DOCSLIB.ORG

SVG AnimaIon

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SVG Anima�Ion 12/12/2011 SVG Slides, Printed Version SVG Animation SVG Animation: Introduction What, How, When What is animated? Common Attributes Animation Functions Relationship to SMIL Animation Styles Animating Properties/Attributes Animating d Attribute Animating stroke-dashoffset and Text Offset animateTransform Element Additive Animations Pseudo 3D Transformed Paths Animate Symbols Animated Fridge Control setElement Changing Visibility Changing Visibility animateColor Element animateMotion Element Animate along Path Animate Motion Example Other Motion Paths Animating Font Size, Offset and Text Path How How is Animation Performed? Types How Attributes values Attribute values Example values Examples Animating Text Example Animating Clip Path Animating Pattern keyTimes Example keyTimes calcMode Key Spline Interpolation Example Key Spline Interpolation Ball Bouncing Linear v Spline Flash Walk in SVG SVG Discrete Walk SVG Key Values Walk SVG Key Splines Walk SWF v SVG Handcrafting Animating many Circles When When is Animation Performed? Timing Attributes Synchronisation Events Animation onclick and set Chaining Animations Chaining: IP Network Restarting an Animation C:/Jigsaw/Jigsaw/WWW/msc_2011-12/p00700/…/printed_slidessvg_f.xml 1/30 12/12/2011 SVG Slides, Printed Version SVG Animation: Introduction SVG Animation = change element attributes dynamically Animation is controlled through a set of animation elements Reusing parts of W3C's SMIL2.0 Specification (Synchronized Multimedia Integration Language Version 2.0) Declarative syntax, no real increase in file size Animation is performed on client side Aspects to describe: What can be animated? How does animation take place? When does animation occur? What, How, When What How Attributes From To Range Properties Discrete Points Clipping Value Ranges Patterns Paced Viewbox Splines When Begin time At event On click C:/Jigsaw/Jigsaw/WWW/msc_2011-12/p00700/…/printed_slidessvg_f.xml 2/30 12/12/2011 SVG Slides, Printed Version What is animated? Practically all attributes and properties can be changed XML: coordinates, path expression, filter characteristics, ... CSS: colour, visibility, opacity, ... Animation elements animate: animates most attributes and properties animateMotion: animates motion along a path animateColor: animates between colour values animateTransform: controls transformation (rotate, translate, etc) set: changes discrete values (eg, display) Examples: <circle id="c1" r="50" style="fill:red"> <animate attributeType="XML" attributeName="r" from="30" to="50" ...> </circle> <circle id="c1" r="50" style="fill:blue; opacity:1"> <animate attributeType="CSS" attributeName="opacity" from="1" to="0" ...> </circle> Common Attributes Animation elements share some common attributes: What is animated <animate attributeType = "XML" Attributes:XML, Properties:CSS, attributeName = "width" The attribute to be animated xlink:href = "#toanim" Pointer to element to be animated (default is parent) How it is animated from = "100" Starting value for the animation to = "200" Value when animation complete fill = "freeze" What happens when animation is complete (freeze or remove) When it is animated id = "anim1" Unique id for chaining animations begin = "2s" When animations starts dur = "3s" How long it lasts /> C:/Jigsaw/Jigsaw/WWW/msc_2011-12/p00700/…/printed_slidessvg_f.xml 3/30 12/12/2011 SVG Slides, Printed Version Animation Functions <animate . attributeName="width" . from="100" to="200" . /> <animateColor . from="COLVAL1" to="COLVAL2" . /> <set . to="VALUE" . /> <animateTransform . .attributeName="transform" type="scale" . /> <animateMotion . path="M 0, 100 L 50, . ." rotate="value" . /> Good Control of: When animation starts The sequence of values to be used How the values are changed over time Duration of animation Event triggering of animations Main points animate, animateTransform, animateMotion: main elements animateColor, set: mainly shorthands Relationship to SMIL Shared with SMIL animate attributes and properties assigned different values over time set shorthand for animate used for animating non-numeric values animateMotion moves an element along a motion path animateColor modifies the colour value of attributes or properties over time SVG Only Functions: animateTransform modifies a transformation attribute over time mpath animateMotion can have an mpath child element as a motion path Extensions to SMIL functions: path attribute allows all SVG path data to be used in the path attribute of animateMotion keyPoints attribute to animateMotion to provide precise control of the velocity of motion path animations rotate attribute additional attribute to animateMotion to keep the object orientated with the tangent vector C:/Jigsaw/Jigsaw/WWW/msc_2011-12/p00700/…/printed_slidessvg_f.xml 4/30 12/12/2011 SVG Slides, Printed Version Animation Styles Animation by reference <defs> <animate xlink:href="#circ" attributeName="r" from="50" to="20" begin="0s" dur="4s" fill="freeze"/> </defs> <circle id="circ" cx="600" cy="250" r="50" /> Animation as part of the element (xlink:href is to parent) <rect x="10" y="50" width="150" height="75" > <animate attributeName="width" from="150" to="90" begin="0s" dur="10s" fill="freeze"/> <animate attributeName="height" values="75;150" begin="4s" dur="8s" fill="freeze"/> </rect> fill attribute: freeze retains image, remove removes it) from, to: gives start and end values for the attribute or property values: gives, in this example, the start and end values for the attribute or property Animating Properties/Attributes <circle cx="60" cy="60" r="50" style="fill:green;opacity:1;stroke:none"> <animate attributeType="CSS" attributeName="opacity" values="1;0;1" begin="0s" dur="12s" fill="freeze"/> <animate attributeType="XML" attributeName="cx" values="60;200;60" begin="0s" dur="12s" fill="freeze"/> <animate attributeType="XML" attributeName="cy" values="60;100;60" begin="3s" dur="6s" fill="freeze"/> <animate attributeType="XML" attributeName="r" values="50;30;50" begin="4s" dur="8s" fill="freeze"/> </circle> Main Points: Any number of animations can take place together Start and stop times can vary Time starts when program is loaded If no fill parameter, reverts back to orignal value Don't mix CSS and XML animations on same property C:/Jigsaw/Jigsaw/WWW/msc_2011-12/p00700/…/printed_slidessvg_f.xml 5/30 12/12/2011 SVG Slides, Printed Version Animating d Attribute <path d="..."> <animate attributeName="d" from="M20 100 c ..." to="M80 100 c ..." dur="3s" /> </path> Main point: The two d's must match in structure, same number of subpaths, curves animating to curves, lines to lines, both closed or both open Animating stroke-dashoffset and Text Offset <path id="france" style="stroke-dasharray: 26405 26405;stroke-dashoffset:26405" d="M-1748 4854c208,-29 217,-721 281,-694 ... <animate attributeName="stroke-dashoffset" from="26405" to="0" dur="10s" /> <set attributeType="CSS" attributeName="fill" to="blue" begin="12s" /> </path> <animate attributeName="startOffset" from="0%" to="99%" begin="0s" dur="6s" /> g h lei s S , g an o t do 's es a nd w ta u 's s a n p le p n a a ig u S n h d s down , goe C:/Jigsaw/Jigsaw/WWW/msc_2011-12/p00700/…/printed_slidessvg_f.xml 6/30 12/12/2011 SVG Slides, Printed Version animateTransform Element <circle . <animateTransform attributeName="transform" type="rotate" from="0" to="7200" dur="20s" /> <animateTransform attributeName="transform" type="scale" values="1,1;3,0.3;1,1" additive="sum" dur="20s"/> </circle> Main points: type attribute specifies type of transformation additive="sum" ensures two animations on same attribute both take place Alternatively nest <g> elements and apply one transformation to each animateTransform cannot be replaced by the animate element Additive Animations <circle cx="100" cy="160" r="30" style="fill:green;stroke:none"> <animate attributeName="cx" from="0" to="100" begin="1s" dur="1s" additive="sum" fill="freeze" /> <animate attributeName="cx" from="0" to="300" begin="2.5s" dur="2s" additive="sum" fill="freeze" /> </circle> <circle cx="100" cy="340" r="30" style="fill:red;stroke:none"> <animate attributeName="cx" from="0" to="100" begin="5s" dur="1s" additive="sum" accumulate="sum" repeatCount="5" fill="freeze" /> </circle> Defaults additive default is replace accumulate default is none C:/Jigsaw/Jigsaw/WWW/msc_2011-12/p00700/…/printed_slidessvg_f.xml 7/30 12/12/2011 SVG Slides, Printed Version Pseudo 3D <g transform="skewX(10)"> <g transform="skewY(40)"> <text style="font-size:40px;fill:green"> <animateTransform attributeName="transform" type="rotate" from="0" to="360" dur="1.5s" repeatCount="indefinite"/> Hopgood</text> </g> <g> H op go od Transformed Paths Rolling motion on a curve is not complicated as long as curve defined by arcs Find the equidistant curve (dash-dotted) Determine the length of the equidistant path A non-trivial task for paths with Bezier segments Attach a rotational animateTransform element to the rolling element The angle is given by: drot = 180*len/(r*pi) [in degrees] Then attach an <animateMotion> element along the equidistant path. <circle r="r" .. <animateTransform type="rotate" values="0;drot" dur="t" .. /> <animateMotion path="equidistant" dur="t" .. /> </circle> Animated Planetary Drive, linear transmission behaviour Planet gears' motion defined by two overlaid rotate transforms http://www.mecxpert.de/ C:/Jigsaw/Jigsaw/WWW/msc_2011-12/p00700/…/printed_slidessvg_f.xml 8/30 12/12/2011 SVG Slides, Printed Version Animate Symbols <defs> <polygon id="star" style="fill:white;" points="0,-14
Load more

Recommended publications
  • What Is Augmented Reality
    Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education Item Type text; Electronic Thesis Authors Rodriguez, Andie (Samantha) Citation Rodriguez, Andie (Samantha). (2020). Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education (Master's thesis, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 13:14:44 Link to Item http://hdl.handle.net/10150/656764 CODE CATALYST: DESIGNING AND IMPLEMENTING AUGMENTED REALITY CURRICULUM IN ART AND VISUAL CULTURE EDUCATION by Samantha Rodriguez ______________________________ Copyright © Samantha Rodriguez 2020 A Thesis Submitted to the Faculty of the SCHOOL OF ART In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by: Andie (Samantha) Rodriguez titled: Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education and recommend that it be accepted as fulfilling the thesis requirement for the Master’s Degree. Ryan Shin _________________________________________________________________ Date: ____________Jan 4, 2021 Ryan Shin Carissa DiCindio _________________________________________________________________ Date: ____________Jan 4, 2021 Carissa DiCindio _________________________________________________________________ Date: ____________Jan 4, 2021 Michael Griffith Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College.
    [Show full text]
  • Catalogue Anglais Version Finale (2018-09-26)
    Montréal Campus 416, boul. de Maisonneuve West, suite 700 Montréal (Québec) H3A 1L2 514-849-1234 Laval Campus 3, Place Laval, suite 400 Laval (Québec) H7N 1A2 450-662-9090 Longueuil Campus 1111, rue Saint-Charles West, suite 120 Longueuil (Québec) J4K 5G4 450-674-0097 Pointe-Claire Campus 1000, boul. St-Jean, suite 500 Pointe-Claire (Québec) H9R 5P1 514-782-0539 Anjou Campus 7400, Boulevard Galeries d’Anjou, suite 130 Anjou, H1M 3M2 514-351-0888 7400, Boulevard Mon QUÉBEC ÉDITION Reference code : CDI-CAT-PQF-0718 Version : July 2018 © Collège CDI Administration. Technologie. Santé. All rights reserved. Printed in Canada. It is prohibited to reproduce this publication in its entirety, or in part, without the written consent of Collège CDI Administration. Technologie. Santé. *For the sake of clarity and readability, the masculine form is used throughout this catalogue. TABLE OF CONTENTS ADMINISTRATION CASUALTY INSURANCE – LCA.BF ............................................................................................................... 1 FINANCIAL MANAGEMENT – LEA.AC ........................................................................................................ 4 SPECIALIST IN APPLIED INFORMATION TECHNOLOGY – LCE.3V .............................................................. 8 OPTION: LEGAL ADMINISTRATIVE ASSISTANT SPECIALIST IN APPLIED INFORMATION TECHNOLOGY – LCE.3V ............................................................ 11 OPTION : MEDICAL OFFICE ASSISTANT PARALEGAL TECHNOLOGY - JCA.1F……………………………………………………………………………………………………14
    [Show full text]
  • SVG Tutorial
    SVG Tutorial David Duce *, Ivan Herman +, Bob Hopgood * * Oxford Brookes University, + World Wide Web Consortium Contents ¡ 1. Introduction n 1.1 Images on the Web n 1.2 Supported Image Formats n 1.3 Images are not Computer Graphics n 1.4 Multimedia is not Computer Graphics ¡ 2. Early Vector Graphics on the Web n 2.1 CGM n 2.2 CGM on the Web n 2.3 WebCGM Profile n 2.4 WebCGM Viewers ¡ 3. SVG: An Introduction n 3.1 Scalable Vector Graphics n 3.2 An XML Application n 3.3 Submissions to W3C n 3.4 SVG: an XML Application n 3.5 Getting Started with SVG ¡ 4. Coordinates and Rendering n 4.1 Rectangles and Text n 4.2 Coordinates n 4.3 Rendering Model n 4.4 Rendering Attributes and Styling Properties n 4.5 Following Examples ¡ 5. SVG Drawing Elements n 5.1 Path and Text n 5.2 Path n 5.3 Text n 5.4 Basic Shapes ¡ 6. Grouping n 6.1 Introduction n 6.2 Coordinate Transformations n 6.3 Clipping ¡ 7. Filling n 7.1 Fill Properties n 7.2 Colour n 7.3 Fill Rule n 7.4 Opacity n 7.5 Colour Gradients ¡ 8. Stroking n 8.1 Stroke Properties n 8.2 Width and Style n 8.3 Line Termination and Joining ¡ 9. Text n 9.1 Rendering Text n 9.2 Font Properties n 9.3 Text Properties -- ii -- ¡ 10. Animation n 10.1 Simple Animation n 10.2 How the Animation takes Place n 10.3 Animation along a Path n 10.4 When the Animation takes Place ¡ 11.
    [Show full text]
  • GKS-94 to SVG: Some Reflections on the Evolution of Standards for 2D
    EG UK Computer Graphics & Visual Computing (2015) Rita Borgo, Cagatay Turkay (Editors) GKS-94 to SVG: Some Reflections on the Evolution of Standards for 2D Graphics D. A. Duce1 and F.R.A. Hopgood2 1Department of Computing and Communication Technologies, Oxford Brookes University, UK 2Retired, UK Abstract Activities to define international standards for computer graphics, in particular through ISO/IEC, started in the 1970s. The advent of the World Wide Web has brought new requirements and opportunities for standardization and now a variety of bodies including ISO/IEC and the World Wide Web Consortium (W3C) promulgate standards in this space. This paper takes a historical look at one of the early ISO/IEC standards for 2D graphics, the Graph- ical Kernel System (GKS) and compares key concepts and approaches in this standard (as revised in 1994) with concepts and approaches in the W3C Recommendation for Scalable Vector Graphics (SVG). The paper reflects on successes as well as lost opportunities. Categories and Subject Descriptors (according to ACM CCS): I.3.6 [Computer Graphics]: Methodology and Techniques—Standards 1. Introduction a W3C Recommendation early in 1999. The current (at the time of writing) revision was published in 2010 [web10]. The Graphical Kernel System (GKS) was the first ISO/IEC international standard for computer graphics and was pub- It was clear from the early days that a vector graphics for- lished in 1985 [GKS85]. This was followed by other stan- mat specifically for the web would be a useful addition to the dards including the Computer Graphics Metafile (CGM), then-available set of markup languages.
    [Show full text]
  • SVG-In-Motion.Pdf
    SVG In Motion SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 1 — Freelance front-end dev. — Wrote the Codrops CSS Reference. — Co-authored Smashing Book 5 — SVG advocate SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 2 What’s with all the vowel letters? — Swaïdaan — Swaydein — Sw-"eye"-daan SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 3 What we will cover (not in this particular order): 1. How to Embed SVG 2. The SVG viewBox 3. Animating the viewBox 4. SVG Animation Techniques: CSS, SMIL, JavaScript 5. SVG Sprite Animation Techniques 6. SVG Line Drawing Effects SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 4 6 Embedding Techniques SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 5 <img src="mySVG.svg" alt="..."/> 1) Image can be cached (Requires HTTP request. But: HTTP/2!). 2) No CSS interactions. 3) No scripting. 4) CSS animations work only if defined inside <svg> SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 6 <picture> <source type="image/svg+xml" srcset="path/to/image.svg"> <img src="path/to/fallback.png" alt="Image description"> </picture> Same as <img> Fallback is included inside <picture> SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 7 background-image: url(path/to/mySVG.svg); Same as <img>, but the SVG can be cached as part of the style sheet if it is inlined using data URIs. SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 8 <object type="image/svg+xml" data="mySVG.svg"> <!-- fallback here; beware of multiple requests --> </object> 1) Image cached. 2) Scripting. 3) Default fallback mechanism. 4) CSS animations and interactions work only if defined inside <svg> SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 9 <iframe src="mySVG.svg"> <!-- fallback here --> </iframe> Same as <object> SVG for Web Designers & Developers | @SaraSoueidan | SaraSoueidan.com 10 <svg xmlns="http://www.w3.org/2000/svg" …> <!-- svg content --> </svg> 1) Image is not cached.
    [Show full text]
  • Building Responsive Websites
    HTML5 and CSS3: Building Responsive Websites Design robust, powerful, and above all, modern websites across all manner of devices with ease using HTML5 and CSS3 A course in three modules BIRMINGHAM - MUMBAI HTML5 and CSS3: Building Responsive Websites Copyright © 2016 Packt Publishing All rights reserved. No part of this course may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. Every effort has been made in the preparation of this course to ensure the accuracy of the information presented. However, the information contained in this course is sold without warranty, either express or implied. Neither the authors, nor Packt Publishing, and its dealers and distributors will be held liable for any damages caused or alleged to be caused directly or indirectly by this course. Packt Publishing has endeavored to provide trademark information about all of the companies and products mentioned in this course by the appropriate use of capitals. However, Packt Publishing cannot guarantee the accuracy of this information. Published on: October 2016 Published by Packt Publishing Ltd. Livery Place 35 Livery Street Birmingham B3 2PB, UK. ISBN 978-1-78712-481-3 www.packtpub.com Credits Authors Content Development Editor Thoriq Firdaus Amedh Pohad Ben Frain Benjamin LaGrone Graphics Kirk D’Penha Reviewers Saumya Dwivedi Production Coordinator Deepika Naik Gabriel Hilal Joydip Kanjilal Anirudh Prabhu Taroon Tyagi Esteban S. Abait Christopher Scott Hernandez Mauvis Ledford Sophie Williams Dale Cruse Ed Henderson Rokesh Jankie Preface Responsive web design is an explosive area of growth in modern web development due to the huge volume of different device sizes and resolutions that are now commercially available.
    [Show full text]
  • SVG and SMIL Animation 11666-08 08.21.01 2:20 PM Page 209
    11666-08 08.21.01 2:20 PM Page 208 8 Animation: SVG and SMIL Animation 11666-08 08.21.01 2:20 PM Page 209 In this chapter: • Basic Animations • SVG As an Animation Grammar • Basic Attributes of an Animation • Applying SVG Animation to SVG Static Elements • More Complex Animations • SVG, SMIL Animation, and SMIL 2.0 • The <animate> Element • The <set> Element • The <animateMotion> Element • The <animateColor> Element • The <animateTransform> Element • Rotation Using <animateTransform> • Simple Sample Animations Basic Animations One of the most visually attractive aspects of SVG is its potential for animation. Most parts of an SVG image can be animated—position onscreen, width, height, color, opacity, stop colors in a gradient, attributes of SVG filters. The visual effects are potentially legion. But before you get carried away or overwhelmed by the potential, look at how SVG animation is done. SVG images can be animated by two methods: the use of declarative SVG ele- ments (mostly using elements borrowed from SMIL Animation) or the use of ECMAScript (JavaScript) or another scripting language to manipulate the Document Object Model (DOM) of an SVG image. The two methods can be com- bined into one image. This chapter focuses on declarative animation. In practice, portraying in a book the visual appearances that SVG animation pro- duces is difficult. Therefore, I strongly encourage you to experiment with the SVG code provided and view these animations on your own computer. A number of the animations presented in this chapter are accessible online on the Web site http://www.svgspider.com/default.svg.
    [Show full text]
  • WEB ANIMATION with SVG Featuring the Mascot of Attractive Experiences Oy
    Bruno Posa WEB ANIMATION WITH SVG Featuring the mascot of Attractive Experiences Oy WEB ANIMATION WITH SVG Featuring the mascot of Attractive Experiences Oy Bruno Posa Bachelor’s thesis Spring 2021 Business Information Technology Oulu University of Applied Science 3 ABSTRACT Oulu University of Applied Sciences Business Information Technology Author: Bruno Posa Title of the thesis: WEB ANIMATION WITH SVG Featuring the mascot of Attractive Experiences Oy Thesis examiner: Minna Kamula Term and year of thesis completion: Spring 2021 Pages: 44 + 1 appendix The cooperation between Attractive Experiences Oy and the author happened with the goal of producing working quality SVG animations of the company’s mascot, Poe. The main basis for research has been topical literature, with an ending survey to validate author’s applied learnings. The final animations achieved most of the outlined goals, but animating Poe requires additional efforts to achieve desired believability. The author commenced the process by learning about psychological principles and internet technologies, and later produced several animations through iterative processes with feedback. Web animation tools are present for people of all skills to join creating better internet experiences. Other companies with a mascot or a need for animation can use this report and familiarize with making animations for professional use. SVG, web, animations, mascot, design, UX 4 CONTENTS 1 INTRODUCTION ..................................................................................................................
    [Show full text]
  • PB138 — Scalable Vector Graphics (SVG)
    PB138 — Scalable Vector Graphics (SVG) (C) 2019 Masaryk University --- Tomáš Pitner, Luděk Bártek, Adam Rambousek Graphics, GUI SVG (Scalable Vector Graphics) • W3C Standard (SVG 1.1 Second Edition - august 2011) ◦ W3C Standard (SVG Tiny 1.2 - december 2008) ▪ modular SVG ▪ rest of modules are Working Drafts ◦ W3C Working Draft (SVG 2 - september 2015) • 2D graphics and graphical applications description language. • Focuses on vector graphics processing. • The bitmap graphics can be included. • Animation support (using either SMIL markup language or JavaScript and DOM) • SMIL - Synchronized Multimedia Integration Language (http://www.w3.org/TR/2008/REC-SMIL3- 20081201/) ◦ XML language for interactive multimedia creation. SVG Picture Figure 1. SVG Picture corresponding to source code on the next slide (if the image does not show up, click here - Picture for the code on a next slide) SVG Structure Figure 2. Sources for the image from the previous slide 1 <?xml version="1.0" encoding="iso-8859-1"?> <!-- Generator: Adobe Illustrator 9.0, SVG Export Plug-In --> <!DOCTYPE svg [ <!ENTITY st0 "fill:#FFFFFF;stroke:none;"> <!ENTITY st1 "fill:#FFFFFF;stroke-width:6.6112;stroke-linecap:round;stroke- linejoin:round;"> <!ENTITY st2 "stroke:#FFFFFF;stroke-width:6.6112;"> <!ENTITY st3 "fill:none;stroke:none;"> <!ENTITY st4 "fill-rule:nonzero;clip-rule:nonzero;stroke:#000000;stroke- miterlimit:4;"> <!ENTITY st5 "stroke:none;"> ]> <svg width="48pt" height="48pt" viewBox="0 0 48 48" xml:space="preserve" xmlns= "http://www.w3.org/2000/svg"> <g id="Layer_x0020_3"
    [Show full text]
  • Web Animations
    GAINING CONTROL WITH THE WEB ANIMATIONS API QCON 2017, SAN FRANCISCO Dan Wilson | @dancwilson Slides: https://danielcwilson.com/talks/2017/animations HOW DO WE ANIMATE ON THE WEB? Straight up setTimeout/setInterval jQuery animate() requestAnimationFrame <canvas> CSS Transitions and Keyframe Animations SVG Animation Libraries such as GreenSock ENTER THE WEB ANIMATIONS API W3C Editor's Dra Unite the various SVG/CSS/JS ways to animate THE WAA? The benefits of SVG/CSS/JS Off main-thread (compositor layer) Dynamic values Timelines and playback control Callbacks MORE ON THAT COMPOSITOR LAYER... Repainting and reflowing layout Properties like transform can be animated independently Like traditional cel animation WHAT'S AVAILABLE TODAY? Firefox, Chrome, and Opera have foundation implemented Safari is in development Edge is under consideration How Chrome is Implementing the API Polyfill available CREATE AN ANIMATION Transitioning from one state to another var anim = document.getElementById('toAnimate').animate([ { transform: 'scale(1)' }, { transform: 'scale(.6)' } ], { duration: 700, //milliseconds iterations: Infinity, //or a number direction: 'normal', //'alternate', 'reverse', ... fill: 'forwards', //'backwards', 'both', 'none', 'auto' delay: 10, //milliseconds easing: 'ease-in-out', //'linear', 'ease-in', ... }); CREATE AN ANIMATION Animating multiple frames, multiple properties var anim = document.getElementById('toAnimate2').animate([ { transform: 'scale(1)', opacity: 1, offset: 0 }, { transform: 'scale(.5)', opacity: .5, offset: .333333
    [Show full text]
  • Diplomová Práce
    ZÁPADOČESKÁ UNIVERZITA V PLZNI FAKULTA PEDAGOGICKÁ KATEDRA VÝPOČETNÍ A DIDAKTICKÉ TECHNIKY REALIZACE ELEKTRONICKÉHO VÝUKOVÉHO KURZU SE ZAMĚŘENÍM NA TVORBU PLOŠNÝCH VEKTOROVÝCH ANIMACÍ DIPLOMOVÁ PRÁCE Tereza Přibylová Učitelství pro základní školy, obor Informatika - Matematika léta studia (2014 - 2016) Vedoucí práce: Mgr. Denis Mainz Plzeň, 2016 Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a zdrojů informací. V Plzni, 30. června 2016 ...................................................................... vlastnoruční podpis Poděkování Touto cestou bych ráda poděkovala vedoucímu mé diplomové práce, panu Mgr. Denisu Mainzovi. za vstřícný přístup, užitečné rady a připomínky při zpracování mé diplomové práce. Dále bych ráda poděkovala své rodině a přátelům, kteří mi byli během celé doby studia velkou oporou. ZDE SE NACHÁZÍ ORIGINÁL ZADÁNÍ DIPLOMOVÉ PRÁCE A HNED ZA NÍM ROZHODNUTÍ. OBSAH OBSAH SEZNAM ZKRATEK .................................................................................................................................. 2 ÚVOD .................................................................................................................................................. 3 1 ANIMACE ........................................................................................................................................ 4 1.1 DEFINICE ................................................................................................................................. 4 1.2 HISTORIE A VÝVOJ
    [Show full text]
  • Thapl—A Theatrical Programming Language
    Thapl—A Theatrical Programming Language Matan I. Peled Technion - Computer Science Department - M.Sc. Thesis MSC-2020-12 - 2020 Technion - Computer Science Department - M.Sc. Thesis MSC-2020-12 - 2020 Thapl—A Theatrical Programming Language Research Thesis Submitted in partial fulfillment of the requirements for the degree of Master of Science in Computer Science Matan I. Peled Submitted to the Senate of the Technion — Israel Institute of Technology Heshvan 5780 Haifa November 2019 Technion - Computer Science Department - M.Sc. Thesis MSC-2020-12 - 2020 Technion - Computer Science Department - M.Sc. Thesis MSC-2020-12 - 2020 This work was carried out under the joint supervision of Prof. Yossi Gil and Prof. David H. Lorenz, in the Faculty of Computer Science. Some results in this thesis have been published as articles or talks by the author and research collaborators in conferences and journals during the course of the author’s magisteral research period, the most up-to-date versions of which being: Matan I. Peled, Joseph (Yossi) Gil, and David H. Lorentz. Thapl—a theaterical program- ming language. In 5th Workshop on Domain-Specific Language Design and Implementation (DSLDI), 2017. Acknowledgements To my parents Dafna and Michael, I am grateful for your endless love and support throughout the years, I literally wouldn’t have been here without you. I am indebted to my advisors, Prof. Yossi Gil and Prof. David H. Lorentz, for pa- tiently guiding me through tight deadlines, and for teaching me what research actually is. A most heartful thanks goes to my friends for keeping me sane, to Nitzan for making sure I go swimming at least once a week no matter what, and to all those who helped me during my research; especially Shiri and Hila who helped improve this document.
    [Show full text]