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The Night Alive
THE NIGHT ALIVE BY CONOR MCPHERSON DRAMATISTS PLAY SERVICE INC. THE NIGHT ALIVE Copyright © 2014, Conor McPherson All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE NIGHT ALIVE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE NIGHT ALIVE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to Curtis Brown, Ltd. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
OIFF2013 Programavis.Pdf
facebook.com/NordiskFilmNorge BASERT PÅ JUSSI ADLER OLSENS BESTSELGER PÅ KINO I JANUAR! facebook.com/NordiskFilmNorge 23. OSLO INTERNASJONALE FILMFESTIVAL 20.↗24. NOVEMBER 2013 3 FILMER FILMER/FILMS LAND/COUNTRY SIDE/PAGE TOM AT THE FARM Canada, France 4 FINSTERWORLD Germany 7 TEENAGE Germany, USA 7 COMPUTER CHESS USA 8 UPSTREAM COLOR USA 8 KVINNEN I BURET Germany, Denmark, Sweden 9 PRISONERS USA 9 THE DIRTIES Canada 11 IRENES TO LIV France, Italy 11 MANAKAMANA USA, Nepal 12 FREMMED VED SJØEN France 12 IL FUTURO Chile, Germany, Italy, Spain 13 GERONTOPHILIA Canada 13 I USED TO BE DARKER USA 14 WHY DON’T YOU PLAY IN HELL? Japan 14 PROLOGUE TO THE GREAT DESAPARECIDO Philippines 15 REDEMPTION France, Germany, Italy, Portugal 15 UNG LØS GRIS Norway 16 KOPFKINO Norway 16 THE FORESTER Norway 17 DET ER IKKE SÅ LETT Norway 17 EGRESS Norway 17 Velkommen til 23. Oslo filmfestival Velkommen til en ny runde med sterke Den unge canadiske regissøren Xavier Dolan får Super dansk krim med Kvinnen i buret. Chilensk filmopplevelser, humor, spenning, filmkunst og det åpne årets festival med sin fjerde spillefilm, den film basert på roman av Roberto Bolaño. Italiensk unike fellesskapet i kinomørket. Filmen står i fokus psykologiske thrilleren Tom at the Farm, som fikk kvalitetsdrama om alternativ dødshjelp i Valeria i noen hektiske dager, og vi kan stolt presentere kritikerprisen for beste film i hovedkonkurransen Golino sikre regidebut. Bruce LaBruce med en fantastisk filmmeny. i Venezia i år. Nå midt i innspillingen av sin femte film, romantisk komedie. En Zenpreget reise i moderne og bare 24 år gammel. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
An Olive Films Release
AN OLIVE FILMS RELEASE www.olivefilms.com Press Contact: Indie Strategy – www.indiestrategy.com Rodrigo Brandão – [email protected] +1 917.434.6168 Oleg Jelezniakov – [email protected] +1 917.676.5543 PARKED Crew Director - Darragh Byrne Writer - Ciaran Creagh Producers - Dominic Wright, Jacqueline Kerrin Co-producer - Aleksi Bardy, Helsinki Filmi Oy, Finland Director of Photography - John Conroy Production Designer - Owen Power Editor - Guy Montgomery Composer - Niall Byrne Cast Colm Meaney - Fred Daly Colin Morgan - Cathal O'Regan Milka Ahlroth - Juliana Stuart Graham - George O'Regan Michael McElhatton - Frank David Wilmot - Peter Tatianna Ouiliankina - Aqua Aerobics Instructor Diarmuid Noyes - Cathal's brother Mary Kelly - Reporter Technical Specs: Country: Ireland (Shot in Dublin, Ireland) Length: 90 minutes Shooting Format: HD (RED One) Sound Dolby SRD Color / Aspect Ratio 2.35:1 Language: English PARKED LOGLINE A proud man living in his car is inspired by a young drug addict to become a better person. SHORT SYNOPSIS Fred Daly returns to Ireland with nowhere to live but his car. One day, 21-year-old Cathal parks beside him, and brightens up his lonely world. Encouraged by Cathal, Fred befriends an attractive music teacher (i.e. Jules) and opens up his world to those on the outside. LONG SYNOPSIS Fred lives a quiet, isolated life in his car, having lost all hope of improving his situation. That all changes when he forms an unlikely friendship with Cathal, a dope-smoking 21-year-old with a positive attitude, who becomes his ‘neighbor’. Sharing laughs (and hard times too), Fred and Cathal re-discover the simple pleasures of life. -
School Nixes Leasing Agreement with Township
25C The Lowell Volume IS, Issue 2 Serving Lowell Area Readers Since 1893 Wednesday, November 21, 1990 earns The Lowell Ledger's "First Buck Contest" turnout was a.m., bagged the buck at 7:45 a.m. better than voter turnout on election day. On Saturday, Vezino bagged a four-point buck with a Well, not quite, but 10 area hunters did walk through the bow. Ledger d(X)r between 7:30 a.m. and 12:30 p.m. on Wednes- Don Post. Ada. was along the Grand River on the flats, day. when he used one shot from his 16-gauge to drop a seven- The point sizes varied from four to eight-point. The weight point. 160-165 pound buck at 8 a.m. Post, hunting since of the bucks fluctuated from 145-200 pounds and the spreads the age of 14. said the seven is the biggest point size buck on the rack were anywhere from eight to 15 inches. he has ever shot. Lowell's Jack Bartholomew was the first hunter to hag Chuck Pfishner, Lowell, fired his winning shot at 7:50 and drag his buck to the Ledger office at 7:35 a.m. Barth- a.m. east on Four Mile. Using a 12-gauge, Pfishner shot olomew was out of the house by 6 a.m., saw his first buck an eight-point, 145-150 pound buck with a nine-inch spread. at 6:55 and shot it at 7:10. Randy Mclntyre. Lowell, was in Delton when he dropped "When I first saw the buck it was about 100 yards away. -
Rights Guide
Prószyński Media Sp. z o.o. RIGHTS GUIDE CONTACT DETAILS 2018 e-mail: [email protected] Izabela Delesiewicz FOREIGN RIGHTS email: [email protected] ph. +48 22 278 17 35 Prószyński Media Gintrowskiego 28 02-697 Warsaw, Poland www.proszynski.pl www.facebook.com/proszynski www.proszynski.pl INDEKS ANDRYKA DAGMARA, Trąf, trąf misia bela, p. 21 KOŁAKOWSKA AGATA, Pięć minut Raisy, p. 9 CONTENTS BRALCZYK JERZY, 1000 słów, p. 35 KOŁCZEWSKA KATARZYNA, Odzyskać utracone, p. 10 BUDKA SUFLERA, SAWIC JAROSŁAW, Memu miastu KORWIN PIOTROWSKA KAROLINA, Sława, p. 47 FICTION na do widzenia, p. 36 KOWALSKA ALEKSANDRA, Ucieczka, p. 11 LITERARY FICTION, p. 1 BULICZ-KASPRZAK KATARZYNA, Pójdę do jedynej, p. 1 kozioł Marcin, Tajemnica przeklętej harfy, p. 29 CRIME & THRILLER, p. 21 CHAJZER FILIP, CHAJZER ZYGMUNT, Chajzerów dwóch, Krzysztoń Antonina, Przeźroczysty chłopiec, p. 30 poetry, p. 26 p. 37 MAN MATYLDA, Trzeba marzyć, p. 12 CHILDREN AND YOUTH LITERATURE, p. 27 CZAJKOWSKA JADWIGA, Ufać zbyt mocno, p. 2 MISZCZUK JOANNA, Wiara i nadzieja, p. 13 DZIEWULSKI JERZY, PYZIA KRZYSZTOF, MŁYNARSKA pAULINA, Rebel, p. 49 p. 35 NON-FICTION, Jerzy Dziewulski o polskiej policji, p. 38 MORAWSKI IRENEUSZ, PRYZWAN MARIOLA, Tylko FRĄCZYK IZABELLA, Jedną nogą w niebie, p. 3 mnie pogłaszcz…Listy do Heleny Poświatowskiej, p. 48 FRĄCZYK IZABELLA, Koncert cudzych życzeń, p. 3 NIEDŹWIEDZKA MAGDALENA, Maria Skłodowska Curie, FRĄCZYK IZABELLA, Spalone mosty, p. 3 p. 14 GIEDROJĆ MAGDALENA, Księżyc nad Rzymem, p. 4 NIEDŹWIEDZKA MAGDALENA, GORSKY VICTOR, Kameleon, p. 39 Opowieści z angielskiego dworu. Diana, p. 15 GRYGIER MARCIN, Nie myśl, że znikną, p. 22 NIEDŹWIEDZKA MAGDALENA, GRZELA REMIGIUSZ, Bądź moim bogiem, p. -
Thesis Submitted to the Faculty of Graduate Studies and Research
University of Alberta The Performance of Identity in Wajdi Mouawad’s Incendies by Nicole Renault A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Drama ©Nicole Renault Fall 2009 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-54187-6 Our file Notre référence ISBN: 978-0-494-54187-6 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. -
You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
High Speed Imaging Pr Wilfried Uhring University of Strasbourg and CNRS Icube Laboratory, UMR 7357
NetWare 2015 Keynote : High Speed Imaging Pr Wilfried Uhring University of Strasbourg and CNRS Icube laboratory, UMR 7357 Wilfried Uhring ©ICube Icube, University of Strasbourg and CNRS Outline 2 • Just history and a state of the art … Wilfried Uhring 15:09 Icube, University of Strasbourg and CNRS 3 19th century - Fathers of Photography This image cannot currently be displayed. 1826 - Joseph Niépce – Plate coated with Judea bitumen – Mean exposure time 10 hours • 1838 - Louis Daguerre – Silver plate exposed to chemical vapor – latent image that has to be « fixed » – Daguerréotype – Mean exposure time 30 min – French government bought the invention and give it to the world Boulevard du temple - Paris Wilfried Uhring 15:09 Icube, University of Strasbourg and CNRS 4 19th – Birth of High speed photography • 1878 Eadweard Muybridge – Use of collodion allows short fast exposure time but have to be used before It get dry – Mean exposure time 500µs – Use 24 different cameras triggered by a string Only 24 frames Wilfried Uhring 15:09 Icube, University of Strasbourg and CNRS 19th – birth of cinematography 5 • Louis Le Prince – 1886: Use of multi lens device • Only 16 frames: a recurrent problem in high speed imaging …… – 1888: single lens with stripping film • 10 – 20 frames per second Roundhay Garden Scene Wilfried Uhring 15:09 Icube, University of Strasbourg and CNRS 6 20th century – first real high speed camera • 1926: two high speed camera systems British Heape-Gryll American Francis Jenkins • 4 tonnes, 8 horsepower • 5000 frames per second This image cannot• currently be displayed. Film drum This image cannot currently be displayed.