Technology: in Historical Review
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1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
High Speed Imaging Pr Wilfried Uhring University of Strasbourg and CNRS Icube Laboratory, UMR 7357
NetWare 2015 Keynote : High Speed Imaging Pr Wilfried Uhring University of Strasbourg and CNRS Icube laboratory, UMR 7357 Wilfried Uhring ©ICube Icube, University of Strasbourg and CNRS Outline 2 • Just history and a state of the art … Wilfried Uhring 15:09 Icube, University of Strasbourg and CNRS 3 19th century - Fathers of Photography This image cannot currently be displayed. 1826 - Joseph Niépce – Plate coated with Judea bitumen – Mean exposure time 10 hours • 1838 - Louis Daguerre – Silver plate exposed to chemical vapor – latent image that has to be « fixed » – Daguerréotype – Mean exposure time 30 min – French government bought the invention and give it to the world Boulevard du temple - Paris Wilfried Uhring 15:09 Icube, University of Strasbourg and CNRS 4 19th – Birth of High speed photography • 1878 Eadweard Muybridge – Use of collodion allows short fast exposure time but have to be used before It get dry – Mean exposure time 500µs – Use 24 different cameras triggered by a string Only 24 frames Wilfried Uhring 15:09 Icube, University of Strasbourg and CNRS 19th – birth of cinematography 5 • Louis Le Prince – 1886: Use of multi lens device • Only 16 frames: a recurrent problem in high speed imaging …… – 1888: single lens with stripping film • 10 – 20 frames per second Roundhay Garden Scene Wilfried Uhring 15:09 Icube, University of Strasbourg and CNRS 6 20th century – first real high speed camera • 1926: two high speed camera systems British Heape-Gryll American Francis Jenkins • 4 tonnes, 8 horsepower • 5000 frames per second This image cannot• currently be displayed. Film drum This image cannot currently be displayed. -
Louis Le Prince Came Close to Achieving a Successful Process of Cinematography
CINEMATOGRAPHY Pioneers of Early Cinema: Louis Aimé Augustin Le Prince (1841-1890?) Though he lacked the financial backing and research facilities of Thomas Edison and the Lumière brothers, the acknowledged pioneers of motion pictures and the cinema, and did not live to exploit his invention commercially, Louis Le Prince came close to achieving a successful process of cinematography. Le Prince was born in Metz on 28 August 1841. His father, a French Army officer, was a friend of the photographic inventor, Jacques Louis Mandé Daguerre, and the young Louis often visited his studio. Le Prince studied chemistry and physics at the University of Leipzig then worked as a photographer and painter. In 1866 he met and became friends with John Whitley, a young British engineer. At his invitation, Le Prince came to Britain, to the Yorkshire city of Leeds, where he joined the family engineering firm, Whitley Partners, first as a designer and then as the manager of the valve department. In 1869, Le Prince married Elizabeth Whitley. During the Franco-Prussian War (1870-1871) Le Prince went to France to enlist in the French Army. In the siege of Paris, he was an officer of Volunteers. On his return to Britain, he and his wife established the Leeds Technical School of Art in Park Square, Leeds. He specialised in the tinting and firing of photographic images on enamel, ceramic and glass. Le Prince moved to New York in 1882 with his family to work on the development and promotion of the Lincrusta wallpaper process, in which John Whitley had an interest. -
What Is Augmented Reality
Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education Item Type text; Electronic Thesis Authors Rodriguez, Andie (Samantha) Citation Rodriguez, Andie (Samantha). (2020). Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education (Master's thesis, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 13:14:44 Link to Item http://hdl.handle.net/10150/656764 CODE CATALYST: DESIGNING AND IMPLEMENTING AUGMENTED REALITY CURRICULUM IN ART AND VISUAL CULTURE EDUCATION by Samantha Rodriguez ______________________________ Copyright © Samantha Rodriguez 2020 A Thesis Submitted to the Faculty of the SCHOOL OF ART In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by: Andie (Samantha) Rodriguez titled: Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education and recommend that it be accepted as fulfilling the thesis requirement for the Master’s Degree. Ryan Shin _________________________________________________________________ Date: ____________Jan 4, 2021 Ryan Shin Carissa DiCindio _________________________________________________________________ Date: ____________Jan 4, 2021 Carissa DiCindio _________________________________________________________________ Date: ____________Jan 4, 2021 Michael Griffith Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College. -
Catalogue Anglais Version Finale (2018-09-26)
Montréal Campus 416, boul. de Maisonneuve West, suite 700 Montréal (Québec) H3A 1L2 514-849-1234 Laval Campus 3, Place Laval, suite 400 Laval (Québec) H7N 1A2 450-662-9090 Longueuil Campus 1111, rue Saint-Charles West, suite 120 Longueuil (Québec) J4K 5G4 450-674-0097 Pointe-Claire Campus 1000, boul. St-Jean, suite 500 Pointe-Claire (Québec) H9R 5P1 514-782-0539 Anjou Campus 7400, Boulevard Galeries d’Anjou, suite 130 Anjou, H1M 3M2 514-351-0888 7400, Boulevard Mon QUÉBEC ÉDITION Reference code : CDI-CAT-PQF-0718 Version : July 2018 © Collège CDI Administration. Technologie. Santé. All rights reserved. Printed in Canada. It is prohibited to reproduce this publication in its entirety, or in part, without the written consent of Collège CDI Administration. Technologie. Santé. *For the sake of clarity and readability, the masculine form is used throughout this catalogue. TABLE OF CONTENTS ADMINISTRATION CASUALTY INSURANCE – LCA.BF ............................................................................................................... 1 FINANCIAL MANAGEMENT – LEA.AC ........................................................................................................ 4 SPECIALIST IN APPLIED INFORMATION TECHNOLOGY – LCE.3V .............................................................. 8 OPTION: LEGAL ADMINISTRATIVE ASSISTANT SPECIALIST IN APPLIED INFORMATION TECHNOLOGY – LCE.3V ............................................................ 11 OPTION : MEDICAL OFFICE ASSISTANT PARALEGAL TECHNOLOGY - JCA.1F……………………………………………………………………………………………………14 -
SVG Tutorial
SVG Tutorial David Duce *, Ivan Herman +, Bob Hopgood * * Oxford Brookes University, + World Wide Web Consortium Contents ¡ 1. Introduction n 1.1 Images on the Web n 1.2 Supported Image Formats n 1.3 Images are not Computer Graphics n 1.4 Multimedia is not Computer Graphics ¡ 2. Early Vector Graphics on the Web n 2.1 CGM n 2.2 CGM on the Web n 2.3 WebCGM Profile n 2.4 WebCGM Viewers ¡ 3. SVG: An Introduction n 3.1 Scalable Vector Graphics n 3.2 An XML Application n 3.3 Submissions to W3C n 3.4 SVG: an XML Application n 3.5 Getting Started with SVG ¡ 4. Coordinates and Rendering n 4.1 Rectangles and Text n 4.2 Coordinates n 4.3 Rendering Model n 4.4 Rendering Attributes and Styling Properties n 4.5 Following Examples ¡ 5. SVG Drawing Elements n 5.1 Path and Text n 5.2 Path n 5.3 Text n 5.4 Basic Shapes ¡ 6. Grouping n 6.1 Introduction n 6.2 Coordinate Transformations n 6.3 Clipping ¡ 7. Filling n 7.1 Fill Properties n 7.2 Colour n 7.3 Fill Rule n 7.4 Opacity n 7.5 Colour Gradients ¡ 8. Stroking n 8.1 Stroke Properties n 8.2 Width and Style n 8.3 Line Termination and Joining ¡ 9. Text n 9.1 Rendering Text n 9.2 Font Properties n 9.3 Text Properties -- ii -- ¡ 10. Animation n 10.1 Simple Animation n 10.2 How the Animation takes Place n 10.3 Animation along a Path n 10.4 When the Animation takes Place ¡ 11. -
Liff-2020-Catalogue.Pdf
Welcome Introduction from the LIFF 2020 Team While we greatly miss not presenting LIFF 2020 in venues, we’re delighted to share the line-up on our new streaming platform Leeds Film Player. We return with our regular programme sections for new films – Official Selection, Cinema Versa, Fanomenon, and Leeds Short Film Awards – all curated with the same dedication to diverse filmmaking from the UK and around the world. A huge thank you to everyone who made this transformation to streaming possible and to everyone who helped us plan and prepare for LIFF 2020 being in venues. We hope you enjoy the LIFF 2020 programme from home and we can’t wait to welcome you back to venues for LIFF 2021! Presented by Leading Funders Contents Official Selection 6 Cinema Versa 26 Fanomenon 42 Leeds Short Film Awards 64 Leeds Young Film Festival 138 Indexes 152 Sun Children 2– LIFF 2020 Opening film 3 Team LIFF 2020 LYFF 2020 Team Team Director Director Chris Fell Debbie Maturi Programme Manager Producer Alex King Martin Grund Production Manager Youth Engagement Coordinator Jamie Cross Gage Oxley Film Development Coordinator Youth Programme Coordinator Nick Jones Eleanor Hodson Senior Programmer LYFF Programmers Molly Cowderoy Martin Grund, Eleanor Hodson, Sam Judd Programme Coordinator Alice Duggan Production Coordinator Anna Stopford Programme & Production Assistant Ilkyaz Yagmur Ozkoroglu Virtual Volunteers Lee Bentham, Hannah Booth, Tabitha Burnett, Paul Douglass, Owen Herman, Alice Lassey, Ryan Ninesling, Eleanor Storey, Andrew Young Volunteer Officer Sarah -
Renovatio Aquae: Aqueducts, Fountains, and the Tiber River in Early Modern Rome
chapter 18 Renovatio Aquae: Aqueducts, Fountains, and the Tiber River in Early Modern Rome Katherine W. Rinne The Renaissance obsession with the Renovatio Romae (Renewal of Rome) gained deeper traction in the late Cinquecento when efforts to revive Rome’s glorious architectural inheritance turned more pragmatic. Now, restoring Rome meant restoring its ancient water supply that once provided a reliable and abundant supply of pure water, but had fallen into ruin throughout the long Middle Ages. The day of this renovatio aquae (renewal of the water) can be pinpointed to 30 August 1570 when an ancient aqueduct, the Aqua Virgo (by this time known as the Acqua Vergine, the Virgin’s Aqueduct) was fully restored back to its source springs, about 16 kilometers northeast of Rome, for the first time in perhaps 600 years. Originally completed by Marcus Agrippa in 19 BC to serve his baths near the Pantheon, it was damaged during the Goth in- vasion of 537/38. Restored a few times by attentive popes, it sputtered along for the next 1000 years, but supplied only the area near the Trevi Fountain where it terminated.1 Its 1570 restoration was remarkable at many levels, and it clearly denotes a major turning point in Rome’s transmutation from a rather small medieval city—one devastated by floods, war, neglect, and poverty—into a modern metropolis. In Chapter 17, Carla Keyvanian underscores how the most essential infra- structure of a city was the network of food and water distribution. This chapter complements that analysis by emphasizing in particular the new water supply’s impact upon Rome’s physical fabric and the lives of its inhabitants. -
Louis A.A. Le Prince and the Whitley Family
From Oak Leaves, Part 3, Summer 2002 - published by Oakwood and District Historical Society [ODHS] Louis A. A. Le Prince and the Whitley Family © By Peter Kelley Did you know that the first great film mystery began in the garden of a house in Roundhay? That one of the actors was to die within a few days of her performance? That the cameraman was to disappear two years later and two of the other actors were to die as a result? The garden belonged to Roundhay Cottage, the home of Joseph Whitley. Joseph Whitley, the eldest son of Thomas and Susannah Whitley (nee Halstead), was born at Wakefield in 1816, he was christened in the Salem Independent Chapel, St.George Street, 24 November 1816. He had three younger brothers, Samuel, Charles and George, their father Thomas was an engineer working in Wakefield. Joseph became a brass founder by trade, and on 17 February 1842, at the age of 25 he was married at the Zion Chapel in Wakefield to Sarah Robinson also of Wakefield, the daughter of a stone mason. At the time of his marriage Joseph was already working in Leeds as a brass founder and living at Lilac Terrace, off Regent Street In 1844 Joseph founded his own business as:- 'Joseph Whitley, Brass Founder, 71 Byron Street, Leeds'. A year later he established a foundry at South Row, near the South Market, with lodgings at Lower Beckett Street. A Leeds directory of 1847 states:- 'Joseph Whitley Brass founder & Fitter up of mechanical brass work, 5 South Row', this foundry was later known as the 'Tablet Works' The family now lived at South Brook Street. -
GKS-94 to SVG: Some Reflections on the Evolution of Standards for 2D
EG UK Computer Graphics & Visual Computing (2015) Rita Borgo, Cagatay Turkay (Editors) GKS-94 to SVG: Some Reflections on the Evolution of Standards for 2D Graphics D. A. Duce1 and F.R.A. Hopgood2 1Department of Computing and Communication Technologies, Oxford Brookes University, UK 2Retired, UK Abstract Activities to define international standards for computer graphics, in particular through ISO/IEC, started in the 1970s. The advent of the World Wide Web has brought new requirements and opportunities for standardization and now a variety of bodies including ISO/IEC and the World Wide Web Consortium (W3C) promulgate standards in this space. This paper takes a historical look at one of the early ISO/IEC standards for 2D graphics, the Graph- ical Kernel System (GKS) and compares key concepts and approaches in this standard (as revised in 1994) with concepts and approaches in the W3C Recommendation for Scalable Vector Graphics (SVG). The paper reflects on successes as well as lost opportunities. Categories and Subject Descriptors (according to ACM CCS): I.3.6 [Computer Graphics]: Methodology and Techniques—Standards 1. Introduction a W3C Recommendation early in 1999. The current (at the time of writing) revision was published in 2010 [web10]. The Graphical Kernel System (GKS) was the first ISO/IEC international standard for computer graphics and was pub- It was clear from the early days that a vector graphics for- lished in 1985 [GKS85]. This was followed by other stan- mat specifically for the web would be a useful addition to the dards including the Computer Graphics Metafile (CGM), then-available set of markup languages. -
City Centre Audio Tour Transcript
Hiding in Plain Sight: City Centre Audio Tour Transcript Tracks Track 1 Introduction & News Theatre Track 2 The Majestic Track 3 City Cinema, Wellington Picture House & Interlude 1: Louis Le Prince Track 4 Briggate Picture House Track 5 Theatre de Luxe Track 6 The Scala Track 7 Theatre Royal Track 8 Empire Palace Theatre Track 9 Paramount Theatre Track 10 The Plaza Track 11 Grand Theatre & Opera House Track 12 Tower Cinema + Interlude 2: Two Lost Cinemas Track 13 The Coliseum & Outroduction Page | 0 Track 1: Introduction & News Theatre Welcome to the Hiding in Plain Sight Leeds City Centre Audio Tour, presented by the Hyde Park Picture House, as part of our heritage lottery funded engagement project. During the tour you will visit the sites of historic cinemas located in Leeds city centre, and we encourage you to look in detail at the buildings, as many of the cinema’s features still exist amongst Leeds’ surprising diversity of beautiful Victorian and Edwardian architecture. As you enjoy the tour, please be aware of your surroundings and of other pedestrians, and please be careful of traffic. The tour will take roughly 1 – 1 ½ hours and is at ground level throughout. As we tour around the city centre, there are many places to stop and have a break if you wish. Let’s go and visit our first cinema! You should now be standing just inside Leeds Station entrance to the south side of City Square, next to the doors at the very end of the main concourse, by the News Theatre. At one time there were over 60 different cinemas in central Leeds. -
Qt7hq5t8mm.Pdf
UC Berkeley Room One Thousand Title Water's Pilgrimage in Rome Permalink https://escholarship.org/uc/item/7hq5t8mm Journal Room One Thousand, 3(3) ISSN 2328-4161 Author Rinne, Katherine Publication Date 2015 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Katherine Rinne Illustration by Rebecca Sunter Water’s Pilgrimage in Rome “If I were called in To construct a religion I should make use of water.” From Philip Larkin, “Water,” 1964 Rome is one of the world’s most hallowed pilgrimage destinations. Each year, the Eternal City’s numinous qualities draw millions of devout Christians to undertake a pilgrimage there just as they have for nearly two millennia. Visiting the most venerable sites, culminating with St. Peter’s, the Mother Church of Catholicism, the processional journey often reinvigorates faith among believers. It is a cleansing experience for them, a reflective pause in their daily lives and yearly routines. Millions more arrive in Rome with more secular agendas. With equal zeal they set out on touristic, educational, gastronomic, and retail pilgrimages. Indeed, when in Rome, I dedicate at least a full and fervent day to “La Sacra Giornata di Acquistare le Scarpe,” the holy day of shoe shopping, when I visit each of my favorite stores like so many shrines along a sacred way. Although shoes are crucial to our narrative and to the completion of any pilgrimage conducted on Opposite: The Trevi Fountain, 2007. Photo by David Iliff; License: CC-BY-SA 3.0. 27 Katherine Rinne foot, our interest in this essay lies elsewhere, in rededicating Rome’s vital role as a city of reflective pilgrimage by divining water’s hidden course beneath our feet (in shoes, old or new) as it flows out to public fountains in an otherwise parched city.