Eschatology and the Technological Future
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Writing About Comics and Copyright
CREATe Working Paper 2013/9 (December 2013) Writing About Comics and Copyright Authors Ronan Deazley Jason Mathis University of Glasgow www.jasonmathis.ca [email protected] [email protected] Initially released as a pre-publication edition privately printed for the authors, limited to a print run of 200 copies. CREATe Working Paper Series DOI: 10.5281/zenodo.8379. This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. 1 WRITING ABOUT COMICS AND COPYRIGHT Ronan Deazley and Jason Mathis Copyright © 2013 Ronan Deazley and Jason Mathis [ii] For Moira and Ruby [iii] [iv] TABLE OF CONTENTS Introduction 1 Comics scholarship and clearing rights 3 What is a ‘work’? 6 Insubstantial copying 12 Criticism and review 16 Current proposals for reform 20 Conclusion 23 30 Afterword / Manifesto 28 Notes [v] [1] [2] COMICS SCHOLARSHIP AND CLEARING RIGHTS Academics who research and write about the visual world often complain about the way in which copyright law can hinder their scholarly endeavours, and with good reason. Writing about visual work without reproducing that work is an impoverished exercise, for both writer and reader. But, reproducing visual material can trigger concerns on the part of the conscientious author or – more often – demands on the part of the publisher about the need to secure copyright permission. In this respect, comics scholarship is - ing rights for publication can be frustrating and time-consuming, andno different academic from publishers any other often field manage of visual the or cultural business studies. -
Visions of a Technological Future
Visions of a Technological Future: Experience and Expectation of Progress in the Interwar United States Antti Alanko University of Jyväskylä Department of History and Ethnology General History Master’s Thesis JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistinen tiedekunta Historian ja etnologian laitos Tekijä – Author Antti Mikael Alanko Työn nimi – Title Visions of a Technological Future: Experience and Expectation of Progress in the Interwar United States Oppiaine – Subject Työn laji – Level Yleinen historia Pro gradu -tutkielma Aika – Month and year Sivumäärä – Number of pages Kesäkuu 2015 129 Tiivistelmä – Abstract Tarkastelen tutkielmassa maailmansotien välisenä aikana Yhdysvaltalaisissa tiede- ja tekniikkajulkaisuissa Popular Mechanicsissa ja Popular Science Monthlyssa esiintynyttä tulevaisuusajattelua. Tutkielman tarkoituksena on selvittää mitä tulevaisuudesta maailmansotien välisenä aikana Yhdysvalloissa ajateltiin. Erityisesti tarkastelen mitä edellä mainituissa aikakauslehdissä kirjoitettiin kaupungin, rakentamisen ja kodin tulevaisuudesta. Käsittelen aineistoa pääosin historiallisen kuvatutkimuksen keinoin. Tutkimuksen teoreettinen viitekehys pohjaa Reinhart Koselleckin historiallisten aikojen teoriaan, erityisesti kokemustilan ja odotushorisontin väliseen suhteeseen. Tämän tutkielman hypoteesi on, että kirjoittajien optimistiset tulevaisuudenodotukset syntyivät 1800- luvun lopun ja 1900-luvun alun hyvin nopean ja kiihtyvän teknologisen kehityksen seurauksena. Tämä teknologisen kehityksen kokemus tuotti -
The Syntheist Movement and Creating God in the Internet Age
1 I Sing the Body Electric: The Syntheist Movement and Creating God in the Internet Age Melodi H. Dincer Senior Thesis Brown University Department of Religious Studies Adviser: Paul Nahme Second Reader: Daniel Vaca Providence, Rhode Island April 15, 20 2 Table of Contents Acknowledgments. 3 Introduction: Making the Internet Holy. .4 Chapter (1) A Technophilic Genealogy: Piracy and Syntheism as Cybernetic Offspring. .12 Chapter (2) The Atheist Theology of Syntheism . 49 Chapter (3) Enacted Syntheisms: An Ethics of Active Virtuality and Virtual Activity. 96 (In)Conclusions. 138 Works Cited. 144 3 Acknowledgments I would briefly like to thank anyone who has had a hand—actually, even the slightest brush of a finger in making this project materialize outside of the confines of my own brain matter. I would first like to thank Kerri Heffernan and my Royce Fellowship cohort for supporting my initial research on the Church of Kopimism. My time in Berlin and Stockholm on behalf of the Royce made an indelible mark on my entire academic career thus far, without which this thesis would definitely not be as out-of-the-box as it is proud to be. I would also like to thank a few professors in the Religious Studies department who, whether they were aware of it or not, encouraged my confidence in this area of study and shaped how I approached the religious communities this project concerns. Specifically, thank you to Prof. Denzey-Lewis, who taught my first religious studies course at Brown and graciously sponsored my Royce research amidst her own travels. Also, infinite thanks and blessings to Fannie Bialek, who so deftly modeled all that is good in this discipline, and all that is most noble in the often confusing, frustrating, and stressful task of teaching “hard” topics. -
“We Need a Showing of All Hands”: Technological Utopianism in <Em>
Linfield University DigitalCommons@Linfield Faculty Publications 2011 “We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine Susan Currie Sivek Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/mscmfac_pubs Part of the Journalism Studies Commons DigitalCommons@Linfield Citation Sivek, Susan Currie, "“We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine" (2011). Faculty Publications. Accepted Version. Submission 5. https://digitalcommons.linfield.edu/mscmfac_pubs/5 This Accepted Version is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Accepted Version must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Running head: MAKE MAGAZINE “We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine Keywords: magazine journalism, ideology, textual analysis, technological utopianism MAKE MAGAZINE 2 Make magazine is one of a growing genre of magazines that provides practical information to readers on ways to improve their homes and communities while also connecting their projects to greater social and environmental goals. The magazine and its associated event, -
“A Way of Revealing”: Technology and Utopianism in Contemporary Culture
“A Way of Revealing”: 58 Technology and Utopianism in Contemporary Culture s Alex Hall e i d u t S y g Abstract o cultural production platforms (e.g., the Internet l o n Although technology was once viewed liter- and film technologies). If the hermeneutic h c e ally as a means of bringing about utopian socie- employed by subscribers to the philosophy of T f ty, its means to that end was exhausted in the Ernst Bloch is accepted, then utopian potential o l a minds of many when it fostered the nuclear can be found in any cultural product. Since most n r u attacks on Japan in 1945. Since then, not only cultural production is dependent upon technolo- o J has technology lost its utopian verve, but it also gy in one way or another, then it hardly seems a e h T has been viewed by some quite pessimistically. stretch to grant technology some credit in the Nevertheless, technology does provide an area of utopian potential, despite what it leaves avenue for utopian cultural production, whose to be desired in others. Still, the history of tech- utopian energy must often be rescued by readers nology’s relationship with utopianism is quite and scholars using the Blochian utopian complicated, especially with regard to technolo- hermeneutic. In this way technology is as gy as a means to a socially utopian end. Heidegger described it—“a way of revealing,” that is, the tool that brings the carving out from Enlightenment thinkers saw technology as within the rock. This article argues that although one of several means of bringing about a perfect technology has come to be viewed by some pes- world, but they also recognized its inherent neg- simistically in the years since Hiroshima and ative possibilities. -
Prometheus Bound, Frankenstein and Battlestar Galactica William Blais
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2009 A Hermeneutic Exploration of the Literature of Technology: Prometheus Bound, Frankenstein and Battlestar Galactica William Blais Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Blais, W. (2009). A Hermeneutic Exploration of the Literature of Technology: Prometheus Bound, Frankenstein and Battlestar Galactica (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/327 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. A HERMENEUTIC EXPLORATION OF THE LITERATURE OF TECHNOLOGY: PROMETHEUS BOUND, FRANKENSTEIN AND BATTLESTAR GALACTICA A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By William P. Blais December 2009 Copyright by William P. Blais 2009 A HERMENEUTIC EXPLORATION OF THE LITERATURE OF TECHNOLOGY: PROMETHEUS BOUND, FRANKENSTEIN AND BATTLESTAR GALACTICA By William P. Blais Approved November 17, 2009 ________________________________ ________________________________ Michael Sipiora, Ph.D. Eva Simms, Ph.D. Professor of Psychology Professor of Psychology (Committee Chair) (Committee Member) ________________________________ ________________________________ Stanton Marlan, Ph.D., ABPP Daniel Burston, Ph.D. Professor of Psychology Professor of Psychology (Committee Member) (Department Chair) ________________________________ Christopher M. Duncan, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts iii ABSTRACT A HERMENEUTIC EXPLORATION OF THE LITERATURE OF TECHNOLOGY: PROMETHEUS BOUND, FRANKENSTEIN AND BATTLESTAR GALACTICA By William P. -
European Technology Agency ANTEPRIMA.Pdf
revision copy revision copy Associazione Culturale Diàlexis is a Think Tank founded in 2006 at the occasion of the celebration of the 50 years of the Rome Treaty. It published, at that occasion, with the publishing house Alpina, the Book ―50 Years of Europe, Images and Reflections‖, and organised in the Palace of the Piedmont Region the exhibition ―Immagini e riflessioni per i 50 anni d‘Europa‖. It has the aim of diffusing in Piedmont the knowledge of Europe and in Europe the knowledge of the Piedmont. Baustellen Europas is a bookseries devoted to Europa as cultural construction, previously published by Alpina, and now by Associazione Culturale Diàlexis Riccardo Lala, chairman of the Associazione, has participated to the making of Europe in the most diverse capacities: youth movements, trade associations, national and European civil and military public service, trade unionism, management of financial and industrial European multinationals in the areas of fashion, chemistry, energy, high tech, transportation, defense, services and publishing. He negotiated and drafted the founding documents of ELV, the company manufacturing the Vega Launcher of Arianespace, the 1st stage of Ariane as well the AVUM body of the European reusable space vehicle. revision copy revision copy Copyright 2020 By Riccardo Lala All rights of paper and digital reproduction or adaptation, partial or total, by whichever means (including microfilms and photocopies) are reserved for all countries. The publisher may grant, under payment, the authorization to reproduce a -
Electrification and the Ideological Origins of Energy
A Dissertation entitled “Keep Your Dirty Lights On:” Electrification and the Ideological Origins of Energy Exceptionalism in American Society by Daniel A. French Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Doctor of Philosophy Degree in History _________________________________________ Dr. Diane F. Britton, Committee Chairperson _________________________________________ Dr. Peter Linebaugh, Committee Member _________________________________________ Dr. Daryl Moorhead, Committee Member _________________________________________ Dr. Kim E. Nielsen, Committee Member _________________________________________ Dr. Patricia Komuniecki Dean College of Graduate Studies The University of Toledo December 2014 Copyright 2014, Daniel A. French This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the express permission of the author. An Abstract of “Keep Your Dirty Lights On:” Electrification and the Ideological Origins of Energy Exceptionalism in American Society by Daniel A. French Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Doctor of Philosophy Degree in History The University of Toledo December 2014 Electricity has been defined by American society as a modern and clean form of energy since it came into practical use at the end of the nineteenth century, yet no comprehensive study exists which examines the roots of these definitions. This dissertation considers the social meanings of electricity as an energy technology that became adopted between the mid- nineteenth and early decades of the twentieth centuries. Arguing that both technical and cultural factors played a role, this study shows how electricity became an abstracted form of energy in the minds of Americans. As technological advancements allowed for an increasing physical distance between power generation and power consumption, the commodity of electricity became consciously detached from the steam and coal that produced it. -
And Battlestar Galactica (2003)
Evil, Dangerous, and Just Like Us: Androids and Cylons in Do Androids Dream of Electric Sheep? (1968) and Battlestar Galactica (2003) A Project Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of English University of Saskatchewan Saskatoon By Chelsea Catherine Cox © Copyright Chelsea Catherine Cox, September 2011. All Rights Reserved. PERMISSION TO USE In presenting this project in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for the copying of this project in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my project work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this project or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my project. Requests for permission to copy or to make other uses of materials in this project in whole or part should be addressed to: Head of the Department of English University of Saskatchewan 9 Campus Drive Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ABSTRACT The nature of humanity and what it means to be human has long been the focus of science fiction writers in all media. -
The Cambridge Companion to Science Fiction
16 EDWARD JAMES Utopias and anti-utopias It is sometimes said that the ability of the writer to imagine a better place in which to live died in the course of the twentieth century, extinguished by the horrors of total war, of genocide and of totalitarianism. The genre of utopia, created unwittingly by Sir Thomas More when he published Utopia in 1516, died when idealism perished, a victim to twentieth-century pessimism and cynicism. It is the contention of this chapter that utopia has not disappeared; it has merely mutated, within the field of sf, into something very different from the classic utopia. Hoda M. Zaki, whose Phoenix Renewed (1988)isthe only published monograph on sf utopias, was on the point of recognizing this, although she failed; as a political scientist, she was still looking in vain for the classic utopia. She concluded that ‘the disappearance of utopian literature in the twentieth century is surprising’ and ‘an issue with serious implications for the entire body politics’. Her study was based on the nineteen novels which had won the Nebula Award between 1965 and 1982. Almost all these novels had utopian elements, she concluded, but none of them were actual utopias: although many of those novels offered critiques of the contemporary world, none of them offered the necessary coherent account of a superior and de- sirable alternative in the future. Modern sf thus had no utopias to offer, but only ‘tantalizing fragments in the utopian tradition’.1 However, one can use the same evidence to suggest something quite different: if almost all the novels had utopian elements, this is a demonstration of the profound way in which utopianism has permeated sf. -
Transhumanism
T ranshumanism - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=T ranshum... Transhumanism From Wikipedia, the free encyclopedia See also: Outline of transhumanism Transhumanism is an international Part of Ideology series on intellectual and cultural movement supporting Transhumanism the use of science and technology to improve human mental and physical characteristics Ideologies and capacities. The movement regards aspects Abolitionism of the human condition, such as disability, Democratic transhumanism suffering, disease, aging, and involuntary Extropianism death as unnecessary and undesirable. Immortalism Transhumanists look to biotechnologies and Libertarian transhumanism other emerging technologies for these Postgenderism purposes. Dangers, as well as benefits, are Singularitarianism also of concern to the transhumanist Technogaianism [1] movement. Related articles The term "transhumanism" is symbolized by Transhumanism in fiction H+ or h+ and is often used as a synonym for Transhumanist art "human enhancement".[2] Although the first known use of the term dates from 1957, the Organizations contemporary meaning is a product of the 1980s when futurists in the United States Applied Foresight Network Alcor Life Extension Foundation began to organize what has since grown into American Cryonics Society the transhumanist movement. Transhumanist Cryonics Institute thinkers predict that human beings may Foresight Institute eventually be able to transform themselves Humanity+ into beings with such greatly expanded Immortality Institute abilities as to merit the label "posthuman".[1] Singularity Institute for Artificial Intelligence Transhumanism is therefore sometimes Transhumanism Portal · referred to as "posthumanism" or a form of transformational activism influenced by posthumanist ideals.[3] The transhumanist vision of a transformed future humanity has attracted many supporters and detractors from a wide range of perspectives. -
Human Extinction Risks in the Cosmological and Astrobiological Contexts
HUMAN EXTINCTION RISKS IN THE COSMOLOGICAL AND ASTROBIOLOGICAL CONTEXTS Milan M. Ćirković Astronomical Observatory Belgrade Volgina 7, 11160 Belgrade Serbia and Montenegro e-mail: [email protected] Abstract. We review the subject of human extinction (in its modern form), with particular emphasis on the natural sub-category of existential risks. Enormous breakthroughs made in recent decades in understanding of our terrestrial and cosmic environments shed new light on this old issue. In addition, our improved understanding of extinction of other species, and the successes of the nascent discipline of astrobiology create a mandate to elucidate the necessary conditions for survival of complex living and/or intelligent systems. A range of topics impacted by this “astrobiological revolution” encompasses such diverse fields as anthropic reasoning, complexity theory, philosophy of mind, or search for extraterrestrial intelligence (SETI). Therefore, we shall attempt to put the issue of human extinction into a wider context of a general astrobiological picture of patterns of life/complex biospheres/intelligence in the Galaxy. For instance, it seems possible to define a secularly evolving risk function facing any complex metazoan lifeforms throughout the Galaxy. This multidisciplinary approach offers a credible hope that in the very close future of humanity all natural hazards will be well-understood and effective policies of reducing or eliminating them conceived and successfully implemented. This will, in turn, open way for a new issues dealing with the interaction of sentient beings with its astrophysical environment on truly cosmological scales, issues presciently speculated upon by great thinkers such as H. G. Wells, J. B.