Within the Second Iconoclastic Controversy. Nikephoros of Constantinople
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Nikephoros Bryennios the Younger – the First One Not to Become a Blind Man? Political and Military History of the Bryennios Family in the 11Th and Early 12Th Century
Studia Ceranea 10, 2020, p. 31–45 ISSN: 2084-140X DOI: 10.18778/2084-140X.10.02 e-ISSN: 2449-8378 Marcin Böhm (Opole) https://orcid.org/0000-0002-5393-3176 Nikephoros Bryennios the Younger – the First One Not to Become a Blind Man? Political and Military History of the Bryennios Family in the 11th and Early 12th Century ikephoros Bryennios the Younger (1062–1137) has a place in the history N of the Byzantine Empire as a historian and husband of Anna Komnene (1083–1153), a woman from the imperial family. His historical work on the his- tory of the Komnenian dynasty in the 11th century is an extremely valuable source of information about the policies of the empire’s major families, whose main goal was to seize power in Constantinople1. Nikephoros was also a talented commander, which he proved by serving his father-in-law Alexios I Komnenos (1081–1118) and brother-in-law John II Komnenos (1118–1143). The marriage gave him free access to people and documents which he also enriched with the history of his own family. It happened because Nikephoros Bryennios was not the first representative of his family who played an important role in the internal policy of the empire. He had two predecessors, his grandfather, and great grand- father, who according to the family tradition had the same name as our hero. They 1 J. Seger, Byzantinische Historiker des zehnten und elften Jahrhunderts, vol. I, Nikephoros Bryennios, München 1888, p. 31–33; W. Treadgold, The Middle Byzantine Historians, Basingstoke 2013, p. 344–345; A. -
Byzantine Conquests in the East in the 10 Century
th Byzantine conquests in the East in the 10 century Campaigns of Nikephoros II Phocas and John Tzimiskes as were seen in the Byzantine sources Master thesis Filip Schneider s1006649 15. 6. 2018 Eternal Rome Supervisor: Prof. dr. Maaike van Berkel Master's programme in History Radboud Univerity Front page: Emperor Nikephoros II Phocas entering Constantinople in 963, an illustration from the Madrid Skylitzes. The illuminated manuscript of the work of John Skylitzes was created in the 12th century Sicily. Today it is located in the National Library of Spain in Madrid. Table of contents Introduction 5 Chapter 1 - Byzantine-Arab relations until 963 7 Byzantine-Arab relations in the pre-Islamic era 7 The advance of Islam 8 The Abbasid Caliphate 9 Byzantine Empire under the Macedonian dynasty 10 The development of Byzantine Empire under Macedonian dynasty 11 The land aristocracy 12 The Muslim world in the 9th and 10th century 14 The Hamdamids 15 The Fatimid Caliphate 16 Chapter 2 - Historiography 17 Leo the Deacon 18 Historiography in the Macedonian period 18 Leo the Deacon - biography 19 The History 21 John Skylitzes 24 11th century Byzantium 24 Historiography after Basil II 25 John Skylitzes - biography 26 Synopsis of Histories 27 Chapter 3 - Nikephoros II Phocas 29 Domestikos Nikephoros Phocas and the conquest of Crete 29 Conquest of Aleppo 31 Emperor Nikephoros II Phocas and conquest of Cilicia 33 Conquest of Cyprus 34 Bulgarian question 36 Campaign in Syria 37 Conquest of Antioch 39 Conclusion 40 Chapter 4 - John Tzimiskes 42 Bulgarian problem 42 Campaign in the East 43 A Crusade in the Holy Land? 45 The reasons behind Tzimiskes' eastern campaign 47 Conclusion 49 Conclusion 49 Bibliography 51 Introduction In the 10th century, the Byzantine Empire was ruled by emperors coming from the Macedonian dynasty. -
BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
Byzantium and Bulgaria, 775-831
Byzantium and Bulgaria, 775–831 East Central and Eastern Europe in the Middle Ages, 450–1450 General Editor Florin Curta VOLUME 16 The titles published in this series are listed at brill.nl/ecee Byzantium and Bulgaria, 775–831 By Panos Sophoulis LEIDEN • BOSTON 2012 Cover illustration: Scylitzes Matritensis fol. 11r. With kind permission of the Bulgarian Historical Heritage Foundation, Plovdiv, Bulgaria. Brill has made all reasonable efforts to trace all rights holders to any copyrighted material used in this work. In cases where these efforts have not been successful the publisher welcomes communications from copyright holders, so that the appropriate acknowledgements can be made in future editions, and to settle other permission matters. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Sophoulis, Pananos, 1974– Byzantium and Bulgaria, 775–831 / by Panos Sophoulis. p. cm. — (East Central and Eastern Europe in the Middle Ages, 450–1450, ISSN 1872-8103 ; v. 16.) Includes bibliographical references and index. ISBN 978-90-04-20695-3 (hardback : alk. paper) 1. Byzantine Empire—Relations—Bulgaria. 2. Bulgaria—Relations—Byzantine Empire. 3. Byzantine Empire—Foreign relations—527–1081. 4. Bulgaria—History—To 1393. I. Title. DF547.B9S67 2011 327.495049909’021—dc23 2011029157 ISSN 1872-8103 ISBN 978 90 04 20695 3 Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Byzantine Critiques of Monasticism in the Twelfth Century
A “Truly Unmonastic Way of Life”: Byzantine Critiques of Monasticism in the Twelfth Century DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Hannah Elizabeth Ewing Graduate Program in History The Ohio State University 2014 Dissertation Committee: Professor Timothy Gregory, Advisor Professor Anthony Kaldellis Professor Alison I. Beach Copyright by Hannah Elizabeth Ewing 2014 Abstract This dissertation examines twelfth-century Byzantine writings on monasticism and holy men to illuminate monastic critiques during this period. Drawing upon close readings of texts from a range of twelfth-century voices, it processes both highly biased literary evidence and the limited documentary evidence from the period. In contextualizing the complaints about monks and reforms suggested for monasticism, as found in the writings of the intellectual and administrative elites of the empire, both secular and ecclesiastical, this study shows how monasticism did not fit so well in the world of twelfth-century Byzantium as it did with that of the preceding centuries. This was largely on account of developments in the role and operation of the church and the rise of alternative cultural models that were more critical of traditional ascetic sanctity. This project demonstrates the extent to which twelfth-century Byzantine society and culture had changed since the monastic heyday of the tenth century and contributes toward a deeper understanding of Byzantine monasticism in an under-researched period of the institution. ii Dedication This dissertation is dedicated to my family, and most especially to my parents. iii Acknowledgments This dissertation is indebted to the assistance, advice, and support given by Anthony Kaldellis, Tim Gregory, and Alison Beach. -
On the Vita of St Stephen the Younger George Huxley
On the "Vita" of St Stephen the Younger Huxley, George Greek, Roman and Byzantine Studies; Spring 1977; 18, 1; Periodicals Archive Online pg. 97 On the Vita of St Stephen the Younger George Huxley HEN GIBBON noted that the Acta Sanctorum of the Bollandists W had not advanced beyond the seventh day of October, the historian was moved to remark that "the suppression of the Jesuits has most probably checked an undertaking, which though the medium and fable of superstition, communicates much historical and philosophical information."! The problem of separating historical fact from pious fiction in hagiography continues to exercise historians, and in no field of study is the need to sift out the truth in saints' lives more necessary, or more difficult, than in Byzantine iconoclasm. Because the sources for imperial Roman history of the eighth and ninth centuries are so few and of such uneven quality, the evidence of hagiography offers hope of additional knowledge; but with hope comes the temptation to demand from any source more than it can offer. In this paper I examine statements in one Vita in order to illustrate some of the difficulties in treating Byzantine iconodule saints' Lives as historical documents. The Vita of St Stephen the Younger, who suffered martyrdom in the reign of the emperor Constantine V, was written by Stephen the Deacon. The hagiographer states (PG 100, lOne) that he was writing after the forty-second year from the martyrdom had passed, and he claims to have taken the facts he reports from persons who had known the saint as well as from confidants of the emperor: Ta EKAEXO€VTeX , ......... -
Creating Memories in Late 8Th-Century Byzantium Creating Memories in Late 8Th-Century Byzantium Central European Medieval Studies
CENTRAL EUROPEAN MEDIEVAL STUDIES Marjanović Creating Memories in Late 8th-century Byzantium 8th-century Late in Memories Creating Dragoljub Marjanović Creating Memories in Late 8th-century Byzantium The Short History of Nikephoros of Constantinople Creating Memories in Late 8th-century Byzantium Central European Medieval Studies The series focuses on the geographical centre of the European continent, but also a region representing various historically changing meanings and concepts. It challenges simplistic notions of Central Europe as a periphery to the medieval ‘West’, or, equally, a border between barbarity and civilization; an area of a lively convergence of different ethnic groups, and a socially and culturally framed common space; a point where different ‘Others’ met, or an intermediary ‘bridge’ between the Roman Catholicism and Latinity of the West, and the Slavic Orthodoxy and Hellenism of the Byzantine East. Series Editor Dr. Nada Zečević, University of Eastern Sarajevo Editorial Board Dr. Kateřina Horníčková, University of South Bohemia Dr. Cosmin Popa-Gorjanu, 1 December 1918 University Alba Iulia Dr. Zsolt Hunyadi, University of Szeged Dr. Anna Adamska, Utrecht University Dr. Trpimir Vedriš, University of Zagreb Creating Memories in Late 8th-century Byzantium The Short History of Nikephoros of Constantinople Dragoljub Marjanović Amsterdam University Press Cover illustration: Interior part of the dome of the 13th century Sopoćani monastery in Serbia Source: Author’s photo Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 039 6 e-isbn 978 90 4852 965 0 (pdf) doi 10.5117/9789462980396 nur 684 / 704 © Dragoljub Marjanović / Amsterdam University Press B.V., Amsterdam 2018 All rights reserved. -
Heraclius Emperor of Byzantium
HERACLIUS EMPEROR OF BYZANTIUM WALTER E. KAEGI PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge CB21RP, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Walter E. Kaegi 2003 This book is in copyright. Subject to statutory exception and to the provisions ofrelevant collective licensing agreements, no reproduction ofany part may take place without the written permission ofCambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Garamond 11/12.5 pt. System LATEX 2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Kaegi, Walter Emil. Heraclius: emperor ofByzantium / Walter E. Kaegi. p. cm. Includes bibliographical references and index. isbn 0 521 81459 6 1. Heraclius, Emperor ofthe East, ca. 575–641. 2. Byzantine Empire–History–Heraclius, 610–641. 3. Emperors–Byzantine Empire–Biography. I. Title. DF574 .K34 2002 949.5 013 092 –dc21 [B] 2002023370 isbn 0 521 81459 6 hardback Contents List of maps page vi List of figures vii Acknowledgments viii List of abbreviations x Introduction 1 1 Armenia and Africa: the formative years 19 2 Internal and external challenges -
Byzantine Names for SCA Personae
1 A Short (and rough) Guide to Byzantine Names for SCA personae This is a listing of names that may be useful for constructing Byzantine persona. Having said that, please note that the term „Byzantine‟ is one that was not used in the time of the Empire. They referred to themselves as Romans. Please also note that this is compiled by a non-historian and non-linguist. When errors are detected, please let me know so that I can correct them. Additional material is always welcomed. It is a work in progress and will be added to as I have time to research more books. This is the second major revision and the number of errors picked up is legion. If you have an earlier copy throw it away now. Some names of barbarians who became citizens are included. Names from „client states‟ such as Serbia and Bosnia, as well as adversaries, can be found in my other article called Names for other Eastern Cultures. In itself it is not sufficient documentation for heraldic submission, but it will give you ideas and tell you where to start looking. The use of (?) means that either I have nothing that gives me an idea, or that I am not sure of what I have. If there are alternatives given of „c‟, „x‟ and „k‟ modern scholarship prefers the „k‟. „K‟ is closer to the original in both spelling and pronunciation. Baron, OP, Strategos tous notious okeanous, known to the Latins as Hrolf Current update 12/08/2011 Family Names ............................................................. 2 Male First Names ....................................................... -
Bild Und Schrift Auf ‚Magischen' Artefakten
Bild und Schrift auf ‚magischen‘ Artefakten Materiale Textkulturen Schriftenreihe des Sonderforschungsbereichs 933 Herausgegeben von Ludger Lieb Wissenschaftlicher Beirat: Jan Christina Gertz, Markus Hilgert, Hanna Liss, Bernd Schneidmüller, Melanie Trede und Christian Witschel Band 19 Bild und Schrift auf ‚magischen‘ Artefakten Herausgegeben von Sarah Kiyanrad, Christoffer Theis und Laura Willer ISBN 978-3-11-060162-6 e-ISBN (PDF) 978-3-11-060433-7 e-ISBN (EPUB) 978-3-11-060492-4 ISSN 2198-6932 Dieses Werk ist lizenziert unter der Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International Licence. Weitere Informationen finden Sie unter http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018941194 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. © 2018 Kiyanrad et al., publiziert von Walter de Gruyter GmbH, Berlin/Boston Dieses Buch ist als Open-Access-Publikation verfügbar über www.degruyter.com. Einbandabbildung: P. Heid. Inv. Kopt. 679 © Institut für Papyrologie, Universität Heidelberg, Foto: Elke Fuchs Satz: Sonderforschungsbereich 933 (Jessica Dreschert), Heidelberg Druck und Bindung: CPI books GmbH, Leck www.degruyter.com Vorwort Der vorliegende Band beinhaltet Beiträge, die auf einem interdisziplinären Workshop des Sonderforschungsbereichs 933 Materiale Textkulturen – Materialität und Präsenz des Geschriebenen in non-typographischen Gesellschaften an der Ruprecht-Karls-Uni- versität Heidelberg am 19. Juli 2013 am Ägyptologischen Institut vorgestellt wurden. Ausgerichtet wurde der Workshop mit dem Titel „Methodische Reflexionen zum Spannungsverhältnis zwischen magischem Text und Bild“ von den MitarbeiterInnen des Teilprojekts A03 „Materialität und Präsenz magischer Zeichen zwischen Antike und Mittelalter“ Sarah Kiyanrad, Christoffer Theis und Laura Willer. -
Modes of Narrativity in the Short History of Nikephoros of Constantinople*
Зборник радова Византолошког института LII, 2015 Zbornik radova Vizantološkog instituta LII, 2015 UDC: 821.14'04.09"08":94(495.02)"06/07": DOI: 10.2298/ZRVI1552009M DRAGOLJUB MARJANOVIĆ University of Belgrade – Faculty of Philosophy [email protected] MODES OF NARRATIVITY IN THE SHORT HISTORY OF NIKEPHOROS OF CONSTANTINOPLE* Modes of narrativity applied in the Short history by Nikephoros of Constantinople are investigated on the basis of several key accounts which form a specific message of the author on the level of his entire work. This specific manner of literary presentation is particularly manifested in Nikephoros‘ original approach in portrayal of the Byzantine emperors and the patriarchs of Constantinople of the 7th and 8th centuries, thus embedding a specific idea of both imperial governance personalized in the reign of emperor Herakleios, and mutual rela- tions between the Empire and the patriarchs of the Church of Constantinople, as presented in the accounts of patriarchs Sergios and Pyrrhos. Keywords: Emperor, patriarch, peace and tranquility, narrative. An obvious need for writing about the past at the end of the 8th century, which was the time when new models where established in relations between the Empire and the Church of Constantinople after the first wave of iconoclasm, leads one to think that the historiographical production, clearly emerging from within a narrow circle of men gathered around the patriarch Tarasios, had the need to search for and offer to their con- temporaries models which they might imitate but which might also serve as recognition and legitimization of their own ideas.1 This was to be gained by appropriate historical writing, and shaping of history through literary modes of narration. -
RECONCILING NIKEPHOROS BRYENNIOS' MATERIALS for a HISTORY a Thesis Submitted in Partial Fulfillme
THE SONG REMAINS THE SAME: RECONCILING NIKEPHOROS BRYENNIOS’ MATERIALS FOR A HISTORY A thesis submitted in partial fulfillment of the Requirements for the degree of Master of Humanities By JAMES GILMER M.A., American Public University System, 2012 2019 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL [August 22nd, 2019] I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY JAMES GILMER ENTITLED The Song Remains the Same: Reconciling Nikephoros Bryennios’ Materials for a History BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF HUMANITIES. Jeannette Marchand, PhD Thesis Director Valerie Stoker, PhD Director, Master of Humanities Program Committee on Final Examination: [Jeannette Marchand, PhD] [Paul Lockhart, PhD] [Aaron Wolpert] [Valerie Stoker, PhD] Barry Milligan, PhD Interim Dean of the Graduate School ABSTRACT Gilmer, James. M.Hum. Graduate Program, Wright State University, 2019. The Song Remains the Same: Reconciling Nikephoros Bryennios’ Materials for a History. The following thesis presents new perspectives on the representation of Byzantine generals during the eleventh century, focusing specifically on parallel representations of Nikephoros Bryennios the Elder. I will argue that Byzantine chroniclers routinely employed the language of Byzantine military manuals as a template to describe the generals who populate the pages of their works. This tendency created a shared language of praise and censure which chroniclers applied to the generals whose reputation they sought either to exalt or to tarnish. The career of Nikephoros Bryennios the Elder as it is presented in the History of Michael Attaleiates and the Materials for a History of Nikephoros Bryennios the Younger vividly demonstrates this tendency as Nikephoros Bryennios the Younger attempts to salvage the reputation of his grandfather.