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Doctoral Dissertation Márton Rózsa Byzantine Second-Tier Élite In
Eötvös Loránd University Faculty of Humanities DOCTORAL DISSERTATION MÁRTON RÓZSA BYZANTINE SECOND-TIER ÉLITE IN THE ‘LONG’ TWELFTH CENTURY Doctoral School of History Head of the doctoral school: Dr. Gábor Erdődy Doctoral Programme of Medieval and Early Modern World History Head of the doctoral programme: Dr. Balázs Nagy Supervisor: Dr. Balázs Nagy Members of the assessment committee: Dr. István Draskóczy, Chair Dr. Gábor Thoroczkay, PhD, Secretary Dr. Floris Bernard, opponent Dr. Andreas Rhoby, opponent Dr. István Baán, member Dr. László Horváth, PhD, member Budapest, 2019 ADATLAP a d o kt ori ért e k e z é s n yit v á n o s s á gr a h a z at al á h o z l. A d o kt ori ért e k e z é s a d at ai A s z et z ő n e v e: Ró z s a ] u í árt o n MT M'f-azonosító: 1 0 0 1 9 2 7 0 A d o kt ori ért e k e z é s c í m e é s al c í m e: B y z a nti n e Second-Tie, Éttt ein t h e 'Lang'Tu,e\th C e nt ur y f) Ol-azonosító: 1 íl. l 5 1 7 6/ E L T E. 2 0 I 9. 0 5 ő A d o kt ori i s k ol a n e v e: Tü,t énele míuclo mányi D ol ú ori { sl ail a A d o kt ori pr o gr í } m n e v e: Köz é p k ori é s kora újkori e gt e í e m e s tört é n eti Doktori Progratn A t é mavezető n e v e ó s tudo mányos fcrkozata: § a g y * B ai ú z s. -
A Synopsis of Byzantine History, –
Cambridge University Press 978-1-107-40474-8 - John Skylitzes: A Synopsis of Byzantine History, 811–1057 John Wortley Frontmatter More information JOHN SKYLITZES: A synopsis of Byzantine history, – John Skylitzes’ extraordinary Middle Byzantine chronicle covers the reigns of the Byzantine emperors from the death of Nicephorus I in to the deposition of Michael VI in , and provides the only surviving continuous narrative of the late tenth and early eleventh centuries. A high offi cial living in the late eleventh century, Skylitzes used a number of existing Greek histories (some of them no longer extant) to create a digest of the previous three centuries. It is with- out question the major historical source for the period, cited con- stantly in modern scholarship, and has never before been available in English. Th is edition features introductions by Jean-Claude Cheynet and Bernard Flusin, along with extensive notes by Cheynet. It will be an essential and exciting addition to the libraries of all historians of the Byzantine age. is Professor of History Emeritus at the University of Manitoba. He has published widely on the Byzantine era, and completed several translations to date, including Les Récits édifi - ants de Paul, évêque de Monembasie, et d’autres auteurs (), Th e ‘Spiritual Meadow’ of John Moschos, including the additional tales edited by Nissen and Mioni (), Th e spiritually benefi cial tales of Paul, Bishop of Monembasia and of other authors () and John Skylitzes: A Synopsis of Histories (AD –) , a provisional transla- tion published -
Byzantine Conquests in the East in the 10 Century
th Byzantine conquests in the East in the 10 century Campaigns of Nikephoros II Phocas and John Tzimiskes as were seen in the Byzantine sources Master thesis Filip Schneider s1006649 15. 6. 2018 Eternal Rome Supervisor: Prof. dr. Maaike van Berkel Master's programme in History Radboud Univerity Front page: Emperor Nikephoros II Phocas entering Constantinople in 963, an illustration from the Madrid Skylitzes. The illuminated manuscript of the work of John Skylitzes was created in the 12th century Sicily. Today it is located in the National Library of Spain in Madrid. Table of contents Introduction 5 Chapter 1 - Byzantine-Arab relations until 963 7 Byzantine-Arab relations in the pre-Islamic era 7 The advance of Islam 8 The Abbasid Caliphate 9 Byzantine Empire under the Macedonian dynasty 10 The development of Byzantine Empire under Macedonian dynasty 11 The land aristocracy 12 The Muslim world in the 9th and 10th century 14 The Hamdamids 15 The Fatimid Caliphate 16 Chapter 2 - Historiography 17 Leo the Deacon 18 Historiography in the Macedonian period 18 Leo the Deacon - biography 19 The History 21 John Skylitzes 24 11th century Byzantium 24 Historiography after Basil II 25 John Skylitzes - biography 26 Synopsis of Histories 27 Chapter 3 - Nikephoros II Phocas 29 Domestikos Nikephoros Phocas and the conquest of Crete 29 Conquest of Aleppo 31 Emperor Nikephoros II Phocas and conquest of Cilicia 33 Conquest of Cyprus 34 Bulgarian question 36 Campaign in Syria 37 Conquest of Antioch 39 Conclusion 40 Chapter 4 - John Tzimiskes 42 Bulgarian problem 42 Campaign in the East 43 A Crusade in the Holy Land? 45 The reasons behind Tzimiskes' eastern campaign 47 Conclusion 49 Conclusion 49 Bibliography 51 Introduction In the 10th century, the Byzantine Empire was ruled by emperors coming from the Macedonian dynasty. -
The Role of the Icon in Byzantine Piety by LENNART RYDEN
The Role of the Icon in Byzantine Piety By LENNART RYDEN In February 754, the bishops of the Byzantine Empire met in the imperial palace at Hiereia, a peninsula on the Asiatic side of the Sea of Marmora, not far from Chalcedon. The council had been convened by the Emperor Constantine V (741-75), who wanted the bishops to examine the scriptures and express their opinion on the "deceitful painting of likenesses, which draws away the human mind from the service which is sublime and befits the Divinity to the grovelling and material service of creatures"1. As the phrasing shows, the assembled bishops were not expected to discuss whether the making of icons2 was justified or not. The emperor had already examined this question and found that there was no such justification. The purpose of the council was rather to remove unorthodox elements from the emperor's argument, to give it a theological finish and to put it into a historical context. The proceedings lasted six months. In August a horos (definition) was approved, which may be summarized as follows3. In order to separate man from God, Lucifer made man worship the crea- ture rather than the Creator (cf. Rom. i,25). God, who wanted to save man, sent him the Law and the prophets. When man failed to return to his former state, God at last sent His own Son and Logos. Christ saved man from idolatry and taught him to worship in spirit and truth (cf. John iv ,24). The Christian apostles and teachers passed on the true faith to later generations. -
Studia Translatorica Vol. 10
DOI: 10.23817/strans.10-28 Diana Cărburean Independent researcher/ Romania The Byzantine legal standard transposition strategies into the Romanian regulatory texts of the 17th century Abstract The Byzantine legal standard transposition strategies into the Romanian regulatory texts of the 17th century Unlike the Canon law texts available in the Romanian principalities – Moldavia and Wal- lachia – falling under the Slavic influence, the first legal acts which are subscribed to the secular law and which appear in 1646 [Carte Românească de Învățătură (en. Romanian Book of Learning) or Pravila lui Vasile Lupu (en. Vasile Lupu’s Code of Laws)] and in 1652 [Îndrep- tarea legii (en. The Law’s Rectification) orPravila lui Matei Basarab (en. Matei Basarab’s Code of Laws)] fall under the Greek-Byzantine influence. The present article aims to provide some information regarding the translation mechanisms applied by the Moldavian and Wallachian scholars of the 17th century who aimed at transposing the Byzantine Legal Standard to the everyday life of the two above mentioned Romanian principalities by means of fundamental procedures, such as “analysis (with the underlying meaning determination), transfer, restruc- turing, and testing” (Nida, 2004: 85) of the source message. The most precious information related to the translation process of those times is provided by the cases of untranslatability generated by the legal and terminological gap between the Receiver and the Transmitter. The identification and classification of these cases, but also the highlighting of the solutions the translator found to solve them, represent important steps in understanding the equivalenting process of two unequal legal systems that took place centuries ago in Eastern Europe, as illus- trated by the case of the two Romanian principalities and the Greek-Byzantine one. -
Introduction to Justinian's Novels in 529 A.D., in Order to Harmonize and Simplify Centuries of Roman Law, Emperor Justinian O
Introduction to Justinian’s Novels In 529 A.D., in order to harmonize and simplify centuries of Roman law, Emperor Justinian ordered the codification that became known as the Codex Iustinianus—the Code of Justinian. However, in the next few years he created many additional laws, and in 534 he incorporated these into a second edition of his Code that superseded the first. Only this second edition survives. (Click here for Justice Blume’s annotated, English translation of the Code.) After 534, throughout the remaining years of his long reign (527-565), Justinian continued to issue laws to meet changing circumstances. These new “constitutions” —Novellae constitutiones, or Novels—never were compiled officially. Private manuscript collections were made of them in the East, though, and these collections appeared later in the West. Starting in the Renaissance, and continuing into the 20th century, scholars made critical editions of the Novels that incorporated elements from the three major collections and from other manuscripts, as they were discovered. (For a detailed history of the transmission process and the various compilations, see The Creation and Transmission of Justinian’s Novels at the Novels’ History link on this web site.) In making the English translation set out here, Justice Fred H. Blume used the Latin version established in the best-regarded critical edition of the Novels—that of Schoell and Kroll, which is volume three in Mommsen, Kruger, Schoell and Kroll’s Corpus Juris Civilis.1 (Volume one contains the Digest and Institutes, volume two, the Code.) Schoell and Kroll’s now-standard edition follows the Greek Collection of 168 in adding a group of 13 Justinian edicts after the 168 novels proper. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
The Pantheon (Temple of All the Gods)
The Pantheon (temple of all the gods) is a former Roman temple and since the year 609 a Catholic church in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was rebuilt by the emperor Hadrian and probably dedicated 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down. The building is cylindrical with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 142 feet. It is one of the best-preserved of all Ancient Roman buildings, in large part because it has been in continuous use throughout its history and, since the 7th century, the Pantheon has been in use as a church dedicated to "St. Mary and the Martyrs" but informally known as "Santa Maria Rotonda". The square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a state property, managed by Italy's Ministry of Cultural Heritage and Activities and Tourism. In 2013, it was visited by over 6 million people. -
Diplomarbeit
Diplomarbeit Titel der Diplomarbeit Stifter am Throne Christi: Das Mosaik von Zoë und Konstantin IX. Monomachos auf der Empore der Hagia Sophia in Istanbul Zoë 1028 - 1050, Christus und Konstantin IX. Monomachos 1042 - 1055 Verfasserin Maria Gabriele Schreidl-Rannegger angestrebter akademischer Grad Magistra der Philosophie (Mag. Phil.) Wien, 2012 Studienkennzahl A 315 Studienrichtung Kunstgeschichte Betreuerin Univ. -Prof. Dr. Lioba Theis Seite 2 1. Vorwort 5 2. Einleitung 7 3. Die Freilegung der Mosaiken in der Hagia Sophia im 20. Jahrhundert 11 3.1. Anbringungsort des Mosaiks in der Hagia Sophia 14 4. Historischer Hintergrund 16 4.1. Zoë und Romanos III. Argyros 16 4.2. Zoë und Michael IV. 17 4.3. Michael V. Kalaphates 18 4.4. Der Volksaufstand 19 4.5. Zoë und Theodora 20 4.6. Zoë und Konstantin IX. Monomachos 21 5. Der aktuelle Forschungsstand 24 5.1. Datierung und Inschriften des Mosaiks 24 5.2. Thomas Whittemore, 1942 26 5.3. Gyula Moravcsik, 1947 29 5.4. Thomas Whittemore, 1948 30 5.5. John Beckwith, 1961 33 5.6. Cyril Mango, 1967 36 5.7. Nicolas Oikonomides, 1978 38 5.8. Robin Cormack, 1981 44 5.9. Ioli Kalavrezou, 1994 48 5.10. Lynda Garland, 1994 56 5.11. Barbara Hill, Liz James und Dion Smythe, 1994 64 5.12. Barbara Hill, 1997 69 5.13. Barbara Hill, 1999 72 5.14. Robin Cormack, 2000 76 6. Bilddokumentation und Rekonstruktion des Mosaiks 79 6.1. Cyril Mango,1962 79 6.2. Natalia B. Teteriatnikov, 1998 80 6.4. Ioli Kalavrezou 82 6.4. Schreidl-Rannegger, 2012 83 6.4.1. -
THE JUSTINIAN CODE and ITS INFLUENCE (Justinian Ruled the Eastern Roman Empire 527 A.D - 565 A.D)
THE JUSTINIAN CODE AND ITS INFLUENCE (Justinian Ruled the Eastern Roman Empire 527 A.D - 565 A.D) The Justinian Code and Its Influence Laws make up the foundation of modern society, by clearly stating what is and isn’t allowed and provide a set of the punishments that coincide with the crime that was committed. One of Rome’s greatest achievements was their judicial system. However, as the Roman Empire expanded they became weak and were unable to maintain their borders. This ultimately led to the collapse of the Roman Empire and it was divided into the Eastern and Western Roman Empire. Like its former self the Western Empire also collapsed and all that remained was the Eastern Empire. As the Empires collapsed so did the legal system, after many years of corrupt officials making laws and the numerous controversial rulings by the roman court system, the once proud and magnificent Roman law was left in shambles. Emperor Justinian I was the ruler of the Eastern Roman Empire, or the Byzantine Empire. Emperor Justinian saw the condition that the Roman law was in and set out to reform the Roman legal system by creating his own set of laws and interpretations based on the old roman laws. The purpose of these sets of laws was to create a universal set of laws that all of the Byzantine Empire could follow, and was given presidence over any local laws, preventing any contradictions in court rulings. This set of laws would be known as Corpus Juris Civilis, which translates to “Body of Civil Law” and would also be known as the Justinian Code. -
Iconoclasm: a Christian Dilemma
ICONOCLASM: A CHRISTIAN DILEMMA - A BYZANTINE CONTROVERSY By STEPHEN CHARLES STEACY •• Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1969 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS December, 1978 ICONOCLASM: A CHRISTIAN DILEMMA - A BYZANTINE CONTROVERSY Thesis Approved: '. ~- Dean of the Graduate College 1019541 ii P~F~E This thesis is concerned with Iconoclasm, the religious upheaval which troubled the Byzantine conscience for over a century. There have been numerous theories adduced by his torians to account for this phenomenon. It is the purpose of this study to view the varying interpretations, analyze their shortcomings, and to put forth a different view of the controversy, one that more adequately expresses the deeply rooted religious nature of the movement, a movement not only of the eighth and ninth centuries but an idea which was nurtured in fertile soil of the Old Testament and Apostolic Christianity. The author wishes to express heartfelt appreciation to his thesis adviser, Dr. George Jewsbury, whose unflagging solicitude, support, and inspiration were instrumental in the preparation of this work. A note of thanks is given to Mrs. Karen Hoyer, whose typing expertise, in the final analysis, made the difference between success and failure. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION AND HISTORIOGRAPHICAL ESSAY 1 II. THEOLOGICAL AND PHILOSOPHICAL COURSES OF THE CONTROVERSY. • • . • . • • . • . 13 Genesis of the Cult of Icons .•.• 13 The Scriptures as the Foundation of Iconoclasm. 26 Precursors of ·the Iconoclast Movement . 30 Origen . 31 Eusebius . -
Aspects of St Anna's Cult in Byzantium
ASPECTS OF ST ANNA’S CULT IN BYZANTIUM by EIRINI PANOU A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for Byzantine, Ottoman and Modern Greek Studies Institute of Archaeology and Antiquity College of Arts and Law The University of Birmingham January 2011 Acknowledgments It is said that a PhD is a lonely work. However, this thesis, like any other one, would not have become reality without the contribution of a number of individuals and institutions. First of all of my academical mother, Leslie Brubaker, whose constant support, guidance and encouragement accompanied me through all the years of research. Of the National Scholarship Foundation of Greece ( I.K.Y.) with its financial help for the greatest part of my postgraduate studies. Of my father George, my mother Angeliki and my bother Nick for their psychological and financial support, and of my friends in Greece (Lily Athanatou, Maria Sourlatzi, Kanela Oikonomaki, Maria Lemoni) for being by my side in all my years of absence. Special thanks should also be addressed to Mary Cunningham for her comments on an early draft of this thesis and for providing me with unpublished material of her work. I would like also to express my gratitude to Marka Tomic Djuric who allowed me to use unpublished photographic material from her doctoral thesis. Special thanks should also be addressed to Kanela Oikonomaki whose expertise in Medieval Greek smoothened the translation of a number of texts, my brother Nick Panou for polishing my English, and to my colleagues (Polyvios Konis, Frouke Schrijver and Vera Andriopoulou) and my friends in Birmingham (especially Jane Myhre Trejo and Ola Pawlik) for the wonderful time we have had all these years.