXECUTIVE DIRECTOR Dear Friends, In 2017, we were inspired by the surge in protests demanding workers’ rights, women’s rights, and migrant workers’ rights – all issues ILRF has worked on for decades. We have also been heartened by growing numbers of investors, human rights groups, and environmentalists joining our demands that global corporations commit to greater transparency and to ensuring workers’ access to legal remedy. At ILRF, we are working to stop human rights abuses in global supply chains, industry by industry and country by country. • We have turned the global cocoa giants’ attention towards strategies that address the poverty among West African cocoa farmers and how poverty is a root cause of child labor and damaging to school enrollment and performance. • We have pioneered new approaches to corporate accountability in global supply chains, helping to make the legally binding Bangladesh Accord on Fire and Building Safety a model for pushing corporations beyond their flawed codes of conduct. • We have forged critical alliances with environmental rights advocates to expose forced labor and its links to environmental crimes in high demand commodities such as seafood and palm oil. ILRF’s priority campaigns focus on sectors where workers are particularly vulnerable, and where child labor, forced labor and violence against women at work are rampant and under protected. These are sectors where workers’ rights to organize and bargain for better wages and working conditions are often violently repressed, making it that much harder to identify and end egregious abuses. -
Blueprint for a Feminist Bookstore Future A
Spring 2020 67 BLUEPRINT FOR A FEMINIST BOOKSTORE Errol “E.R” Anderson, Charis Circle Executive Director TBooks and More is how homey the space feels, how “safe.” It is, in part, this feeling of warmth, of respite in an increasingly fractured world, that has kept customers and program attend- ees returning to Charis for more than forty-four years. I cannot write about Charis in an objective way because Charis raised me and made me so much of the person I am today. I came to Charis through the young women’s writer’s program run by Charis co- founder Linda Bryant in 1998 and have grown up within the walls of 1189 Euclid Ave., honing my politics and my writing, making - ris Circle. Because we have survived when many other feminist and independent bookstores have not, people want to know how we do it. As I write this in March of 2019, Charis is preparing to embark on a once in a lifetime move to begin a partnership with independent, feminist bookstore, Charis Books and More and and add Charis at Agnes Scott College, a school store serving the needs of the Agnes Scott College Community. This is our story 68 Sinister Wisdom 116- Making Connections The Charis Story, 1974–19951 a twenty-one-year-old philanthropist named Edie Cofrin that her dream of being “surrounded by books that would encourage and enlighten people.” Linda and her cofounder Barbara Borgman started without a business plan, or business experience, using an owner-operator setup, in a neighborhood that was then more run-down than revolutionary. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
The US Anti- Apartheid Movement and Civil Rights Memory
BRATYANSKI, JENNIFER A., Ph.D. Mainstreaming Movements: The U.S. Anti- Apartheid Movement and Civil Rights Memory (2012) Directed by Dr. Thomas F. Jackson. 190pp. By the time of Nelson Mandela’s release from prison, in 1990, television and film had brought South Africa’s history of racial injustice and human rights violations into living rooms and cinemas across the United States. New media formats such as satellite and cable television widened mobilization efforts for international opposition to apartheid. But at stake for the U.S. based anti-apartheid movement was avoiding the problems of media misrepresentation that previous transnational movements had experienced in previous decades. Movement participants and supporters needed to connect the liberation struggles in South Africa to the historical domestic struggles for racial justice. What resulted was the romanticizing of a domestic civil rights memory through the mediated images of the anti-apartheid struggle which appeared between 1968 and 1994. Ultimately, both the anti-apartheid and civil rights movements were sanitized of their radical roots, which threatened the ongoing struggles for black economic advancement in both countries. MAINSTREAMING MOVEMENTS: THE U.S. ANTI-APARTHEID MOVEMENT AND CIVIL RIGHTS MEMEORY by Jennifer A. Bratyanski A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2012 Approved by Thomas F. Jackson Committee -
Historicizing the “End of Men”: the Politics of Reaction(S)
HISTORICIZING THE “END OF MEN”: THE POLITICS OF REACTION(S) ∗ SERENA MAYERI In fact, the most distinctive change is probably the emergence of an American matriarchy, where the younger men especially are unmoored, and closer than at any other time in history to being obsolete . – Hanna Rosin1 In 1965 a Labor Department official named Daniel Patrick Moynihan wrote a report entitled The Negro Family: The Case for National Action (the Moynihan Report), intended only for internal Johnson Administration use but quickly leaked to the press.2 Designed to motivate the President and his deputies to launch massive federal employment and anti-poverty initiatives directed at impoverished African Americans, Moynihan’s report inadvertently sparked a sometimes vitriolic debate that reverberated through the next half century of social policy.3 Characterized as everything from a “subtle racist”4 to a “prescient”5 prophet, Moynihan and his assessment of black urban family life have been endlessly analyzed, vilified, and rehabilitated by commentators in the years since his report identified a “tangle of pathology” that threatened the welfare and stability of poor African American communities.6 At the center of the “pathology” Moynihan lamented was a “matriarchal” family structure characterized by “illegitimate” births, welfare dependency, and juvenile ∗ Professor of Law and History, University of Pennsylvania Law School. I am grateful to Kristin Collins for helpful comments on an earlier draft of this Essay; to Linda McClain, Hanna Rosin, and participants in the Conference, “Evaluating Claims About the ‘End of Men’: Legal and Other Perspectives,” out of which this Symposium grew; and to the staff of the Boston University Law Review for editorial assistance. -
The Exclusion of Conservative Women from Feminism: a Case Study on Marine Le Pen of the National Rally1 Nicole Kiprilov a Thesis
The Exclusion of Conservative Women from Feminism: A Case Study on Marine Le Pen of the National Rally1 Nicole Kiprilov A thesis submitted to the Department of Political Science for honors Duke University Durham, North Carolina 2019 1 Note name change from National Front to National Rally in June 2018 1 Acknowledgements I would like to extend my deepest gratitude to a number of people who were integral to my research and thesis-writing journey. I thank my advisor, Dr. Michael Munger, for his expertise and guidance. I am also very grateful to my two independent study advisors, Dr. Beth Holmgren from the Slavic and Eurasian Studies department and Dr. Michèle Longino from the Romance Studies department, for their continued support and guidance, especially in the first steps of my thesis-writing. In addition, I am grateful to Dr. Heidi Madden for helping me navigate the research process and for spending a great deal of time talking through my thesis with me every step of the way, and to Dr. Richard Salsman, Dr. Genevieve Rousseliere, Dr. Anne Garréta, and Kristen Renberg for all of their advice and suggestions. None of the above, however, are responsible for the interpretations offered here, or any errors that remain. Thank you to the entire Duke Political Science department, including Suzanne Pierce and Liam Hysjulien, as well as the Duke Roman Studies department, including Kim Travlos, for their support and for providing me this opportunity in the first place. Finally, I am especially grateful to my Mom and Dad for inspiring me. Table of Contents 2 Abstract …………………………………………………………………………………………4 Part 1 …………………………………………………………………………………………...5 Introduction ……………………………………………………………………………..5 Purpose ………………………………………………………………………………..13 Methodology and Terms ……………………………………………………………..16 Part 2 …………………………………………………………………………………………..18 The National Rally and Women ……………………………………………………..18 Marine Le Pen ………………………………………………………………………...26 Background ……………………………………………………………………26 Rise to Power and Takeover of National Rally ………………………….. -
Changemakers: Biographies of African Americans in San Francisco Who Made a Difference
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors. -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
The Emergence, Development and Survival of Four Lesbian and Gay Archives
The Emergence, Development and Survival of Four Lesbian and Gay Archives by Rebecka Taves Sheffield A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information Mark S. Bonham Centre for Sexual Diversity Studies University of Toronto © Copyright by Rebecka Taves Sheffield 2015 The Emergence, Development and Survival of Four Lesbian and Gay Archives Rebecka Taves Sheffield Doctor of Philosophy Faculty of Information Mark S. Bonham Centre for Sexual Diversity Studies University of Toronto 2015 ABSTRACT Lesbian and gay archives, particularly those established within the context of the homophile, gay liberation, and lesbian feminist movements, serve as social movement organizations (SMOs). That is, they are organizational and administrative members of activist communities that acquire, manage, and share resources for the purpose of collective action for social change. Archives are nevertheless absent from literature on social movements and social movement theory. This project was designed to expand on current research in the fields of archival studies, social movement studies, and sexuality studies to better understand the experiences of lesbian and gay archives. A multiple case study was conducted at four community grown archives: The Canadian Lesbian and Gay Archives, the ONE National Gay and Lesbian Archives, The June L. Mazer Lesbian Archives, and the Lesbian Herstory Archives. Site visits took place over six months in 2013 and 2014, during which time interviews were conducted with 33 community archivists, volunteers, and community partners. In addition, more than 20,000 pages of organizational records related to the founding and development of these archives were reviewed. By tracing the emergence, development, and resource struggles of four lesbian and gay archives, this dissertation shows how these organizations have been shaped by broader movement goals, local geographies, socio-political structures, and the particular interests and energies of those who have nurtured their collections over the years.