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“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
THE CROW Stairway to Heaven
THE CROW Stairway to Heaven THE TV SERIES BIBLE: NEW TESTAMENT WRITTEN BY BRYCE ZABEL March 28, 1998 Version 1.1 THE CROW TV Bible: New Testament 1998 Bryce Zabel THE CROW : Stairway To Heaven WHAT TV GUIDE WILL SAY A murdered rock-and-roll musician returns to Earth exactly one year after his death to take revenge on his killers. THE BIGGER PICTURE Although the driving force behind the feature films was clearly violent revenge, the series picks up the secondary threads of those pictures: redemption, the afterlife, the power of love. Our concept has some ideas embedded inside it that have the power to dig in your soul and change the way you see life. For starters, this character, ERIC DRAVEN, exists at Ground Zero of a special universe where life and death get the special attention they deserve. He has a shattering effect on people, good and bad. A quick example: We all take for granted the inevitability of death. It forms a rigid line from which we construct our view of “the way things are.” Along comes a man who proves that the line can be crossed. His very presence gives faith, and it takes it away. Our series replaces the rigid line with a semi-permeable membrane between these worlds. In our construct, death is not an absolute. It is a transition. Big ideas, big action. THE CROW: STAIRWAY TO HEAVEN is about justice, and redemption, and how hard it is to play by the rules in a world where both evil and good seem about evenly matched. -
Here We Are on the 200Th Anniversary of His Classic Story, Celebrating His Legacy of Artistic Inspiration and Achievement at the Nexus of the Tale Itself
WELCOME 1ST ANNUAL SLEEPY HOLLOW INTERNATIONAL FILM FESTIVAL Could Washington Irving have predicted the enduring impact “The Legend of Sleepy Hollow” would have on the world when it was published in 1819? Perhaps not. And yet here we are on the 200th anniversary of his classic story, celebrating his legacy of artistic inspiration and achievement at the nexus of the tale itself. The Sleepy Hollow International Film Festival is a celebration of cinematic and literary-themed wonders—a one-of-a-kind combination of film premieres, exclusive screenings, live events, scripts in competition as well as special guests, panels and much more, all taking place in the historic Hudson Valley during its magical, and wildly popular, Halloween season. All of us with SHIFF are thrilled to welcome you to be part of history with this first-ever large-scale genre film festival in Westchester County, NY, in one of the most famous locations in the entire world. We extend a special thanks to the fine folk, governments and associations of Sleepy Hollow and Tarrytown, the wondrous Tarrytown Music Hall and Warner Library, who proudly keep the spirit of Irving alive each and every day. So, for the next four days, revel in the inception of a new legend here in the Hollow. Enjoy, and let the bewitching begin! —The SHIFF Team Co-Founder/Director, Business Affairs DAVE NORRIS Advisory Board Lead Programmer DAN McKEON CHRIS POGGIALI FREDERICK K. KELLER TAYLOR WHITE Screenplay Board CHRIS TOWNSEND HARRY MANFREDINI Co-Founder/Director, DON LAMOREAUX Tech/Prints STEVE MITCHELL Programmer STEVE MITCHELL ZACH TOW CYRUS VORIS MATT VERBOYS CYRUS VORIS Official Photographer LARRY COHEN (In Memoriam. -
Brief Amici Curiae of Crow Tribe of Indians, National Congress Of
No. 19-1414 In the Supreme Court of the United States __________ UNITED STATES OF AMERICA, PETITIONER v. JOSHUA JAMES COOLEY, RESPONDENT __________ ON PETITION FOR A WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT __________ BRIEF AMICI CURIAE OF THE CROW TRIBE OF INDIANS, THE NATIONAL CONGRESS OF AMERICAN INDIANS, AND OTHER TRIBAL ORGANIZATIONS __________ JENNIFER H. WEDDLE Busby, MT 59016 Counsel of Record Phone: (406) 672-4779 TROY A. EID [email protected] KYLE R. MONTOUR Greenberg Traurig, LLP DERRICK BEETSO 1144 15th St., Suite 3300 General Counsel Denver, CO 80202 National Congress of (303) 572-6500 American Indians [email protected] Embassy of Tribal Nations DION KILLSBACK 1516 P Street NW Killsback Law PLLC Washington, DC 20005 Attorney at Law Phone: 202.630.0318 P.O. Box 294 [email protected] Counsel for Amici Curiae QUESTION PRESENTED Whether the lower courts erred in suppressing ev- idence on the theory that a police officer of an Indian tribe lacked authority to temporarily detain and search respondent, a non-Indian, on a public right-of- way within a reservation based on a potential viola- tion of state or federal law. ii RELATED PROCEEDINGS United States District Court (D. Mont.): United States v. Cooley, No. 16-cr-42-BLG-SPW, 2017 U.S. Dist. LEXIS 17276 (D. Mont. Feb. 7, 2017). United States Court of Appeals (9th Cir.): United States v. Cooley, 919 F.3d 1135 (9th Cir. 2019)(petition for reh’g denied, United States v. Cooley, 947 F.3d 1215 (9th Cir. -
From Big Rusty to Steampunk Halloween© Art for Me Has Always
From Big Rusty to Steampunk Halloween© Art for me has always been about being inspired by things around me while using lots of different elements and ideas to create something unique and special. I have always loved gardening and with that comes lots of rusty tools, gears and things that have interesting shapes and textures. I also love to create faux finishes like leathers and marbling. As an artist I think I see more details and colors than most people. I think it comes from drawing and painting so much that it trains you to see the hues, the details and the textures of an object instead of just the object. You might see a tree but I see the lights, the darks, structure and the negative spaces too. With that in mind we were on a trip to Portland Oregon for the Spring Market. We were driving through a small town in Oregon when I saw a bunch of old rusty gardening tools that had been transformed into animals. I yelled to Randy to “pull over” and I jumped out of the van before it stopped moving. We wandered through this odd and crazy zoo. It was love at first sight. We were planning on stopping to see my mom in Northern California on our way home and I just had to bring her one of these awesome, crazy creatures for her garden. We decided on Big Rusty, a wonky, crazy looking bird made out of a shovel, rototiller tines, rebar, faucet handles etc. We had our van full of stuff from the show so we had to tie Big Rusty onto the roof of the van. -
Newfolk Ndif: the Cybergoth in Science Fiction Culture
Newfolk NDiF: The Cybergoth in Science Fiction Culture New Directions in Folklore 3 (formerly the Impromptu Journal) May-July 1999 Newfolk :: NDF :: Archive :: Issue 3 :: Page 1 :: Page 2 The Goth Explosion in Science Fiction Culture Camille Bacon-Smith, Ph.D. This is an excerpt from the book Science Fiction Culture, Philadelphia, University of Pennsylvania Press, 2000. When people want to know why I would write a book about science fiction culture (fandom), the first question they usually ask is, "What makes fandom different from any other group?" As if difference was the only criterion for interesting. My answer, by contrast, is, "Nothing makes it different. That is the point." The larger mechanics of mainstream American culture play out in a relatively small, defined setting. So we can let go of the fantasy we used to hold that studying small villages in low- technology settings give us insights into a computer-driven, high speed, population dense techno-culture. We can find groups of ourselves small enough to study right here. And the mechanics of power and status, of change and conflict, will often play themselves out in speeded-up time that we can watch; we can figure out the dynamics in small. And it turns out those observations in small apply well to the larger society. Like the rest of the culture in which it resides, fandom has experience the women's movement and the backlash, and the rise of lesbian and gay self determination. And, in the late eighties and early nineties, fandom experienced the invasion of the goths. -
Ownership Concentration in the U.S. Comic Book Industry
From McAllister, M.P., Sewell, Jr., E. H., & Gordon, I. (2001). Comics and Ideology. NY: Peter Lang. @2001 Peter Lang. Chapter 2 Ownership Concentration in the U.S. Comic Book Industry Matthew P. McAllister In the May 24, 1998 issue of The New York Times, there appeared a 3,200-word essay about the Marvel Entertainment Group, for years the dominant publisher in the comic book industry (Bryant, 1998). The illustration that accompanied the story was a drawing of two angry figures slugging it out in a fierce battle royale. However, this article did not appear in the entertainment section, the arts section, or even the book section. It appeared in the business section. The article was not about the hottest titles, characters or artists, but instead about stock values, junk bonds, and corporate assets. And the two figures pummeling each other were not fictional superheroes, but rather cari- catures of two Wall Street moguls, Ronald Perelman and Carl Icahn. In fact, the news article focused specifically on the dire nature of the comic book market and the struggle for control over Marvel, the industry leader, that took place between these two financial tycoons. This article joined a series of news reports from 1996 through 1998 that appeared in other business venues like The Wall Street Journal, The Hollywood Reporter, and The Financial Times of London. Such articles collectively presented a troubled image of the economic and industrial dynamics of the comic book industry in the late 1990s. This chapter will focus on these dynamics from the perspective of political economy, arguing that the comic book industry is characterized by increased conglomeration and ownership concentration. -
Comics As Art Therapy
Art Therapy: Journal of the American Art Therapy Association, 21(1) pp. 42-43 © AATA, Inc. 2004 V iewpoints Comics as Art Therapy Matthew J. Mulholland, Ridgefield Park, NJ Spider Man and the Green Lantern are not the first the masses. The plots revolved around superhero-versus- images that most people conjure up when someone men- supervillain conflicts of the typical comic book sort. In the tions “important art.” In the world of fine art, comic books same way he responded to villains who stood against him, are often viewed as the bottom rung of the artistic ladder “Super Derf” also defeated the fear and insecurities his alter (or so a number of professors I have had over the years have ego (as well as his creator) carried with him. Through that tried to convince me). In the early half of the 1900s, such character, I could show the person I was and the person I an assessment would not have been unreasonable. With wanted to be with nothing but a costume change. their rudimentary visuals and sub-par writing, the comics Years later I created a different character that carried of the day were nothing more than gags and cheap laughs. many of the same social and self-image insecurities as It was not until the end of the 20th century that comics “Super Derf.” Modeling him after how I viewed myself at became an acclaimed artistic medium, with profound and the time, I called the character “The Fat-Man” (Figure 1b). relevant writing and technically strong and aesthetically Loosely (and admittedly) based on Batman, who was pleasing visuals. -
Three Stooges Graphic Novels #1
PAPERCUTZ SPRING 2012 Three Stooges Graphic Novels #1: Bed Bugged Jim Salicrup, George Gladir, Stan Goldberg Summary Moe, Larry, and Curly are back in this collection of all-new stories by writers Jim Salicrup and George Gladir with longtime Archie artist Stan Goldberg. In the title story, “Bed Bugged,” the stooges find themselves as exterminators in a wealthy house full of priceless works of art. Can the three clear the house of bugs and leave the place intact? Expect eye-pokes, gags, and slapstick galore in this return of the classic trio for an all-new audience. Author Bio Jim Salicrup is Editor-In-Chief of Papercutz. Throughout his career he has edited numerous titles for Marvel Comics and Topps Comics, where he served as Editor-In- Chief, including Spider-Man, Uncanny X-Men, Avengers, Fantastic Four, Transformers, X-Files, and Bram Stoker’s Dracula. He edited Spider-Man #1, which landed him in The Guinness Book of World Records as the editor of the best-selling Spider-Man comic book of all time. In 2011 he was voted “Favorite Editor” in the Comic’s Buyer’s Guide Fan Awards for his work with Papercutz. Papercutz 9781597073158 Stan Goldberg started his comics career in 1949 at age 16 as a staff colorist for Timely Pub Date: 3/13/12 Comics, now known as Marvel Comics. Stan designed the colors of some of the most On Sale Date: 3/13/12 popular characters of the 1960’s, including Spider-Man, The Fantastic Four, The X-Men, Ship Date: 2/23/12 $6.99/$7.99 Can. -
Dark-Souls.Pdf
Wiki Guide PDF Dark Souls Getting Started Character Creation Basic Tips Frequent Problems Choose Your Weapon Oh The Humanity Advanced Combat Optimized Builds Walkthrough Prologue - Northern Undead Asylum Firelink Shrine Undead Burg Undead Parish Darkroot Garden Lower Undead Burg The Depths Darkroot Basin Valley of the Drakes Blighttown Undead Aslyum Part 2 Darkroot Garden Part 2 Sen's Fortress Anor Londo Painted World of Ariamis The Great Hollow Ash Lake The Catacombs Tomb of the Giants The Duke's Archives Crystal Cave New Londo Ruins Demon Ruins Lost Izalith Kiln of the First Flame Bosses Asylum Demon Bed of Chaos Bell Gargoyles Capra Demon Ceaseless Discharge Chaos Witch Quelaag Crossbreed Priscilla Dark Sun Gwyndolin Firesage Demon Gaping Dragon Gravelord Nito Great Grey Wolf Sif Hellkite Dragon Iron Golem Moonlight Butterfly Ornstein and Smough Pinwheel Prowling Demon a.k.a Titanite Demon Seath the Scaleless Stray Demon Taurus Demon The Four Kings Important NPCs Anastacia of Astora, Firelink Shrine Firekeeper Big Hat Logan Crestfallen Warrior Dusk of Oolacile Kingseeker Frampt Knight Laurtrec of Carim Maneater Mildred Oswald the Pardoner Patches the Hyena Petrus of Thorolund Quelana the Witch of Izalith Siegmeyer of Catarina Snuggly the Crow Solaire of Astoria Covenants Blade of the Darkmoon Chaos Servant Darkwraith Forest Hunter Gravelord Servant Path of the Dragon Princess's Guard Warrior of Sunlight Way of White Merchants and Blacksmiths Merchants Undead Male Merchant Undead Female Merchant Crestfallen Merchant Petrus of Thorolund -
1994-95 ASUSF Budget Passed Macabre Cases Were Cited of Children Being Born Without Arms, Legs, And, in Some Instances, Brains
San Francisco VolumeFOGHOR 90, Issue 20 University of San Francisco MayN 4, 1994 USF hosts lecture on environment James Tedford News Editor The green pines behind McLaren Center served as a hopeftil backdrop for an open forum on "Environmental Racism & Justice," sponsored by Scientists for the Environment, ASAP, ASUSF, Co-Curricular, and MAP last Wednesday. Approximately 30 students greeted Richard Moore, founder and coordinator of the Southwest Network for Environmental and Economic J ustice (SNEEJ), who recounted alleged atrocities directed against minorities in Mexico and the Southwestern United States by corporations releasing pollutants into low- income, residential areas. In his 30 minute address Moore condemned the policies of the U.S. and Mexican governments for allowing businesses to use and dispose of dangerous and "obnoxious" materials near impoverished communities. He also claimed that corporate lobbyists are wrongfully influencing politics on both a local and national scale. "There's a saying that goes, 'Wherever you find railroad tracks, you will find a low-income, working-class community,'" said Moore. "There have been accidents on those trains, [coming from] cars overturning and the chemicals that were being transported." Supplementing Moore's testimony was a video shown of a lead smelter in a small Mexican community, where an outbreak of birth defects caused by lead poisoning was occurring. 1994-95 ASUSF budget passed Macabre cases were cited of children being born without arms, legs, and, in some instances, brains. Due to the extent of the groundwater contamination, the Kelly Sullivan consensus of ASAP, Engle said, was that the University does average Mexican household spends over half of its income on Editor-in-Chief not need another programmingboard, but rather improvement bottled water.