Chicago Women Ephemera Collection
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Blueprint for a Feminist Bookstore Future A
Spring 2020 67 BLUEPRINT FOR A FEMINIST BOOKSTORE Errol “E.R” Anderson, Charis Circle Executive Director TBooks and More is how homey the space feels, how “safe.” It is, in part, this feeling of warmth, of respite in an increasingly fractured world, that has kept customers and program attend- ees returning to Charis for more than forty-four years. I cannot write about Charis in an objective way because Charis raised me and made me so much of the person I am today. I came to Charis through the young women’s writer’s program run by Charis co- founder Linda Bryant in 1998 and have grown up within the walls of 1189 Euclid Ave., honing my politics and my writing, making - ris Circle. Because we have survived when many other feminist and independent bookstores have not, people want to know how we do it. As I write this in March of 2019, Charis is preparing to embark on a once in a lifetime move to begin a partnership with independent, feminist bookstore, Charis Books and More and and add Charis at Agnes Scott College, a school store serving the needs of the Agnes Scott College Community. This is our story 68 Sinister Wisdom 116- Making Connections The Charis Story, 1974–19951 a twenty-one-year-old philanthropist named Edie Cofrin that her dream of being “surrounded by books that would encourage and enlighten people.” Linda and her cofounder Barbara Borgman started without a business plan, or business experience, using an owner-operator setup, in a neighborhood that was then more run-down than revolutionary. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Polish Journal for American Studies Yearbook of the Polish Association for American Studies
Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) Warsaw 2020 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Ewa Antoszek, Edyta Frelik, Elżbieta Klimek-Dominiak, Zofia Kolbuszewska, Tadeusz Pióro, Elżbieta Rokosz-Piejko, Małgorzata Rutkowska, Stefan Schubert, Joanna Ziarkowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Vegas Options” from the series “Las Vegas.” By permission. www.flickr/photos/jurek_durczak/ ISSN 1733-9154 eISSN 2544-8781 Publisher Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 110 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents ARTICLES Justyna Włodarczyk Beyond Bizarre: Nature, Culture and the Spectacular Failure of B.F. Skinner’s Pigeon-Guided Missiles .......................................................................... 5 Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s ................................................................ 19 Arkadiusz Misztal Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon ............................................................................... 37 Ewelina Bańka Walking with the Invisible: The Politics of Border Crossing in Luis Alberto Urrea’s The Devil’s Highway: A True Story ............................................. -
Anarcha-Feminism.Pdf
mL?1 P 000 a 9 Hc k~ Q 0 \u .s - (Dm act @ 0" r. rr] 0 r 1'3 0 :' c3 cr c+e*10 $ 9 TABLE OF CONTENTS Introduction.... 1 Anarcha-Feminism: what it is and why it's important.... 4 Anarchism. Feminism. and the Affinity Group.... 10 Anarcha-Feminist Practices and Organizing .... 16 Global Women's Movements Through an anarchist Lens ..22 A Brief History of Anarchist Feminism.... 23 Voltairine de Cleyre - An Overview .... 26 Emma Goldman and the benefits of fulfillment.... 29 Anarcha-Feminist Resources.... 33 Conclusion .... 38 INTRODUCTION This zine was compiled at the completion of a quarters worth of course work by three students looking to further their understanding of anarchism, feminism, and social justice. It is meant to disseminate what we have deemed important information throughout our studies. This information may be used as a tool for all people, women in particular, who wish to dismantle the oppressions they face externally, and within their own lives. We are two men and one woman attempting to grasp at how we can deconstruct the patriarchal foundations upon which we perceive an unjust society has been built. We hope that at least some component of this work will be found useful to a variety of readers. This Zine is meant to be an introduction into anarcha-feminism, its origins, applications, and potentials. Buen provecho! We acknowledge that anarcha-feminism has historically been a western theory; thus, unfortunately, much of this ziners content reflects this limitation. However, we have included some information and analysis on worldwide anarcha-feminists as well as global women's struggles which don't necessarily identify as anarchist. -
Women in Transition
eminist Collections Quarterly of Women's Studies Resources versity of Wisconsin System Memorial Library :Phyllis Holman Weisbard, Linda Shult : Miriam Greenwald sistance from: Ingrid Markhardt, Renee Beaudoin, Beth r, Christina Stross nsin individuals or nonprofit women's programs); $22.50 Feminkf CoIleCtiom, full text of Core Lids in Women's Studies on such topics as aging, feminist peda- gogy, fdm studies, health, lesbian studies, mass media, and women of color in the U.S., a listing of WinsinBibliographies in Women's Studies, including full text of a number of them, a catalog of films and videos in the UW System Women's Studies Audiovisual Collection, and links to other selected websites on women and gender as well as to search engines and general databases. Copyright 1996 Regents of the University of Wisconsin System Feminist Collections A Quarterly of Women's Studies Resources Volume 17, Nos.3-4, SpringISummer 1996 CONTENTS From the Editors Book Reviews Contesting Culture: Gender Interests and Strategies of Resistance by Sharon Tiffany "Get Used to the Noise. The Next Generation is Coming." by Amy Shepherd Exiles, Immigrants, and Refugees: Women Making Choices by Ivette Valdes Feminist Visions: Women in Transition: Perspectives from the Chippewa Valley by Sarah Harder Come On, Join the Conversation!:'Zines as a Medium for Feminist Dialogue and Community Building by Angela Richardson Computer Talk Compiled by Linda Shult Feminist Publishing Wisconsin Bibliographies in Women's Studies New Reference Works in Women's Studies Reviewed by Phyllis Holman Weisbard (with contributions by Margery Katz and Linda Krikos) Periodical Notes Compiled by Linda Shult Items of Note Compiled by Renee Beaudoin Books Recently Received Supplement: Index to Vo1.17 Contesting Culture: Gender Interests the wave of terror that swept the Guatemalan highlands during the and Strategies of Resistance 1970's and 1980's. -
In Libraries Volume 31, No
Women FF FEMINIST TASK FORCE in Libraries Volume 31, No. 2 The Feminist Task Force Spring2002 Bloomer Project Announces First Annual List Two years ago, Shana Carey introduced introduce children growing up in the South during nineteenth-centwy feminist activist Amelia Bloomer the Civil Rights Movement, photographers on the to young readers in You Forgot Your Skirt, Amelia cutting edge of their times, young women surviving Bloomer! This picture book uses humor and history in today's Afghanistan, and pioneers in the fields of to bring the life and work of this pioneering newspa· flying and space exploration. Other books feature per editor, feminist thinker, public speaker, and suf. girls who outwit dragons, create petroglyphs to save a fragist to a new generation. tribe, and train to win battles in medieval England In the spirit of Amelia Bloomer, the Femi From a picture book using bear hair and nist Task· Force proudly announces the first annual other earthen materials in its illustrations to a biogra· Amelia Bloomer List, a bibliography of appealing phy written in graphic-novel format, these books feminist books for young readers from birth to 18. show girls and women exploring exciting ways to Books in this list for this honor are published during solve practical dilemmas through the courage of their the 18 months prior to the selection in January of convictions. All spur the imagination and expand the each year. limits of dreams while confronting traditional female Set from prehistoric times to the present, stereotypes. And best of all, these books are fun these hooks, both fiction and nonfiction, provide role reading! models of strong, capable, creative women. -
Decolonial Feminist Comix Methodology (With Handy Illustrations)
From Inclusion to Transformation: Decolonial Feminist Comix Methodology (With Handy Illustrations) Frances Amelia Howes Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Rhetoric and Writing Katrina M. Powell, Chair Paul Heilker James M. Dubinsky Kelly Belanger Malea Powell June 27, 2014 Blacksburg, VA Keywords: rhetoric, comics, feminism, decolonial, composition Copyright 2014 From Inclusion to Transformation: Decolonial Feminist Comix Methodology (With Handy Illustrations) Frances Amelia Howes ABSTRACT Feminist rhetorics need to move us from inclusion to transformation: instead of “including” more and more marginalized groups into the scholarly status quo, or “including” comics into methods of analysis that we already use, we need to transform our practices themselves. Seeing comics research as an expedition into comics doesn't work. The spatial metaphor is failing because it's analogous to a takeover in the colonial sense. I center the both/and experience of being a producer of comics and analyst of them. Drawing from a critical reading of my own comic, I describe “the disobedient how,” a way of learning from transgressive models. I argue that instead of “collecting” comics, decolonial feminist methodology asks that we “attend” comics through listening, experiencing, and having a relationship with them and their creators. As Shawn Wilson's work suggests, knowledge lies in relationships. I use this concept to guide an analysis of Lynda Barry’s recent comics work as well as her comments during a panel at the Comics: Philosophy and Practice conference. In order for academics to have true knowledge about Barry’s work, we must have a right relationship to her and to it, which requires decolonizing our relationship to texts and taking Barry’s comics seriously as sources of theory. -
T H E U N I V E R S I T Y O F W I S C O N S I N S Y S T
T h e U n i v e r s i t y o f W i s c o n s i n S y s t e m Feminist Collections A Quarterly of Women’s Studies Resources W OMEN’ S S TUDIES Volume 25, Number 3, Spring 2004 Published by Phyllis Holman Weisbard L IBRARIAN Women’s Studies Librarian Feminist Collections A Quarterly of Women’s Studies Resources Women’s Studies Librarian University of Wisconsin System 430 Memorial Library 728 State St. Madison, WI 53706 Phone: 608-263-5754 Fax: 608-265-2754 Email: [email protected] Website: http://www.library.wisc.edu/libraries/WomensStudies/ Editors: Phyllis Holman Weisbard, JoAnne Lehman Cover illustration: Miriam Greenwald Cartoon (p.6): Steve Greenberg for the Seattle Post-Intelligencer, 1999. Reprinted with permission. Other line drawings: Miriam Greenwald Graphic design assistance: Dan Joe Staff assistance: Elizabeth Drake, Linda Fain, Melissa Gotlieb, Christine Kuenzle, Ingrid Markhardt, Mary Pfotenhauer Subscriptions: $30 (individuals or nonprofit women’s programs, outside Wisconsin); $55 (institutions, outside Wisconsin); $16 (Wisconsin individuals or nonprofit women’s programs); $22.50 (Wisconsin institutions); $8.25 (UW individuals); $15 (UW organizations). Wisconsin subscriber amounts include state tax, except for UW organization amount. Postage (for foreign subscribers only): surface mail (Canada: $13; all others: $15); air mail (Canada: $25; all others: $55). (Subscriptions are by calendar year and cover three publications produced by this office: Feminist Collections, Feminist Periodicals, and New Books on Women & Feminism.) Make checks payable to University of Wisconsin-Madison and send to the above address. Please indicate if you do not want your name and address shared with other groups. -
The National Organization for Women in Memphis, Columbus, and San Francisco
RETHINKING THE LIBERAL/RADICAL DIVIDE: THE NATIONAL ORGANIZATION FOR WOMEN IN MEMPHIS, COLUMBUS, AND SAN FRANCISCO DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Stephanie Gilmore, M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by: Professor Leila J. Rupp, Advisor _________________________________ History Graduate Advisor Professor Susan M. Hartmann Professor Kenneth J. Goings ABSTRACT This project uses the history of the National Organization for Women (NOW) to explore the relationship of liberal and radical elements in the second wave of the U.S. women’s movement. Combining oral histories with archival documents, this project offers a new perspective on second-wave feminism as a part of the long decade of the 1960s. It also makes location a salient factor in understanding post– World War II struggles for social justice. Unlike other scholarship on second-wave feminism, this study explores NOW in three diverse locations—Memphis, Columbus, and San Francisco—to see what feminists were doing in different kinds of communities: a Southern city, a non-coastal Northern community, and a West Coast progressive location. In Memphis—a city with a strong history of civil rights activism—black-white racial dynamics, a lack of toleration for same-sex sexuality, and political conservatism shaped feminist activism. Columbus, like Memphis, had a dominant white population and relatively conservative political climate (although less so than in Memphis), but it also boasted an open lesbian community, strong university presence, and a history of radical feminism and labor activism. -
Feminist (And/As) Alternative Media Practices in Women’S Underground Comix in the 1970S1
Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s1 Abstract: The American underground comix scene in general, and women’s comix that flourished as a part of that scene in the 1970s in particular, grew out of and in response to the mainstream American comics scene, which, from its “Golden Age” to the 1970s, had been ruled and construed in accordance with commercial business practices and “assembly-line” processes. This article discusses underground comix created by women in the 1970s in the wider context of alternative and second-wave feminist media practices. I explain how women’s comix used “activist aesthetics” and parodic poetics, combining a radical political and social message with independent publishing and distributive networks. Keywords: American comics, American comix, women’s comix, feminist art and theory, media practices Introduction Toughly mainly associated with popular culture, mass production, and thus consumerism, the history of comics also intertwines with the history of the American counterculture and feminism. In the present article, I examine women’s underground comix from the 1970s as a product and an integral element of a complex and dynamic network of historical, cultural, and social factors, including the mainstream comics industry, men’s underground comix, and alternative media practices, demonstrating how the media practices adopted by female comix authors were used to promote the ideals of second-wave feminism. As Elke Zobl and Ricarda Drüeke point out in Feminist Media, “[u]sing media to transport their messages, to disrupt social orders and to spin novel social processes, feminists have long recognized the importance of self-managed, alternative media” (11). -
Feminist Periodicals
. The U n vers ty o f w sconsln System Feminist Periodicals A current listing of contents WOMEN'S STUDIES Volume 20, Number I, Spring 2000 Published by Phyllis Holman Weisbard LIBRARIAN Women's Studies Librarian F minist CD Peri 1 Is A current listing of contents Volume 20, Number 1 Spring 2000 Periodical literature is the cutting edge of women's scholarship, feminist theory, and much of women's culture. Feminist Periodicals: A Current Listing of Contents is pUblished by the Office of the University of Wisconsin System Women's Studies Librarian on aquarterly basis with the intentof increasing pUblicawarenessoffeminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with awide spectrum offeminist periodicals; and to provide the requisite bibliographic information should a reader wish to sUbscribe to ajournal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from current issues of major feministjournals are reproduced in each issue of Feminisf Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. Year of first publication. 2. Frequency of pUblication. 3. U.S. subscription price(s). 4. Subscription address. 5. -
A Queer Return to the Feminist Bookstore
THE DEPARTMENT OF WOMEN’S AND GENDER STUDIES FEMINIST RESEARCH SPEAKERS SERIES 2016–2017 PRESENTS MAPPING FEMINIST GHOST SITES: A Queer Return to the Feminist Bookstore an artist talk by Dr. Roewan Crowe Thursday, October 13, 3:30 – 5:00 Senate Chamber (Arts and Convocation Hall 3-26) Abstract: Biography: In this artist talk, Roewan Crowe explores Artist Roewan Crowe is energized by acts of the possibilities of a queer return to the disruption, radical transformation and the tactical feminist bookstore. Drawing from her radically deployment of self-reflexivity. Born under the interdisciplinary, trans-media, site-specific big skies of Saskatchewan and raised in scofflaw artistic practice, she reflects on her early Alberta, Crowe left the prairies to deepen her witchy experiences at the feminist bookstore engagements with art and feminism, and to do in Edmonton to reimagine a generative and graduate studies at the Ontario Institute for radical feminist space that might provide a Studies in Education, University of Toronto. A home for feminist cultural productions. Crowe return to the prairies inspired art and writing mixes a magical concoction: one part Deleuze centered on queer feminist reclamation practices and Guattari’s notions of deterritorialization to ask questions about the land, whiteness and and reterritorialization brought into relationship queer settler identities and explore possibilities with LaDuke’s deep understanding of right for regeneration. Recent work includes the relationship to the land; one part queer futurity queer Western, Quivering Land (ARP), a gritty by Muñoz; with one part Spivak’s passion for feminist meditation on the possibilities of art to making the imagination a material practice.