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The Night Alive
THE NIGHT ALIVE BY CONOR MCPHERSON DRAMATISTS PLAY SERVICE INC. THE NIGHT ALIVE Copyright © 2014, Conor McPherson All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE NIGHT ALIVE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE NIGHT ALIVE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to Curtis Brown, Ltd. -
Department of English and American Studies Another
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature & Teaching English Language and Literature for Secondary Schools Bc. Ondřej Harnušek Another Frontier: The Religion of Star Trek Master‘s Diploma Thesis Supervisor: Jeffrey Alan Smith, M.A., Ph. D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature Acknowledgements There are many people, who would deserve my thanks for this work being completed, but I am bound to omit someone unintentionally, for which I deeply apologise in advance. My thanks naturally goes to my family, with whom I used to watch Star Trek every day, for their eternal support and understanding; to my friends, namely and especially to Vítězslav Mareš for proofreading and immense help with the historical background, Miroslav Pilař for proofreading, Viktor Dvořák for suggestions, all the classmates and friends for support and/or suggestions, especially Lenka Pokorná, Kristina Alešová, Petra Grünwaldová, Melanie King, Tereza Pavlíková and Blanka Šustrová for enthusiasm and cheering. I want to thank to all the creators of ―Memory Alpha‖, a wiki-based web-page, which contains truly encyclopaedic information about Star Trek and from which I drew almost all the quantifiable data like numbers of the episodes and their air dates. I also want to thank to Christina M. Luckings for her page of ST transcripts, which was a great help. A huge, sincere thank you goes to Jeff A. Smith, my supervisor, and an endless source of useful materials, suggestions and ideas, which shaped this thesis, and were the primary cause that it was written at all. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE -
A Rough Guide
A ROUGH GUIDE THE IRISH FILM BOARD The Irish Film Board (IFB) is the national development agency for the Irish film and television industry, investing in talent, creativity and enterprise. We support the industry by funding projects and training and by promoting Ireland as a location for international production. 4 GLENDALOUGH, CO. WICKLOW CONTENTS Making Film & TV in Ireland 6 The Irish Producer 8 Irish Sources of Finance 10 Ireland & International Co-production 12 Location Location Location 16 Urban Ireland 18 Rural Ireland 22 Film Studios 26 Post-production, CGI & VFX 28 Case Study: VFX 30 IFB Location Services 34 Support Networks 36 Irish Talent 40 Irish Short Films at the Oscars 42 Case Study: Feature Film 44 Case Study: Television Drama 50 Animation 56 Case Study: Animation 60 International Awards 66 IFB Contact Details 72 6 MAKING FILM & TV IN IRELAND 6 THE IRISH PRODUCER 8 IRISH SOURCES OF FINANCE 10 IRELAND & INTERNATIONAL CO-PRODUCTION 12 8 CLIFFS OF MOHER, CO. CLARE MAKING FILM & TV IN IRELAND orld class film and television drama is made Ireland’s film and television industry is built on in Ireland year after year. talented Irish producers, directors, writers, cast, crew and service providers, backed by consistent Irish W government support, delivered by a competitive tax Recent projects include Lenny Abrahamson’s Frank, two films by John Michael McDonagh, Calvary and incentive and Irish Film Board (IFB) project funding. The Guard, Neil Jordan’s Byzantium, Rodrigo Garcia’s Albert Nobbs, Steven Soderbergh’s Haywire, James We hope this guidebook answers your questions Mather and Stephen St Leger’s Lockout and Tom about making film and television in Ireland. -
Emily Watson to Star As Elsa Einstein in Genius from National Geographic Channel, Imagine Television and Fox 21 Television Studios
EMILY WATSON TO STAR AS ELSA EINSTEIN IN GENIUS FROM NATIONAL GEOGRAPHIC CHANNEL, IMAGINE TELEVISION AND FOX 21 TELEVISION STUDIOS MICHAEL MCELHATTON, SETH GABEL, SAMANTHA COLLEY, RICHARD TOPOL AND VINCENT KARTHEISER ALSO JOIN CAST GROUP JOINS PREVIOUSLY ANNOUNCED CAST OF GEOFFREY RUSH AND JOHNNY FLYNN AS OLD AND YOUNG EINSTEIN PRODUCTION BEGINS NEXT MONTH ON 10-EPISODE ANTHOLOGY SERIES WITH ACADEMY AWARD-WINNER RON HOWARD TO DIRECT FIRST EPISODE Academy Award- and Golden Globe-nominated actress Emily Watson (“Theory of Everything,” “The Book Thief”) is set to join National Geographic Channel’s upcoming global anthology series GENIUS, from Fox 21 Television Studios (“Homeland,” “The People v. O.J. Simpson”), Imagine Television (“24,” “Empire”), OddLot Entertainment and EUE/Sokolow. She will play Elsa Einstein, the second wife — and first cousin — of the enigmatic scientist Albert Einstein, to be played in his elder years by Geoffrey Rush and in his younger years by Johnny Flynn, as previously announced. Also joining the cast are Michael McElhatton (“Game of Thrones”) as physicist Dr. Philipp Lenard, an early role model for a young Einstein, who evolved into his longtime adversary — both inside and outside the laboratory; Seth Gabel (“Salem,” “Fringe”) as Einstein’s longtime friend and confidant Michele Besso; Samantha Colley (“The Crucible”) as Mileva Maric, a fellow student of Einstein’s during his university years in Zurich, who later became his first wife and mother to his three children; Richard Topol (“Covert Affairs,” “Elementary”) as Fritz Haber, a brilliant chemist and close colleague of Einstein’s who held some nontraditional and controversial political views; and Vincent Kartheiser (“Mad Men,” “Saints & Strangers”) as Raymond Geist, a consulate official in Berlin. -
Copyright by Colleen Anne Hynes 2007
Copyright by Colleen Anne Hynes 2007 The Dissertation Committee for Colleen Anne Hynes certifies that this is the approved version of the following dissertation: “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity Committee: Elizabeth Butler Cullingford, Supervisor Barbara Harlow, Co-Supervisor Kamran Ali Ann Cvetkovich Ian Hancock “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity by Colleen Anne Hynes, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements This dissertation project would not have been possible with the support, wisdom and intellectual generosity of my dissertation committee. My two supervisors, Elizabeth Butler Cullingford and Barbara Harlow, introduced me to much of the literature and many of the ideas that make up this project. Their direction throughout the process was invaluable: they have been, and continue to be, inspirational teachers, scholars and individuals. Kamran Ali brought both academic rigor and a sense of humor to the defense as he pushed the manuscript beyond its boundaries. Ann Cvetkovich translated her fresh perspective into comments on new directions for the project and Ian Hancock was constantly generous with his resources and unique knowledge of the Irish Traveller community. Thanks too to my graduate school colleagues, who provided constructive feedback and moral support at every step, and who introduced me to academic areas outside of my own, especially Miriam Murtuza, Miriam Schacht, Veronica House, George Waddington, Neelum Wadhwani, Lynn Makau, Jeanette Herman, Ellen Crowell and Lee Rumbarger. -
Liff-2020-Catalogue.Pdf
Welcome Introduction from the LIFF 2020 Team While we greatly miss not presenting LIFF 2020 in venues, we’re delighted to share the line-up on our new streaming platform Leeds Film Player. We return with our regular programme sections for new films – Official Selection, Cinema Versa, Fanomenon, and Leeds Short Film Awards – all curated with the same dedication to diverse filmmaking from the UK and around the world. A huge thank you to everyone who made this transformation to streaming possible and to everyone who helped us plan and prepare for LIFF 2020 being in venues. We hope you enjoy the LIFF 2020 programme from home and we can’t wait to welcome you back to venues for LIFF 2021! Presented by Leading Funders Contents Official Selection 6 Cinema Versa 26 Fanomenon 42 Leeds Short Film Awards 64 Leeds Young Film Festival 138 Indexes 152 Sun Children 2– LIFF 2020 Opening film 3 Team LIFF 2020 LYFF 2020 Team Team Director Director Chris Fell Debbie Maturi Programme Manager Producer Alex King Martin Grund Production Manager Youth Engagement Coordinator Jamie Cross Gage Oxley Film Development Coordinator Youth Programme Coordinator Nick Jones Eleanor Hodson Senior Programmer LYFF Programmers Molly Cowderoy Martin Grund, Eleanor Hodson, Sam Judd Programme Coordinator Alice Duggan Production Coordinator Anna Stopford Programme & Production Assistant Ilkyaz Yagmur Ozkoroglu Virtual Volunteers Lee Bentham, Hannah Booth, Tabitha Burnett, Paul Douglass, Owen Herman, Alice Lassey, Ryan Ninesling, Eleanor Storey, Andrew Young Volunteer Officer Sarah -
Breakfast on Pluto
Pathé Pictures and Sony Pictures Classics present Breakfast on Pluto A Neil Jordan Film Running Time : 129 minutes “Oh, serious, serious, serious!” --Patrick “Kitten” Braden East Coast Publicity West Coast Publicity Distributor International House of Publicity Block Korenbrot Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Angela Gresham. 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics website at www.sonyclassics.com BREAKFAST ON PLUTO Cast PATRICK CILLIAN MURPHY FATHER BERNARD LIAM NEESON CHARLIE RUTH NEGGA IRWIN LAURENCE KINLAN BERTIE STEPHEN REA UNCLE BULGARIA BRENDAN GLEESON PATRICK (10) CONOR McEVOY BILLY HATCHET GAVIN FRIDAY PC WALLIS IAN HART EILY BERGIN EVA BIRTHISTLE MA BRADEN RUTH MCCABE INSP ROUTLEDGE STEVEN WADDINGTON RUNNING BEAR MARK DOHERTY EILY'S BOY SID YOUNG HORSE KILLANE CIARAN NOLAN JACKIE TIMLIN EAMONN OWENS WHITE DOVE TONY DEVLIN MR SILKY STRING BRYAN FERRY LAURENCE (10) SEAMUS REILLY CHARLIE (10) BIANCA O'CONNOR CAROLINE BRADEN CHARLENE McKENNA SQUADDIE (DISCO) JO JO FINN SOLDIER NEIL JACKSON BENNY FEELY PARAIC BREATHNACH BIKER 1 JAMES MCHALE MOSHER LIAM CUNNINGHAM DEAN OWEN ROE HOUSEKEEPER MARY COUGHLAN MRS FEELY MARY REGAN PEEPERS EGAN PAT McCABE MRS HENDERSON CATHERINE POGSON PUNTER 1 GERRY O'BRIEN PUNTER 2 CHRIS McHALLUM BROTHER BARNABAS PETER GOWAN STRIPPER ANTONIA -
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience. -
Game of Thrones Season Three Trading Cards Checklist
Game of Thrones Season Three Trading Cards Checklist Base Cards # Card Title [ ] 01 Val Dohaeris [ ] 02 Val Dohaeris [ ] 03 Val Dohaeris [ ] 04 Dark Wings, Dark Words [ ] 05 Dark Wings, Dark Words [ ] 06 Dark Wings, Dark Words [ ] 07 Walk of Punishment [ ] 08 Walk of Punishment [ ] 09 Walk of Punishment [ ] 10 And Now His Watch Is Ended [ ] 11 And Now His Watch Is Ended [ ] 12 And Now His Watch Is Ended [ ] 13 Kissed By Fire [ ] 14 Kissed By Fire [ ] 15 Kissed By Fire [ ] 16 The Climb [ ] 17 The Climb [ ] 18 The Climb [ ] 19 The Bear and The Maiden Fair [ ] 20 The Bear and The Maiden Fair [ ] 21 The Bear and The Maiden Fair [ ] 22 Second Sons [ ] 23 Second Sons [ ] 24 Second Sons [ ] 25 The Rains of Castamere [ ] 26 The Rains of Castamere [ ] 27 The Rains of Castamere [ ] 28 Mhysa [ ] 29 Mhysa [ ] 30 Mhysa [ ] 31 Sansa Stark [ ] 32 Theon Greyjoy [ ] 33 Petyr "Littlefinger" Baelish [ ] 34 Tyrion Lannister [ ] 35 Samwell Tarly [ ] 36 King Joffrey Baratheon [ ] 37 Gendry [ ] 38 Ygritte [ ] 39 Arya Stark [ ] 40 Bronn [ ] 41 Jon Snow [ ] 42 Bran Stark [ ] 43 Ser Loras Tyrell [ ] 44 Brienne of Tarth [ ] 45 Ser Davos Seaworth [ ] 46 Robb Stark [ ] 47 Lady Talisa Maegyr [ ] 48 Daenerys Targaryen [ ] 49 Lord Commander Mormont [ ] 50 Varys [ ] 51 Lady Catelyn Stark [ ] 52 Ser Jaime Lannister [ ] 53 Yara Greyjoy [ ] 54 Sandor Clegane "The Hound" [ ] 55 Grand Maester Pycelle [ ] 56 Osha [ ] 57 Stannis Baratheon [ ] 58 Queen Cersei Lannister [ ] 59 Hodor [ ] 60 Margaery Tyrell [ ] 61 Balon Greyjoy [ ] 62 Grenn [ ] 63 Ser Jorah Mormont [ ] 64 Lord