Jonathan Nott

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Tokyo Symphony Orchestra <Kawasaki Office> Muza Kawasaki Central Tower 5th floor Kawasaki city, Kanagawa, 212-8554 Tel: +81-(0)44-520-1518 Fax: +81-(0)44-543-1488 http://tokyosymphony.jp/ JONATHAN NOTT Well known for the power, vigour and clarity of his interpretations of Mahler’s works, Jonathan Nott has been music director of the Tokyo Symphony Orchestra since 2014. In 2018, recording of Symphony No.10 by Mahler and Symphony No.9 by Bruckner won the Best Recording of the 31th Music Pen Club Music Award. After studying music at the University of Cambridge, singing and flute at the Royal Northern College of Music in Manchester and conducting in London, he began his career at the opera houses in Mrankfurt and Wiesbaden where he conducted all major works of the repertoire including Wagner’s complete Ring cycle. The year 1997 marked the beginning of a special relationship with Switzerland: as principal conductor of the Lucerne Symphony Orchestra he took an active part in the inaugural period of the new KKL where he also performed with the Ensemble Intercontemporain founded by Pierre Boulez, and of which he was the music director from 2000 to 2003. His sixteen years as principal conductor of the Bamberg Symphony Orchestra from 2000 until 2016 were filled with varied and enriching experiences: he created artist-in-residence programmes, went on several international tours with the orchestra, he received a Midem Award in 2010 for his recording of Mahler’s Ninth Symphony, and he launched the Gustav Mahler Conducting Competition from which have emerged some of today’s world famous conductors such as Gustavo Dudamel and Lahav Shani. He was also appointed as Music and Artistic Director of the Orchestre de la Suisse Romande as from 2017 and had been principal conductor of the Bamberg Symphony Orchestra for 16 years. He brings inspiration to young artists through his loyal and long term commitment to the Junge Deutsche Philharmonie and to the Gustav Mahler Youth Orchestra. Jonathan Nott has a large catalogue of highly acclaimed recordings, including Ligeti’s complete orchestral works performed by the Berlin Philharmonic, the entire Schubert and Mahler Symphonies played by the Bamberg Symphony Orchestra, Mahler’s Das Lied von der Erde with the Vienna Philharmonic Orchestra and Jonas Kaufmann as soloist. His first recording with the Orchestre de la Suisse Romande of works by Richard Strauss, Claude Debussy and Gyorgy Ligeti was released by PentaTone in September 2018. 364 words .

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ORCHESTRE DE LA SUISSE ROMANDE Director Titular: JONATHAN NOTT
A.7 ORCHESTRE DE LA SUISSE ROMANDE Director Titular: JONATHAN NOTT SERIE ARRIAGA 2016.2017 Auditorio Nacional Medio colaborador de Música A.7 ORCHESTRE DE LA SUISSE ROMANDE Fue fundada, en 1918, por Ernest Ansermet, que fue su Director hasta 1967. Está formada por 112 músicos permanentes. Sus actividades incluyen una serie de conciertos de abono, en Ginebra y Lausana, los conciertos sinfónicos oficiales de la ciudad de Ginebra, el Concierto Benéfico Anual de las Naciones Unidas y representaciones de ópera en el Grand Théâtre de Ginebra. Jonathan Nott ocupa el puesto de Director Titular, a partir de la temporada 2016-2017. Su Principal Director Invitado es el japonés Kazuki Yamada. Desde sus inicios y bajo el liderazgo de su fundador y de sus sucesores Paul Kletzki (1967-1970), Wolfgang Sawallisch (1970-1980), Horst Stein (1980-1985), Armin Jordan (1985-1997), Fabio Luisi (1997-2002), Pinchas Steinberg (2002- 2005), Marek Janowski (2005-2012) y Neeme Järvi (2012-2015), la orquesta ha contribuido activamente a la historia de la música a través del apoyo a compositores contemporáneos. Una de sus misiones más importantes es el apoyo a nueva música orquestal, especialmente de compositores suizos. Desde sus comienzos y en colaboración con la Televisión Suiza-Francesa sus conciertos llegan a un público de millones de personas en todo el mundo. Gracias a su estrecho trabajo con Decca, se realizaron legendarias grabaciones. El resto de los registros, para unos doce sellos diferentes, han recibido numerosos premios. Más recientemente, la orquesta ha desarrollado una privilegiada colaboración con PentaTone. Sus giras internacionales la han llevado a actuar en las principales salas de concierto de Europa (Berlín, Londres, Viena, Salzburgo, París, Madrid, Barcelona, Budapest y Ámsterdam), Asia (Tokio, Seúl, Beijing), así como en América (Boston, Nueva York, San Francisco, Washington, São Paulo, Buenos Aires y Montevideo).
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Ett Porträtt Av Orchestre De La Suisse Romande
Ett porträtt av Orchestre de la Suisse Romande Orchestre de la Suisse Romande – One Century of Music Pentatone PTC5186791 [5 CD] Orchestre de la Suisse Romande bildades 1918 där syftet var att ge den fransktalande populationen i Schweiz en orkester som motpol till den dominerande tysktalande delen av landet. Den legendariske dirigenten Ernest Ansermet var grundaren av orkestern och hans kamp för att få orkestern att överleva både politiskt motstånd men även 1930-talets ekonomiska depression gjorde att han hade alla odds emot sig. På sikt lyckades orkestern att bli så etablerad som tanken var och orkestern fungerar väl än idag. I en ny box från Pentatone på 5 cd får vi höra musik framförd av orkesterns samtliga chefdirigenter. Ansermet var chef nästan 50 år mellan åren 1918–1967 och därefter har orkestern letts av följande dirigenter under betydligt kortare perioder: Paul Kletzki, Wolfgang Sawallisch, Horst Stein, Armin Jordan, Fabio Luisi, Pinchas Steinberg, Marek Janowski, Neeme Järvi och Jonathan Nott (orkesterns nuvarande chefsdirigent). Många välkända maestror har därmed haft ansvaret för orkestern genom åren men ingen så länge som grundaren själv. Denna box innehåller 19 olika verk vilket visar på den mångsidighet som finns hos orkestern. Den första skivan ägnas åt fransk musik, den andra åt tyska tonsättare, nr. 3 fokuserar på verk från 1900-talet och nr. 4 innehåller rysk musik. Den sista, den femte, ägnas åt en historisk inspelning från januari 1943, där Ansermet dirigerar Gustave Dorets ”Les Armaillis”, en dramatisk legend för solister, kör och orkester. Det något daterade ljudet ger en viss begränsning för att få en helt rättvis bild av både verk och framförande.
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JONATHAN NOTT Solista: NELSON GOERNER
SERIE BARBIERI B.7 ORCHESTRE DE LA SUISSE ROMANDE Director Titular: JONATHAN NOTT Solista: NELSON GOERNER SERIE BARBIERI 2016.2017 Auditorio Nacional Medio colaborador de Música B.7 ORCHESTRE DE LA SUISSE ROMANDE Fue fundada, en 1918, por Ernest Ansermet, que fue su Director hasta 1967. Está formada por 112 músicos permanentes. Sus actividades incluyen una serie de conciertos de abono, en Ginebra y Lausana, los conciertos sinfónicos oficiales de la ciudad de Ginebra, el Concierto Benéfico Anual de las Naciones Unidas y representaciones de ópera en el Grand Théâtre de Ginebra. Jonathan Nott ocupa el puesto de Director Titular, a partir de la temporada 2016-2017. Su Principal Director Invitado es el japonés Kazuki Yamada. Desde sus inicios y bajo el liderazgo de su fundador y de sus sucesores Paul Kletzki (1967-1970), Wolfgang Sawallisch (1970-1980), Horst Stein (1980-1985), Armin Jordan (1985-1997), Fabio Luisi (1997-2002), Pinchas Steinberg (2002- 2005), Marek Janowski (2005-2012) y Neeme Järvi (2012-2015), la orquesta ha contribuido activamente a la historia de la música a través del apoyo a compositores contemporáneos. Una de sus misiones más importantes es el apoyo a nueva música orquestal, especialmente de compositores suizos. Desde sus comienzos y en colaboración con la Televisión Suiza-Francesa sus conciertos llegan a un público de millones de personas en todo el mundo. Gracias a su estrecho trabajo con Decca, se realizaron legendarias grabaciones. El resto de los registros, para unos doce sellos diferentes, han recibido numerosos premios. Más recientemente, la orquesta ha desarrollado una privilegiada colaboración con PentaTone. Sus giras internacionales la han llevado a actuar en las principales salas de concierto de Europa (Berlín, Londres, Viena, Salzburgo, París, Madrid, Barcelona, Budapest y Ámsterdam), Asia (Tokio, Seúl, Beijing), así como en América (Boston, Nueva York, San Francisco, Washington, São Paulo, Buenos Aires y Montevideo).
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4947703-497324-827949050466.Pdf
Felix Mendelssohn-Bartholdy (1809-1847) Concerto for Violin and Orchestra in E Minor, Op. 64 “These concertos by Mendelssohn and Tchaikovsky are part of 1 Allegro molto appassionato 14. 45 the absolute “standard repertoire” usually studied by violinists 2 Andante – Allegretto non troppo 9. 10 at a young age. And to be honest, although I love playing these 3 Allegro molto vivace 6. 02 works regularly in my concerts, I had never before felt the need to record them, unlike other, rarely played repertoire that I have recorded in the past. Peter Ilyich Tchaikovsky (1840-1893) Concerto for Violin and Orchestra in D Major, Op. 35 However, Charles and I have performed the concertos together many times and no matter how often I play them, I realize every 4 Allegro moderato 20. 15 time again that it feels new for each successive performance – 5 Canzonetta – Andante 7. 02 this is the magic of music. 6 Finale – Allegro vivacissimo 10. 46 These are simply such wonderful concertos that I was extremely happy to make this recording with him and the extraordinary Total playing time: 68. 14 Orchestre de la Suisse Romande.” Arabella Steinbacher Arabella Steinbacher, violin Orchestre de la Suisse Romande Conducted by Charles Dutoit Violin thoroughbreds masterful and musical manner FOR the completion of the concerto. During this one could say, fully instrument-based which, due to its positioning between The Viennese music critic Eduard those by Beethoven, Brahms, Dvořák, and collaboration of his former pupil instrument and FOR the violinist, in a time, Mendelssohn worked intensively approach to the composition of the the development and recapitulation, is Hanslick could well and truly lash and, of course, Mendelssohn).
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Nott Eic 22/05/01
André Larquié président Brigitte Marger directeur général Deux compositeurs, deux univers radicalement opposés constituent ce pro- gramme. Mais également deux œuvres que rapproche l’inspiration littéraire : La Mort de Virgile d’Hermann Broch, pour Hanspeter Kyburz ; et Lohengrin, l’une des nouvelles des Moralités légendaires de Jules Laforgue, pour Salvatore Sciarrino. Dans l’une et l’autre de ces compositions, la dramaturgie latente a conduit à donner au cadre de la représentation une disposition toute particulière. Jean- Claude Berutti – qui avait déjà signé la mise en espace de Passaggio de Luciano Berio, dans cette même salle en septembre 1999 – invente ici un lieu de déploie- ment spécifique pour Lohengrin, cette « action invisible », selon les propres termes de Salvatore Sciarrino. mardi 22 mai - 20h salle des concerts Hanspeter Kyburz Parts, pour ensemble durée : 21 minutes entracte Salvatore Sciarrino Lohengrin, action invisible pour soliste, instruments et voix d’après Les Moralités légendaires (1887) de Jules Laforgue (voir traduction p. 9) durée : 40 minutes Jonathan Nott, direction Marianne Pousseur, soprano/actrice Patrick Blauwart, récitant Jean-Claude Berutti, mise en espace Rudy Sabounghi, collaboration artistique Axe 21 Ensemble Intercontemporain coproduction cité de la musique, Ensemble Intercontemporain concert enregistré par France Musiques, partenaire de l’Ensemble Intercontemporain pour la saison 2000/2001 Jonathan Nott - Ensemble Intercontemporain Hanspeter Kyburz composition : 1994-1995 ; commande de la Fondation Parts, pour ensemble Pro Helvetia ; création : le 23 avril 1995 à Witten dans le cadre des Wittener Tage für Neue Kammermusik par l’ensemble Klangforum (dir. Peter Rundel) ; effectif : flûte/flûte piccolo/flûte basse, hautbois, clarinette en si bémol/clarinette basse/clari- nette en mi bémol, clarinette en si bémol/clarinette basse ; saxophone soprano, 2 cors, 2 trompettes, 2 trombones ténor/basse, 3 percussions, clavier/célesta, harpe, guitare, 2 vio- lons, alto, violoncelle, contrebasse ; éditeur : Breitkopf & Härtel.
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Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre
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JONATHAN NOTT Erster Dirigent Und Künstlerischer Berater
BIOGRAFIE JONATHAN NOTT Erster Dirigent und Künstlerischer Berater Anerkannt für seine mächtigen, energiegeladenen und klaren Interpretationen der Musik von Mahler, wurde Jonathan Nott 2014 eingeladen, das Orchestre de la Suisse Romande für eine Aufführung von Mahlers Symphonie Nr. 7 zu dirigieren. Diese vielversprechende erste Begegnung führte zu seiner Ernennung als musikalischer und künstlerischer Leiter des Orchestre de la Suisse Romande, eine Position, die er seit Januar 2017 inne hat. Jonathan Nott studierte Musik an der University of Cambridge, Gesang und Flöte am Royal Northern College of Music in Manchester und Dirigieren in London, bevor er seine Karriere an den Opernhäusern von Frankfurt und Wiesbaden begann. Seither hat er alle bedeutende Opern dirigiert, darunter den kompletten Ring-Zyklus von Richard Wagner. Seit 1997 verbindet eine besondere musikalische Beziehung Jonathan Nott mit der Schweiz: als Chefdirigent des Luzerner Sinfonieorchesters war er während der Öffnungsperiode des neuen KKL sehr engagiert. Er ist dort mit dem von Pierre Boulez gegründeten Ensemble Intercontemporain erfolgreich aufgetreten, als dessen Chefdirigent er von 2000 bis 2003 fungierte. Sechzehn Jahre lange war Jonathan Nott Chefdirigent der Bamberger Symphoniker, Jahre, die von erfolgreichen und vielseitigen Initiativen geprägt waren: er gründete eine Artist-in-Residence-Reihe, unternahm regelmäßige Tourneen mit dem Orchester sowohl in Deutschland als auch im Ausland; 2010 erhielt er eine Midem-Auszeichnung für seine Einspielung von Mahlers Neunten Symphonie, und er rief den Gustav Mahler Dirigier-Wettbewerb ins Leben, zu dessen Preisträgern nun weltberühmte Dirigenten wie Gustavo Dudamel und Lahav Shani zählen. Seit 2014 ist Jonathan Nott außerdem Musikdirektor des Tokyo Symphony Orchestra. Jonathan Nott ist ein wichtiger Impulsgeber für junge Musiker und hat eine langfristige Verpflichtung mit der Jungen Deutschen Philharmonie und dem Gustav Mahler Jugendorchester.
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2009) 22:53 Abandoned Time (2004–06
DAI FUJIKURA (*1977) 1 Sparks (2011) 1:25 4 Abandoned Time (2004–06) 8:57 for solo guitar for solo electric guitar and ensembles 281907 2 ice (2009–10) 21:17 5 I dreamed on singing !owers (2012) 4:22 for ensemble for prerecorded electronics 3 Phantom Splinter (2009) 22:53 6 Sparking Orbit (2013) 17:18 for ensemble and live electronics for solo electric guitar and live electronics 120010 International Contemporary Ensemble · Daniel Lippel solo guitar Jayce Ogren · Matthew Ward TT: 1:16:12 9 Recording: 1 Ryan Streber, Daniel Lippel; 2 Ryan Streber, Jacob Greenberg, Dai Fujikura; 0013302KAI 3 Joachim Haas, Thomas Hummel, Teresa Carasco; 4 Ryan Streber DAI FUJIKURA D D D 5 Dai Fujikura; 6 Michael Acker, Dai Fujikura Recording venues: 1, 2 Oktaven Audio, Yonkers, New York, USA; 3, 6 SWR, Freiburg, Germany LC 10488 (EXPERIMENTALSTUDIO of the SWR); 4 Sweeney Auditorium, Smith College, Northampton, Massachusetts, USA Recording dates: 1 17 March 2013; 2 8 June 2012; 3 16–17 March 2011; 4 26 August 2007; 6 28 February 2013 Session Producers: 1 Ryan Streber; 2 Jacob Greenberg; 3 Michael Acker, Dai Fujikura 4 Jacob Greenberg; 6 Dai Fujikura ice Editing producers: 1 Daniel Lippel, 2 Jacob Greenberg; 3 Dai Fujikura; 4 Daniel Lippel; 6 Dai Fujikura, Daniel Lippel Recording engineers: 1, 2, 4 Ryan Streber; 3, 6 Michael Acker Mastering/cut: 1 – 6 Ryan Streber Final mastering: Ryan Streber – Oktaven Audio www.oktavenaudio.com Post production/digital editor: 2, 4°9`HU:[YLILY"3°+HP-\QPR\YH Mix supervision: 2°1HJVI.YLLUILYN+HUPLS3PWWLS"3°+HP-\QPR\YH" 4 Daniel Lippel; 6°+HP-\QPR\YH+HUPLS3PWWLS;OVTHZ/\TTLS Executive Producers: International Contemporary Ensemble (ICE), 0013302KAI Barbara Fränzen, Peter Oswald Includes detailed booklet This recording was made possible through a generous grant from the Augustine Foundation, with texts by Daniel Lippel a foundation committed to the repertoire growth and promotion of the classical guitar.
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Jonathan Nott La Segunda De Bruckner Abbey Lincoln Max Roach
REVISTA DE MÚSICA Año XXIII - Nº 225 - Diciembre 2007 - 6,50 € DOSIER Jean Sibelius ENCUENTROS Jonathan Nott ACTUALIDAD Ruperto Chapí Yannis Kokkos Wagner en París Nº 225 - Diciembre 2007 SCHERZO REFERENCIAS La Segunda de Bruckner JAZZ Abbey Lincoln Max Roach AÑO XXIII - Nº 225 - Diciembre 2007 - 6,50 € 2 OPINIÓN DOSIER Sibelius 113 CON NOMBRE PROPIO La glosa de Adorno 8 Ruperto Chapí Santiago Martín Bermúdez 114 Alberto González Lapuente Sibelius y la integración 10 Yannis Kokkos de la forma Rafael Banús Irusta Constant Lambert 118 Las últimas sinfonías 12 AGENDA Enrique Igoa 122 16 Una discografía REPORTAJE comparada Exposición Wagner en París Juan Carlos Moreno 126 Bruno Serrou ENCUENTROS 18 ACTUALIDAD Jonathan Nott NACIONAL Juan Antonio Llorente 130 46 ACTUALIDAD INTERNACIONAL EDUCACIÓN Pedro Sarmiento 134 60 ENTREVISTA JAZZ Leif Ove Andsnes Pablo Sanz 136 Ana Mateo LIBROS 138 64 Discos del mes LA GUÍA 140 65 SCHERZO DISCOS CONTRAPUNTO Norman Lebrecht 144 Sumario Colaboran en este número: Javier Alfaya, Julio Andrade Malde, Rafael Banús Irusta, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, José Antonio García y García, Juan García-Rico, Antonio Gascó, Alberto González Lapuente, José Guerrero Martín, Fernando Herrero, Bernd Hoppe, Enrique Igoa, Paul Korenhof, Constant Lambert, Antonio Lasierra, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Santiago Martín Bermúdez, Leticia Martín Ruiz, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Aurelio Martínez Seco, Blas Matamoro, Ana Mateo, Marco Antonio Molín Ruiz, Juan Carlos Moreno, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, David Rodríguez Cerdán, Jaime Rodríguez Pombo, Ignacio Sánchez Quirós, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Carlos Singer, Franco Soda, Christian Springer, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J.
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Season 2013-2014
27 Season 2013-2014 Thursday, September 26, at 8:00 The Philadelphia Orchestra Friday, September 27, at 2:00 Saturday, September 28, Yannick Nézet-Séguin Conductor at 8:00 Christine Brewer Soprano Mihoko Fujimura Mezzo-soprano Christian Elsner Tenor Shenyang Bass-baritone Westminster Choir and Westminster Symphonic Choir Joe Miller Director Beethoven Calm Sea and Prosperous Voyage, Op. 112, for chorus and orchestra Muhly Bright Mass with Canons I. Kyrie II. Gloria III. Sanctus and Benedictus— IV. Agnus Dei World premiere of orchestrated version—Commissioned by The Philadelphia Orchestra Intermission Beethoven Symphony No. 9 in D minor, Op. 125 (“Choral”) I. Allegro ma non troppo, un poco maestoso II. Molto vivace—Presto III. Adagio molto e cantabile—Andante moderato—Tempo I IV. Presto—Allegro assai—Presto (Recitativo)— Allegro assai—Allegro assai vivace: alla marcia—Andante maestoso—Allegro energico—Allegro ma non tanto—Poco adagio—Poco adagio, strigendo il tempo— Prestissimo This program runs approximately 1 hour, 55 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 2 PM. Visit www.wrti.org to listen live or for more details. 3 Story Title 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations.
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Summer 2013 Boston Symphony Orchestra
boston symphony orchestra summer 2013 Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 132nd season, 2012–2013 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D.
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Jonathan Nott Music Director
Tokyo Symphony Orchestra <Kawasaki Office> Musa Kawasaki Central Tower 5th floor 1310 Omiya-cho, Saiwai-ku Kawasaki city, Kanagawa, 212-8554 Tel: +81-(0)44-520-1518 Fax: +81-(0)44-543-1488 http://tokyosymphony.jp/ Jonathan Nott Music Director In April 2014, Jonathan Nott took over as Music Director of the Tokyo Symphony Orchestra performing the triumphant Symphony No.9 of Mahler for his inaugural concert with the orchestra. In October 2011, Mr. Nott made his debut with the Tokyo Symphony Orchestra, and was immediately offered the post of Music Director. Jonathan Nott frequently guest conducts the world’s leading orchestras including the Berlin, New York and Los Angeles Philharmonics and the Royal Concertgebouw, Tonhalle, Chicago, Leipzig Gewandhaus, Dresden Staatskapelle, Bayerische Rundfunk Symphony Orchestras. In June 2016, Mr. Nott conducted Mahler’s “Das Lied von der Erde” with Vienna Philharmonic and Jonas Kaufmann, which was recorded for SONY Classical. Jonathan Nott studied music at Cambridge University, singing and flute at the Royal Northern College of Music in Manchester, and conducting in London. His career began working at the Frankfurt and Wiesbaden Operas where he conducted all the major operatic repertoire, including a complete Ring Cycle with Siegfried Jerusalem. During this time he began an enduring collaboration with the Ensemble Modern. From 1997-2002 he was Chief Conductor of the Luzern Symphony Orchestra and between 2000-2003, Principal Conductor of the Ensemble Intercontemporain. Between 2000 and 2016, he was Principal Conductor of the Bamberg Symphony Orchestra and lifted the ensemble to a prominence acknowledged by their winning of the Midem Award for the best symphonic recording (of Mahler 9) in 2010.
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