Corin Hardy Biography

Total Page:16

File Type:pdf, Size:1020Kb

Corin Hardy Biography CORIN HARDY BIOGRAPHY Corin Hardy, Director Corin Hardy is an award- winning filmmaker, whose live action and animated work mixes the macabre, the beautiful and the epic to visually dazzling results. His early career as a special fx monster-maker began in his bedroom and bike-shed, aged 12; he made a number of animations and super 8 films with school-friends who regularly stood in for his cast of zombies, werewolves and slasher victims. Throughout his teenage years Corin gained valuable film set experience in art and costume departments on a variety of film, tv & theatre productions including The Royal National Ballet’s ‘Dracula’ and Columbia Pictures ‘First Knight’. A keen sculptor, illustrator & film-maker obsessed by a mixture of 1970’s storybooks, horror films and & 80’s ‘Spielberg era’ cinema. Corin studied Special Effects at Wimbledon School of Art before making his award- winning stop-motion short film Butterfly in 2003. This led into directing music videos, beginning with Keane’s ‘Somewhere Only We Know’ and ‘Bedshaped’ and continuing with films for a mix of mainstream acts including The Prodigy, Biffy Clyro, Olly Murs, Paolo Nutini and The Rizzle Kicks as well as underground indies The Horrors, Dry The River, The Horrible Crowes – and the 9 minute crime epic for Devlin and Ed Sheeran’s Watchtower, all produced with Academy Films. His music videos have accrued over 150 million views and won numerous awards around the world. Corin was selected as a ‘Star Of Tomorrow’ in 2011 by Screen International. In 2012 he filmed an urban legends based horror short ‘In The Back’ and directed a pair of teasers for his features FEST and Frogz Legz. For the past 10 years Corin has been writing and developing four of his own horror-based feature film projects with production companies in UK & US these include: The Hallow with Occupant Films, Refuge with Big Talk Films, Frogz Legz with Brilliant Films and F E S T with Pari Passu. Corin is also attached to direct Element Pictures teen thriller Where There’s Darkness. His debut feature THE HALLOW premiered at the Sundance Film Festival in January 2015. Hardy will next direct the remake of THE CROW. Ed Pressman, Kevin Misher and Harvey and Bob Weinstein are producing with Relativity financing. www.corinhardy.com Contact: Jenny Wood – Elevate Entertainment – 323-634-0748 Rich Cook – WME – 310-248-2000 Hugo Young – Independent Talent Group - +44 20 7636 6565 PRESS RELEASES ‘The Crow’ Flies With Director Corin Hardy by Mike Fleming Jr December 3, 2014 11:56am EXCLUSIVE: Relativity Studios has set Corin Hardy to direct its remake of The Crow. Hardy made his live action feature directing debut on the Occupant Entertainment thriller The Hallow, a film that will be released next year and before that he drew acclaim for helming the animated short Butterfly and for directing music videos for the likes of Ed Sheeran, Biffy Clyro, Keane, Paolo Nutini and The Prodigy. The Crow remake has been watched closely by the fanboy set that loves the James O’Barr graphic novel about a murdered man who comes back for revenge, which was first brought to the screen by director Alex Proyas and the late actor Brandon Lee. Hardy has gotten a bit of cred in that fanboy favorite helmer Edgar Wright was the one who recommended him to Edward R. Pressman, who produced the original 1994 film and is producing the reboot. Hardy replaces F. Javier Gutiérrez, who was attached but signed on to the direct the next installment of The Ring franchise. That made him unavailable to helm The Crow, which is slated for a spring production start with a script by Cliff Dorfman. Gutierrez will be exec producer and O’Barr a consultant. Joining Pressman as producers are Kevin Misher, Relativity’s Ryan Kavanaugh, Jeff Most (who produced the original with Pressman), and Jeff Waxman. Tucker Tooley, Bob and Harvey Weinstein and Dan Farah are exec producers. Hardy is repped by Hugo Young at Independent Talent Group, Elevate Entertainment’s Jenny Wood and attorney Fred Tozcek. Dorfman is repped by ICM and Apostle’s George Heller. Sundance Horror Title ‘The Hallow’ Scares Up 7-Figure IFC Midnight US Rights Deal by Mike Fleming Jr February 3, 2015 4:10pm EXCLUSIVE: IFC Midnight has closed a low-seven-figure deal for U.S. rights to the horror film The Hallow. The film came to Park City with a lot of buzz because of the director, Corin Hardy. He’s the guy who caught Hollywood’s attention with his animated short Butterfly and vids for Ed Sheeran and others, parlaying that into the directing job on The Crow for Relativity. The Hallow stars Joseph Mawle, Bojana Novakovic, Michael McElhatton and Michael Smiley. Joe Neurauter and Felipe Marino produced. The logline: A London-based conservationist is sent to Ireland to survey for construction an area of ancient forest believed by the superstitious locals to be hallowed ground. The locals aren’t wrong; a horde of demonic forces are unleashed, and horror ensues. The film premiered in the Midnight Section last Sunday at the Egyptian Theatre. WME Global brokered this deal with ICM Partners. Just as the festival was getting underway, WME signed Hardy after all the agencies flew to Dublin to court him while he was posting the film. Hardy is a protégé of Edgar Wright, who was the one who recommended him to Relativity for the job of reviving The Crow. WME Signs ‘The Hallow’ Helmer Corin Hardy – Sundance by Mike Fleming Jr January 21, 2015 4:06pm EXCLUSIVE: Just before he flies in from Europe for the Sundance debut of his thriller The Hallow this weekend, Corin Hardy has signed with WME. This comes after a hotly contested signing battle for a filmmaker who makes his feature debut at the festival but who got Hollywood’s attention with the animated short Butterfly and for directing music videos for the likes of Ed Sheeran, Biffy Clyro, Keane, Paolo Nutini and The Prodigy. Off his highly visual work, Hardy was set direct The Crow for Relativity, with production to begin in April. After Hardy came in play recently, all of the agencies flew to Dublin to court the filmmaker as he worked on postproduction on The Hallow. Getting him in the WME fold pre-festival — with ICM Partners, WME Global is repping his Sundance movie, which premieres Sunday at midnight — alleviates the rep scrum that would have spread to the Park City slopes. The agency sees in him similarities to Guillermo del Toro when he was making his bones. Hardy is a storyboard conceptualist whose exquisite preparation won him The Crow job following the exit of F. Javier Gutierrez. Edgar Wright recommended Hardy to Relativity. Hardy has several horror films of his own invention he hopes to make, so he could make a name for himself quickly. The Hallow is set deep within the darkness of secluded forest land in rural Ireland. Feared by the superstitious nearby villagers as a haven for cursed creatures who prey upon the lost, the forest has been hidden from civilization and remains on their hallowed ground. But when a conservationist from London moves in with his wife and infant child in order to survey the land for future construction, his actions unwittingly disturb the horde of demonic forces. Alone in a remote wilderness, he now must ensure his family’s survival from their relentless attacks Meet the 2015 Sundance Filmmakers #34: Corin Hardy Explores the Perils of Parenting in 'The Hallow' By Rosie Narasaki | Indiewire January 27, 2015 at 4:10PM Want to watch woodland creatures go wild? Shot in picturesque West Ireland, Corin Hardy's "The Hallow" carefully navigates the fine line between fairy tales, horror, and reality. The film features the story of a young couple (with a baby, of course) that moves to the countryside -- only to accidentally incur the wrath of the seemingly innocent woodland creatures. What's your film about, in 140 characters or less? I wanted to tell a story based on an idea of what might be the truth behind fairytales and folk-lore and suggest a link with science & nature. We've read fairy tales all of our lives, but what truth might they be based on in a modern, grounded, non-gothic reality? Essentially it's about those two things; folk-lore and nature and what happens when you mess with either of them. Now, what's it REALLY about? The perils of parenting. Tell us briefly about yourself. I grew up on fairy tales. I love being consumed by stories. I love monsters and horror and I love emotional rides that move me. When I was younger I wanted to be a monster-maker and made horror movies with my friends each summer with as many home-made gore effects as possible. I eventually studied theatre design before making my debut stop-motion short "Butterfly" and directing music videos. "The Hallow" took 8 years from initial inception through writing, to production & completion. It's been an emotional ride, with monsters at every turn. What was the biggest challenge in completing this film? Completing the film......................................... Yeah. (Writing this whilst mixing final sound design & score, in Ireland. It's January 7th 2015.) What do you want audiences at Sundance to take away from your film? IFC Midnight" The Hallow" I hope they will be scared, thrilled & moved, in equal measure... When I see a film I want to be lost in it for an hour and a half and escape life itself. I would like it to be an exhilarating & sometimes primal experience that is one best accompanied by a bucket of popcorn & a beer and a partner to cling to.
Recommended publications
  • The Night Alive
    THE NIGHT ALIVE BY CONOR MCPHERSON DRAMATISTS PLAY SERVICE INC. THE NIGHT ALIVE Copyright © 2014, Conor McPherson All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE NIGHT ALIVE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE NIGHT ALIVE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to Curtis Brown, Ltd.
    [Show full text]
  • Marble Hornets, the Slender Man, and The
    DIGITAL FOLKLORE: MARBLE HORNETS, THE SLENDER MAN, AND THE EMERGENCE OF FOLK HORROR IN ONLINE COMMUNITIES by Dana Keller B.A., The University of British Columbia, 2005 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Dana Keller, 2013 Abstract In June 2009 a group of forum-goers on the popular culture website, Something Awful, created a monster called the Slender Man. Inhumanly tall, pale, black-clad, and with the power to control minds, the Slender Man references many classic, canonical horror monsters while simultaneously expressing an acute anxiety about the contemporary digital context that birthed him. This anxiety is apparent in the collective legends that have risen around the Slender Man since 2009, but it figures particularly strongly in the Web series Marble Hornets (Troy Wagner and Joseph DeLage June 2009 - ). This thesis examines Marble Hornets as an example of an emerging trend in digital, online cinema that it defines as “folk horror”: a subgenre of horror that is produced by online communities of everyday people— or folk—as opposed to professional crews working within the film industry. Works of folk horror address the questions and anxieties of our current, digital age by reflecting the changing roles and behaviours of the everyday person, who is becoming increasingly involved with the products of popular culture. After providing a context for understanding folk horror, this thesis analyzes Marble Hornets through the lens of folkloric narrative structures such as legends and folktales, and vernacular modes of filmmaking such as cinéma direct and found footage horror.
    [Show full text]
  • An Olive Films Release
    AN OLIVE FILMS RELEASE www.olivefilms.com Press Contact: Indie Strategy – www.indiestrategy.com Rodrigo Brandão – [email protected] +1 917.434.6168 Oleg Jelezniakov – [email protected] +1 917.676.5543 PARKED Crew Director - Darragh Byrne Writer - Ciaran Creagh Producers - Dominic Wright, Jacqueline Kerrin Co-producer - Aleksi Bardy, Helsinki Filmi Oy, Finland Director of Photography - John Conroy Production Designer - Owen Power Editor - Guy Montgomery Composer - Niall Byrne Cast Colm Meaney - Fred Daly Colin Morgan - Cathal O'Regan Milka Ahlroth - Juliana Stuart Graham - George O'Regan Michael McElhatton - Frank David Wilmot - Peter Tatianna Ouiliankina - Aqua Aerobics Instructor Diarmuid Noyes - Cathal's brother Mary Kelly - Reporter Technical Specs: Country: Ireland (Shot in Dublin, Ireland) Length: 90 minutes Shooting Format: HD (RED One) Sound Dolby SRD Color / Aspect Ratio 2.35:1 Language: English PARKED LOGLINE A proud man living in his car is inspired by a young drug addict to become a better person. SHORT SYNOPSIS Fred Daly returns to Ireland with nowhere to live but his car. One day, 21-year-old Cathal parks beside him, and brightens up his lonely world. Encouraged by Cathal, Fred befriends an attractive music teacher (i.e. Jules) and opens up his world to those on the outside. LONG SYNOPSIS Fred lives a quiet, isolated life in his car, having lost all hope of improving his situation. That all changes when he forms an unlikely friendship with Cathal, a dope-smoking 21-year-old with a positive attitude, who becomes his ‘neighbor’. Sharing laughs (and hard times too), Fred and Cathal re-discover the simple pleasures of life.
    [Show full text]
  • You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
    1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences.
    [Show full text]
  • “Game of Thrones” Season 5 One Line Cast List NO
    “Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE
    [Show full text]
  • Uk Films for Sale in Cannes 2009
    UK FILMS FOR SALE IN CANNES 2009 Supported by Produced by 1234 TMoviehouse Entertainment Cast: Ian Bonar, Lyndsey Marshal, Kieran Bew, Mathew Baynton Gary Phillips Genre: Drama Rés. Du Grand Hotel 47 La Croisette, 6Th Director: Giles Borg Floor Producer Simon Kearney Tel: +33 4 93 38 65 93 Status : Completed [email protected] Home Office Tel: +44 20 7836 5536 Synopsis Ardent musician Stevie (guitar, vocals) endures a day-job he despises and can't find a girlfriend but... at least he has his music! With friend Neil (drums) he's been kicking around for a while not achieving much but when the pair of misfits team-up with the more-experienced Billy (guitar) and his cute pal Emily (bass) the possibility they might be on to something really good presents itself. For Stevie this is the opportunity he's been waiting for with the band and just maybe... Emily too! 13 Hrs TEyeline Entertainment Cast: Isabella Calthorpe, Gemma Atkinson, Tom Felton, Joshua Duncan Napier-Bell Bowman Lerins Stand R10 Genre: Horror Tel: +33 4 92 99 33 02 Director: Jonathan Glendening [email protected] Writer: Adam Phillips Home Office Tel: +44 20 8144 2994 Producer Nick Napier-Bell, Romain Schroeder, Tom Reeve Status : Post-Production Synopsis A full moon hangs in the night sky and lightning streaks across dark storm clouds. Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As the storm rages on, Sarah, her family and friends shore up for the night, cut off from the outside world.
    [Show full text]
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
    [Show full text]
  • IAN SEABROOK Underwater Director of Photography
    IAN SEABROOK Underwater Director of Photography www.dorsalfin.net FEATURES DIRECTORS PRODUCERS/STUDIOS JUNGLE CRUISE Jaume Collet-Serra John Davis, John Fox, Danny Garcia, Hiram Garcia Disney IN THE SHADOW OF THE MOON Jim Mickle Rian Cahill, Brian Kavanaugh-Jones Linda Morgan, Ben Pugh / Netflix IT: CHAPTER 2 Andy Muschietti Seth Grahame-Smith, David Katzenberg, Roy Lee Dan Lin, Barbara Muscietti / Warner Bros. FONZO Josh Trank Russell Ackerman, Lawrence Bender Aaron L. Gilbert, John Schoenfelder / Universal ELI Ciaran Foy Trevor Macy, John Zaozirny / Paramount GLASS M. Night Shyamalan Mark Bienstock, Jason Blum, Ashwin Rajan Universal DEADPOOL 2 David Leitch Simon Kinberg, Lauren Shuler Donner / Fox PIRATES OF THE CARIBBEAN: Joachim Rønning Jerry Bruckheimer / Disney DEAD MEN TELL NO TALES & Esper Sandberg MONSTER TRUCKS Chris Wedge Mary Parent, Denis Stewart / Paramount ALPHA Albert Hughes Andrew Rona / Sony BATMAN VS. SUPERMAN: Zack Snyder Charles Roven. Deborah Snyder / Warner Bros DAWN OF JUSTICE UNDER THE SILVER LAKE. David Robert Mitchell Chris Bender, Michael De Luca, Jake Weiner / A24 TULLY Jason Reitman Diablo Cody, A.J. Dix, Helen Estabrook Aaron L. Gilbert, Beth Kono, Mason Novick Paramount POWER RANGERS Dean Isrealite Marty Bowen, Wyck Godfrey/ Lionsgate THE EDGE OF SEVENTEEN Kelly Fremon Craig Julie Ansell, James L. Brooks, Richard Sakai / STX THE SHACK Stuart Hazeldine Brad Cummings, Gil Netter / Lionsgate THE 9TH LIFE OF LOUIS DRAX Alex Aja Tim Bricknell, Max Minghella Shawn Williamson Miramax AGE OF ADALINE Lee Toland Krieger Gary Lucchesi, Tom Rosenberg / Lionsgate GODZILLA Gareth Edwards Jon Jashni, Mary Parent / Legendary HECTOR & THE SEARCH FOR Peter Chelsom Christian Angermayer, Klaus Dohle, Trish Dolman HAPPINESS Phil Hunt, Judy Tossell / Screen Siren MAN OF STEEL Zack Snyder Charles Roven, Deborah Snyder, Emma Thomas Warner Bros.
    [Show full text]
  • Clio 2019 Was Funded in Part by the College of Arts & Letters’ Student- Faculty Collaboration Grant
    Clio California State University, Sacramento Student History Journal Clio | Vol. 29, 2019 Phi Alpha Theta California State University, Sacramento Clio Volume 29, Spring 2019 The Annual Publication of Phi Alpha Theta, Rho Xi Chapter Department of History, College of Arts & Letters California State University, Sacramento Clio Editor-in-Chief Janis Pope Editorial Staff Sarah Dutcher Taylor Adam Bardaro Laurie Frazier Timothy Anderson Samuel Bein Brett Coker Emma Sullivan Jacob Jennerjohn Mathew Jones Brittany Nath Joshua Lourence Billy Febuary Shea Cooley Cuauhtemoc Morales Clio 2019 was funded in part by the College of Arts & Letters’ Student- Faculty Collaboration Grant. It was also made possible through generous support from: California State University, Sacramento Peer & Academic Resource Center College of Arts & Letters President Robert Nelson History Department Faculty Dr. Aaron J. Cohen Dr. Nikolaos Lazaridis Dr. Brendan Lindsay Dr. Mona Siegel Dr. Sherry Fields Dr. Jim Rose Dr. Jeffrey Wilson Students, Alumni, Friends, and Family Adam Bardaro Brett Coker James Wheeler Gena Rhoades Jackie Pope R. Moses Perez Cover Photo: Courtesy of Janis Pope © Clio 2019 – All rights reserved. No part of this journal may be reproduced, stored in a retrieval system, or transmitted in any form, except for the inclusion of brief quotations in a review of study, without prior permission in writing from the publishers and the student author. Copyright reverts to each author upon further publication of his or her article. Department of History, Tahoe Hall 3080 California State University, Sacramento 6000 J Street Sacramento, CA 95819-6059 Letter from the Editor It is with great pleasure that I present the twenty-ninth volume of Clio, the award-winning, student-run history journal of California State University, Sacramento (CSUS).
    [Show full text]
  • {PDF} the Crow
    THE CROW PDF, EPUB, EBOOK J O'Barr | 272 pages | 26 Jul 2011 | SIMON & SCHUSTER | 9781451627251 | English | United States The Crow PDF Book Lee had completed most of his scenes for the film and was scheduled to shoot for only three more days. First appearance. A day care owner is killed, along with some of the children she watches, when a militia group tries to kill a senator. Also, her methods for dealing with her opposition are far more severe than Draven's. It'll upset the super religious of you who decided to watch this film. Leandre appears in The French Crow , Vols. Joshua, along with his wife and child, are murdered by a band of Confederate soldiers. In the thrid movie, "The Crow: Salvation", Alex Corvis was executed on an electric chair, and his face was burned by a hot metal helmet which was worn on his head during the execution. Release date. And he flash fried T-bird to his fucking car! The film opened at the top of the box office and attained a strong cult following. Orphan Black: Season 5. In either case, the Crow's magic is rooted in lost love. Ravens' tails and wings come to a point. Knoxville News-Sentinel. Edit Cast Cast overview, first billed only: Brandon Lee He appears in the four issue series The Crow: Waking Nightmares. Best Movie of the Year. Like his predecessor, Ashe successfully kills each of the gang members until he meets the crime boss who order his death. Don't Dress For Either". Nests are 1.
    [Show full text]
  • Mcwilliams Ku 0099D 16650
    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
    [Show full text]
  • Fangoria 345(2015)
    IT'S ALIVE—AND IT'S ANGRY! CANADA U.S.& $11.99 Hus: JERUZALEM • Larry Fessenden • Fabio Frizzi • Clu Gulager www.fangoria.com Wrestling HoiTor • THE HALLOW • CONDEMNED • Much more! NOW IN THEATERS f- & ON DEMAND CONTRACTED itHORROR PHASE 2 IN THEATERS & [ NOW ON DEMAND I DEMANOffc’^ . I 11/20 LEARN BY DOING. sFACTORY Digital Filmmaking Program at Douglas DOUGLASEducation Center 1 30 Seventh Street • Monessen, PA 1 5062 Financial aid is available to those who qualify. For more information about graduation rates, median debt of students who completed the program, and consumer information, please visit www.dec.edu/df Housing is available through Boss Development, Inc. DEC.EDU 1.800.413.6013 THIS SCHOOL IS AUTHORIZED UNDER FEDERAL LAWTO ENROLL NONIMMIGRANT ALIEN STUDENTS. 1 6 PREVIEW: “KRAMPUS” The “anti-Claus” gets the major movie vehicle he’s long deserved, thanks to 54 ON SET: “THE HALLOW” Irish forest dwellers are director Michael Dougherty. no longer confined to legend in Corin Hardy’s mythological chiller. 20 PREVIEW: “JERUZALEM” Israeli filmmaking brothers Doron and Yoev Paz spread unholy evil 58 DN SET: “CHARLIE’S FARM” Do you dare join us across sacred ground. to trespass on the grounds of Chris Sun’s huge, savage psychopath? 22 ONSET: “CONDEMNED” 64 INTERVIEW: CLU GULAGER From “Return of the In Eli Morgan Living Dead” to “Feast,” something’s always been Gesner’s infection eating at the veteran actor. opus, catching the murderous rage 68 FEATURE: “MEXICD BARBARD” Director/producer doesn’t mean Lex Drtega et al. are seeing their ambitious anthology you lose your head north of the border.
    [Show full text]