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A Short History of Indonesia: the Unlikely Nation?
History Indonesia PAGES 13/2/03 8:28 AM Page i A SHORT HISTORY OF INDONESIA History Indonesia PAGES 13/2/03 8:28 AM Page ii Short History of Asia Series Series Editor: Milton Osborne Milton Osborne has had an association with the Asian region for over 40 years as an academic, public servant and independent writer. He is the author of eight books on Asian topics, including Southeast Asia: An Introductory History, first published in 1979 and now in its eighth edition, and, most recently, The Mekong: Turbulent Past, Uncertain Future, published in 2000. History Indonesia PAGES 13/2/03 8:28 AM Page iii A SHORT HISTORY OF INDONESIA THE UNLIKELY NATION? Colin Brown History Indonesia PAGES 13/2/03 8:28 AM Page iv First published in 2003 Copyright © Colin Brown 2003 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. Allen & Unwin 83 Alexander Street Crows Nest NSW 2065 Australia Phone: (61 2) 8425 0100 Fax: (61 2) 9906 2218 Email: [email protected] Web: www.allenandunwin.com National Library of Australia Cataloguing-in-Publication entry: Brown, Colin, A short history of Indonesia : the unlikely nation? Bibliography. -
The West Papua Dilemma Leslie B
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2010 The West Papua dilemma Leslie B. Rollings University of Wollongong Recommended Citation Rollings, Leslie B., The West Papua dilemma, Master of Arts thesis, University of Wollongong. School of History and Politics, University of Wollongong, 2010. http://ro.uow.edu.au/theses/3276 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. School of History and Politics University of Wollongong THE WEST PAPUA DILEMMA Leslie B. Rollings This Thesis is presented for Degree of Master of Arts - Research University of Wollongong December 2010 For Adam who provided the inspiration. TABLE OF CONTENTS DECLARATION................................................................................................................................ i ACKNOWLEDGEMENTS ............................................................................................................. ii ABSTRACT ...................................................................................................................................... iii Figure 1. Map of West Papua......................................................................................................v SUMMARY OF ACRONYMS ....................................................................................................... vi INTRODUCTION ..............................................................................................................................1 -
The Great William Tell, a Girl Who Is Magic at Maths and a TIGER with NO MANNERS!
ORIES! FANTASTIC NEW ST TM Storytime OPERATION UNICORN A mythical being in disguise! BALOO'S BATH DAY Mowgli bathes a big bear! TheTHE Great William GRIFFIN Tell, a Girl Who is Magic at Maths and a TIGER WITH NO MANNERS! ver cle ! ll of ricks ies fu o0l t stor and c characters Check out the fantastic adventures of a smart smith, a girl genius, a wise monk and a clever farmboy! This issue belongs to: SPOT IT! “Don’t worry, you silly bear – I will get you clean!” Storytime™ magazine is published every month by ILLUSTRATORS: Storytime, 90 London Rd, London, SE1 6LN. Luján Fernández Operation Unicorn Baloo’s Bath Day © Storytime Magazine Ltd, 2020. All rights reserved. Giorgia Broseghini No part of this magazine may be used or reproduced Caio Bucaretchi William Tell without prior written permission of the publisher. Flavia Sorrentino The Enchantress of Number Printed by Warners Group. Ekaterina Savic The Griffin Wiliam Luong The Unmannerly Tiger Creative Director: Lulu Skantze L Schlissel The Magic Mouthful Editor: Sven Wilson Nicolas Maia The Blacksmith Commercial Director: Leslie Coathup and the Iron Man Storytime and its paper suppliers have been independently certified in accordance with the rules of the FSC® (Forest Stewardship Council)®. With stories from Portugal, Switzerland, Korea and Uganda! This magazine is magical! Read happily ever after... Tales from Today Famous Fables Operation Unicorn The Unmannerly Tiger When Matilda spots a mythical Can you trust a hungry tiger? being in her garden, she comes A Korean monk finds out when up with a plan to help it get home! 6 he lets one out of a trap! 32 Short Stories, Big Dreams Storyteller’s Corner Baloo’s Bath Day The Magic Mouthful When Baloo has a honey-related Maria learns how to stop accident, Mowgli gives his big arguments – with just a bear friend a bath! 12 mouthful of water! 36 Myths and Legends Around the World Tales William Tell The blacksmith A Swiss bowman shows off and the Iron Man his skill and puts a wicked A king asks a blacksmith governor in his place! 14 to do the impossible.. -
The Dutch Strategic and Operational Approach in the Indonesian War of Independence, 1945– 1949
Scientia Militaria, South African Journal of Military Studies, Vol 46, Nr 2, 2018. doi: 10.5787/46-2-1237 THE DUTCH STRATEGIC AND OPERATIONAL APPROACH IN THE INDONESIAN WAR OF INDEPENDENCE, 1945– 1949 Leopold Scholtz1 North-West University Abstract The Indonesian War of Independence (1945–1949) and the Dutch attempt to combat the insurgency campaign by the Indonesian nationalists provides an excellent case study of how not to conduct a counter-insurgency war. In this article, it is reasoned that the Dutch security strategic objective – a smokescreen of autonomy while keeping hold of political power – was unrealistic. Their military strategic approach was very deficient. They approached the war with a conventional war mind- set, thinking that if they could merely reoccupy the whole archipelago and take the nationalist leaders prisoner, that it would guarantee victory. They also mistreated the indigenous population badly, including several mass murders and other war crimes, and ensured that the population turned against them. There was little coordination between the civilian and military authorities. Two conventional mobile operations, while conducted professionally, actually enlarged the territory to be pacified and weakened the Dutch hold on the country. By early 1949, it was clear that the Dutch had lost the war, mainly because the Dutch made a series of crucial mistakes, such as not attempting to win the hearts and minds of the local population. In addition, the implacable opposition by the United States made their war effort futile. Keywords: Indonesian War of Independence, Netherlands, insurgency, counter- insurgency, police actions, strategy, operations, tactics, Dutch army Introduction Analyses of counter-insurgency operations mostly concentrate on the well- known conflicts – the French and Americans in Vietnam, the British in Malaya and Kenya, the French in Algeria, the Portuguese in Angola and Mozambique, the Ian Smith government in Rhodesia, the South Africans in Namibia, et cetera. -
Embassy of the Republic of Indonesia
Inquiry Australia's with Organisation: Embassy of the Republic of Indonesia Contact Person: Embassy of the Republic of Indonesia 8 Darwin Avenue YARRALUMLA ACT 2600 Joint Standing Committee on Foreign Affairs, Defence and Trade Foreign Affairs Sub-Committee — AUSTRALIA BILATERAL RELATIONS i. General 1. Since the establishment of diplomatic relations in 1949, the overall Indonesia and Australia ties have been rock-solid and based on the principles of mutual respect, mutual understanding and mutual benefit. It is to be noted that with vast socio-political differences, the two neighboring countries have occasionally encountered a number of ups- and-downs in their relations. 2. The relations between Indonesia and Australia nose-dived when both countries confronted with internal as well as external pressures, which inter alia related to issues of human rights, good governance, democratization, self-determination, and terrorism. The roughest being the period after the popular consultations held in East Timor, which resulted in the separation of East Timor from Indonesia in 1999. Another issue that created formidable hurdles in Indonesia - Australia bilateral ties was the Afghani and Iraqi refugee's crisis, better known as the Tampa crisis. The leaders of the two neighboring countries had also differed on the US-led invasion of Afghanistan following the September 11 terrorist attacks. 3. The current relations between Indonesia and Australia have swung back to its springtime. A strong commitment to put bilateral relations on the right track was shown by the successful outcome of the 5th Meeting of the Australia - Indonesia Ministerial Forum (AIMF) in Canberra on 7 - 8 December 2000, attended by sixteen Australian and Indonesian ministers. -
Die Eidgenossen Als Lykier Bachofens Mutterrecht Und Schillers Wilhelm Tell
Dtsch Vierteljahrsschr Literaturwiss Geistesgesch (2020) 94:347–383 https://doi.org/10.1007/s41245-020-00111-5 BEITRAG Die Eidgenossen als Lykier Bachofens Mutterrecht und Schillers Wilhelm Tell Yahya Elsaghe Online publiziert: 19. August 2020 © Der/die Autor(en) 2020 Zusammenfassung Wie verhielt sich Johann Jakob Bachofen, der unablässig den Wahrheitsgehalt klassischer oder auch wildfremder Mythen zu rehabilitieren ver- suchte, zur Gründungssage seines eigenen Lands? Wie zu den immer lauter gewor- denen Zweifeln an ihrem Sachgehalt? Und sieht man seinem Hauptwerk an, dass es einer geschrieben hat, der zumal von ihrer Schiller’schen Aufbereitung geprägt sein musste? Oder in welcher Beziehung steht seine Theorie vom einstigen Mutterrecht des antiken Kulturraums zu den Vorstellungen, die Schiller sich und der Nachwelt von den alten Schweizern und Schweizerinnen machte? Die notgedrungen nur noch spekulative Antwort auf diese letzte Frage wirft immerhin ein Licht auf die Ge- schlechterverhältnisse in Schillers Wilhelm Tell und dessen wichtigster Quelle, die auch Bachofen nachweislich bekannt war. The Swiss as Lycians Bachofen’s Mother Right and Schiller’s William Tell Abstract How did Johann Jakob Bachofen, who constantly tried to rehabilitate the truth of classical or even entirely alien myths, react to the legend of his own coun- try’s founding and to the ever growing doubts about its substance? And does one see in his main work that it was written by someone who must have been influenced by Schiller’s treatment of this legend? Or how does his theory of the former mother right of the ancient cultural realm relate to the ideas that Schiller developed for himself and posterity about the old Switzerland’s brothers – and sisters? The necessarily only speculative answer to this last question nevertheless sheds light on the gender re- lations in Schiller’s William Tell and his most important source, which demonstra- bly was also known to Bachofen. -
Jonathan Huff MAR Thesis
Durham E-Theses La musique des lumières: The Enlightenment Origins of French Revolutionary Music, 1789-1799 HUFF, JONATHAN,EDWARD How to cite: HUFF, JONATHAN,EDWARD (2015) La musique des lumières: The Enlightenment Origins of French Revolutionary Music, 1789-1799 , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11021/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 2 For my parents, Martin and Julie Huff 3 4 ABSTRACT It is commonly believed that the music of the French Revolution (1789-1799) represented an unusual rupture in compositional praxis. Suddenly patriotic hymns, chansons , operas and instrumental works overthrew the supremacy of music merely for entertainment as the staple of musical life in France. It is the contention of this thesis that this ‘rupture’ had in fact been a long time developing, and that the germ of this process was sown in the philosophie of the previous decades. -
“What Do They Know?”
“What do they know?” A qualitative comparative research into the narratives of Dutch history schoolbooks and of Dutch Indies-veterans on the decolonisation of Indonesia (1945-1949) Victimology and Criminal Justice Master’s thesis Iris Becx ANR: 975007 Supervisors: Prof. Dr. A. Pemberton and Dr. S. B. L. Leferink 13 January 2017 Voorwoord Met gepaste trots presenteer ik u mijn masterscriptie. In veel soortgelijke voorwoorden komen de woorden ‘bloed, zweet en tranen’ voor, maar die duiding zou ik niet willen gebruiken. Natuurlijk was het schrijfproces soms frustrerend, leek er geen eind aan te komen, of zag ik door de bomen het bos niet meer. Ik werd op de proef gesteld doordat er te weinig, of juist te veel literatuur was gepubliceerd, en toen eindelijk de puzzelstukjes van mijn theoretisch kader op hun plek waren gevallen, sloeg ik het bestand verkeerd op en verloor vervolgens alle weldoordachte formuleringen, waardoor ik weer van voor af aan kon beginnen. Toch is hier een ander spreekwoord meer op z’n plek, namelijk ‘zonder wrijving geen glans’, want uiteindelijk kijk ik toch vooral met plezier terug op het schrijven van deze thesis. Na al die maanden raak ik nog steeds onverminderd enthousiast van mijn onderzoek, en ben ik erachter gekomen dat ik onderzoek doen eigenlijk heel erg leuk vind. Omdat dit proces niet hetzelfde was verlopen zonder een aantal personen, wil ik graag van de mogelijkheid gebruik maken om ze hier te bedanken. De groep die ik de grootste dank verschuldigd ben, is de groep respondenten. Hartelijk bedankt voor uw tijd, het graven in uw geheugen, en het mij toevertrouwen van herinneringen. -
Wilhelm Tell 1789 — 1895
THE RE-APPROPRIATION AND TRANSFORMATION OF A NATIONAL SYMBOL: WILHELM TELL 1789 — 1895 by RETO TSCHAN B.A., The University of Toronto, 1998 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2000 © Reto Tschan, 2000. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the library shall make it freely available for reference and study. 1 further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of 'HvS.'hK^ The University of British Columbia Vancouver, Canada Date l^.+. 2000. 11 Abstract Wilhelm Tell, the rugged mountain peasant armed with his crossbow, is the quintessential symbol of Switzerland. He personifies both Switzerland's ancient liberty and the concept of an armed Swiss citizenry. His likeness is everywhere in modern Switzerland and his symbolic value is clearly understood: patriotism, independence, self-defense. Tell's status as the preeminent national symbol of Switzerland is, however, relatively new. While enlightened reformers of the eighteenth century cultivated the image of Tell for patriotic purposes, it was, in fact, during the French occupation of Switzerland that Wilhelm Tell emerged as a national symbol. -
Class 3: Grandest of the Grand
Class 3: Grandest of the Grand A. French Grand Opera 1. Title Slide 1 (Convent scene of Robert) People often use the term “Grand Opera” loosely, to mean any large-scale opera of any period or nationality such as you might expect to see at the Met. But technically, the term grand opéra refers to a specific type of piece developed in France around 1830. Although it was dying out by the middle of the century, its concepts were hugely influential, reaching as far as Verdi and even Wagner. 2. Grand Opera characteristics So what are the characteristics of grand opera? • Essentially a French phenomenon of the 1830s through 1850s, although many of its composers were foreign (Meyerbeer, Rossini, Donizetti, Verdi) • Large-scale works typically in five acts (sometimes four), calling for many scene-changes and much theatrical spectacle. • Subjects taken from history or historical myth, involving clear moral choices. • Highly demanding vocal roles, requiring large ranges, agility, stamina, and power. • Orchestra providing more than accompaniment, painting the scene, or commenting. • Substantial use of the chorus, who typically open or close each act. • Extended ballet sequences, in the second or third acts. As this is a unique feature of the genre, I shall be paying it special attention. I will look at most of these features through a number of short scenes from the first runaway hit of the genre, Meyerbeer’s Robert le diable (Robert the Devil) of 1831. After the break, I shall look at a single long scene from the opera that preceded Meyerbeer on the Paris stage, Rossini’s Guillaume Tell (William Tell) of 1829. -
Does Multicultural Indonesia Include Its Ethnic Chinese? 257
256 WacanaWacana Vol. 13Vol. No. 13 2 No. (October 2 (October 2011): 2011) 256—278 DEWI ANGGRAENI, Does multicultural Indonesia include its ethnic Chinese? 257 Does multicultural Indonesia include its ethnic Chinese? DEWI ANGGRAENI Abstract Multiculturalism in Indonesia is predominantly concerned with various regional cultures in the country, which continue to exist, and in some cases, to develop and progress. These cultures meet and interact in the context of a unitary national, Indonesian culture. There are however people who or whose ancestors originate from outside Indonesia, the major ones being Chinese and Arabs. They brought with them the cultures and mores of their lands of origin and to varying degrees integrated them into those of the places they adopted as homes. This article discusses how the Chinese who opted for Indonesian citizenship and nationality, fared and fare in Indonesia’s multicultural society, what problems slowed them in their path, and what lies behind these problems. Keywords Multicultural, cultural plurality, ethnic Chinese, peranakan, indigenous, migration, nationalism, VOC, New Order, Muslim, Confucianism, ancestry, Cheng Ho, pecinan, Chinese captaincy. What is multiculturalism? In Australia, the United States, and Canada, the media started to use the term multiculturalism from the late 1960s to the early 1970s to describe the nature of the society in their respective countries. It is worth noting that Australia, the United States and Canada have been immigrant-receiving nations where immigrants have had a very significant role in nation building and in economic growth. WorldQ.com explains the concept well and defines multiculturalism or DEWI ANGGRAENI is a writer of fiction and non-fiction. -
The West New Guinea Debacle
Prologue I PROLOGUE his study is concerned with the final and traumatic years T of the Dutch colonial presence in Indonesia. After the official transfer of sovereignty by the Netherlands to the federal states of Indonesia in December 1949, Dutch policies and ac- tions were still able to exert a significant impact on its former colony both politically and economically. The modern economic sector in Indonesia in particular remained Dutch dominated. The Indonesian nationalist dream of establishing a free nation from Sabang to Merauke also had not yet been fully achieved owing to the Dutch refusal to hand over West New Guinea. The story focuses on the Dutch decolonisation process from 1950 onwards, including the West New Guinea debacle. The Indonesian Revolution period of 1945 to 1949 is treated only summarily, concentrating chiefly on Dutch policies and perspec- tives, which so far have been scantily treated in the existing Eng- lish language literature on the subject. The history, however, of the genesis of the West New Guinea question, beginning in the 1920s, is looked at in more detail. Secondly, an attempt is made to describe and analyse the emergence of a Papuan national con- sciousness and the fight for Papuan freedom. In this context also the policies of the United States and Australia are examined. The basis of Dutch colonial power Dutch power in the Indonesian archipelago dated backed to the arrival of the Dutch East India Company (VOC), at the begin- 1 The West New Guinea Debacle ning of the 17th century. Superior Dutch naval power, and com- mercial wealth in Europe, was also quickly felt by other Euro- pean contenders in Asia.