Stories of William Tell
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												  Friedrich Schiller - PoemsClassic Poetry Series Friedrich Schiller - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Friedrich Schiller(10 November 1759 – 9 May 1805) Johann Christoph Friedrich von Schiller was a German poet, philosopher, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with already famous and influential <a href="http://www.poemhunter.com/johann-wolfgang-von- goethe/">Johann Wolfgang Von Goethe</a>. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. <b>Life</b> Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the only son of military doctor Johann Kaspar Schiller (1733–96), and Elisabeth Dorothea Kodweiß (1732–1802). They also had five daughters. His father was away in the Seven Years' War when Friedrich was born. He was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while. His wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd. The family moved with him. Due to the high cost of living—especially the rent—the family moved to nearby Lorch.
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												  2011 Tanglewood Season Listing All Programs and Artists Are Subject to Change2011 Tanglewood Season Listing All programs and artists are subject to change. Saturday, June 25, at 7 p.m. Koussevitzky Music Shed Earth, Wind, and Fire Tuesday, June 28, 11 a.m. and 3 p.m. Theatre Wednesday, June 29, 11 a.m. and 3 p.m. Theatre String Quartet Marathon Two 2‐hour concerts each day Tuesday, June 28, 8 p.m. Ozawa Hall Wednesday, June 29, 8 p.m. Ozawa Hall Mark Morris Dance Group Tanglewood Music Center Fellows Mark Morris, choreographer Yo‐Yo Ma, cello Isaac Mizrahi, costume designer Phil Sandstrom and Michael Chybowski, lighting designers Frisson Stravinsky ‐ Symphonies of Wind Instruments New work (world premiere; BSO commission) Stravinsky ‐ Renard Falling Down Stairs J.S. Bach ‐ Suite No. 3 in C for solo cello, BWV 1009 Thursday, June 30, 8 p.m. Ozawa Hall James Taylor in Ozawa Hall James Taylor and guests In the more intimate setting of Tanglewood's Ozawa Hall, James Taylor offers the music that has made him one of the most beloved artists of our day. Friday, July 1, 8:30 p.m. Shed James Taylor and the Boston Pops Boston Pops James Taylor, soloist John Williams, conductor Tanglewood’s favorite singer joins “America's Orchestra,” the Boston Pops and John Williams for a remarkable collaboration. Saturday, July 2, 5:45 p.m. Shed A Prairie Home Companion at Tanglewood with Garrison Keillor Live broadcast Sunday, July 3, 7 p.m. Shed Monday, July 4, 7 p.m. Shed The Essential James Taylor James Taylor returns to Tanglewood with his extraordinary band of musicians for two spectacular performances.
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												  The Great William Tell, a Girl Who Is Magic at Maths and a TIGER with NO MANNERS!ORIES! FANTASTIC NEW ST TM Storytime OPERATION UNICORN A mythical being in disguise! BALOO'S BATH DAY Mowgli bathes a big bear! TheTHE Great William GRIFFIN Tell, a Girl Who is Magic at Maths and a TIGER WITH NO MANNERS! ver cle ! ll of ricks ies fu o0l t stor and c characters Check out the fantastic adventures of a smart smith, a girl genius, a wise monk and a clever farmboy! This issue belongs to: SPOT IT! “Don’t worry, you silly bear – I will get you clean!” Storytime™ magazine is published every month by ILLUSTRATORS: Storytime, 90 London Rd, London, SE1 6LN. Luján Fernández Operation Unicorn Baloo’s Bath Day © Storytime Magazine Ltd, 2020. All rights reserved. Giorgia Broseghini No part of this magazine may be used or reproduced Caio Bucaretchi William Tell without prior written permission of the publisher. Flavia Sorrentino The Enchantress of Number Printed by Warners Group. Ekaterina Savic The Griffin Wiliam Luong The Unmannerly Tiger Creative Director: Lulu Skantze L Schlissel The Magic Mouthful Editor: Sven Wilson Nicolas Maia The Blacksmith Commercial Director: Leslie Coathup and the Iron Man Storytime and its paper suppliers have been independently certified in accordance with the rules of the FSC® (Forest Stewardship Council)®. With stories from Portugal, Switzerland, Korea and Uganda! This magazine is magical! Read happily ever after... Tales from Today Famous Fables Operation Unicorn The Unmannerly Tiger When Matilda spots a mythical Can you trust a hungry tiger? being in her garden, she comes A Korean monk finds out when up with a plan to help it get home! 6 he lets one out of a trap! 32 Short Stories, Big Dreams Storyteller’s Corner Baloo’s Bath Day The Magic Mouthful When Baloo has a honey-related Maria learns how to stop accident, Mowgli gives his big arguments – with just a bear friend a bath! 12 mouthful of water! 36 Myths and Legends Around the World Tales William Tell The blacksmith A Swiss bowman shows off and the Iron Man his skill and puts a wicked A king asks a blacksmith governor in his place! 14 to do the impossible..
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												  Durham E-ThesesDurham E-Theses Grillparzer's adoption and adaptation of the philosophy and vocabulary of Weimar classicism Roe, Ian Frank How to cite: Roe, Ian Frank (1978) Grillparzer's adoption and adaptation of the philosophy and vocabulary of Weimar classicism, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7954/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Summary After a summary of German Classicism and of Grillparzer's at times confusing references to it, the main body of the thesis aims to assess Grillparzer's use of the philosophy and vocahulary of Classicism, with particular reference to his ethical, social and political ideas, Grillparzer's earliest work, including Blanka, leans heavily on Goethe and Schiller, but such plagiarism is avoided after 1810. Following the success of Ahnfrau, however, Grillparzer returns to a much more widespread use of Classical themes, motifs and vocabulary, especially in Sappho, Grillparzer's mood in the period 1816-21 was one of introversion and pessimism, and there is an emphasis on the vocabulary of quiet peace and withdrawal.
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												  Maurizio Basili UltimissimoLe tesi Portaparole © Portaparole 00178 Roma Via Tropea, 35 Tel 06 90286666 www.portaparole.it [email protected] isbn 978-88-97539-32-2 1a edizione gennaio 2014 Stampa Ebod / Milano 2 Maurizio Basili La Letteratura Svizzera dal 1945 ai giorni nostri 3 Ringrazio la Professoressa Elisabetta Sibilio per aver sempre seguito e incoraggiato la mia ricerca, per i consigli e le osservazioni indispensabili alla stesura del presente lavoro. Ringrazio Anna Fattori per la gratificante stima accordatami e per il costante sostegno intellettuale e morale senza il quale non sarei mai riuscito a portare a termine questo mio lavoro. Ringrazio Rosella Tinaburri, Micaela Latini e gli altri studiosi per tutti i consigli su aspetti particolari della ricerca. Ringrazio infine tutti coloro che, pur non avendo a che fare direttamente con il libro, hanno attraversato la vita dell’autore infondendo coraggio. 4 INDICE CAPITOLO PRIMO SULL’ESISTENZA DI UNA LETTERATURA SVIZZERA 11 1.1 Contro una letteratura svizzera 13 1.2 Per una letteratura svizzera 23 1.3 Sull’esistenza di un “canone elvetico” 35 1.4 Quattro lingue, una nazione 45 1.4.1 Caratteristiche dello Schweizerdeutsch 46 1.4.2 Il francese parlato in Svizzera 50 1.4.3 L’italiano del Ticino e dei Grigioni 55 1.4.4 Il romancio: lingua o dialetto? 59 1.4.5 La traduzione all’interno della Svizzera 61 - La traduzione in Romandia 62 - La traduzione nella Svizzera tedesca 67 - Traduzione e Svizzera italiana 69 - Iniziative a favore della traduzione 71 CAPITOLO SECONDO IL RAPPORTO TRA PATRIA E INTELLETTUALI 77 2.1 Gli intellettuali e la madrepatria 79 2.2 La ristrettezza elvetica e le sue conseguenze 83 2.3 Personaggi in fuga: 2.3.1 L’interiorità 102 2.3.2 L’altrove 111 2.4 Scrittori all’estero: 2.4.1 Il viaggio a Roma 120 2.4.2 Parigi e gli intellettuali svizzeri 129 2.4.3 La Berlino degli elvetici 137 2.5 Letteratura di viaggio.
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												  1 Schiller and the Young ColeridgeNotes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967).
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												  Die Eidgenossen Als Lykier Bachofens Mutterrecht Und Schillers Wilhelm TellDtsch Vierteljahrsschr Literaturwiss Geistesgesch (2020) 94:347–383 https://doi.org/10.1007/s41245-020-00111-5 BEITRAG Die Eidgenossen als Lykier Bachofens Mutterrecht und Schillers Wilhelm Tell Yahya Elsaghe Online publiziert: 19. August 2020 © Der/die Autor(en) 2020 Zusammenfassung Wie verhielt sich Johann Jakob Bachofen, der unablässig den Wahrheitsgehalt klassischer oder auch wildfremder Mythen zu rehabilitieren ver- suchte, zur Gründungssage seines eigenen Lands? Wie zu den immer lauter gewor- denen Zweifeln an ihrem Sachgehalt? Und sieht man seinem Hauptwerk an, dass es einer geschrieben hat, der zumal von ihrer Schiller’schen Aufbereitung geprägt sein musste? Oder in welcher Beziehung steht seine Theorie vom einstigen Mutterrecht des antiken Kulturraums zu den Vorstellungen, die Schiller sich und der Nachwelt von den alten Schweizern und Schweizerinnen machte? Die notgedrungen nur noch spekulative Antwort auf diese letzte Frage wirft immerhin ein Licht auf die Ge- schlechterverhältnisse in Schillers Wilhelm Tell und dessen wichtigster Quelle, die auch Bachofen nachweislich bekannt war. The Swiss as Lycians Bachofen’s Mother Right and Schiller’s William Tell Abstract How did Johann Jakob Bachofen, who constantly tried to rehabilitate the truth of classical or even entirely alien myths, react to the legend of his own coun- try’s founding and to the ever growing doubts about its substance? And does one see in his main work that it was written by someone who must have been influenced by Schiller’s treatment of this legend? Or how does his theory of the former mother right of the ancient cultural realm relate to the ideas that Schiller developed for himself and posterity about the old Switzerland’s brothers – and sisters? The necessarily only speculative answer to this last question nevertheless sheds light on the gender re- lations in Schiller’s William Tell and his most important source, which demonstra- bly was also known to Bachofen.
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												  Jonathan Huff MAR ThesisDurham E-Theses La musique des lumières: The Enlightenment Origins of French Revolutionary Music, 1789-1799 HUFF, JONATHAN,EDWARD How to cite: HUFF, JONATHAN,EDWARD (2015) La musique des lumières: The Enlightenment Origins of French Revolutionary Music, 1789-1799 , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11021/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 2 For my parents, Martin and Julie Huff 3 4 ABSTRACT It is commonly believed that the music of the French Revolution (1789-1799) represented an unusual rupture in compositional praxis. Suddenly patriotic hymns, chansons , operas and instrumental works overthrew the supremacy of music merely for entertainment as the staple of musical life in France. It is the contention of this thesis that this ‘rupture’ had in fact been a long time developing, and that the germ of this process was sown in the philosophie of the previous decades.
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												  Bee Round 2 Bee Round 2 Regulation QuestionsNHBB B-Set Bee 2016-2017 Bee Round 2 Bee Round 2 Regulation Questions (1) As a state representative, this man sponsored the anti-contraception law that was overturned a century later in Griswold v. Connecticut. This man built two mansions in Bridgeport and patronized the U.S. tour of the \Swedish Nightingale," opera singer Jenny Lind. This business partner of James Bailey died three decades before his company was merged with that of the Ringling Brothers. For the point, name this 19th century entrepreneur whose \Greatest Show on Earth" became America's largest circus. ANSWER: Phineas Taylor \P.T." Barnum (2) Troops were parachuted into this battle during Operation Castor. The outposts Beatrice and Gabrielle were captured during this battle, in which Charles Piroth committed suicide by hand grenade after failing to destroy the camouflaged artillery of Vo Nguyen Giap. This battle led to the signing of the Geneva Accords, in which one side agreed to withdraw from Indochina. For the point, name this 1953 victory for the Viet Minh in their struggle for independence from France. ANSWER: Battle of Dien Bien Phu (3) Fighting in this war included the shelling of dockyards at Sveaborg. This conflict escalated when one side claimed the right to protect holy places in Palestine, and its immediate cause was the destruction of an Ottoman fleet in the Battle of Sinope [sin-oh-pee]. The Thin Red Line participated in the Battle of Balaclava, part of the effort to besiege Sevastopol during this war. The Light Brigade charged in, for the point, what 1850s war between Russia and a Franco-British alliance on a Black Sea peninsula? ANSWER: Crimean War (4) For his failure to warn the United States about this event, Michael Fortier was sentenced to twelve years in prison in 1998.
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												  Wilhelm Tell 1789 — 1895THE RE-APPROPRIATION AND TRANSFORMATION OF A NATIONAL SYMBOL: WILHELM TELL 1789 — 1895 by RETO TSCHAN B.A., The University of Toronto, 1998 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2000 © Reto Tschan, 2000. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the library shall make it freely available for reference and study. 1 further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of 'HvS.'hK^ The University of British Columbia Vancouver, Canada Date l^.+. 2000. 11 Abstract Wilhelm Tell, the rugged mountain peasant armed with his crossbow, is the quintessential symbol of Switzerland. He personifies both Switzerland's ancient liberty and the concept of an armed Swiss citizenry. His likeness is everywhere in modern Switzerland and his symbolic value is clearly understood: patriotism, independence, self-defense. Tell's status as the preeminent national symbol of Switzerland is, however, relatively new. While enlightened reformers of the eighteenth century cultivated the image of Tell for patriotic purposes, it was, in fact, during the French occupation of Switzerland that Wilhelm Tell emerged as a national symbol.
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												  Spotlights Celebrating the SwissSpotlight on the Middle Ages Celebrating the Swiss DR. JÖRN GÜNTHER · RARE BOOKS AG Manuscripts & Rare Books Basel & Stalden www.guenther-rarebooks.com [email protected] Celebrating the Foundation of the Old Confederacy On August 1st the Swiss celebrate what is called the Schweizer Bundesfeiertag - Fête nationale suisse - Festa nazionale svizzera - Fiasta naziunala svizra. It is inspired by the date of the Pacte du Grutli, the first federal charter concluded in ‘early August’ 1291 when the three Alpine Waldstätten, Schwyz, Uri, and Unterwald swore an oath of mutual military assistance. Petermann Etterlin. Kronica von der loblichen Eydtgnoschaft, Ir harkommen und sust seltzam stritten und geschichten. Basel: Michael Furter, 24 December 1507. 1st edition, 2nd issue. Several pacts of the mid-13th to mid-14th century attest to a growing collaboration between cantons. These pacts marked decisions of pragmatic alliances and initiated what became a permanent, sworn confederacy: the Old Swiss Confederacy. The Alte Eidgenossenschaft began as a loose confederacy of three independent, small states within the Holy Roman Empire. Formed from this nucleus of three oath-takers in central Switzerland, the Eidgenossenschaft soon also included the cities of Zürich and Berne. During the 16th century, the figures – or personifications – of the three Eidgenossen merged with the legend of William Tell and became known as ‘the three Tells’. The legend of the hero William Tell is recorded first in the ‘Weissenbuch’ of Sarnen (Obwalden), written by Hans Schriber (1472). Tell, who is said to have shot an apple from his son's head, also appears in the song ‘Lied von der Eidgenossenschaft’ (‘Tellenlied’ or ‘Bundeslied’, c.