Moving Horns Will Move You, Keep You in Motion, and Will Inspire You to Move on in New Horn Adventures

Home , Collage (Horner), Gabriel Dessauer, German horn, Ignace Michiels, Robert Herberigs, Vienna horn

Sound Innovation from an American Classic

C.G. Conn 11DES French Horn

conn-selmer.com INHOUDSTAFEL / TABLE OF CONTENTS

MOVING AROUND AT IHS51 p.03 WELCOME AT IHS51 p.05 PROGRAM

SCHEDULE p.09 CONCERTS p.29 FRINGE p.39 HISTORICAL HORN CONFERENCE p.45 LECTURES / WORKSHOPS p.57 MASTERCLASSES p.71 WAKE THE DRAGON! p.75 COMPETITIONS p.79 SOCIAL PROGRAM p.81 CURRICULA p.87 VENUES p.159 Become part of our century-old horn playing legacy, and study at the heart of vibrant Ghent! Our horn professors Rik Vercruysse and Jeroen Billiet will guide you through our English Master programs in classical music for horn and natural horn.

WWW.SCHOOLOFARTSGENT.BE/EN Study Classical Music at Royal Conservatory Ghent

2 MOVING AROUND AT IHS51

SERVICE DESK Wijnaert Resto upon Unauthorized people Located in the Vestibulum showing their badge. cannot enter any indoor of Royal Conservatory, Access from the Cathedral symposium activity. the service desk is open side of the building and Badges are strictly daily 09:00-23:00 for take the elevator to the personal and can in no case 1 registration third floor. be transferred to someone 2 general information It is not possible to eat else. Badge Fraud will lead 3 bar tokens in Wijnaert Restaurant to immediate cancellation 4 tickets for social without a registered of your symposium program activities meal plan. entry right. (Brewery Visit, Don Ángel Wine Tasting, Canal Boat CLOAKROOM ELEVATOR Tour, Brussels MIM, (HORN DORM) The Elevator in the Banquet) & comple A secured ‘horn dorm’ conservatory is strictly mentary concert tickets operates 09:00-23:00 reserved for IHS51 staff 5 cloakroom & from the service desk. and elderly/disabled. horn safeguarding We safeguard your horns 6 practice/rehearsal & bags for a maximum STAY CONNECTED room assignment time of 24 hours for [email protected] €1 / session / bag. Connect to our Instagram Payments at the service IHS51 does all possible and Twitter-accounts: desk can be made by to avoid damage or loss, @IHS51gent credit card or cash. however, accepts no Facebook: For rehearsal schedules liability for goods left www.facebook.com/ and small daily in the cloakroom. ihs51.gent announcements: check the Whatsapp group for all notice board and monitor REHEARSAL ROOMS latest information: in Vestibulum daily. A limited number of enquire at Service Desk rehearsal rooms are EAT & DRINK available all-day in the Connect to our free The IHS51 Event Bar offers conservatory. Book a WiFi-networks: a wide range of beer, slot at the service desk. 1 Conservatory & Wijnaert wine, hot and refreshing Please leave the rooms NETWORK IHS51 beverages, as well as cakes on time and in the PASSWORD movinghorns and of course…chocolate. exact configuration 2 St-Baafshuis Open daily 10:00-23:15 you found them. NETWORK Sintbaafshuisgast (last orders at 22:45). Do not consume any food PASSWORD Biezekapel IHS51 participants make use or drinks (except water) of reduced rate bar tokens, in the rehearsal rooms. Do NOT call the School of on sale at the service desk. Arts or Ghent Conservatory Strictly: it is not allowed to BADGES general phone numbers bring your own food or Please wear your badge for IHS51 related matter. any drinks other than water at all time. into the symposium venue. Forgot/lost your badge? TRANSPORT Participants who pre-booked Ask for a temporary Bike Rental at de Meal Plans can eat daily replacement at the Fietsembassade 11:30-13:30 at campus service desk. www.fietsembassade.gent.be

MOVING AROUND AT IHS51 3 Several rental points near to the conservatory.

Public Transport is cheap and convenient and runs generally 6 am - 11 pm. Download the De Lijn app or see www.delijn.be

Car: Ghent conservatory is located at the edge of the camera-controlled pedestrian zone and we advise car drivers to make use of the numerous and easily accessible public parking lots. All parking spaces in the inner center are strictly reserved for residents and you will be fined/towed.

MOVING AROUND AT IHS51 4 Welcome to Ghent! enjoying conversations, eating and drinking together. Horn players all have something We wish you a (mind)-blowing quintessentially Ghentian. The people week to remember! of this city are generally known as easy-going, independent, persistent, proud and creative. They love good food and drink, embrace things of beauty and, most importantly, they know how to party! Philip Farkas’s teacher Louis Dufrasne, who started his influential career at these stunning Conser vatory premises around the turn of the twentieth century, might be the perfect synthesis of this Ghentian nature, embracing the city’s motto Nie Pleuie! (Stand Fast, Persist!) as a tool to inspire us up to today. Many of you have already proved an amazing amount of persistence by traveling such a long way to join us here for this joyful week of utter horn madness. The breathtaking diversity of today’s horn world that is illustrated in this program book could not find a better venue than our historically- looking, but future-oriented city and School of Arts. We are convinced that the incre dible combination of stunning Ghent and IHS51-Moving Horns will move you, keep you in motion, and will inspire you to move on in new horn adventures. But… even this hard-working university city transforms once a year into a crazy party zone during the Gentse Feesten street festival. IHS51 is above all a social Jeroen Billiet & event, inviting you to celebrate Rik Vercruysse with the global horn community Hosts IHS51.gent

WELCOME 5 Dear friends and horn family, horns—also jazz horn and rock horn quartet--masterclasses featuring some On behalf of the International of the finest pedagogical minds in Horn Society and its Advisory Council, the horn world—historical exhibits I am overjoyed to welcome you to and lectures on historical performance the 51st Annual Symposium, and practice and players of lore—whew- our first in Belgium! are you excited, yet?! Oh, and if These magical Symposium weeks we're lucky… we'll wake a dragon of everything involving the horn and and set a world record! its music are always special, and I Beyond all of these extraordinary remember how transformative my musical opportunities, don't forget to first Annual Symposium was, back carve out a little time to experience in 1997 at the Eastman School of Medieval Ghent and appreciate the Music in Rochester, New York, USA. sheer beauty and history of Belgium, To experience so many different a country that has had such a profound players and teachers, styles of music and lasting influence on our instrument and performances, and that special and its literature throughout history. bond of friendship that all horn I'm looking forward to seeing all of players share, was overwhelming and you, old and new friends alike, and, inspiring beyond words. This powerful as always, remember that we on the experience is even greater when the Advisory Council are here for YOU, Society visits a new location, when and we take seriously our responsibility we all get to make new friends, hear to make the Society a valued and new sounds, try new food and drink, cherished part of your life. Please let and celebrate the local horn tradition us know how we're doing, and if you and culture. This week certainly have any suggestions for us. We love will provide you with all of these to hear from you, and we all hope excellent opportunities, and we are that you have a life-changing week! greatly indebted to Jeroen Billiet and So, enjoy flipping through the Rik Vercruysse, the IHS51-team and following program and plotting your the School of Arts Gent for putting activities for the week, making sure together a truly international and to attend something new that you've wildly diverse program for us! never seen/heard/experienced, and also Centering on the theme of make some time to enjoy Ghent and the “Moving Horns”, YOU'LL be able marvels of Belgium. Have a great time, to move about the week, experiencing be sure to give Rick and Jeroen a BIG a host of different concerts and pre hug, and I'll be seeing you around! sentations: from natural horn and hunting horn-to horn quartets and horn Andy ensembles-to mixed chamber music and music for band—to new music Dr. Andrew Pelletier on new horns, and old music on old President, International Horn Society

WELCOME 6 WELCOME 7 Sound winner The real competence! behind the screen! (Technically, ergonomically Engelbert Schmid Horns and in craftsmanship already Engelbert Schmid GmbH known to be far in front) Bellerweg 3, D-86513 Mindelzell Tel. 0049-8282-890412 [email protected] www.engelbert-schmid-horns.com See the new videos under Workshop with Concert-Hall and „Engelbert Schmid“ in Youtube! Amphitheater: www.mindelsaal.de

German Quality under the Spanish Sun! Spanish Wines by Engelbert Schmid

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CONCERTS 1ST 2ND 3RD 4TH 5TH 6TH 29 JULY 1st Presenting the publication Ernest Richardson: “Brave Belgians, lyrical As She Turns, for Horn, repertoire for the horn Trombone, and Piano (2019) from the romantic era” 1. Allegro FROM i.c.w. Golden river Music, Research 2. Gently Turning Fund HoGent & Flemish Community 3. Forboding BELGIUM 4. Vivace PIANO Jan Huylebroeck WITH LOVE James Naigus: Spectra, HORN Jean-Pierre Dassonville for Horn, Trombone, Charles Gaucet: Concertino and Piano (2016) (1893) 1. Larghetto, allegro 2. Andantino 11:15 MIRY HORN Jeffrey Powers 3. Spirited Morning concert 1: Joseph Ryelandt: Sonata in Opening Ceremony E major, opus 8 (1897) 1. Lento 16.00 MIRY THE ROYAL BELGIAN HORN 2. Allegro non Troppo Afternoon concert 1: SOUND, CONDUCTED Message from BY FRANCIS ORVAL AND HORN Jeroen Billiet the Pres(id)ent IVO HADERMANN Robert Herberigs: Cyrano HORN Anthony Devriendt de Bergerac (1912) PIANO Geert Callaert Jean-Noel Melleret 1. Allegro Katrien Vintioen 2. Andante IHS ADVISORY COUNCIL Jan Van Duffel 3. Allegro Molto HORN ENSEMBLE Mieke Ailliet HORN Andrew Pelletier Evy Baetens HORN Ivo Hadermann Patrick Hughes Claudine Novikow Jules Bouquet: Sonata (1942) Louis-Philippe Marsolais Koen Cools 1. Allegro Moderato Kristina Mascher-Turner Kris Slootmaeckers 2. Andante Susan McCullough Margaux Ortman 3. Rondo Nancy Joy Jonathan Rongvaux Jeffrey Snedeker Frank Clarysse Michelle Stebleton the Royal Belgian Horn Sound is 14:45 JANSENIUS Radegundis Tavares composed of horn players from Boutique concert 1 : Amy Thakurdas Belgian professional orchestras presenting new works Lydia Van Dreel for horn, trombone William VerMeulen Patrick Housen: Call to Horns and piano Geoffrey Winter L. Van Beethoven: Egmont Overture THE TRISKELION TRIO Kerry Turner: Take 9 Léon Du Bois: PIANO Catherine Anderson antiphonal fanfare Grand Octuor n°3 HORN Jason Johnston Felix Mendelssohn-Bartholdy Françoix Glorieux: TROMBONE John Neurohr (arr. L. Shaw): ‘O Rest in Summer Meeting 77 the Lord’, from Elijah Bart Leys: Corno Ignis Andy Wolfe: Triptych, Samuel Adler: Joris Vandenhauwe: Overture for Horn, Trombone, Brahmisana, for 8 horns and Piano (2013) 1. Vivo, ritmico HORN Bruce Bonnell 13:45 MIRY 2. Adagio for Owen Jay Batzner: The Danger Tree, Contributors concert 1: 3. Allegro furioso for Horn and Live Electronics Brave Belgians! (world premiere)

CONCERTS 1ST 30 HORN Jeffrey Snedeker BELGIAN BRASS Crested Butte Mountain, John Graas: Fantasy, ENSEMBLE for Alphorn and large for Horn and Piano TRUMPET Manu Mellaerts Brass Ensemble Steven De Volder Francisco Tàrrega: HORN Andrew Pelletier Leo Wouters Recuerdos de la Alhambra Samuel Adler: Thomas Melkaerts Agustin Lara: Granada Sonata nr. 2 HORN Rik Vercruysse (world premiere) Marc Peremans 1. Fast and rhythmic TROMBONE Jan Smets JULY 2nd 2. Slow and deliberately Tom Verschoore 3. Fast and joyous Geert De Vos TUBA Stephan Vanaenrode HORN Andrew Pelletier PERCUSSION Luk Artois THE EARLY Jeffrey Snedeker Gaetan La Mela Verne Reynolds: HORN SALUTES Calls, for two Horns Steffan Fantini: Imperiale Prima THE MORN Johann Sebastian Bach: 19:00 ST-BAVO Ich ruf zu dir CATHEDRAL Prelude concert NATURAL HORN Jeroen Billiet Rik Vercruysse 09:30 MIRY THE GREENFIELDS Georg Philipp Telemann Contributors concert 2 HUNTING HORN (arr. Manu Mellaerts): Brass Works Karolien Aelbrecht Concerto in D major, TWV Steven Aelbrecht 52:D2 for two horns and PIANO Geert Callaert Tomas Aelbrecht brass ensemble Arthur Cnapelinckx HORN Gene Berger Boris Cnapelinckx HORN Jean-Pierre Dassonville TRUMPET Stephen Campbell François Cnapelinckx Maurice Ravel (arr. Manu Drew Tomasik: The Yearly Jolien Cnapelinckx Mellaerts): Pavane pour Tech Review, for horn, Kurt Cnapelinckx une Infante Défunte trumpet and fixed audio Danny De Decker Eduardo Alonso-Crespo: (world premiere) Toon Dirckx Spirit of Brass 1. A blistering midday Alexander Goeman James Horner: Coming 2. A crisp afternoon Silke Maes home from the sea 3. A chilly evening Stephanie Perrey de Beaufort 4. A glistening dawn Joris Van Eynde VIRTUOSO HORN DUO Peter Vanden Berghe HORN Kerry Turner TEXAS STATE BRASS TRIO Kristina Mascher-Turner HORN dr. Caroline Steiger Kerry Turner: T’Was a Dark TRUMPET dr. Andrew Cheetham 19:30 ST-BAVO and Stormy Night, for 2 TROMBONE dr. Martin McCain, CATHEDRAL horns and organ Daniel Schnyder: Evening concert 1: Trio for Horn, Trumpet Brass & Organ HORN William VerMeulen and Trombone (arr. Bernard Nussbaumer from trombone quartet) Presented with the kind support (arr. Pieter Mellaerts): 1. 1822: Rossini’s Visit of Engelbert Schmid Horns Solitude to Beethoven 2. The Pharaoh’s Funeral ORGAN Ignace Michiels ALPHORN Arkady Shilkloper 3. Flying Carpets Arkady Shilkloper:

CONCERTS 1ST 2ND 31 HORN Rik Vercruysse HORN Steven Gross 1 Prélude TUBA Bernd Van Echelpoel AMERICAN DOUBLE 2 Allemande Trygve Madsen: VIOLIN Philip Ficsor 3 Courante Divertimento for Horn, PIANO Constantine Finehouse 4 Sarabande Tuba & Piano William Bolcom: Trio for 5 Menuet I & II Horn, Violin and Piano 6 Gigue HORN Lanette Lopez Compton (2017) – (European TROMBONE Paul Compton Premiere) (NATURAL) HORN, Joseph T. Spaniola: 1. Plodding, implacably VALVE HORN & ALPHORN Tango Spaniola controlled Jean-Pierre Dassonville (world premiere) 2. Headlong, brutal HARP Emma Wauters Michael Schneider: 3. As if far away, misterioso Fréderic Duvernoy: Romantic Suite 4. Very controlled and Deuxième nocturne (world premiere) resolute pour cor et harpe 1. Allegro assai HORN Peter Luff 2. Andantino 11:15 MIRY PIANO Catherine Likhuta 3. Allegro Morning concert 2: Catherine Likhuta: Lesion’s, Virtuoso for Horn and Piano Edmond Weber: Duo pour Transatlantique Michal Rosiak: Miniature, cor et harpe for Horn and Piano Alphonse Hasselmans: Presented with the kind support la Source of Engelbert Schmid Horns HORN Radegundis Tavares Franz Strauss: Nocturno CLARINET Amandy Bandeira opus 8 PIANO Ariane Jacob PERCUSSION Cléber Campos Jan Koetsier: Sonate pour Geert Callaert Karl Reinecke: Trio cor et harpe opus 94 for Clarinet, Horn 1 Allegro HORN William VerMeulen and Piano Op. 274 Hervé Joulain 1. Allegro Hans-Jürg Sommer: Excerpt from Spirit of Alphorn Emmanuel Chabrier: Eli-Eri Moura: Curto- Larghetto (1875) (H.J.) Circuito for Horn and Robert Weirich: Clarinet (world premiere) 17:00 JANSENIUS Steamboat Stomp (W.VM.) Pixinguinha: Lamentos Boutique concert 2 Michael Conway Baker: for Horn, Clarinet Remembrances op. 130 and Percussion PIANO Jan Huylebroeck (W.VM.) Pixinguinha / Benedito Stephen Prutsman: Lacerda: 1x0 for Horn, HORN Andrew Pelletier Maynard (W.VM.) Clarinet and Percussion Catherine Likhuta: (world premiere) Dreams of the Wombat Valéry Kikta: Concerto for Horn (H.J.) 16:00 MIRY HORN Blair Hamrick Afternoon concert 2: Jason Mulligan: Fòlkvangr, Essentiellement Poétique for horn and piano 13:45 MIRY (world premiere) Contributors concert 3: Presented with the kind support Moving of l’Olifant Paris Bruce Bonell & Continents Andrew Pelletier HORN Jukka Harju Christopher Dietz: PIANO Geert Callaert Johann Sebastian Bach: Suite Caccia, for two horns nr. 2 in d minor, BWV 1008

CONCERTS 2ND 32 opening concert ORGAN Jan Vermeire (with book presentation) Robert Groslot: Reflections 19:30 MIRY le Neuf-heure-trente, on the Waste Land, Evening concert 2: de Paris à Gand for horn, organ and Back in Town percussion ARCO BALENO PIANOFORTE Toby Sermeus STRING ENSEMBLE NATURAL HORN Anneke Scott HORN Johannes Hinterholzer 13:45 MIRY Alec Frank-Gemill Anton Reicha: Extract Contributors concert 4 from Solo en Mi majeur, Gernot Schedlberger: pour cor et piano PIANO Jan Huylebroeck Horn Quintett (J.H.) Louis-François Dauprat: James McMillan: Extract from 2e Solo HORN Tommi Hyytinen Motet V (A.F-G) de Cor Tuomas Turiago: Wolfgang Amadeus Mozart: Martin Joseph Mengal: Sonata (2016) Quintett in E flat major, Allegro from Sixième Solo 1. Moderato K407 (J.H.) Frédéric Duvernoy: 2. Intermezzo 1. (no tempo indication) Nocturne No.1, 3. Tango-Burlesque 2. Andante ‘Mes Adieux’ 4. Adagio 3 Allegro Jean Baptiste Mengal: Thême de Rossini MIRRORIMAGE HORN DUO — break (20') — HORN Michelle Stebleton ABSTRACT SEE PAGE XX. Lisa Bontrager Werner Pircher: Feld, Wald und Wiesen (J.H.) Robert Robinson/William Jeremy Thurlow: Crooked 11:15 LIBRARY Bradbury (arr. M. Guy): Consort, for natural horn Morning concert 3: Come Thou Fount of Every and string quartet (A.F-G) Moving Reflections Blessing/Jesus Loves Me (world premiere) Philip Bliss, (arr. Paul S. Ludwig Van Beethoven: Presented with the kind support Jones): When Peace Like Sextett in E flat major, of Klaus Fehr a River (1873) opus 81b (J.H. & A.F-G) James Naigus: Journey’s call 1 Allegro con brio PIANO Marc Masson 2 Adagio HORN J. Bernardo Silva, 3 Rondo. Allegro HORN Marjolaine Goulet, PIANO João Mendes Araújo Denis Gougeon: Six Thèmes Roland Schoelinck: Solaires : Cor-Jupiter Frissons, for Horn JULY 3rd Anton Webern (arr. M.G.): and Piano Zwei Stücke für Anne Victorino d’Almeida: Violoncello und Desassossego, for Horn Klavier and Piano GIRL 1. Langsam 2. Langsam POWER 16:00 MIRY Jean-Michel Defaye: Afternoon concert 3: Alpha, for horn and piano les Grandes Marcel Bitsch: Variations Dames sur une chanson française 09:30 LIBRARY VIOLIN Svenja Van Driessche Historical Horn HORN Eliz Erkalp HORN Eliz Erkalp Conference PERCUSSION Eléonore Cavalière PIANO Catherine Likhuta

CONCERTS 2ND 3RD 33 Catherine Likhuta: Sissel Morken Gullord: 2. Scherzo, Molto vivace Out of the Woods Hujelåt 3. Adagio Vél komne med æra 4. Allegro, ma non troppo PIANO Marc Masson – (trad. folk tune -vocal) Geirr Tveit (arr. S.G.): HORN Diechje Minne Vél komne med æra 11:15 MIRY Emiel Hullebroeck: Sur les Johan Kvandal: Morning concert 4: Montagnes (1897) Salmetone (Hymntune) World Premieres for Isak Anderssen: Elgkoden: Horn ensemble HORN Nancy Joy Kanon & Coda, for horn David Beasly: the Temptress & media THE NU CORNO ENSEMBLE Dragon of the Purple Traditional Norwegian music DIRECTOR Steven Cohen Mountain (world premiere) from Biri for wooden lur, HORN Gene Berger bukkehorn & voice Lisa Bontrager HORN Marjolaine Goulet Edvard Fliflet Bræin: Steven Cohen Jane Vignery: Sonate for Ut mot havet Peter Kurau Horn and Piano, opus 7 Charlie Chaplin: Smile Frankie Lo Surdo (1942) Peter Luff 1. Allegro Johanna Lundy 2. Lento, ma non troppo JULY 4th Kristina Mascher-Turner 3. Allegro Andrew Pelletier Jeffrey Snedeker HORN Tanja Nisonen Michelle Stebleton Jukka Harju: Hornhounds LUSTIGE Kerry Turner (featuring Jukka Harju) Jeb Wallace STREICHE Geoffrey Winter

17:00 MENGAL Kerry Turner: Hymnus Boutique concert 3 (2011) (European Premiere) PIANO Jan Huylebroeck 09:30 MIRY Kazimierz Machala: Contributors concert 5 Eclipse for Eight Horns HORN dr. Kim R. Hagelstein les Berge(r)s (2019) (World Premiere) Danielle Fisher: Waking-Life Emma Gregan: A Little HORN Gene Berger Close Than Before (2019) HORN Katy Ambrose FLUTE Jacqueline Berndt (World Premiere) Lauren Hunt PIANO Cara Chowning Wolfgang Plagge: Raga Franz Doppler: Souvenir Du Catherina Likhuta: for Two horns and Piano Rigi Idylle op. 34, for flute, Bad Neighbors: chamber Andrea Clearfield: horn and piano (1876) concerto for two horn Into the Falcon’s Eye soloists and horn quartet HORN Rik Vercruysse (2017) (European Sigurd Berge: Horn Lokk Premiere) 21:30 MIRY SOLOISTS Peter Luff Nocturne concert: HORN Luc Bergé Andrew Pelletier Nordic Sounds OBOE Karel Schoofs, Scott Wise: ‘Imagined PIANO Tsvetana Gigova, Memories’ (2019) PIANO Marc Masson Carl Reinecke: Trio in (World Premiere) HORN & VOICE a minor, for horn, oboe 1. ‘The Donjon at Edo Castle” Sissel Morken Gullord and piano, opus 188 2. ‘Fort Pontchartrain 1. Allegro moderato du Détroit’

CONCERTS 3RD 4TH 34 HORN Tom Varner 1. Romance de Kasper Arkady Shilkloper 2. Aubade des vendanges 13:30 MIRY 3. Le bouquet de fleurs des Contributors concert 6: Wayne Shorter champs pour Magredel historical horns & more (arr. Stéphane Fillet): 4. Reveil Yes or no 5. Pastorale PIANO & ORGAN Miles Davis 6. Musique de Kasper et Jan Huylebroeck (arr. Stéphane Fillet): de Waldhorn pendant le PIANO Toby Sermeus Four diner chez l’oncle Stavolo John Coltrane (arr. Stéphane 7. Marche familiere HORN Bernard Le Pogam Fillet): Moment’s Notice (pour le bal) Thibauld Le Pogam Stéphane Fillet: Origin 8. Fanfare d’appèl Arkady Shilkloper: Cobra 9. Valse rustique pour le bal a Thibauld Le Pogam: Tom Varner: Seattle Blues la fête d’Eckerswir Louange, for two horns Tom Varner: Nine Surprises: 10. Sonnerie de Waldhorn and organ Main Theme a la fete d’Eckerswir Chick Corea (arr. Renaud avant le bal HORN Bart Cypers Detruit & Stéphane Fillet) 11. Rage de Kasper Adolphe Blanc: Sonate encore: Spain 12. Lamento en Fa, pour piano et cor, 13. Duo final du printemps opus 43 (1861) qui revient 1. Allegro 17:15 JANSENIUS & 2. Scherzo, Presto PORTRAIT HALL 3. Romance, Andante Boutique concert 4 19:15 MIRY quasi adagio Prelude concert 4. Finale, Allegro ma non troppo PIANO Marc Masson Presented with the kind support of HORN Renée Allen HORN Mike Simpson Paxman Musical Instruments ltd. Heinrich Wilhelm Ernst: “Movers” in Jazz Horn Elegie, opus 10 Improvisation COLDSTREAM GUARDS (1829-1838) Julius Watkins HORN Danae Eggen (arr. M. Simpson): Nick Stones HORN Jean-Pierre Dassonville Linda Delia Mick Rimmer Johann Adolf Hasse Arkady Shilkloper Chris Shelton (arr. François-Auguste (arr. M. Simpson): LCpl Chris Howlings Gevaert): Air de Tribute Magdalena, pour le Vincent Chancey Coldstream Guards horn Cor Sax à 6 Pistons (arr. M. Simpson): group in concert! Chazz John Clark 16:00 INNER COURT (arr. M. Simpson): I Will 20:00 MIRY ST-BAAFSHUIS Evening concert 4: Afternoon concert 4: HORN Robert Fant Glorious Band! Jazzed up Horns! Ben Yee Paulson: Mendelsohn Variations with special thanks to Engelbert Presented with the kind Schmid for providing a quartet of support of Hans Hoyer, HORN Lauren Hunt Wagner Tubas Association Française du Cor Charles Koechlin: Les confidences d’un ROYAL BAND OF MALLET HORN JAZZBAND joueur de clarinette opus THE BELGIAN GUIDES featuring 141 CAPTAIN COMMANDER

CONCERTS 4TH 35 DIRECTION Yves Segers will be introduced HORNET QUARTET during the concert HORN Gabriel Czopka JULY 5th The Vlamo (Flemish Asso Michał Szczerba ciation of non-professional Łukasz Łacny music ensembles) is the Piotr Kowalski largest music association in THE NEXT Belgium that hosts a large- Kerry Turner: Introduction scale contest every year for and Main Event GENERATION young soloists. IHS51 offers the prize winners for the 2019 HORN Anthony Devriendt edition the opportunity to Jan Segers: Essay for Horn perform at the symposium. and Band 09:30 MIRY HORN Sissel Morken Gullord Contributors concert 7 13:45 MENGAL Sissel Morken Gullord the IHS competition Boutique concert 5 (arr. J.Verjans): contest- Randal Faust Fra Kvitraggen, for PIANO Jan Huylebroeck bukkehorn and band PIANO Geert Callaert (world premiere) WAGNER TUBA Robert Palmer LECTURE-PERFORMANCE HORN Johannes Hinterholzer HORN Kerry Turner Randall Faust: Golden Otto Schwartz: Cape Horn Kristina Mascher-Turner Fantasy, for Wagner J. Bernardo Silva & Tuba and Piano Jean-Valentin Bender: IHS-ensemble Robert Davidson: March of the First Regiment Scattered Light for of the Belgian Guides Ricardo Matosinhos: Wagner Tuba and Piano — break (20') — the Horn Calls you Back Ricardo Matosinhos: Jules Pegram: Fleet, for eight Song without words for Richard Strauß horns Wagner Tuba and Piano (arr. J. Schyns): Corrado Maria Saglietti: HORN Steven Cohen Till Eulenspiegels Virtuoso Gina Gillie: Sonata, for horn LustigeStreiche and piano (2018) 1. Allegro moderato HORN Eliz Erkalp 11:15 MIRY 2. Melodie Camille Saint-Saëns Morning concert 5: 3. Rondo (arr. J. Verjans): Young Talent! Morceau de Concert HORN Gene Berger With the kind support of Vlamo SOPRANO Kelsi Cosin HORN Anthony Devriendt PIANO Cara Chowning Kerry Turner PIANO Marc Masson Kristina Masher-Turner Dana Wilson: Love me like a Michał Szcerba HORN Florian le Bleis beautiful dream, for soprano, Piotr Kowalski Olivier Messiaen: horn and piano (2018) Margaux Ortman Appel Interstellaire Olivier Calmel: Joy Forever HORN Peter Luff Hardy Mertens: (world premiere) PIANO Catherine Likhuta Il Vento della Vita VLAMO CONTEST Catherine Likhuta: Scene 1 André Wilmet: March of WINNERS from “Scraps from the Chasseurs Ardennais program and soloists a Madman’s diary”

CONCERTS 4TH 5TH 36 Catherine Likhuta: HORN Marie Luise Neunecker Snapshots, for horn VIOLIN Svenja Van Driessche and piano Ethel Smyth: Concerto for Horn, Violin and Orchestra (1928) 17:30 MIRY 2. Elegy (in memoriam) Contributors concert 8 HORN Christoph Ess PIANO Marc Masson Trygve Madsen: Concerto for Horn, opus 45 HORN Derek J. Wright 1. Allegro Felix Mendelsohn-Bartholdy: 2. Andante Sechs Gesänge opus 34, 3. Allegro transcribed for horn and piano HORN Hervé Joulain 1. Minnelied Prosper Van Eechautte: 2. Auf flügeln des Gesanges André Van Driessche was Night Poem, for Horn 3. Frühlingslied one of the most outstanding and Orchestra (1938) 4. Suleika European performers and 5. Sonntagslied horn pedagogues of the — break (20') — 6. Reiselied 20th century. Trained in the class of the legend- VIOLIN Svenja Van Driessche HORN Kristine Coreil ary Ghentian horn player Joris Van den Hauwe: Martin Ellerby: “Epitaph Maurice Van Bocxstaele Elegie for André IX”, for natural horn, (1897-1974), he was principal (world premiere) piano, and media horn of the Belgian Radio (world premiere) Orchestra (currently Brussels HORN William VerMeulen Philharmonic). As professor Christoph Ess HORN Nico De Marchi, of horn at the Brussels Royal Hervé Joulain Gwenaël Grisi: Adventures, Conservatory he trained a Mieke Ailliet for Horn and orchestra large number of eminent horn James Horner: Collage for or piano (2019) players. He has participated four horns and orchestra 1. Introduction in many International Horn (Belgian Premiere) 2. Romatically Epic Symposia during the 1970’s, 3. Scherzo 1980’s and 1990’s. With support from the Belgian Tax 4. Finale Shelter. The Brussels Philharmonic is We dedicate this concert an institution of the Flemish Community to André for his everlasting 19:30 MIRY commitment to the horn Evening concert 5: player’s world and are JULY 6th a tribute to proud to support one of André Van Driessche André’s dearest charities: (°Ghent 1936 the Belgian association - Hever 2014) for Cystic Fibrosis. WAKE THE

Presented with the kind support of BRUSSELS PHILHARMONIC DRAGON! Gebr. Alexander Mainz, Metropolis & DIRECTOR Dirk Brossé Norsk Musicforlag. In support of Mucovereniging BVSM Dirk Brossé: Philadelphia (Belgian Cystic Fibrosis Association) Overture

CONCERTS 5TH 6TH 37 ENSEMBLE CORS ET ÂMES, GRAND ENSEMBLE 11:15 MIRY 14.00 ST-BAAFSHUIS DE CORS DES CONSER Children’s concert INNER COURT VATOIRES DU NORD DE 2 Legit World tour! LA FRANCE AND Presented with the kind support of New album release CHILDREN’S CHOIR Vlamo DIRECTOR Yves Tramon GENGHIS BARBIE SOLO FLUTE Marion Gruson FANFAREORKEST Rachel Drehmann PERCUSSION Jean Morelle TOETERDONK HAACHT & (aka Atilla the Horn) HORN Simon Allart FLEMISH HORN ENSEMBLE Danielle Kuhlman Alexis Barme DIRECTOR & COMPOSER (aka Velvet Barbie) Marie Bentkowski Simon Van Hoecke Alana Vegter Arthur Braem (aka Freedom Barbie) Nicolas Brillon “Help, de Taart staat in Laura Weiner Marcel Brisse Brand” – het verhaal van (aka Alpine Barbie) Cosima Catheline Driesje Draak Zoé Delaire “Help, the Cake’s on Fire” Featuring selections Antonn Descamps – the tale of little Andy the by Queen, Bizet, Aurélien Dhermy Dragon (English subtitles) the Eurythmics, Krystal Dogimont and Ariana Grande Catherine Dubois Emile Flodrops 12.30 INNER COURT Jade Grévin ST-BAAFSHUIS 17:30 MIRY Kévin Guilbert IHS competition Vincent Huart Presented with the kind support of Pro winners recital Adrien Janssoone Helvetia & Swiss government fund Margaux Lazennec PIANO Marc Masson Olivier Lechelle GENEVA BRASS QUINTET Augustin Legrand TRUMPET Lionel Walter HORN Catherine Dowd Louise Minnaert Baptiste Berlaud John Hawkins Memorial Darius Monestié HORN & ALPHORN Award winner Célia et Philippe Regniez Christophe Sturzenegger Camille Saint-Saens: Céline Schricke TROMBONE David Rey Romance opus 36 Robin Souchères TUBA Eric Rey Guy Souchères NATURAL HORN Marie Trijean Wolfgang Amadeus Mozart competition winner Chantal Viellard (arr. Fred Mills): Rondo K407 JAZZ HORN Dennis Armitage: competition winner Choirs of the Ecole de Alphorn Ballad ENSEMBLE (AMATEUR DIVISION) musique d’Emmerin, Richard Dubugnon: competition winner Collège Françoise Schizophrénie en ut ENSEMBLE (PROFESSIONAL DIVISION) Dolto of Pont-à-Marq & Kurt Sturzenegger: Li Plaïsi competition winner choir Les Canteraines du Mouodzonaï IHS PREMIER SOLOIST d’Emmerin Wolfgang Amadeus Mozart competition winner (arr. Bruno Peterschmitt): Nicholas Avinée: Cors et Concerto in E flat major, Âmes, for massed horn KV447 18:30 MIRY ensemble and choir 1. Allegro Wake the Dragon! 2. Romance, Larghetto Closing Concert 3. Allegro

CONCERTS 6TH 38 FRINGE

FRINGE 1ST 2ND 3RD 4TH 5TH 6TH 39 JULY 1st Anthony Blondeau Filippo Cainero Jason Enuset Julie Demarne Pierre-Aurélien Cheol Kim 10:00 TERRACE Faller-Galerneau Hanxuang Liang Fringe concert 1: Thomas Gustin, Maimi Ochi Welcome Fanfares Urmin Nes Majstorovic (CRB) Hannah Rottmayer

STUDENTS ROYAL GHENT Antonin Dvorak Ensemble pieces by CONSERVATORY & (arr. P. Proust): Largo Ifor James and ROYAL ANTWERP from symphony nr.9 Johannes Brahms CONSERVATORY opus 95 B 178 Studios of professor Franz Schubert Rik Vercruysse and associate (arr. Leigh Martinet): JULY 2nd professor Jeroen Billiet Nachtgesang im walde Op 139b Eline Vandenbroeck 10.30 TERRACE Tristan De Pauw STUDENTS ROYAL LIÈGE Fringe concert 3: Marlies Callebert CONSERVATORY, ARTS2 Dejeuner at the Movies Frans Van Gorsel MONS & IMEP NAMUR Lien Vanhoutte Studios of professors in collaboration with Silke Lepoutre Eliz Erkalp, Nico De Marchi Association Française du Cor Reindert Geirnaert, and Bruce Richards Margot Vermaut (KCG) OCT'HORN ENSEMBLE Tanguy Aerts Olivier Collinet DIRECTOR Nicolas Ramez Dries Laureyssens Hélène Stélandre (CRL) HORN Nicolas Ramez Jarne Rigolle (KCA) Damien Billot Vianney Prudhomme Loïc Cerfontaine et Corentin Billet Nicolas Avinée, Tetsuya Maruyama (IMEP) Maxence Bur Ouverture (2009) Sze Fong Yeong Victor Haviez Tristan De Pauw, Leon Guerrero (Arts2) Solène Souchères Deserted landscapes Jérémie Dumbrill (world premiere) Jean-Hubert Schaeken: Antoine Morisot Pascal Proust, les Eperons Sextuor (1893) d’Or (the Golden Spurs) Manning Scherwin, John Williams: March of (arr. Richards): the resistance, from Star STUDENTS ROYAL a Nightingale sang Wars 7 BRUSSELS CONSER in Berkeley Square Various Composers: VATORIES (EHB/CRB) Lowell Shaw: a Corni march Colors of Disney Studios of professors Ennio Morricone: Luc Bergé and Gabriel’s Oboe, theme Jean-Pierre Dassonville 14:45 BISDOMPLEIN from “The Mission” Fringe concert 2: James Horner: Braveheart Sofie Huyghe a Tribute to Ifor James John Williams: Indiana Jones Jonathan Van der Beek Guillaume Michiels FREIBURG IN BRESGAU 12:30 BISDOMPLEIN Israël Esteban Campos UNIVERSITY OF MUSIC Joannes Van Meensel HORN ENSEMBLE OCT’HORN Alejandro Huete Sanchez (KCB) DIRECTOR Prof. Bruno Schneider Estelle Frank Loi Adam Michael Giacchino: Star Trek Marie Trijean Konrad Boehmke John Williams: Hook Pierre Baudhuin Hsuan Chun Yeh

FRINGE 1ST 2ND 40 Alexander Tcherepnine: Amy Thakurdas: excerpts from Six Horn Awakening the Dragon 14:45 BISDOMPLEIN Quartets Fringe concert 4 Paul Basler: Celebration HORNET QUARTET from Three Pieces AND VIRTUOSO TEXAS A&M UNIVERSITY Orlando di Lasso HORN DUO AT KINGSVILLE (TAMUK) (arr. M. Howe): Gabriel Czopka HORN ENSEMBLE Exaudi Deus Michał Szczerba DIRECTOR Jennifer Sholtis Łukasz Łacny and HORN Ruben Guerra III Piotr Kowalski Kassandra Villegas JULY 3rd Kerry Turner and David Arredondo Kristina Mascher-Turner Miranda Garcia 10:30 TERRACE Walter Perkins: Traditional: Fringe concert 5 Concerto for four horns Amazing Grace Johann Sebastian Bach Justin Hurwitz HORNUCOPIA (arr. Kerry Turner): (arr. Ziv and Sholtis): HORN QUARTET Toccata and Fuga Someone in the Crowd HORN Hannah Smith Queen (arr. Danielle Kat Robinson Kuhlmann): Christine Stinchi 20:00 TERRACE Somebody to Love Lauren Patin Fringe concert 7: J.S. Bach (arr. Christopher Aurora Borealis Jones): Air on a G String Jan Koetsier: Prélude Leonard Cohen (arr. Mark from Cinq Nouvelles JAPAN HORN Drehmann): Hallelujah Gina Gille: Horn Quartet SOCIETY ENSEMBLE Paul McCartney / No. 1 HORN Ryosuke Tomono John Lennon Nikolai Tcherepnin: Mami Abe (arr. Ray Thompson): Choeur dansé, Yuri Sasaki Yesterday un Choral, la Chasse Akiko Hiroi Beach Boys from Six Quartets Hajime Kono (arr. Evan Kuhlmann): Koichi Koshitori God Only Knows Daichi Tanaka Traditional: Jalisco 14:45 BISDOMPLEIN Yuriko Sagara Fringe concert 6 Koichi Izawa PENNSYLVANIA STATE Takahiro Tsumori UNIVERSITY & FLORIDA OXFORD HORNS Nozomu Segawa STATE UNIVERSITY DIRECTOR Amy Thakurdas Soichiro Ohno HORN QUINTET HORN Amrit Sohal Yoshimasa Kasahara HORN Thomas Honicker Tina Brain Kazuyo Hada Nicholas Jaeschke Helen Rudeford Himeno Yamamoto Andrew Kucenski Emely Carter Ayane Hara Amelia Reep Allison DeMuelle Shigeru Nishiyama (Penn State Univ.) Renée Kennedy with Robert Palmer Claire Burnell Sotetsu Mimura: (Florida state Univ.) Emily Robson Fanfare Theme from Sindy Wan “Furusato” Carl Marie Von Weber Japanese Folksongs (ed. T. Bacon): Wolfgang Amadeus Mozart Yoshimasa Kasahara: Hunting chorus from (arr. A.T.): Rondomania Ceremonial, yet der Freischütz Jean Sibelius: Finlandia Cordial and Chordal

FRINGE 2ND 3RD 41 Richard Wagner Patrick Hughes: from THE COLDSTREAM GUARDS (arr. Y. Kasahara): Hildegard – music inspired HORN Danae Eggen Prelude to the third act by Hildegard Von Bingen Nick Stones of Lohengrin Mick Rimmer MENGAL ENSEMBLE Chris Shelton SINFÓNÍUHLJÓMSVEIT HORN Bart Cypers LCpl Chris Howlings ÍSLANDS (ICELAND Rozanne Descheemaecker SYMPHONY HORN Bart Indevuyst SECTION) Machteld Brepoels 15:00 TERRACE HORN Stefán Jón Bernharðsson Frank Clarysse Fringe concert 10 Flemming Aksnes Jos Verjans Joseph Ognibene Michiel Van Camp HORN SECTION Frank Hammarin Reindert Geirnaert OF THE ROYAL LA MONNAIE OPERA A Selection of Icelandic Eward Elgar HORN Jean Pierre Dassonville traditional folk songs (arr. J. Humphries): Jean Noel Melleret Blessuð vertu sumar sól Nimrod Rogier Steel Ísland ögrum skorið Bert Vanderhoeft Hver á sér fegra föðurland Mario Maes Öxar við ána 15:15 BISDOMPLEIN Heyr Himna Smiður Fringe concert 8: George Bizet: Excerpts Horn Ensembles from from Carmen Past & Present Guiseppe Verdi: don Carlo JULY 4th Engelbert Humperdinck: WEST VIRGINIA Hansel und Gretel HORN ENSEMBLE Giacomo Puccini: ‘Nessun 10:30 ST-BAAFSHUIS DIRECTOR Jonas Thoms, Dorma’ from Turandot PORTRAIT HALL HORN Jonas Thoms Richard Strauss: ‘di rigori Special ensemble concert: Albert Houde armato’ from Rosenkavalier Portrait! Sarah Plumley Richard Wagner: Catherine Dowd – ‘Wach auf!’ from THE INTERCONTINENTAL Izabelle Colvin Meistersinger NATURAL HORN ENSEMBLE Alicia Rafter – ‘Einzug der Götter’ NATURAL HORN Cameron Gridley from Rheingold Teunis Van der Zwart Logan Nowak – ‘Matrozenchor’ from Bart Cypers Isaac Price fliegende Holländer Marjolaine Goulet Haley Smith Todd Williams Julia Stocking Ulrich Hübner 16:30 TERRACE Kathryn Zevenbergen Fringe concert 11 JULY 5th Lowell Greer: a Portrait of BRAZILIAN HORN ENSEMBLE Simon Kenton, for 6 natural HORN Adalto Soares horns in different keys 10:30 TERRACE Celso Benedito 1. Colonial Matins Fringe concert 9 Lucca Zambonini 2. Conflict Royal Matinee Marcelo da Virgens 3. Chevauché Nikolay Genov in collaboration with Philip Doyle HILDEGARD HORN Paxman Musical instruments ltd Radegundis Tavares ENSEMBLE PERCUSSION Ricardo Lepre DIRECTOR Patrick Hughes CLARINET Cléber Campos

FRINGE 4TH 5TH 42 Carlos Gomes: Overture from Gioacchino Rossini the Opera “O Guarani” (arr. Friedrich Gagler): Ary Barroso: Aquarela do “Insalata mista” on themes Brasil of “Wilhelm Tell” Villa-Lobos: Bachianas Bernard Krol: Ballade op 73 Brasileiras nº. 7 for Double Horn Quartet César Guerra-Peixe: Mourão Roland Lo Presti: Suite for José Ursicino da Silva Eight Horns “Duda”: Marilian & Júnior Stephen Roberts: Eight Bell Funk

18:30 TERRACE Fringe concert 12 JULY 6th

HORNS FOR ALL SEASONS DIRECTOR Bill Coffindaffer 15:30 ST-BAAFSPLEIN HORN Hans Denayer Carillon pre-concert Jan Dereymaeker Lies Witteman CITY CARILLON PLAYER Marc Bulteel Kenneth Theunissen Simon Hueting Herwig Vancoppenolle Raf Vermeulen Danny Reunes Bill Coffindaffer Brecht Merlevede Rense Van de Walle Jan Miermans Sarah Verschaeve Fien Adriaen Andries Lavens Tom Dewyspelaere Elke Kerkhof Jos Willeghems Eric Niessen Hilde Verherbruggen Paul Pichal Pieter Vermeersch Tine Dutoit Simon Scharlaken Clare Roberts Annelies Vandekerkhove

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FRINGE 1ST 2ND 3RD 4TH 5TH 6TH 44 HISTORICAL HORN CONFERENCE

HISTORICAL HORN CONFERENCE 3RD 4TH 5TH 45 JULY 3RD two eminent Belgian horn for anyone wishing to learn players, Martin-Joseph and more about this instrument. Jean-Baptiste Mengal, should MOVING be celebrated in style. In Le neuf-heure-trente, de Paris à 10:30 GOETHALS HORNS: Gand Anneke Scott explores Historical Horn the music of prominent Conference lectures WORLDWIDE students and teachers from CHAIR Chair prof. dr. Steven the circle of the early 19th Vande Moortele (Toronto MIGRATIONS century Conservatoire de University) Paris. Anton Reicha, the influ- IN HORN ential composition teacher, is Jeroen Billiet paired with his student and School of Arts Gent (BE) PLAYING champion Louis-François Keynote Dauprat. The work of Martin With the kind support of Piano’s Joseph Mengal, another Brave Belgians! Maene. Library performances student of Reicha’s and the Ghentian horn players will be presented on the Maene founding director of the and the “lyrical” style, Broadwood 1847 Royal Conservatory of Ghent, 1872-1962 is paired with a Nocturne by Martin-Joseph’s horn teacher In around 1870 both Belgian 09:30 LIBRARY Frédéric Duvernoy. This is horn repertoire and playing Historical Horn followed by a short work style undertook a drastic Conference by Heinrich Domnich, the stylistic volte-face. The earlier opening concert horn teacher of the younger joyful and elegantly orna- Mengal, Jean-Baptiste, horn mented manner instigated Anneke Scott (UK) player in Paris with both the by the eminent musicians Théâtre Italien and the Opéra Martin-Joseph Mengal and Le neuf-heure-trente, de Paris whose Thême de Rossini François-Joseph Fétis sud- à Gand & presentation closes this short recital. denly changed into a highly of the « Historic Horn poetic and lyrical musical Handbook » This recital will be followed language with an emphasis on by the launch of Anneke transparency, simplicity, and PIANOFORTE Toby Sermeus Scott’s new book on learning accessibility. This lyrical horn Anton Reicha: Solo en Mi the natural horn. Her “Historic playing style was promoted majeur, pour cor et piano Horn Handbook” sets out by a generation of players Louis-François Dauprat: to introduce prospective who had been trained at the 2e Solo de Cor (excerpts) natural horn students to the Liège Royal Conservatory. Frédéric Duvernoy: immense wealth of sources These emerging artists Nocturnes No.1, provided by horn players and were aided and abetted by ‘Mes Adieux’ teachers over the centuries. the artistic and institutional Martin Joseph Mengal: This first volume covers the achievements of leading Allegro from Sixième foundations of natural horn figures in the Belgian music Solo Jean Baptiste Mengal: playing, from the basics scene as François-Auguste Thême de Rossini of choosing instruments Gevaert, Théodore Radoux and mouthpieces through and Adolphe Samuel. For the opening concert to detailed information on of the IHS51 Historic Horn hand-technique, etudes, The new style of playing Conference here in Ghent duos, trios, quartets and spread rapidly in the quickly it seems more than ap- much more, this volume will growing Belgian horn scene, propriate that the work of provide a thorough grounding and—through the diaspora

HISTORICAL HORN CONFERENCE 3RD 46 of Belgian émigré musi- us to discover information on 1862) at 1870. It will repre cians—also impacted upon the playing style from the end sent a short analysis (with orchestras abroad. A particu- of the romantic period. The examples) of Tchaikovsky's lar development of the lyrical crossing of historical record- writing for the horn and style emerged at the Ghent ings with teaching materials, will try to track its origins Royal Conservatory during periodicals and the examina- and sources of influences, the Belle Epoque era. These tion reports from conservato- relating to both Tchaikovsky's Ghentian players would have ries (when they exist) makes it teachers: Anton Rubinstein a notable impact on a signif- possible to reach a degree of (1829-1894), Nikolai Zaremba icant proportion of romantic reliability rarely reached until (1821-1879) and their teacher Belgian repertoire as well now. Adolf Bernhard Marx (1795- as on future generations of 1866), Tchaikovsky's contem- players worldwide. This open- The purpose of this lecture poraries and predeces sors ing keynote of our Historical will be to illustrate this and the active horn players at Horn Conference will focus approach with the very first the time in Russia. on the conditions that led to recording of a wind quintet the creation of this hitherto (unknown until recently); we Tchaikovsky usually employs underexposed episode in will have a closer look at the four valve horns in F. He horn history in relation to members’ playing style while uses a restricted diapason repertoire, instrument use and focusing particularly on the for the horn, which he keeps global importance. case of the horn player. I will rigidly and generally does discuss other recordings to not exceed second octave refine the musical portrait of G (sounds second octave 11:15 GOETHALS these musicians who were C). On rare occasions he Historical Horn among the pinnacle of the asks for G#/A flat, but never Conference lectures French Wind School of the exceeds these notes. His Belle Epoque. Chromatic harmonic lan- Vincent Andrieux guage together with the dia- la Sorbonne, Paris (FR) pason restrictions he casted 11:45 GOETHALS on himself and lack of fre- The Very First Recording Historical Horn quent breaks result in parts of a Wind Quintet: New Conference lectures that require stamina and Perspectives on the French endurance in order to cope Wind School during Aviram Freiberg with the repeated high notes the Belle Epoque? University of Haifa (IL) within a restricted tessitura.

Over the last twenty years, Tchaikovsky and the It seems to me that the study of the musical per- emerging Russian school Tchaikovsky was advised by a formance has evolved by tak- of horn playing horn player or by his teachers ing into account a new type of as for the optimal range of the source: historical recordings. My study overviews the instrument. However, it also Having been considered for development of the Russian seems that had he further a long time as collector’s school of horn playing, consulted with a horn player, items, when it was not simply established by the German maybe he would have used “sizzling” curiosities (just like a Friedrich Homilius (1813/8 more breaks and expand collector listening to these old -1902). Homilius arrived in the narrow tessitura of the crackling recordings in front St.Petersburg at 1838 to high parts. This lecture will of a crackling fireplace !), play at the Imperial theatre suggest why did Tchaikovsky cylinders and 78 rpm are now and became a horn professor develop this unique way of the subject of a more scien- at the St. Petersburg music writing, featured already in his tific approach which allows conservatory (established in first symphony Op. 13 (1866).

HISTORICAL HORN CONFERENCE 3RD 47 copies of Telemann, Graun, The Reconstruction of and Heinichen concertos, an Baroque, Classical 13:45 LIBRARY anonymous trio sonata for and Romantic Horns HHC lecture - Recital violin, horn, and bassoon, an anonymous march for four This lecture will discuss Kathryn Zevenbergen (DE) horns, an aria by Gottfried the issues involved in repro Teunis Van der Zwart (NL) Lindemann for soprano and ducing baroque, classical, two horns, and the autograph and romantic horns. As a Musical Treasures for Henrik Philip Johnsen’s player, teacher, scholar, for Horn in the Lund horn concerto, as well as and maker of natural horns, University Library a number of quintets and I have worked to identify sextets for two horns and instruments appropriate for PIANO Toby Sermeus other instruments. the music of various periods and countries, sought out The University Library in This lecture recital discusses originals in museum collec- Lund, Sweden, has a num- the history and music of the tions, developed designs for ber of eighteenth-century Lund collections. Unique natural horns and early valve music manuscripts featuring manuscripts and their contri- horns and working methods the horn. This music was bution to the known natural to make them as true to the originally copied for the horn repertoire will be intro- originals in appearance and Akademiska Kapellen (aca- duced, with the intention of playing qualities as possible. demic orchestras) of Lund highlighting the lesser known, and Uppsala, both of which and especially anonymous This lecture will use specific were very active during the or unpublished works. These instruments as examples second half of the eighteenth manuscripts shed valuable to discuss the methods of century and would have had light on important questions measuring original instru contact with the Kungliga in historic horn playing, such ments, making of tooling, Hovkapellet (royal orches- as low horn and high horn the challenges involved in tra) in Stockholm, the only specialization, and hand determining dimensions, professional orchestra in stopping and pitch bending materials, decorations and eighteenth-century Sweden. techniques. The provenance appearance, and methods The directors of these of these manuscripts also of construction. I will also orchestras went to great illuminates the circulation discuss compromises that lengths to procure music, so- of music and musicians in have been made in the early liciting donations from local Europe, especially the rela- horn world, such as the use nobility, traveling hundreds of tionships between German of crooks on baroque orches- kilometers to copy sources and Swedish courts and tra horns (before the middle themselves, and using their orchestras. of the 18th century the horn limited budgets to purchase was almost exclusively a what they could not borrow. fixed pitch instrument, with- The most well-known horn 14:30 GOETHALS out crooks) and the use of manuscript is a unique com- Historical Horn ventholes on baroque horns. pendium of eighteen concer- Conference Lectures In recent years, some players tos and trios, most of which CHAIR dr. Ignace Dekeyser have become interested in have not been preserved in (honorary curator Museum of fixed pitch baroque horns, any other collection. Many Musical Instruments Brussels) requiring the development lesser known, though equally of these models. Another intriguing, manuscripts are Richard Seraphinoff area that will be discussed is also preserved in the library: Bloomington University the “true” Classical horn of these include an anonymous (IN, USA) the last quarter of the 18th concerto for two horns, century, which is a smaller

HISTORICAL HORN CONFERENCE 3RD 48 classical horn, without tuning in order to support future instruments more accurately slide, meant to be played research to refine the con- based on their polychrome with the hand in the bell. This servation treatments. layer. smaller classical horn by The existence of musical makers such as Anton Kerner instruments from the same in Vienna is more appropri- maker, of the same model 15:30 GOETHALS ate for Haydn and Mozart and with the exact same Historical Horn than the larger 19th century decorative layer is unique. Conference Lectures French instruments that Two natural horns made are often used for classical by Courtois Frère between dr. Ignace Dekeyser period music. 1803-1845 in Paris, France, Gent (BE) with the same polychrome Instruments that will be used horn bell decoration, were Horns, Saxhorns, “Wagner”- to illustrate these issues: examined. The aim was to tuben and the Mahillon Baroque horns by Haas determine the historical Wagner Band and Leichnambschneider materials and techniques – ca. 1720-40 of the polychrome layer. The history of Wagner’s use Early classical horn by of “Tuben” is a bit mystified Anton Kerner – 1760 The polychrome layers were by the assumption that a French Cor-Solo by examined using micros- genius like Wagner quite L. J. Raoux – 1810 copy, XRF, FTIR-FPA and normally would make genial Two Stölzel valve horn SEM-EDS, and supported choices in his instrumen by Halari – 1830 by research in literature on tation. The reality is that Single F/Bb horn by European Lacquer and brass Wagner not really knew Alexander – 1900 instruments. Despite the howto write for the “Tuben” fact that they have the same that he foresaw in the tetra pattern, there are differences logy and that not have been 15:00 GOETHALS in material technology. The used during his lifetime. Historical Horn painting on one of the horns Conference Lectures consist of more layers and This paper stresses upon has an extra metal leaf as the differences in orchestral Isabel Osselaere first layer. The application treatment of horns and Brugge (BE) techniques and structure of saxhorns from Wagner’s the polychrome layers are perspective and on Gevaert’s Decorated Horn Bells the same. For this reason we ideas of “Wagner”-tuben in 19th Century Paris: suspect the same workshop from the perspective of an an analysis of techniques or person is responsible for orchestrator. In this context and materials. manufacturing the decorative it is also interesting to look layer on both horns. in detail to the Wagner band Polychrome brass music that Mahillon furnished to the instruments can be found A reconstruction of the poly- Brussels Conservatoire, and in most music instrument chrome layers and research that was conducted by the museums. Despite this, into the workshops can horn teacher of that institu- the documented knowledge provide more information and tion, Théo Mahy. of used materials and techni possible sources of recipes, ques of the decorative layer patterns and the artisan is limited. This compromises behind the instruments. 16:15 GOETHALS conservation treatments. Besides refining the conser- Historical Horn This research aims to contri vation treatments, expanding Conference Lectures bute to the knowledge of this research could make the technical art history it possible to date musical Chris Larkin (UK)

HISTORICAL HORN CONFERENCE 3RD 49 The Hunting Horn Bart Aerbeydt, Freiburger Keynote: Bells Up: the way you in France –from Barockorchester (DE) always wanted to play Mozart the Roncevaux to & Mark De Merlier, but were afraid to do so. the Revolution B’Rock Orchestra At the begin of the 21st Ghent (BE) century, a new performance It is in the French language tradition of the natural horn that most of the Mediæval What You See Is (not can be found: The precedes- works concerning the hunt always) What You Get: sor of the modern valve horn are written. The Chanson the Eichentopf horn and has left the vitrous coffins of de Roland, depicting the other Leipzig Bach wind the museums and entered Battle of Roncevaux in 778 instruments reconsidered. the stages of the musical AD, appeared in the mid-11th world again. Several gener- century; the mid-13th century Opposite to e.g. Nurnberg, ations of researchers have didactic poem, La Chace the city of Leipzig did not provided us with information, dou Cerf dates from the have musical instrument safely playable copies of mid-13th century; Guyllame making guilds in the eigh- historical horns are available Twici, Master of the Hunt to teenth century. An examina- from a number of instrument Edward II of England, wrote tion – for copying purposes makers. How to use them is his Le Art de Vénerie around – of surviving Leipzig wind taught at conservatories, and 1327. In the decade following instruments from the Bach the instrument is heard not this, the first work in prose, le era, brought new insights only in specialist's circles, Livre de Roy Modus et de la about wind instrument mak- but in countless performanc- Reyne Racio, appeared - 15th ing in this city in the second es and recordings all over century copies of which con- quarter of the eighteenth the world. tain beautiful illustrations of century, with respect to au- horn-carrying huntsmen. The thorship and subcontracting. During the last years, a first hunting treatise to con- A comparative study showed critical review of the estab- tain any sort of tablature of often huge differences in lished, standardized image of hunting horn calls, Hardouin’s between instruments of the the natural horn has started. Le Trésor deVénerie came at same maker, suggesting that How appropriate are our the end of the 14th century. the maker’s name on the beloved Raoux, Courtois and instrument is not necessarily Halari horns for performing My talk encompasses all the same person as the one music by Haydn, Mozart and these sources, continues who made it. Beethoven? How appropriate through the demise of is the playing technique the oxhorn through the re-ap- described in the tutors of the pearance of brass horns and JULY 4th 19th century for orchestral their evolution from the short music of the second half of trumpet forms to the three the 18th century? These initial types of 4.5 metre true horns 09:00 GOETHALS questions initiated a process that appeared between (ap- Historical Horn of rethinking the history and proximately) 1705 and 1817. Conference lectures use of the natural horn in the CHAIR Chair prof. dr. Steven 18th century. Within the frame Vande Moortele (Toronto of a research project of the 17:00 GOETHALS University) Bern University of the Arts Historical Horn (CH), in a first step all cases Conference Lectures Ulrich Hübner (DE) of misdatings and later alter- and Martin Mürner (CH) ations of instruments were Stefaan Verdegem, Keynote excluded. Proper attention Royal Brussels Cons. (BE) and value was given to the existing relevant examples

HISTORICAL HORN CONFERENCE 3RD 4TH 50 in instrument collections. in modern day historically Written and iconographical informed performance: sources were carefully vent-holes or hand-stopping. 11:00 GOETHALS reevaluated. In the end, an un- While vent-holes have been Historical Horn expected, rather dramatical established as a modern Conference lectures conclusion has to be drawn: a addition, the authenticity of lot of what we do „historically hand- stopping is the subject Pepe Reche (ES) informed“ today, is based of ongoing debate. on faulty data and sheer This research project The Petrides Brothers in assumptions. Significant gaps investigates that horn play- Barcelona: Two Bohemian of knowledge need to be ers during the eighteenth Hornists at Barcelona’s filled: a completely ignored century instead performed Opera House (1794-1798) family of instruments and a the horn without the aid of different playing technique vent-holes or hand-stopping The Petrides brothers, are waiting for a re-discovery! to correct intonation, and Joseph (1755-ca. 1833) and that this practice greatly Peter (1766-ca. 1836), were influenced the performance an outstanding example of 09:45 GOETHALS of baroque horn repertoire in travelling virtuosi hornplayers Historical Horn the same way hand-stopping at the end of the 18th and the Conference lectures influenced performance of beginning of the 19th century. classical horn repertoire. They were born in Prague Marlane Campbell Understanding these and gave public and private Sydney Conservatory techniques, practices and concerts all over Europe of Music (AU) associations is necessary during almost 50 (!) years. in adopting a considered The brothers performed for Historically Informed approach to historically kings and royal courts in Horn Performance in informed horn performance, Spain, Portugal and United the Early Eighteenth achieved through the Kingdom and even for the Century Tradition investigation of historical Pope in Rome. techniques available to For modern horn players, the eighteenth century horn This research enlightens primary issue regarding early players; the strong cultural the period 1794-1798, when eighteenth-century horn play- associations that players and the two bohemian brothers ing comes primarily from how audiences afforded the horn stayed in Barcelona. The two to accommodate the intona- in its position as an instru- hornplayers were engaged as tion issues inherent in horns ment of the hunt; and how members of the orchestra of of the period. Lacking valves, the stylistic aspects of high- the Teatre de la Santa Creu these horns were restricted baroque performance prac- (the opera house in the city) to the natural harmonic tices can be incorporated and played a very important series, several of which did into historically informed role as soloists. not conform to standard horn performances. tuning temperaments of the Their remarkable career time. This did not appear contributed to the develop to be an issue as these 10:30 ST-BAAFSHUIS ment of musicians’ profes notes appear frequently and PORTRAIT HALL sional activities in Barcelona consistently in music from Interlude Concert during the end of the 18th the early eighteenth century. century. Even more, their The lack of documentation Hildegard Horn Ensemble, playing influenced the writing from this period has led to the Intercontinental of local composers such as the persistent use of histori- Natural horn Ensemble, Carles Baguer (1768-1808) cally in-authentic techniques Mengal Ensemble and Ferran Sor (1778-1839).

HISTORICAL HORN CONFERENCE 4TH 51 After that, the Petrides horn in Venezuela. This work it looks like the different settled in London where they falls within the framework of timbres of cor alto and cor played in the Italian opera the studies of musical per- basse were taken for granted. and were founding members formance that bring forward of the Philharmonic Society. experts as Carmona (2006), Particularly strong evidence The records of that era Dart (2002), Kenyon (1988), of expected sound differenc- inform that they surprisingly Lawson and Stowell (2005), es between cor alto and cor retired from playing and that Nagore (2004), Ohlsen basse can be found though in travelled back to their home- (1993), Rink (2006), and a number of orchestral works town Prague. Taruskin (1995). Considering by Ludwig van Beethoven all these perspectives, (1770-1827), one of the most we design a methodology innovative genius composers 11:30 GOETHALS consistent with our initial un- ever, and always keen to dis- Historical Horn knowns, seeking an objective cuss instrumental possibilities Conference lectures profile, clear and coherent of with players. musical performance. Gabriella Ibarra (VE) By the time Beethoven wrote the longest and most The Horn in Venezuelan 12:00 GOETHALS important of these solos, -the colonial Music Historical Horn illustrious lines for 4th horn Conference lectures in his 9th symphony-, he was The hand horn or natural completely deaf. His inner horn was a fundamental Teunis Van der Zwart ear must have remembered part in the organic instru- Amsterdam the typical mellow sounds of mental used by composers Conservatory (NL) the cor basse and probably of the so- called “Escuela even the sound of the most de Chacao” during the Beethoven and the Cor Basse renowned horn player of the colonial period in Venezuela. eighteenth century, Giovanni Practically it is present in all In studying horn methods Punto, for whom Beethoven the works of the period. But published in Paris at the end wrote his Sonata for Piano on the type of instrument of the long 18th century, it and Horn, op.17. used and the treatment that becomes apparent that horn was given at that time, almost teachers and players made In this lecture I will discuss nothing was known. From an a clear distinction between the different timbres and examination of a selection of high horn (cor alto) and low sound esthetics of cor alto the Venezuelan colonial mu- horn (cor basse) with their and cor basse, in a quest sic works, we made an initial respective timbres. This is for fort the almost forgotten inquiry about the hand horn instance what Dauprat wrote typical sound colour of the use in such compositions, its in his Method (Paris, 1824): latter. Including audio video limitations and opportunities, samples. type of instrument used its The Tenor voice and the function within the orches- Bass voice offer another tration and from this anal- comparison, so much more 13:30 MIRY ysis we infer the quality of appropriate to the instrument, Interlude Concert interpreters for which these concerning how one (per- Contributors concert 6 were written. As this body of former) does not know how Venezuelan musical works to execute the other (part) Interlude: Historical is the oldest known and still Hornsand More remain in the country, we In the vast majority of the Bernard & Thibault le Pogam, can thus lay the ground for orchestral scores by com- Renée Allen, Bart Cypers, writing the future history of posers of the classical period Jean-Pierre Dassonville

HISTORICAL HORN CONFERENCE 4TH 52 Kastner (1840) and Donatien This paper will focus on the Urbin (1852). These authors search for chromaticism of 14:45 LIBRARY recognized the work of the horn in all its aspects. Historical horn Meifred but offer their own If for some instruments of Conference opinions on the best uses of the brass family the chro- Lecture – Performance valves on the horn. maticism seemed to be set as soon as the sixteenth Jeffrey Snedeker After various financial diffi- century, and even before, Central Washington culties, the Gymnase went for the cornetto, the serpent University (US) on hiatus in the mid-1850s. or the sackbut, it was not Meifred, however, continued as clear for the trumpet or Hand and/or Valve? Meifred, to teach valved horn at for the horn. In the beginning Urbin, Kastner, and Valved the Conservatoire until his of the eighteenth century, Horn Teaching in Paris ca. retirement in 1863, when the horn players found 1830-1860 the administration abruptly their own solution with discontinued classes for the stopped notes while PIANO Toby Sermeus valved instruments. The developing in the second revival of military music half of the century other In 1833, Joseph Émile training at the Conservatoire systems, trying to get a more Meifred was hired by the in the late 1850s led to homogeneous chromaticism: Paris Conservatoire as its the reinstatement of some Maresh in Russia with the first valved horn teacher. valved instruments, but the “Russian horns”, Kölbel, also Already a published author teaching of valved horn at in Russia, with its “Amor- and reputable performer the Conservatoire had to wait Schall”, or Charles Clagget in on the instrument, Meifred almost another 30 years. England with the chromatic promoted an approach that French horn. combined traditional natural This presentation will discuss horn technique and valve the common ground, differing At the beginning of the 19th technology. He published views, and performance century, we can talk about a comprehensive method ramifications of the valved revolution with the Stoelzel’s for the instrument in 1840 horn methods by Meifred, and Blühmel’s invention: the that was embraced by the Kastner, and Urbin, and will valves. They took a joint Conservatoire administra- include performances that patent in 1818 and it was tion and Meifred’s teacher/ demonstrate the techniques curiously the same year that colleague, Louis-François involved, especially those of Dupont took a patent for an Dauprat. Meifred, during this transitional omnitonic horn in France, period for the valved horn. an invention that somehow The Conservatoire was turned its back on the valves, not the only institution originally intended for a concerned about valved 15:30 GOETHALS homogeneous chromaticism. brass instruments in music. Historical horn From this moment onwards, The establishment of the Conference lectures the chromaticism pathways Gymnase du musique mili- CHAIR prof.dr. Francis Maes will be divided into several taire in 1836, France’s latest (UGent) categories: the new mech- attempt to improve military anisms, mainly valves that music, included instruction Claude Maury lengthen or shorten the pipe; on valved instruments with its CNSM de Paris (FR) holes, especially for the own collection of teachers. “cors à clés” or bugles and The Gymnase horn teachers The horn in search of stopped notes for the horn, also wrote their own method chromaticism in the which won’t disappear even books, including Georges 18th and 19th centuries with the reign of valves.

HISTORICAL HORN CONFERENCE 4TH 53 These changes will of course 20th century, the Parisian not go without a great impact composer Charles Koechlin, on horn music, either solo one of the most independent 16:45 GOETHALS or in the orchestra as well spirits of his time, was one of Historical Horn as in chamber music, unless only a few interested in the Conference Lectures it’s rather the opposite in natural horn and the trompe CHAIR prof. dr. Steven that it is musical writing that de chasse since the begin- Vande Moortele has partly caused these ning of the century. He not evolutions in these systems. only mentions the valveless John Manganaro Meanwhile, many patents will instruments in his Traité de Hofer Symphoniker (DE) be registered for some crazy l’orchestration but composed inventions: the transposing several pieces for cor simple The Development of Hand cylinder of Pelitti, Cervený, and trompe de chasse. Technique in the Latter Gautrot and others; duplex In Switzerland, at least two Part of the 18th Century instruments or Sax’s 6-pis- composers, Alphonse Roy tons horn. Many of them and Robert Suter, wrote piec- This lecture explores the will remain anecdotal and es for valveless horns some development of hand tech- will delight museums and years before the natural horn nique and its application to collectors. became fashionable again the orchestral repertoire. through the Renaissance The concept of using the of period instruments. hand in the bell to chro- 16:00 GOETHALS matically alter pitches of an Daniel Lienhard In his piece for four natural instrument otherwise limited Berner Symphonie horns in four different to the harmonic overtone orchester (CH) tonalities and orchestra series developed over time, Unter Messingbäumen, Kurt as is the case with all inno- 20th Century Compositions Schwertsik, the famous vation. Initially reserved for for Natural or Hunting Horns Austrian hornplayer and com- soloists and virtuosos, this poser, is perhaps the first to technique evolved through When at the beginning of have written again a piece in several generations of horn the 20th century the Paris the tradition of Louis-François players who developed, ex- Conservatoire gave up the Dauprat’s famous Quartets. panded, and spread the idea class for natural horn and the until it eventually became French composers no longer It will be interesting to see the accepted standard in the composed for the natural similarities and differences early part of the 19th century. horn a development came in writing for the natural or A thorough examination of to its end which had begun hunting horn by four com- primary sources demonstrate many decades earlier : the posers coming from four this gradual process and replacement of the natural completely different musical allows for new observations horn by the valve instrument. traditions. into some of our most beloved (and often performed) For most composers the classical repertoire. colours and specific har- 16:30 LIBRARY monies of the natural horn Interlude Concert The horn has changed more and the possibilities it offers than perhaps any other were no longer a source of Interlude: instrument over the course inspiration. It could even be Jorge Renteria Campos of its history. Past scholar- said that they didn’t know Forster Concerto ship into horn performance them at all. There are some practice has established exceptions : Among the really three distinct methods important composers of the confined to three distinct

HISTORICAL HORN CONFERENCE 4TH 54 time periods: Baroque Horn indications in the music of idea of what performers of (c.1700-c.1750), Hand Horn the period. But what exactly Haydn’s and Mozart’s cele- (c.1750-c.1830), and Valve did the hornists play in these brated horn concertos might Horn (c. 1830-present). Is it improvised sections of con- have played. possible that this oversimpli- certos? Relatively rare extant fication has led to mis-repre- examples of written-out The proposed paper has sentations of the instrument cadenzas in manuscripts benefits that are both his- as it would have been from the late 18th century torical and practical: from a understood by the audience, give us a fascinating view purely historical standpoint, composers, and performers into how they might have the study of cadenzas of the period? been performed. enriches us by helping us discover more about how This presentation will ex- Cadenzas are of particular the horn players of earlier amine and cross reference interest as a logical place to periods performed; from a written, pictorial, and musical look for developments in horn practical standpoint today, sources of the classical era technique, because it is at we can learn something that in order to better define and these spots in solo works that will allow us to gain insight understand the way the horn performers could demonstrate into some new ways of was played and sounded. their prowess with the newest, interpreting the music. This is especially relevant most fashionable, and novel to the presentation of the playing styles. Clearly, ca- horn to modern audiences denzas were tailored to a 18:00 EXPOSITION HALL in historically informed given player’s abilities, thus End of Session Drink (inspired) performances. the demands and style of a How did composers like particular cadenza might not Mozart and Haydn expect necessarily represent that JULY 5th horn parts in their sympho- which would be played by nies to be performed? all performers. Nevertheless, 09:00 MIM BRUSSELS upon scrutiny, patterns of innovation and virtuosity emerge Visit to the Brussels Musical 17:15 GOETHALS in these cadenzas relating Instruments Museum (MIM) Historical Horn to the development of horn & horn reserve (30€ including Conference Lectures technique and hand-stopping, train tickets, upon reser- and this will form the basis vation at the service desk- Thomas Hiebert of my discussion. (see page social program) California State University (US) Using little-known manuscript excerpts, I will discuss and 14:00 LIBRARY Extant Cadenzas from demonstrate how per- Natural Horn Competition Late 18th-Century Horn formers would likely have Public Finals Concertos: What They Tell performed their cadenzas. Us About Period Cadenzas More specifically, I will be and the Development discussing cadenzas from of Horn Technique and selected manuscripts of Hand-Stopping. horn concertos by (Anton Joseph Hampel), Franz Xaver Opportunities for improvised Pokorny, Antonio Rosetti, and cadenzas in horn concertos Johann Christoph Vogel that from the 18th century in- range from the mid-to-late creased as the 19th century 18th century. These caden- approached, as is clear from zas also give us the best

HISTORICAL HORN CONFERENCE 4TH 5TH 55 Hervé JOULAIN

ADVANCED METHOD FOR HORN

LATEST JOULAIN’S PUBLICATION INNOVATIVE 126 PAGES HORN BOOK AVAILABLE IN ENGLISH # FRENCH # ITALIAN AT THE ENGELBERT SCHMID STAND IHS51

56 LECTURES WORKSHOPS

LECTURES, WORKSHOPS 1ST 2ND 3RD 4TH 5TH 6TH 57 JULY 1ST contemporary hornist-com- chapter consists of optimal posers and their music can playing posture, natural tell us much about directions coordination of respiratory 13:45 EXHIBITION HALL 1 horn players wish to take muscles, voice production Lecture our repertoire. This lecture from the deep muscle layers will survey the contributions of the body and the cooper- I play Modern Horn – of the newest generation of ation of embouchure, tongue Why would I bother with hornist-composers, includ- and larynx. In the body and playing the Natural Horn? ing Gina Gillie, Wayne Lu, mind connection chapter Brett Miller, Gregory Miller, physiology of stress and Michelle Stebleton James Naigus, Drew Phillips, anxiety are surveyed as well and others. In addition to as awareness and mental This lecture serves as an offering an overview of their training supporting the play- introduction to the benefits of compositions, Hagelstein will ing, and mental preparation studying natural horn, even if survey trends in this reper- for performance. The bal- the performer never wants to toire and consider how this anced practice section of the master the early instrument. generation is influencing the method consists of quality, We will explore the ways in horn repertoire. In addition to diversity and rhythm in train- which a little bit of knowledge discussing these composers ing and new, more holistic can revolutionize modern and their works, Hagelstein exercises for horn player. In playing, including interpreta- will provide a list of solo the Playing from the Core tion, technique and even the horn works composed by Method there are included ability to transpose better. horn performers since 2005. many physical and mental This lecture is a follow-up to exercises for the player and Hagelstein’s earlier research lot of playing exercises. In the 14:30 EXHIBITION HALL 1 on Compositional Trends in lecture Hyytinen will present Lecture Solo Horn Works Composed the key issues of the method by Horn Performers (1970- and instruct several body A New Generation of Hornist- 2005): A Survey and Catalog, control and mental training Composers: Celebrating published by the University of exercises that will aid in horn Contributions to our Solo Cincinnati in 2008. playing. The body control Repertoire Since 2005 exercises of the method are based in Pilates method and dr. Kim Rooney 15:15 EXHIBITION HALL 1 in somatic training. Hagelstein Lecture / Workshop

An instrument with a rep- Playing from the Core – 16:00 MIRY CAFÉ utation for being complex new Method for the Horn Sound-sculpting 1 and difficult, the horn has Trial Session intimidated many mainstream Tommi Hyytinen composers. However, horn Reservations at Service Desk players have often been In this lecture DMus Tommi willing to embrace the Hyytinen will present his Patrick Housen challenges of writing for our new Playing from the Core somewhat unpredictable Method – a new, more How would a horn sound if instrument. For centuries, comprehensive approach it was used as a live perfor- hornist-composers have led to horn playing. Playing from mance tool for the creation the horn repertoire in new the Core Method consists of live electronic music. directions and reflected of three parts: body, body During these sessions he the aesthetic of the horn and mind connection and invites fellow artists to enter community. A close look at balanced practice. The body the sonorous space of his

LECTURES, WORKSHOPS 1ST 58 SoundSculpting perfor- why they work. Hopefully, and cultural acceptance mance. Horn sounds are after the lecture, participants of the valve horn enabled captured by Patrick Housen, will be armed with new ways enhanced technical and digitally distorted and to practice so that they can sonic possibilities for Mahler reinstated in an immersive, “chill” in the high register. and Strauss’s horn writing. evolving sound sculpture. This development, in tandem In these interactive sessions with experimental trends in performers compose, impro- 17:15 JANSENIUS orchestral expansion in the vise, react and communicate Workshop middle to late nineteenth with each other. Expect century, provided compos- atmospheric layers, enticing Focal Dystonia Workshop ers a new set of tools for grooves and warm melodies. symphonic writing. Previous dr. Amy Thakurdas research indicates that We need open-minded Strauss and Mahler’s writing performers that want to Amy Thakurdas will share demonstrate the horn’s over- discover a new path in their her current research on all increased orchestral role collaborating field. Musicians Focal Dystonia into the nineteenth century. All welcome to come and (MFD). The workshop However, I will examine their observe the live sessions. addresses stress and pain symphonic works in order to management methods. She determine the significance includes a variety of exer- in of the sheer size of the 17:15 EXHIBITION HALL 1 cises which address em- horn section in their writing. Lecture bouchure issues and muscle Selections of their composi- misalignments and imbalanc- tional output scored for six, High Chill, an interactive es for French horn players. seven, or eight horns serve lecture designed to as case studies. Analysis of “move on” up easily into their music, in addition to the high range. 18:00 EXHIBITION HALL 1 performance notes, suggest Interactive Lecture that Mahler and Strauss were Patrick Hughes Recital (Bring your horn!) quite interested in the strong sonic effects and overall An overabundance of en- Influence, Sound, and sense of “expansion” created ergy is spent teaching and Functional Aesthetic of by a large horn section, learning various breathing the Expanded Horn Section perhaps more so than the and blowing techniques to in Symphonic Works increased contrapuntal improve one’s high range. by Mahler and Strauss possibilities. An important The primary culprit of a weak component to this lecture will high range, though, is too Matthew Mauro be voluntary section playing. much tension in the upper I have excerpted passages body and neck. In this lecture In this lecture, I will explore from their works that they I will present five specific the historical factors that could have written for 1-4 exercises (Harmonic Slurs, influenced Gustav Mahler horns but chose to score How To’s, Minor Thirds, and Richard Strauss to 6-8; real-time performances Bach Flexibles, and High write for expanded horn of these passages, with both Colour Tones) that focus sections in their symphonic a reduced and expanded on reducing body tension writing, and subsequently section, demonstrate the while practicing and then the aesthetic function of the significant sonic impact of playing in the high range. large section in their music. Mahler's and Strauss's scor- Participants will be able to Standard orchestration ing. For example, listening to try the exercises during the practices warrant a four-horn the opening of Mahler's 3rd lecture and discuss how and section, but the innovation symphony played by 4 horns,

LECTURES, WORKSHOPS 1ST 59 and then 8 horns (or 9 with term of "focal Dystonia" Workshop massed natural assistant) appears to yield when it may not be. This talk horn ensemble with Bart little difference in volume and will be based on the 10-year Aerbeydt (Freiburger notable difference in sonic study 'sound practice' put Barockorchester) depth. Bring your horns and out by Bronwen Ackerman Featuring music by Georg be ready to play some of and the University of Sydney Frederic Handel, Martin- the best orchestra repertoire on injuries in musicians. The Joseph Mengal and others. we have! talk uses my own experience of rehab and recovery from embouchure overuse syn- 14:45 EXHIBITION HALL 2 JULY 2nd drome as a case study of the Lecture-recital research, and methods used 08:00 JANSENIUS by Bronwen Ackerman as a The Principal Horn Players Group Warmup lecturer in anatomy teaching of the Royal Concertgebouw with Featured Artist a brass player to form an Orchestra Amsterdam Tom Varner (max 70 ppl) embouchure again from 1888-2019 scratch. come on the journey of how systematic anatomi- dr. Jack Munnecom 09:00 JANSENIUS cal exercises have been used Massed Ensemble away from the instrument KNOPF HERITAGE HORN Workshop with to assist in the rehabilitation QUARTET AMSTERDAM Lindsey Stoker and full recovery of many Hans Dullaert (Royal Northern brass players in Australia, Jack Munnecom College of Music) and around the world. Peter Steinmann Ernest Maes Tim Jackson: The Sound of Music Suite 11:30 MIRY CAFÉ Since its foundation in 1888, Queen (arr. Tim Jackson): Sound-sculpting 2 the Royal Concertgebouw The Show Must Go On Orchestra has become an Freddy Mercury Patrick Housen orchestra that is considered (arr. R. Bissill): to be one of the finest in the Bohemian Rhapsody world, lauded for its unique 13:45 EXHIBITION HALL 1 sound. Simultaneously with Workshop: the development of this 09:00 GOETHALS Mass Improvisation orchestra, a unique tradition Lecture & Workshop with featured in sound and playing style Artist Tom Varner arose in the horn section: Embouchure Injury: (bring your horn!) the Amsterdam School. A Rehabilitation Journey The history of the principal Leading Jazz horn player horn players of the RCO Francesco Lo Surdo Tom Varner invites us to can be divided into four a guided massed horn periods: the Early Years When brass players are improvisation. (1888-1922), the Amsterdam confronted with embouchure School (1922-1974), New injuries, what are we to call Influences (1974-2004), and it? who do we turn to for 13.45 MIRY CAFÉ the New Amsterdam School help? what do we do? In Workshop: Mass natural (2004-2017). the past brass players have horn ensemble been very quick to label with Bart Aerbeydt In a time when the RCO, embouchure injuries as "loss (bring your horn!) under the baton of Willem of chops" or under a blanket Mengelberg, gained

LECTURES, WORKSHOPS 1ST 2ND 60 international fame, Richard Peter Kurau, by Mahler versus Haydn. A Sell was one of the leading Pamela Kurau little bit of research, knowl- principals in the orchestra. edge and and acceptance of During his tenure, starting PIANO Jan Huylebroeck some non-traditional ap- in 1922, the horn section proaches will go a long way to developed a unique sound This program focuses on the expanding the possibilities of and playing style. Sell unified performance of new works the instrument in any of these the horn section, not only for horn/soprano/piano musical styles. in terms of playing style but (James Walker, Dana Wilson, also in the instruments that Eric Street), as well as com- This workshop will offer a were used. The entire horn posing a horn part (for which basic introduction to playing section switched to instru- the principles and process a few of the more common ments made by Herbert Fritz will be demonstrated) for jazz/pop styles: swing, funk, Knopf in the 1930s. extant works by Schubert, latin, bossa nova, jazz waltz, Schumann, and Strauss, and rock, etc. Fundamental to Throughout the years, the revising works to include all these styles is the basic Amsterdam horn section horn as an obligato instru- principle of how to swing maintained a cultivated way ment (Schubert Shepherd smoothly at various tempi. of playing, never forced, onthe Rock). A written blues etude, in a always concentrating on swing style, will be used to the most beautiful sound illustrate the differences one could imagine. Beauty 17:00 EXHIBITION HALL 1 between playing what is of sound, playing with ex- Lecture – Demonstration exactly on the page, how pression, and blending the many classical players have sound with other musicians Horn Performance Practice traditionally approached in the orchestra, characterize in Various Jazz Styles: “jazz”, and how the rest of the ‘velvet horn sound’ of No Improvisation Needed! the jazz world would expect the Royal Concertgebouw it to be played. Examples of Orchestra’s horn section. dr. Steven Schaughency articulation methods will be shown to exhibit the subtle In this lecture-performance, Aside from the fun factor of nuances in the varying styles the history of the Amsterdam playing jazz and pop style mu- as they differ with articula- School will be presented sic on horn, we are now often tion known and accepted in a vivid presentation. The confronted with the need to in classical music. All of the "Knopf Heritage Hornquartet" perform in these idioms as above will be demonstrated will perform during this lec- part of our normal orchestral live with accompaniment of ture-performance. The velvet or chamber music situations. pre-recorded, professional sound of the Amsterdam Hornists don't have to be rhythm sections. In addition, School hopefully will inspire outsiders looking in or intim- a resource list of “100 essen- you to strive after the most idated by the complex world tial recordings of the horn in beautiful sound you can of jazz improvisation. With the jazz” will be made available make. vast majority of jazz and pop to seminar participants. music, there will never be a need for soloing in the Horn 16:00 MENGAL part sitting on your stand. 18:45 JANSENIUS Lecture – Recital However, the expectation is Lecture to perform these somewhat “New” works for horn, piano foreign styles in a convincing Horn 101: Spoken in teen and soprano: Commissions, manner, at a professional level and Tween revisions and adaptations and as stylistically correct as one would approach a piece Michelle Garasi

LECTURES, WORKSHOPS 2ND 61 The new generation of extra focus on breathing tech- extraordinary artists or arts niques and how to maximize enthusiasts may be just 09:00 FORUM your amount of air. The in- outside your studio door, Massed Ensemble tention of this workshop is to but your studio is not in a Workshop make you feel free and strong major arts hub, and the tradi- with Hans Casteleyn in both body and mind so you tional language of performing can enjoy your playing more arts is not part of the culture. and just BREATHE MUSIC. Arts are not necessarily a 10:30 GOETHALS This workshop is for all levels, priority, or perhaps they Historical Horn and there will be given op- are, but the enthusiast is a Conference Lectures tions for all needs. We will first-generation performer lie on the floor and you DO and they don’t speak “horn”. Jeroen Billiet: Brave NOT need yoga mat or gym This workshop focuses on Belgians! Ghentian horn clothes but try to avoid very pedagogically sound strat- players and the “lyrical” tight jeans or short skirts. You egies, articulated in tween style, 1872-1962 will not need your horn for and teen, to help young horn this workshop but try to have players embark upon a life- Vincent Andrieux : The Very some time to play right after long love for music making First Recording of a Wind – to experience the difference and learning in interesting Quintet: the French Wind and amazing feeling! Yoga and memorable ways. School during the Belle Lene's yoga sessions do not Epoque have any religious references Aviram Freiberg: – only references to music! JULY 3rd Tchaikovsky and the Everyone attending will get a emerging Russian school written program summary and of horn playing. videos of the sequences after 08:00 JANSENIUS the workshop. Very welcome! Group Warmup with Lanette Lopez Compton 10:00 JANSENIUS (max 70 ppl) Workshop 11:15 MIRY CAFÉ Sound-sculpting 3 drop the beat Yoga for Musicians Reservations at service desk Lanette Lopez Compton Yoga Lene Patrick Housen

Drop the Beat is a unique You will learn easy and quick warm-up routine devel- yoga tools to use in your 13:30 LIBRARY oped by Lanette Compton, daily music life at home, in Historical Horn Associate Professor of Horn the practice room or at the Conference Lecture – at Oklahoma State University, concert venue. You will learn Recital for the Oklahoma State how to warm up faster - from University Horn Studio.This inside. You will get knowledge Treasures for Horn in warm-up mixes fundamen- on how to avoid injuries, the Lund University Library tals with pop songs, using tensions and how to recover PIANO Toby Sermeus the strict time and tempo faster. You will get your own NATURAL HORN of these pop songs as a “yoga toolbox" to get boost- Kathryn Zevenbergen metronome. ed, grounded, focused or to Teunis Van der Zwart calm down before, during or after an audition or concert. Since you are all horn players, there will of course be an

LECTURES, WORKSHOPS 2ND 3RD 62 You Get: the Eichentopf 17.00 JANSENIUS horn and other Leipzig Lecture 13:45 JANSENIUS Bach wind instruments Lecture reconsidered. Transcribing for Horn: the Fine Art of Borrowing a Magical Journey 14:45 JANSENIUS dr. Kristen Sienkiewicz Sissel Morken Gullord Lecture – Recital This lecture will revisit the Moving Horns into The practice of borrowing content of the much-accal- the 21st Century pieces from other instru- imed TEDx-talk “A Frozen ments is a historied and magical journey from the SOUTH FLORIDA fruitful one, but the further Norwegian mountains”. I will CHAMBER ENSEMBLE development of this reper- demonstrate the high-pitched HORN Myrna Meeroff toire is not commonplace singing called “hujing”, play FLUTE Marie Schwartz among current horn players the wooden lur and the CLARINET Christine Pacual and educators. For many bukkehorns and will also tell Fernandez reasons it could and perhaps my own little fairytale of how Frederick Glesser: should be, and this lecture a Norwegian woman, living A distant Love will advocate for the contin- on a farm in Norway, got Rebecca Clarke: ued creation, performance, involved in Disney’s biggest Viola Sonata and publication of such tran- success ever. The lecture Chiquinha Gonzaga: scriptions. Topics will include invites the audience to take Atrahente a discussion of the benefits part in a following interactive Florence Price: The Oak and challenges, the process question round. of finding suitable repertoire, Moving Horns in the 21st how to transcribe for a par- Century is a lecture-recital ticular audience and/or per- 14:30 GOETHALS that explains how the South former, strategies for dealing Historical Horn Florida Chamber Ensemble is with technical challenges Conference Lectures pushing the envelope of what that arise from the merging a horn can do. Our resident of different instrumental Richard Seraphinoff : scholar and hornist, Myrna idioms and techniques, and the Reconstruction of Meeroff, explains the three notational choices. Examples Baroque, Classical ways that the South Florida will be offered from published and Romantic Horns Chamber Ensemble expands transcriptions for horn, as Isabel Osselaere: Decorated the horn repertoire and forces well as potential repertoire Horn Bells in 19th Century the horn to play roles that yet unexplored. Paris: an analysis of stretch beyond the traditional: techniques and materials. performing concerti written dr. Ignace Dekeyser: Horns, for other instruments, playing 19:00 FORUM Saxhorns, “Wagner”- orchestral transcriptions Lecture – Book tuben and the Mahillon reduced for trio, and com- Presentation Wagner Band missioning new works with Chris Larkin: The Hunting expanded use of the horn. The Global Horn – the influ- Horn in France –from She will explain how each ence of the horn in the world the Roncevaux to the piece changes the role of the at large Revolution horn as well as giving informa- Stefaan Verdegem, tion about the composer and Katherine Bart Aerbeydt & Mark the creation of each work. McLuskie-Ciment De Merlier: What You See Is (not always) What

LECTURES, WORKSHOPS 3RD 63 “The Global Horn” delves into confine ourselves to narrow the popularity of the Horn, it's expectations of what is role as a musical ambassador 09:00 FORUM “good”, but with the expand- in the community, the future Massed Ensemble ing global access to all kinds of Horn playing in the context Workshop of music, we must ourselves of the health of our worldwide with Luc Bartholomeus expand our perspectives and orchestras, how the Horn is abilities. Being open to new being adapted to the native ideas and perspectives can musical idioms of many 09:00 MENGAL help us understand diverse countries, entrepreneurship Workshop experiences and open a true for musicians, among several collaboration with our diverse other topics. The talk includes Performing with a Purpose: potential audiences. In this a couple short videos of Community Engagement presentation, we will discuss musical samples. That Endures the necessity of interacting with our community within a Katy Ambrose & variety of contexts. We will 19:00 JANSENIUS Lauren Hunt offer strategies for engage- Lecture – Recital ment without compromising Too often, professional clas- musical values, and ways to Demonstration of Beginner sical musicians grumble when support our communities and Intermediate Horn presented with an opportunity through arts programming. Quartet Repertoire to perform “outreach” con- This includes embracing art certs, viewing it as a “dumbing forms beyond classical music, DEAF CAT QUARTET down” of our art form. and linking musical styles HORN Corinne Edom However, as we face chal- such as popular, classical, Emily Schroeder lenges with funding, shrinking world, hip hop, musical Cory Kirby audiences, and lack of inter- theatre, folk, and more. In Justin Phillips, est from the society-at-large, addition to discussing strat- Kerry Turner: Fanfare engaging audiences in egies for creating interactive for Barcs these types of programs is audience experiences, we will Traditional (arr. Jordan an essential component of model examples of program- R. Tucker): How any musician’s skill set. As ming choices and ways to Great Thou Art musicians, we understand communicate that employ Nathan Pawelek: the value of the arts and its these strategies, which can Horn Quartet No. 1 ability to transcend culture reach beyond our perspective 1. “Hornpipers” and language, but it can as simply horn players. 2. “Landler Outlandish” be difficult to demonstrate a-ha (arr. Michael this importance. By getting P. Atkinson): Take on Me involved in our community and 09:00 GOETHALS working as teaching artists Historical Horn or “citizen musicians”, we can Conference Lectures JULY 4th cultivate future audiences and help our communities Ulrich Hübner & Martin develop an appreciation for Mürner: 08:00 JANSENIUS the arts. Ideal engagement Keynote: Bells Up: the Group Warmup reaches beyond simple “one way you always wanted with Johanna Lundy and done” performances, to to play Mozart but were (max 70 ppl) create lasting relationships afraid to do so. between performers and Marlane Campbell audiences. As highly-spe- Historically Informed cialized artists, we tend to Horn Performance in

LECTURES, WORKSHOPS 3RD 4TH 64 the Early Eighteenth Moving your horn Through Century Tradition the storm Clouds: How 11.00 GOETHALS Depression and Anxiety can Historical Horn affect your Playing 10:30 JANSENIUS Conference Lectures Lecture Corrine Edom

New Materials for Musical Pepe Reche Mental health awareness has Instruments The Petrides Brothers in become an increasingly pop- Barcelona: Two Bohemian ular topic in recent years. It is Tim Duerinck Hornists at Barcelona’s becoming standard to make As a researcher on the Opera House (1794-1798) sure students are aware of School of Arts Ghent, Gabriella Ibarra how to manage their mental Tim Duerinck makes and The Horn in Venezuelan health. The majority of uni- investigates violins and colonial Music versities strive to equip their cellos from new materials. Teunis Van der Zwart students with every possible He uses materials like the Beethoven and the Cor Basse resource to manage their stiff and lightweight carbon, mental health struggles, but see-through glass fibre or the very little research has been local and ecological flax fibre 11:30 MIRY CAFÉ done to assess the effects to create new music instru- Sound-sculpting 4 that poor mental health could ments that sound great. For have on the performance IHS51 he leaves his comfort Reservations at Service Desk abilities of a music student. zone and looks to the horn. Patrick Housen Ms. Edom will discuss the re- What benefits could new sults of her study: "Changes materials bring? He shares in Enjoyment and Musical his insights on the versatility 13:45 JANSENIUS Improvement Perceived by these materials bring when Workshop: Undergraduates Reporting it comes to adapting the Genghis Barbie Symptoms of Depression sound and playability of an and Anxiety," and will discuss instrument. He shows how he DAT Hustle: have you ever future studies on this topic in makes his instruments com- wondered what it takes to order to equip students and pletely by hand and discuss- be a Barbie? teachers to better under- es what making techniques stand the impact that mental horn makers could use to health can have on musical create horns from carbon, 14:45 LIBRARY performance. glass- or flax fibres. We end Historical horn this lecture with an open Conference Lecture – discussion. Can composite Performance 15:30 GOETHALS materials offer benefits for Historical horn the sound and playability of Jeffrey Snedeker: Conference Lectures horns, and what would that Hand and/or Valve? be? We hope to find out Meifred, Urbin, Kastner, and Claude Maury together. Valved Horn Teaching in The horn in search of Paris ca. 1830-1860 chromaticism in the 18th and19th centuries Daniel Lienhard 15:15 MENGAL 20th Century Compositions Lecture for Natural or Hunting Horns

LECTURES, WORKSHOPS 4TH 65 to a consistent approach to Why do some students fail, horn biomechanics among and others succeed? How LIBRARY the elite group, which sharply can I ensure that I am among Interlude contrasts the biomechan- the successful? How do I ics of the dystonic group. help my students? What is a Jorge Renteria Campos Further research has yielded key factor in success? There new findings about horn are endless sources with Christoph Förster: Concerto technique and what really ideas, teaching strategies, for Horn nr. 1 in Es goes on inside the mouth and and tools designed to help throat. Eli Epstein will show lead yourself or students to how these new discoveries success and many of them 17:15 ROOM 2.9 (illustrated in in his book, are directly made for horn Lecture – Workshop Horn Playing from the Inside players. All of these materials Out, Third Edition) can assist rely on a single premise MRI horn: the inside Story: in defining a brass pedagogy that is often overlooked, an Pedagogy informed by that can help prevent injury individual’s mindset. After Science and led to healthy, satisfying, decades of research dr. Carol and sustainable careers for Dweck has determined there Eli Epstein and Peter Iltis brass players in the future. are two mindsets: ‘growth’ or ‘fixed.’ A growth mindset Dr. Peter Iltis has been con- relies on the single belief that ducting research for the past 16:45 GOETHALS abilities can be built, learned, 5 years in collaboration with Historical Horn and that progress is always both the Institute for Music Conference Lectures possible. An individual with a Physiology and Musician’s growth mindset is more likely Medicine (Hannover, John Manganaro to preserver and continue Germany) and the MRI Lab at The Development of Hand on after challenge or failure, the Max Planck Institute for Technique in the Latter have an accurate depiction Biophysical Chemistry and Part of the 18th Century of their strengths and weak- Biomedical NMR Research Thomas Hiebert nesses, and are more willing in Göttingen, Germany. The Extant Cadenzas from to try new things. These research involves conducting Late 18th-Century Horn individuals are more likely to high-speed, real-time mag- Concertos: What They Tell succeed, and it has nothing netic resonance imaging of Us About Period Cadenzas to do with IQ, test scores, (1) elite horn players and (2) and the Development of economic background, or professional horn players Horn Technique and Hand- home life but instead with who developed embouchure Stopping their own self-perception. A dystonia, performing on growth mindset is critical to an MRI-compatible horn. musician’s ability to improve The elite group includes JULY 5th and survive in this industry. Stefan Dohr, Andrej Just, Successful horn players Markus Mascuniitty, Fergus have incredible resilience McWilliam, and Sarah Willis 09:15 JANSENIUS to take numerous auditions, of the Berlin Philharmonic; Lecture receive many rejections, and Jeff Nelsen and Marie-Luise still return to the practice Neunecker, renowned horn Adapting a Growing Mindset room with the determination soloists; and Eli Epstein, for- in Music to not quit. Student’s with a mer member of the Cleveland fixed mindset practice less, Orchestra. Dr. Iltis and his Nicole Deuvall become easily frustrated, science team have collected and often quit. This lecture and analyzed data that point will look and define what

LECTURES, WORKSHOPS 4TH 5TH 66 exactly it means to have a unnecessary tensions, learn growth mindset as a student to stop them and exchange or professional musician, how them for a balanced tonus 11:00 JANSENIUS to encourage and maintain a through thoughts that FMA Lecture growth mindset, and the build called directions. When resilience to have a success- playing with minimal tension “Breath and Believe”: Mental ful career. and balanced tonicity, the techniques for audition and breath can be used to its ut- concert preparation most capacity. Furthermore, 10:00 JANSENIUS F.M. Alexander’s principle Bruce Richards Workshop of giving directions can be directly translated “Breath and Believe” is a Accessing Inspiration, into musical creativity by series of lectures about Alexander Technique and use learning to think ahead of stage fright, or performance of the breath the outcome. This stills the anxiety. For IHS51 I would judgemental mind and opens like to focus on one par- Renée Allen a space for communication ticular technique used not with the listener. Renée Allen only in the preparation for Musicians practice daily has been an AT teacher for an audition, but also in the to refine small movements 25 years and continues to audition itself. Based upon and often lose focus of the enhance her performance two books (The Madonnas entire body, which for horn by applying the principles of of Leningrad and The Box) players is their instrument the technique. As an expe- I will present the technique as the horn itself is equiva- rienced teacher, she will be of compartmentalising as lent to a loudspeaker. Horn using her hands to transmit an aide for focusing the players must learn to balance the experience. She has mind on the task at hand, a heavy instrument, and researched breathing tech- which can prepare us for the many allow the horn to pull niques, anatomy, and wishes audition experience, and can the body out of alignment, to share her knowledge with also help during a concert thereby stiffening muscles the horn world. The bonuses performance. that should remain flexible of the Alexander technique for breathing. With con- are an improved quality of scious postural alignment, sound through conscious use 11:15 MIRY CAFÉ the breath can move freely, of the mind, access to a well Sound-sculpting 5 increasing the sound quality of inspiration, spontaneous and overall control. In this performances, and more joy Reservations at Service Desk workshop/master class, while playing. Patrick Housen I wish to share concepts that will allow more freedom in performance through better 12:30 ST-BAAFSHUIS overall physical balance INNER COURT and balance of the horn, as Workshop well as creative exercises designed to break down Putting the Fun unwanted patterns. This in Fundamentals releases the breath that in turn unleashes creativity. The Genghis Barbie F.M. Alexander technique is designed to unify the mind/ body connection so that we can become aware of

LECTURES, WORKSHOPS 5TH 67 Venezuelan musical teaching has reached a worldwide 14:45 JANSENIUS 16:00 MIRY CAFÉ scenery thanks to the well- Lecture Lecture known "El Sistema" program, foreign masters and their Searching for beauty – focus The Harmonic Series: The respective musical offspring on tone and legato. Ultimate Teacher and Guide that lead the new french horn Toward More Efficient and school in Venezuela. Frøydis Ree Wekre Informed Performance Another interesting point to IHS Honorary Member consider in this talk is actual Jonas Thoms situation of Venezuelan horn players because the social, 15:30 JANSENIUS Using the harmonic series political and economic crisis. Lecture – Performance not only as a tool for flexibili- We will be taking a look ty but as a guide and teacher around facts that teachers, New Music for soprano, horn through many areas of horn students and players in gen- and piano playing. Topics include range, eral have taken to keep their embouchure efficiency, "dose of love for the instru- AMITY TRIO musical style, improving large ment" inside and outside of HORN Dr. Michael Walker intervals, stopped horn, lip the country. Most of the data SOPRANO Katie Dukes trills, and more. Bring your was collected from experi- PIANO Kimberly Carballo horn for this fully interactive ences, stories, reflections workshop. of Venezuelan horn player Only a minuscule body of protagonists. trio music for piano-horn-soprano exists historically; 16:30 JANSENIUS although it is a relatively easy Lecture 17:30 MENGAL ensemble to put together, Lecture – Recital the combination is not at all a the Venezuelan horn players: widely explored combination, a collective history of the New Belgian Solo Repertoire like brass quintet or string horn playing in Venezuela for Music Schools quartet. Furthermore, music is still a male dominated field, Gabriella Ibarra PIANO Rik Vercruysse more so in the world of brass. Jan Huylebroeck As a result, there is ample The 20th century saw the and others market and artistic space birth, growth and develop- for developing repertoire of ment of a new kind of horn this combination, especially player in Venezuela. Musical 18:00 MIRY CAFÉ by female composers. This teaching had a renewed Workshop lecture will discuss the vision through its systemati- challenges, discoveries, and zation and overcrowding and Get Moving: a Healthy techniques for this type of that process in particular let approach to Horn Playing ensemble and provide a vital use music to train and shape voice for talented contempo- a successful musical culture Johanna Lundy rary female composers. in all Social stratas. Foreign streams of many European Get Moving: A Healthy and American teachers also Approach to Horn Playing nurtured a new perspective will share techniques to to establish a proper mindset transform stagnant, outdated in performance, for these practice methods (physical reasons we can affirm that and mental) into vibrant and

LECTURES, WORKSHOPS 5TH 68 dynamic ones. A variety of movement techniques will be presented, includ- JULY 6th ing strength and mobility exercises, holding and supporting the horn in new 08:15 ST-BAAFSHUIS ways, mental flexibility, and INNER COURT physical movement to music. WtD! Day registration Participants will be guided Group Warmup with through the techniques in Peter Luff the session, so bring your horn. Stop playing monoto- nous repetitions on the horn 18:00 MIRY CAFÉ and get moving! About the Sound-sculpting presenter: Johanna Lundy Celebrety Edition is the Principal Horn of the Tucson Symphony. She has (terrace depending of the weather) performed across the United Patrick Housen States in solo, chamber, and orchestral settings. Also, on the faculty at the University of Arizona, her teaching focuses on efficient, healthy playing techniques and emphasizes mindfulness skills for performance. For over a decade, Lundy has studied Pilates, yoga, physical therapy and mind/body techniques and has worked to integrate these practices into horn playing.

18:45 MENGAL Lecture Prof. Dr. De Baets (UGent)

As an introduction session to the evening concert in the memory of André Van Driessche, we are honored to present Prof. Dr. De Baets in a lecture on a topic that was so dear to André : the research on Cystic Fibrosis.

LECTURES, WORKSHOPS 5TH 6TH 69 WELCOMES YOU TO VISIT OUR EXHIBITION OF SHEET MUSIC FOR HORN

We mention specifically Trygve Madsen: Concerto for Horn and Orchestra op. 45 (Musikk-Husets Forlag)

which will be performed Friday 5 July, 2019 Soloist: Christoph Ess

www.musikkforlagene.no

70 MASTERCLASSES

MASTERCLASSES 1ST 2ND 3RD 4TH 5TH 6TH 71 Take a lesson with an international star teacher at one of our masterclasses. All JULY 2nd 10:00 ROOM 2.8 IHS51 participants (no age Peter Kurau (US) limit) can actively participate Eastman School of Music / in masterclasses without 10:00 MENGAL Rochester Philharmonic an extra charge. Dedicated Froydis Ree Wekre (NO) Masterclasses are available International soloist from intermediate player IHS Honorary Member 13:45 MENGAL level. Enquire about available Steven Cohen (US) time slots at the service desk. International Soloist/NU All masterclasses accept 13:45 MENGAL CORNO-ensemble audience within the limits William VerMeulen* (US) of the available space. Rice University Houston Symphony 13:45 ROOM 2.8 * = IHS51 FEATURED ARTIST With the kind support Peter Luff (AU) WTD! = WAKE THE DRAGON! of Engelbert Schmid horns Queensland Conservatorium at Griffith University Brisbane JULY 1st 13:45 ROOM 2.9 J. Bernardo Silva (PT) Orquestra Sinfónica do 17:00 ROOM 2.8 13:45 MENGAL Porto Casa da Música Evi Baetens (BE) Eliz Erkalp* (BE/FR) low horn- Brussels Antwerp Symphony Philharmonic Orchestra 17:00 ROOM 2.8 Hans Van der Zanden (NL) Brussels Philharmonic 17:00 MENGAL 13:45 ROOM 2.8 Anthony Devriendt (BE) Bart Aerbeydt (BE/FR) Belgian National Orchestra natural horn 17:00 MENGAL Freiburger Barockorchester Bruno Schneider (CH) International Soloist JULY 4th prof. Musikhochschule 17:00 MENGAL Freiburg in Bresgau Francis Orval (BE/US) 10:00 MENGAL International Soloist, Johannes Hinterholzer* Hon. Prof. Musikhochschule JULY 3rd (AT) Trossingen Int. Soloist / Musikhochschule München 10:00 MENGAL 17:00 ROOM 2.8 Hervé Joulain* (FR) Todd Williams (US) International Soloist 10:00 ROOM 2.8 natural horn Orchestre National Eli Epstein (US) Juilliard School of Music de France New England With the kind support of Conservatory / Boston Engelbert Schmid horns Conservatory at Berklee

MASTERCLASSES 1ST 2ND 3RD 4TH 72 13:45 ROOM 2.9 14:00 ROOM 0.1 JULY 6TH Bruce Richards (BE) Gabriella Ibarra (VE) Royal Liège Philharmonic / former El Sistema teacher Conservatoire Royal 10.00 ROOM 2.8 de Liège Masterclass for intermediate Claude Maury (BE/FR) & advanced intermediate level natural horn-Conservatoire students (WtD!) National Supérieur de Paris 13:45 ROOM 2.8 Luc Bergé (BE) Erasmushogeschool / 14:00 ROOM 0.2 10.00 MENGAL Koninklijk Conservatorium Bernard le Pogam (FR) Marie Luise Neunecker* Brussel hon. teacher Conservatoire (DE) d’Angers Int. Soloist/Hochschüle für Musik Berlin 17:00 ROOM 2.8 Masterclass for intermediate Jean-Pierre Dassonville & advanced intermediate level (BE) students (WtD!) Orch. of Royal la Monnaie Opera / Cons. Royal deBruxelles 16:00 ROOM 0.4 Marjolaine Goulet* (CA) Orchestre Symphonique de 17:00 MENGAL Québec/Conservatoire de Christoph Ess* (DE) Montréal Bamberger Symphoniker / Masterclass for intermediate Musikhochschule & advanced intermediate level Lübeck students (WtD!)

JULY 5th 16.00 ROOM 0.2 Thibauld le Pogam (FR) co-principal Orchestra 10:00 ROOM 2.8 of Schleswig-Holstein Rik Vercruysse (BE) Belgian Brass / Masterclass for intermediate School of Arts Gent – & advanced intermediate level Royal Conservatory students (WtD!)

10:00 MENGAL 17:00 ROOM 2.9 Nico de Marchi (BE) Teunis Van der Zwart Royal Liège (NL) Philharmonic/IMEP Namur natural horn- Orch. of the 18th Century/Amsterdam Conservatory

MASTERCLASSES 4TH 5TH 6TH 73 74 WAKE THE DRAGON!

WAKE THE DRAGON! 5TH 6TH 75 JULY 5th

14:00 & ROOMS 0.3-0.4 09:30 ST-BAAFSHUIS 16:00 INNER COURT WAKE Masterclasses Massed Ensemble Wake the Dragon General THE DRAGON! Marjolaine Goulet Rehearsal Gabriella Ibarra Bernard Le Pogam DIRECTOR Dirk Brossé Thibault Le Pogam program: see below Julius Pranevicius 11:30 FORUM a.o. Registration Children’s Concert “Help, the Cake's on Fire” Lunch provided 11:30-13:30 17:00 SINT BAAFSHUIS – the tale of little Andy exclusively for Wake the INNER COURT the Dragon Dragon 2-day ticket holders Massed Ensemble 11:15 MIRY workshop FANFARE TOETERDONK 12:30 SINT BAAFSHUIS Luc Bartholomeus DIRECTOR Simon Van Hoecke INNER COURT Run-through of Wake Workshop the Dragon Ensembles Putting the FUN into (all groups) 12:00-13:30 FORUM & fundamentals ST-BAAFSHUIS INNER COURT Genghis Barbie 14:00 & ROOMS 0.3-0.4 Banquet 16:00 Masterclasses Included for Wake the Dragon & 14:30 SINT-BAAFSHUIS IHS51 Meal Plan ticket holders. FORUM Marjolaine Goulet Others: please purchase your tickets (ELEMENTARY) Gabriella Ibarra at the service desk until 4 July 11:00 NEDERPOLDER Bernard Le Pogam 5TH FLOOR Thibault Le Pogam (INTERMEDIATE) 12:30 ST-BAAFSHUIS INNER COURT INNER COURT (ADVANCED) JULY 6TH Concert Massed Ensemble Workshop GENEVA BRASS QUINTET See page Jos Verjans WAKE Frank Clarysse Luc Bartholomeus THE DRAGON! 14:00 ST-BAAFSHUIS Sectionals for Wake INNER COURT the Dragon! Massed Concert Horn Ensemble 2 Legit World Tour! New Album release! 08:15 ST-BAAFSHUIS INNER COURT GENGHIS BARBIE Group Warmup with Rachel Drehmann Peter Luff (aka Atilla the Horn) Danielle Kuhlman

WAKE THE DRAGON! 5TH 6TH 76 (aka Velvet Barbie) Massed Horn Ensemble Alana Vegter reply with Carillon (aka Freedom Barbie) interludes: 18:30 MIRY Laura Weiner IHS51 & Wake the (aka Alpine Barbie) Ramin Djamadi Dragon closing concert Featuring selections (arr. Bruce Richards): by Queen, Bizet, Dragon theme from ENSEMBLE CORS ET ÂMES the Eurythmics, “Game of Thrones” DIRECTOR Yves Tramon and Ariana Grande Dirk Brossé: des Sons Animés Christopher Wiggins: 15:30 ST-BAAFSPLEIN Canto opus 101 World Record Prelude John Powell (arr. Jacqueline Line up for our World Kershaw): Flying Theme Record breaking attempt! from ‘How to Train your Carillon concert Dragon’ Johan De Stoop (arr. Frank CITY CARILLON PLAYER Clarysse): Klokke Roeland Kenneth Theunissen James Horner (arr. R. ***DO NOT PLAY DURING Bissill): excerpts from THE CARILLON CONCERT*** Titanic Fantasy R. Wagner: Pilgrim's Choir from Tannhauser 16:00 ST-BAAFSPLEIN Guinness World Record Attempt 17:00 TERRACE Wake the Dragon! Afterparty with the kind support of Buffet- Come to the stage and Crampon / Hans Hoyer Horns share some music!

HONORARY MAYOR OF GHENT Daniël Termont 17:30 MIRY FEATURED ARTISTS, ADVISORY IHS51 competition COUNCIL AND ALL PARTICIPANTS winners audition Guinness World Record Breaking Attempt for Largest see page French horn Ensemble DIRECTOR Dirk Brossé 18:00 CAFÉ MIRY From the Belfry tower: Sound Sculpting Richard Wagner: Celebrity Edition Long call from Siegfried, featuring Andrew Pelletier, Patrick Housen & … IHS President Patrick Housen: Call to Horns (IHS AC Quartet)

WAKE THE DRAGON! 6TH 77 One Hundred Years of Paxman www.paxman.co.uk [email protected] www.paxman.co.uk

78 COMPETITIONS

COMPETITIONS 1ST 2ND 3RD 4TH 5TH 6TH 79 All on-site competition HIGH HORN JUDGING IHS51 Horn Ensemble rounds can be attended by PANEL Competition IHS51 participants. Hans Van der Zanden Non-Professional Division: Please respect the tranquility Goeff Winter Tuesday 2 July, 9:30 to 10:30 of the competitors when Louis-Philippe Marsolais Professional Division: entering or leaving the hall. Tuesday 2 July, 11:00 to 12:30 IHS51 Jazz Horn IHS Premier Soloist Competition JUDGING PANEL Competition FIRST ROUND: Steven Cohen FIRST ROUND: taped audition. Tuesday 2 July at 9:30-11:00 Nancy Joy FINALS (PUBLIC): in Café Miry Frank Clarysse Wednesday 3 July at 18:00 FINALS: Mengal Auditorium Tuesday 2 July IHS Competition Winners at 14:00-15:00 in Café Miry 2019 IHS PREMIER SOLOIST 2019 IHS Barry Tuckwell COMPETITION FINALISTS FIRST ROUND Award winner: Catherine Dowd JUDGING PANEL William Simpson Maggie Demel Jeffrey Snedeker Elisa Andreu Gonzalez Anne-Marie Standaert 2019 IHS John Hawkins Florian LeBleis Tom Varner Award winner: Samuel Ferreira FINALS JUDGING PANEL Catherine Dowd Jeffrey Snedeker FIRST ROUND JUDGING PANEL: Anne-Marie Standaert 2019 IHS Paul Mansur Frank Lloyd Steven Schaughency Award winner: Peter Kurau Kaatje Chiers Yu Hirono Frøydis Ree Wekre COMBO FOR FINALS William VerMeulen PIANO Melissa van der Veeken Fergus McWilliam BASS Zjef Van Steenbergen FINALS JUDGING PANEL: DRUMS Tom Peeters: Marie Luise Neunecker Francis Orval IHS51 Natural Horn Johannes Hinterholzer competition FIRST ROUND: Tuesday 2 Dorothy Frizelle July at 9:30-12:00 in Library Orchestral Excerpt (Campus Wijnaert) Competition FINALS: Friday 5 July at PRELIMINARY MASTERCLASS 14:00-15:00 in Library (compulsory for all competitors): (Campus Wijnaert) Monday 1 July at 17:00-19:00 in Goethals Auditorium FIRST ROUND LOW HORN: JUDGING PANEL Wednesday 3 July Jean-Pierre Dassonville at 09:30-11:00 in Room 2.9 Marjolaine Goulet HIGH HORN: Ulrich Hübner Wednesday 3 July Jeroen Billiet at 13:45-15:15 in Room 2.9 FINALS JUDGING PANEL Teunis Van der Zwart LOW HORN JUDGING PANEL Todd Williams Hans Van der Zanden Sissel Morken Gullord Michelle Stebleton Claude Maury Radegundis Tavares Jeffrey Snedeker

COMPETITIONS 1ST 2ND 3RD 4TH 5TH 6TH 80 SOCIAL PROGRAM

SOCIAL PROGRAM 2ND 3RD 4TH 5TH 6TH 81 TOUS ENSEMBLE! Fine Wines made with love Playing participants can leave (ALL TOGETHER) by one of the world’s most their instrument cases se- reputed horn manufacturers. cured at the boarding point. Tickets & info for comple- IHS51 key sponsor Engelbert The massed ensemble parts mentary activities can be Schmid introduces IHS51 will be present on the boats obtained at the service desk. participants to the noble art and will not be rehearsed. Some activities have a lim- of wine making in a tasting ited number of participants. session his award-winning Natural horn players equally Buy your tickets on time! Don Ángel wines. welcome! (Bring F & D crooks www.don-angel.net at A=440 Hz).

JULY 2nd Info & tickets at service The duration of the actual desk. Limited availability. boat tour is 50 minutes, with Buy your tickets on time! several departures between 17:30 GRUUT BREWERY The IHS51 event bar 17:30-17:50 proudly serves Don Gruut Brewery visit Ángel wines during the & beer tasting complete symposium. 15€/pp including tasting of 3 craft beers

The Gruut Brewery is located in the Rembert Dodoensdreef, near St- Jacobs Church, at 5 minute’s walk from the conservatory. JULY 4th Discover the making of some of Belgium’s most amazing beers in a guided tour at our JULY 3rd Optional: Gruut brewery city brewery. www.gruut.be visit & beer tasting (only in case of early sell-out of the Info & tickets at service 17:30 GRASLEI Tuesday session) desk. Limited availability. Buy your tickets on time! Canal Boat In case of sell-out we will add tour and Water JULY 5th a second tour opportunity Music Flashmob on Thursday, 18:00-19:00. 10€/pp 08:15 PORTUS GANDA The horn player’s version of this tourist classic includes Markus Bonna Horn Run – the opportunity of performing free for all IHS51 and Wake Handel’s Water Music on the the Dragon! registered Ghent canals…or just enjoy participants the spectacular scenery from the water. The ideal moment to get fit for our Guinness World 21:15 FORUM Limited availability. Buy your Record! Take part in our (ST-BAAFSHUIS) tickets on time at the IHS51 informal 3,5 km running ses- service desk. Practical info sion around beautiful Portus Don Ángel wine tasting about meeting point etc. Ganda. And we included an 19€/pp including snacks is printed on the tickets. extra motivation: participants

SOCIAL PROGRAM 2ND 3RD 4TH 5TH 6TH 82 running with their horn case station to Brussels Central on their back can win a station. Info & Tickets at fancy Markus Bonna horn the service desk. Limited ALL DAYS cases or mute! Availabity. Practical information to be found on your 10:00-23:00 VESTIBULUM Assembly at 8:00h at ticket. & TERRACE campus Wijnaert. You can IHS51 Event change to your running gear Estimated arrival in Ghent Bar & terrace and leave your unpacked around 13.00h horn securely in the library. Enjoy barista Xavier’s incred- Group departure at 8:15 from ible coffee as well as beer, Bisdomplein. Participants JULY 6th wine, non-alcoholic beverag- performing the full run with es and of course…chocolate an empty horn case on their at our central event bar and back will receive a ticket for 11.45-13.30 ST-BAAFSHUIS terrace. the raffle at the finish. Markus INNER COURT Bonna kindly donated two horn cases and two mutes! IHS51 MO-FRI 13:30-17:30 The winners will be assigned € 20 including 1 drink SAT 09:30-13:30 at the end of the IHS general of choice WIJNAERT meeting and will his/her case Enjoy a great meal with all of EXPOSITION HALL of choice sent home. your horn playing friends in a The Early Horn www.mbcases.com.br wonderful informal setting. free entrance (festive cooked lunch with vegetarian option) An exposition of 47 unique horns from European private Buy your tickets before collections, a must-see for Thursday 11 am at the service all symposium attendants. desk. Lunch will be served in Forum and can be enjoyed at A catalogue of the exhibition and around our event tent on as well as posters are on With the kind support of Markus Bonna the St-Baafshuis inner court. sale at the exposition.

09:00 BRUSSELS MIM 16:00 BELFRY (ST. BAAFSPLEIN) Brussels Musical Instrument Museum + horn reserve visit Wake the Dragon – 30€ including train tickets – Guinness World Record Attempt -free Visit one of the most famous for IHS51 and WtD! musical instrument museums Participants in the world! The guided tour will be hosted by MIM curator Be part of horn playing Dr. Géry Dumoulin and in- history. Can we wake the cludes an exclusive insight in dragon on Ghent Belfry the museum reserve, known with the largest massed for its fine collection of horns. horn ensemble ever? see details in the Wake Participants take the train the Dragon! booklet at 8:54h in Gent St-Pieters

SOCIAL PROGRAM 2ND 3RD 4TH 5TH 6TH 83 84 Music for 1 to 18 Horns Jean-Pierre Dassonville £, ¤, US$ accepted French Horn Teacher and Natural Horn Teacher Cash or invoice (no cards) www.cdwigginsmusic.com [email protected]

http://www.conservatoire.be Christopher Wiggins

Featuring the works of Kerry Turner and Ricardo Matosinhos

visit our online store: www.phoenixmusicpublications.com

85 The new natural horn from l’Olifant Paris by Arthur Jeannoutot

8, rue Michel Chaslses · 75012 Paris, France · +33 1 43 46 80 53 · @l_olifantparis · lolifantparis.com · [email protected]

l'Olifant_Publicité.indd 1 03/05/2019 16:58 86 HOSTS FEATURED ARTISTS / ENSEMBLES p. 90 SPECIALS GUESTS p. 98 SUPPORTING ARTISTS / ENSEMBLES p. 108 CONTRIBUTING ARTISTS / ENSEMBLES p. 120 EXHIBITORS p. 152

87 HOSTS From then on, he played Artesis-Plantijn Hogeschool- and toured with some of Royal Flemish Conservatory Jeroen Billiet Europe's finest ensembles in Antwerp, as well as (BE) performing on period instru- full-time researcher and ments as l'Orchestre des associate professor of horn Champs Elysées (Philippe at the Royal Conservatory Herreweghe), Concerto of School of Arts Ghent. His Köln, Anima Eterna Brugge doctoral research “Brave (Jos Van Immerseel) and Il Belgians of the Belle Epoque” Giardino Armonico (Giovanni (Ghent University, promotor: Antonini). He was principal dr. Francis Maes) focusses horn of les Musiciens du on the artistic aspects of Louvre-Grenoble (Mark the horn playing tradition Jeroen Billiet (°1977, Tielt, Minkowski) from 2004 until emerging from the Ghent Belgium) studied the horn 2009 and of Insula Orchestra conservatory during the at the Royal Conservatories (Laurence Equilbey) from Belle Epoque time. of Ghent and Brussels with 2012 to 2018. Jeroen Billiet is area Luc Bergé. He followed Jeroen is currently solo representative of the masterclasses with André horn with le Concert d’As- International Horn Society Van Driessche, Froydis Ree trée (Emanuelle Haïm), les for Belgium and hosts with Wekre and Claude Maury as Talens Lyriques (Christophe his colleague Rik Vercruysse well as lessons with other Rousset) and regularly the 51st International Horn leading players as Anthony performs with other for- Symposium at School of Halstead and Ulrich Hübner. mations as B'Rock Gent Arts Ghent in July 2019. During his studies he and John Eliot Gardiner’s played projects with several Orchestre Révolutionnaire Belgian orchestras (Prima La et Romantique. As a found- Musica, I Fiamminghi, Flemish ing member of the Mengal Opera, Flemish Symphony Ensemble he released the Orchestra, l’Opéra Royal internationally acclaimed solo de Wallonie..) and took a CD “Fall now blows its Horn” particular interest in historical (Phaedra65, 2010), featur- performance practice, taking ing unknown horn works up the natural horn in 1999. by Flemish composers. A In 2001 he passed the final second CD “Chants d’amour” exam of horn magna cum (2016), in collaboration with laude in Brussels, and ob- world-class pianist Jean- tained the degrees of Master Claude Vanden Eynden in Music and Master of Music features the Brahms horn Education in the same year. trio opus 40 and unknown In September of that same related works performed on year he started a post-grad- historical horns. uate study at the Orpheus Jeroen has a wide experi- Instituut in Ghent. In June ence in teaching modern as 2008 he obtained the title well as natural horn and used of “Laureate of the Orpheus to be a passionate teacher in institute” with his dissertation the music schools of Bruges "200 Years of Belgian Horn and Tielt (Western-Flanders) School, a comprehensive until September 2015. study of the Horn in Belgium, He is currently a fac- 1889-1960”. ulty member at both the

88 Rik Vercruysse both as orchestral player (BE) and in chamber music, and participated in more than 150 recordings, from classical to rock, pop and film music. In 1990 he started playing the natural horn, playing for some time with the Belgian period instrument orchestra Anima Eterna. He was co-founder of Rik Vercruysse was born important Belgian chamber in Kortrijk, in the Belgian music groups such as ‘I province of Western Solisti del vento’ (large Flanders, a region famous for woodwind ensemble), its long-living tradition of fine ‘Quintessens’ (woodwind wind bands. At the age of 8 quintet) and ‘Belgian Brass’ he started playing the horn (large brass ensemble, be- under influence of his father, fore ‘Belgian Brass Soloists’). who was a professional In 2010 he played concerts trombone player. with Eurobrass, together with After studies at the local members of ‘Spanish Brass’, music academy of Harelbeke, ‘Epsilon Brass’, ‘Mnozil Brass’ one of the best Flemish and ‘Penta Brass’. regional music schools, with He started teaching cham- several fantastic and inspir- ber music at the Ghent Royal ing brass teachers he was Conservatory from 1989 till accepted in the horn class 1996. In 1997 he was appoint- of “Belgian Horn Godfather” ed professor of horn at the André Van Driessche at the Royal Conservatory of Music Royal Brussels Conservatory. in Antwerp. Subsequently he obtained In 2010 he also founded his first prize and a superior a successful horn class at diploma for horn at this the Royal Conservatory in institute. Ghent. Several of his former During his studies, at the students have pursued age of 20, he was appointed important playing careers in principal horn of the well- European orchestras. known Belgian band of the Besides his work as a Royal Belgian Guides. In dedicated conservatory the same year he became professor, he regularly principal horn at the Antwerp performs as a soloist, cham- Symphony Orchestra. ber musician and orchestral From then onwards he principal horn. In 1994 he was a player in several founded a successful music orchestras as Brussels publishing company: Golden Philharmonic, New Belgian River Music, which he runs Chamber Orchestra, I together with his wife. Fiamminghi, Beethoven Academie and others, giving concerts around the globe,

89 FEATURED Zürich, the Orchestre and no seven special prizes ARTISTS & ENSEMBLES Philharmonique de Radio at the prestigious “Prague France en the Orchestre Spring International Music Eliz Erkalp des Champs Elysées. Competition”. One year later, (FR/BE) he won the “Soloist Prize” of Christoph Ess the Festspiele Mecklenburg- (DE) Vorpommern and received a scholarship at the German Music Competition in Berlin in 2009. The “Orpheum Stiftung zur Förderung junger Solisten” supports him since 2011 with a debut in the Tonhalle Zurich. After beginning with the As a soloist he has clarinet Eliz Erkalp startet her performed with many of studies on the horn - in 1996, Christoph Ess has estab- Europe's leading orchestras on her nineteenth birthday lished himself as a significant including the Bavarian Radio under Prof. Kevin Cleary at voice in classical music and Symphony, the Bamberg Strasbourg Conservatory. as one of the leading horn Symphony, the Berlin Radio She took 1st prize for horn players of his generation. Symphony, the Prague and chamber music. She As a top prizewinner of Philharmonia and the cham- went on to continue her stud- several international music ber orchestras of Munich, ies at the Musikhochschule competitions he appears as Stuttgart and Salzburg. In Freiburg, under Prof. Bruno both soloist and chamber April 2007, he gave his debut Schneider. She attended musician all over the world. at the Berlin Philharmonic masterclasses with Hervé In 2017 he has been appoint- Hall with the Deutsche Joulain, Jasper de Wal, ed Profes¬sor for horn in the Symphonie Orchester Berlin. Herrmann Baumann, Thomas Musikhochschule Lübeck. In the upcoming season he Müller and Michael Höltzel. His career started at will be Artist in Residence Since 1 September the Musikschule Tübingen with the Philharmonie 2002 she has been 1st where he had lessons with Neubrandenburg and solo horn with Antwerp Peter Hoefs. He studied in will perform and record Symphony Orchestra. In Basel and Stuttgart with all Mozart horn concer- December 2004 Eliz was Prof. Christian Lampert tos with the Folkwang awarded a third prize in the and Wolfgang Wipfler and Chamber Orchestra in Geneva International Horn received his diploma with Essen. Further highlights competition. the highest marks in June are concerts with the Tokyo Eliz has also appeared as 2008 in Stuttgart. Symphony Orchestra, soloist with chamber orches- He received top prizes at the Kammerphilharmonie tra Volute in Strasbourg and national and international Bremen und the Rheinische regularly plays in various competitions such as the Philharmonie Koblenz. orchestras such as the “European Classic Festival He works with conductors Orchestre Philharmonique de Ruhr”, the “loConcorso as Paavo Jarvi, Jonathan Strasbourg, the Orchestre Internazionale per Corno Nott, Michael Sanderling, Philharmonique de Liège, di Sannicandro di Bari”, the Yakov Kreizberg (f2011) and the Vlopera, the Orchestre “International ARD Music Rafael Frübeck de Burgos de Chambre de Wallonie, Competition” in Munich (f2014) among others. the Ensemble Orchestrale and the “Richard-Strauss CD Productions with the de Bruxelles, I Solisti del Competition”. In 2007 he labels GENUINclassics Vento, Ictus, Tonhalle was awarded the first prize and PragaDigitals in the

90 years 2012 to 2016 as well Marjolaine Goulet as holding the position of as productions for lead- (CA) Principal Horn with the ing broadcasters as the Orchestre Symphonique Bavarian Radio, Radio DRS, de Québec since 2004. Deutschlandradio Kultur As a soloist, she has ap- and the Czech Radio high- peared with the Orchestre light his success. Symphonique de Québec In high demand as a as well as the orchestra at chamber musician Christoph the International Lanaudière Ess has collaborated with Festival. Abroad, her artistic many leading artists of today collaborations include playing including Christian Zacharias, Born in Montreal in 1977, solo horn with the Berliner Andreas Scholl, the Fauré Marjolaine Goulet holds de- Sinfonie Orchester, the Quartett, the Zemlinsky grees from the Conservatoire 1-Frauen Kammerorchester Quartett, Quatour Ebène, de Musique de Montréal (Mahler concert series), the Boris Kusnezow and Viviane (graduated with honours, Baroque Music Festival in Hagner. With his horn quartet John Millner’s class, 2001) Regensburg, Germany, and "german hornsound" which and McGill University (Artist the Washington Chorus in he founded in 2010, he is Diploma, John Zirbel’s the United States. a regular guest artist at class, 2003), where she Marjolaine Goulet is Europe's most prestigious won the Tani Salsinger interested in historical music festivals. gold medal, which is given interpretation and plays nat- Christoph Ess was the to the most distinguished ural horn and Baroque horn. principal horn of the Young artist in the department of Fascinated by Gustav Mahler German Phiharmonic and musical performance. and Viennese music, she the European Union Youth Her prodigious talent has especially adores the Vienna Orchestra. He has also earned her many prizes, horn and misses no opportu- been performing with the scholarships, and honours, nity to travel to Vienna. Berlin Philharmonic, the including a prize at the She can be heard on Munich Philharmonic, the Paxman Young Horn Player various recordings playing Staatskapelle Dresden, International Competition, modern horn, Baroque the Bavarian State Opera the Paul-Merkelo scholarship, horn, and Vienna horn on Munich, the Tonhalle- the scholarship from the the Atman and Analekta Orchestra Zurich, the McAbbie Foundation, the labels, in addition to sym- Mahler Chamber Orchestra SOCAN prize for best inter- phonic broadcasts for the and German Brass. During pretation of a Canadian work Espace Musique on Radio the 2005/2006 season in the Montreal Symphony Canada. With the Jeunesses he held the position of the Orchestra competition, a fel- Musicales in Canada, she Third Horn at the Bavarian lowship at the Aspen Music has participated in more than Radio Symphony before Festival in Colorado, first 200 concerts with young becoming the Principal Horn prize in the brass category at (and not so young) horn of the Essen Philharmonic the National Music Festival players. Sharing her passion orchestra. In August 2007, of Canada, and a scholarship for the horn and music are he joined the Bamberg from the Quebec Council for close to her heart. Ms. Goulet Symphony Orchestra as its Arts and Letters. is currently the horn pro- Principal Horn. An experienced orchestral fessor at the Conservatoire musician, Marjolaine has de Music in Montreal and toured Asia and Europe with Saguenay. the Orchestre Symphonique de Montréal and played with the World Orchestra, as well

91 Sissel Morken Gullord Sissel has reached a huge Johannes Hinterholzer (NO) audience worldwide with (AT) her TEDxtalk “A Frozen magical journey from the Norwegian mountains”. She has won the National competion in traditional music; Landskappleiken, later been a judge in the same competion, had the honour of playing and singing for Sissel Morken Gullord is a the King and the Queen of © Piaclodi Norwegian musician, singer Norway, the Crownprince Johannes Hinterholzer and artist. She lives in Biri and the Crownprincess at the completed his studies at with a view to the lake Mjøsa. Parliament in Norway when the university of Music She is known as a the King and the Queen “Mozarteum” in Salzburg with passionate player of the received their anniversa- Professor Josef Mayr and Norwegian bukkehorn and ry-gift from the Parliament’s Professor Radovan Vlatkovic was headhunted to play in President. and had masterclasses with Disney's “Frozen”. She plays She holds a Master’s de- Wolfgang Wilhelmi and Peter in "Lilyhammer" and recorded gree of Music Performance Damm for modern horn and some tunes together with from the Norwegian with Anthony Halstead and Steven Van Zandt, who Academy of Music, where Andrew Clark for handhorn. wanted "the amazing norwe- she studied with professor Already as a student he gian horn" to be heard in the Frøydis Ree Wekre. carried several prizes at mu- Netflix TVseries. As a natural horn play- sic- competitions and in 1998 Sissel is representing er, she has played with the First Prize at the “Gradus "Norway" in the turn-based Concerto Copenhagen, ad parnassum” Austria, what strategy-game Civilization VI Helsinki Baroque Orchestra, led to numerous invitations with her music. Drottningholm Court Theatre as a soloist and chamber Sissel was awarded the Orchestra, Swedish Baroque musician. From 1997-2009 Government work grant for Orchestra, Wasaorkestern, he was Principal Horn Player three years from the Art Barockorkestern Stockholm, of the Mozarteumorchestra Council Norway in 2015. Corona Artis etc., and has Salzburg. Johannes Hinter She plays the french horn, recorded with Barokkanerne holzer has appeared as the bukkehorn, the wooden and Oslo Kammerakademi. a soloist with many dis- lur, the baroque horn and the She sings traditional music, tinguished symphony and classical natural horn. jazz, pop, rock,—she loves chamber orchestras includ- She sings traditional music, music and doesn't want to ing the Camerata Salzburg, jazz, pop, rock, - she loves limit herself to one kind of Mozarteumorchestra Salz music and doesn't want to style—she wants to play burg, the Brucknerorchester limit herself to one kind of with them all! Linz, les Musiciens du style- she wants to play with She has released some Louvre Grenoble, the Tokyo them all! songs on her own record Metropolitan Symphony She has released some label, besides some bukke- Orchestra, the Collegium mu- songs on her own record hornplaying on “Norwegian sicum Copenhagen/DK, the label, besides some bukke- Bukkehorn”. Everything is Munich Chamber Orchestra, hornplaying on “Norwegian available on iTunes, Spotify, the Vienna Chamber Or Bukkehorn”. Everything is Tidal etc. chestra, and many others. available on iTunes, Spotify, In 2007 he gave his debut Tidal etc. as a soloist with Mozarts KV

92 495 at the Salzburg Festival. the german Label Oehms horn of the Philharmonic Since 2000 he followed Classics and has been highly Orchestra of Radio France invitations for concerts as a acclaimed in the interna- (Marek Janowski) at the guest on the principal horn tional press. The recording age of 20, and then with position of orchestras, such of Haydns Horn Concerto the National Orchestra of as Symphonieorchester des together with Il pomo d’oro France (Charles Dutoit, Bayerischen Rundfunks, and Riccardo Minasi won Kurt Masur, Daniele Gatti, Tonhalle Orchester Zürich, an Echo Klassik prize. Emmanuel Krivine). He has Bavarian State Orchestra, 2000-2010 he was also performed with the Mahler Chamber Orchestra, teaching Horn at the Anton orchestras of New York, the chamberorchestras of Bruckner University in Berlin, Amsterdam, Rome, Munich, Basel and Vienna, Linz and since 2008 he is Milan, Cologne, Brussels, the Radio- Symphonie Professor for Horn at the Oslo, Stockholm, Munich, orchester des SWR Hochschule fuer Musik Boston, Seoul, also with the Stuttgart, etc. Since 2012 und Theater in Munich. Mahler Chamber Orchestra Johannes Hinterholzer and Chamber Orchestra is principal hornplayer of Hervé Joulain of Europe, conducted by the Camerata Salzburg. (FR) Seiji Ozawa, Riccardo Muti, One of Johannes Bernard Haitink, Leonard Hinterholzers special sub- Bernstein, Zubin Mehta, jects is playing on ancient Daniel Barenboim, Pierre instruments: baroquehorn Boulez, Claudio Abbado, and handhorn. Besides Lorin Maazel, Gustavo many recital programms he Dudamel, Daniel Harding, performes with Concentus Yannick Nézet-Séguin, musicus vienna, Il Giardino Neeme Järvi. Armonico under Giovanni Joulain has given master- Antonini, Les Musiciens du Hervé Joulain has appeared classes in many French cities, Louvre Grenoble under Marc as soloist with 120 orches- as well as in 22 countries like Minkowski and many other tras, performing Telemann, Portugal, the Czech Republic, international baroque and Mozart, Haydn, Schumann, Canada, Brazil, Ireland, classical ensembles. Apart Weber, Saint-Saëns, Spain, England, Finland, Italy, from his work with orches- Strauss, and Britten, in Switzerland, Luxemburg, tra Johannes Hinterholzer France, Canada, the United Malaysia, Holland, Korea, performes regurlarly as a States, Russia, Romania, Germany and Japan. chamber musician and took Finland, Sweden, Japan, part at several international Italy, Portugal, Switzerland, Marie Luise Neunecker chamber music festivals Georgia, Germany, Ukraine, (DE) together with Daniel Gaede, and Spain … Lukas Hagen, Veronika As a chamber musician he Hagen, Erich Höbart, Dag has played with Paul Tortelier, Jensen, the Kuss Quartet, Vadim Repin, Gidon Kremer, Francois Leleux, Andrea Natacha Gutmann, Pinchas Lieberknecht, Benjamin Zukerman, Yuri Bashmet, Schmid and many others. Mstislav Rostropovich, Pierre In 2006 a Complete- Amoyal, Michel Dalberto, Recording of Mozarts Horn Alisa Weilerstein, Renaud concertos with Johannes Capuçon and many others, in © Janne Saksala Hinterholzer, the Mozarteum Europe, Canada, the United Hailed for her exceptional orchester Salzburg and States, and Israel. talent and virtuosity, she is Ivor Bolton was released by He was named principal widely regarded as one of

93 the leading and most distin- the concerto numerous times and Wolfgang Sawallisch and guished horn players of to- in several countries. She most recently, with Lars Vogt day. She has built a success- has released it on CD with on piano, a CD with works by ful international career and the Asko Ensemble under Hindemith, Kirchner, Brahms, is much in demand as soloist the direction of Reinbert de Beethoven and Schumann. and chamber musician. Leeuw for the Ligeti Edition Marie-Luise Neunecker During her tenure as prin- of Warner Classics. is professor of horn at the cipal horn of the Bamberg Marie-Luise Neunecker Hanns Eisler Academy Symphony Orchestra and the receives regular invitations of Music in Berlin. Frankfurt Radio Symphony from major festivals both as Orchestra from 1979 to soloist and as chamber musi- Tom Varner 1989, she attracted attention cian. She is a frequent guest (US) as prize winner at several artist at the Salzburg Festival, prestigious international the Schleswig-Holstein competitions such as the Music Festival, the Aldeburgh German Music Competition Festival, the Rheingau Musik in Bonn (1982), the ARD Festival, the Marlboro Music competition in Munich (1983) Festival, the Risör Festival and the Concert Artists' Guild as well as at the Vienna Competition in New York Festive Weeks. (1986). Today, she is invited Her numerous CD record- to the world’s most renowned ings, decorated with prizes Tom Varner, pioneering jazz concert venues. In 2013, such as the ECHO Klassik hornist, composer, and band- Marie-Luise Neunecker and the Grammy Award, have leader, has 14 CDs out as a was awarded the renowned not only demonstrated her leader/composer--his newest Frankfurt Music Prize. outstanding quality as an project, “Nine Surprises,” a Besides her being a artist and her exceptional new work for nonet, came out successful soloist with musical versatility, they in 2014. “Heaven and Hell,” an ensembles such as the radio have also contributed to a earlier work for tentet, came symphony orchestras of wider knowledge of horn out in 2009. Tom also plays the NDR, SWR, MDR, HR, repertory of various epochs. on over 70 other recordings. the Gewandhausorchester She released the Strauss Varner has worked with Steve Leipzig, Wiener Philhar Concertos with the Bamberg Lacy, Jim McNeely, John moniker as well as the Symphonic Orchestra Zorn, McCoy Tyner, Miles Bamberg Symphony, Marie- under the direction of Ingo Davis with Quincy Jones, Luise Neunecker also ap- Metzmacher and Britten’s Lee Konitz, Bobby Previte, pears regularly as a chamber Horn Serenade with the Dave Liebman, The Mingus musician. She works together tenor Ian Bostridge. Other Orchestra, LaMonte Young, with partners like Frank CD recordings include the Francois Houle, Reggie Peter Zimmermann, Christian Hindemith Concerto, Horn Workman, Jim Knapp, and Tetzlaff, Lars Vogt, Antje Concertos by Russian has also appeared with his Weithaas, Andreas Schiff, composers Reinhold Glière, own ensembles in many jazz Martha Argerich and Pierre Alexander Glazunov and festivals around the world. Laurent Aimard, as well as Vissarion Shebalin and Tom has also performed and with the Zehetmair Quartet. a recording of works by presented at many IHS inter- György Ligeti wrote his Othmar Schoeck, Charles national and regional events, "Hamburgisches Konzert" Koechlin and Ethel Smyth. (too many to count!) from for Marie-Luise Neunecker, As a chamber musician she 1985 to 2018. A MacDowell who performed its world has released recordings of Colony Fellow, Varner has premiere in January 2001. the horn trios by Brahms with also received grants from Since then, she has played Frank Peter Zimmermann the Doris Duke Foundation/

94 Chamber Music America, the an Artist of the Chamber Visiting Professor of Horn Jack Straw Foundation, the Music Society of Lincoln at the Eastman School of Blue Mountain Center, and the Center and participates as a Music and on the faculty of NEA, and has placed in the performer and on faculty with the New World Symphony Downbeat Critics Poll top ten the finest music festivals and with students performing in for many years. Tom studied chamber music presenters. numerous major orchestras briefly with Julius Watkins He has performed to throughout the world. Over in 1976, and with Jaki Byard critical acclaim on four 300 positions and offers (improvisation) and Thomas continents as a soloist and of employment have been Newell (horn) at New England chamber musician and is a awarded to his students. Conservatory, and many popular artist at International In 1985 he was invited to years later got an M.A. at The Horn Society Symposiums the White House to receive City College of New York. He where he is member of the a “Distinguished Teacher also studied briefly at times Advisory Council. He also of America Certificate of with Robert Ward, David serves as a board member Excellence” from President Wakefield, and David Jolley. of the International Horn Reagan and the White House After 26 years in New York, Competition of America. commission on Presidential Tom moved to Seattle in 2005 Along with the dozens of Scholars. and is very busy in the Pacific orchestral recordings in his He received his training Northwest music scene and discography are numerous from Dale Clevenger at is now Associate Professor of solo and chamber recording. Northwestern University Jazz Performance at Cornish A champion of new music, and at the Interlochen Arts College of the Arts. Mr. VerMeulen has had Academy and is Founder numerous pieces written and President of VerMeulen William VerMeulen for him including concerti Music, L.L.C., which offers (US) by esteemed American music and products for horn composers Samuel Adler, players worldwide Pierre Jalbert and Anthony Mr. VerMeulen is married DiLorenzo and the horn to Houston Opera and Ballet cantata “Canticum Sacrum” violinist Sylvia VerMeulen and by Robert Bradshaw. He per- they have two lovely children formed the North American named Michael and Nicole. In Premiere of James Horner’s his rare free time, he enjoys last composition, ‘Collages’. having good friends over to Among his awards and share in his passion for fine Horn Virtuoso William honors, Mr. VerMeulen re- cooking and wine. VerMeulen has risen to ceived first prize at the 1980 become one of America’s International Horn Society leading horn soloist and Soloist Competition and preeminent teacher. He has the Shapiro Award for Most been Principal Horn of the Outstanding Brass Player at Houston Symphony since the Tanglewood Festival. 1990 and has performed Regarded as one of as a guest Principal Horn the most influential horn of the Chicago Symphony, teachers, Mr. VerMeulen is Los Angeles Philharmonic, Professor of Horn at the Cincinnati Symphony, St. Shepherd School of Music Louis Symphony, Pittsburgh at Rice University, Brass Symphony and St. Paul Artist-in-Residence at the Chamber Orchestra. Royal Conservatory of Mr. VerMeulen has been Music’s Glenn Gould School,

95 Genghis Barbie featured in an episode of the section to the classical brass (US) HBO show “The Leftovers.” tentet, Belgian Brass is ready As educators, they have at all times to tackle the most toured numerous universi- diverse of compositions. It is ties presenting workshops, mainly its own musicians who masterclasses, and lectures adapt pieces in diverse music on musical entrepreneurship. styles, playing to Belgian They have released four Brass’s specific strength. studio albums: the self-titled In doing so, they always debut album, the holiday show the greatest respect album “Genghis Barbie: for the original score and set The leading post post-femi- Home for the Holidays,” great store by a distinctly nist feminist all-female horn “Genghis Baby: Songs for symphonic sound ideal. All experience, is the most Noa,” and their second pop Belgian Brass programmes innovative and energizing album, “Amp it Up!”, and their offer a subtle and balanced chamber ensemble of its upcoming release “2 Legit” mix of the most diverse mu- generation and beyond. will be available July 2019. sic genres which the eminent With a combined 24 years Sheet music of their excit- musicians—thanks to years of conservatory training, ing arrangements is now of experience—have at their Genghis Barbie delivers to available on their website, fingertips: the baroque, via you a visceral and unadul- GenghisBarbie.com. renaissance, through to terated musical adventure. contemporary classical music Performing arrangements of Belgian Brass and even big band. Belgian pop music from all eras, con- (BE) Brass manages to appeal temporary commissions, and to every kind of audience. classical works, they are the In its short existence, most versatile and expansive Belgian Brass has given group on NYC’s classical/ concerts in Belgium, pop/rock/jazz/indie/alterna- Luxembourg, France, Italy, tive/punk/electro-acoustic the Netherlands, the United scene. Genghis Barbie was States and Spain and it got incepted in a unique moment itself noticed by releasing of ingenuity when Freedom Belgian Brass were formerly four excellent CDs. The de- Barbie, Alpine Barbie, Velvet the Belgian Brass Soloists but CD, ‘Pushing the Limits’ is Barbie, and Attila the Horn quintet until artistic director a much-talked-about opener. converged and vowed to Manu Mellaerts launched the The programme, which spans create distinctive, interactive idea of bringing together a more than four centuries and personal performances. larger, more all-round group of music history and which Balancing individual musi- of musicians with a view to makes a musical east-west cal careers in addition to enhancing this ensemble’s journey across Europe, has their busy New York City artistic scope. Thanks to this something for everyone. performing schedule, the ‘new concept’, it was possible And—as the title suggests— ladies of Genghis Barbie to achieve a more dynamic the musicians have to give have performed at multiple reach and a larger artistic co- their very best! In ‘Russian International Horn Society lour pallet. Owing to the extra Heritage’, Belgian Brass’s Symposiums, premiered a dynamism and the artistic second CD, the listeners solo commission at Carnegie expansion, Belgian Brass has are invited to walk through Hall's Stern Auditorium, and developed into a first-class the Russian musical land- appeared on America's Got ensemble with flexibility and scape. Some of the finest Talent. Recently, their re- virtuosity as its main trade- works of known and lesser cording of "Take on Me" was marks. By adding the rhythm known Russian composers

96 are bound to enthral you. However, Belgian Brass is also holding current Flemish art dear! In July 2008, the third Belgian Brass CD, ‘From IO to Dandi’, was released. For this occasion, four prominent Flemish composers (Jan van Landeghem, Jan Van der Roost, Dirk Brossé and Wim Henderickx) wrote 4 diverse compositions for the ensemble which can all be enjoyed on this CD! With the fourth cd ‘Entrata Imperiale: Early Music for Brass & Bells’ we make a journey through the beautiful repertoire of the Renaissance. For this project we expanded the ensemble with carillon, played excellent by Frank Deleu. In a nutshell, Belgian Brass is a dynamic ensemble with diversity and virtuosity as its main assets. The combination of renowned musicians and a clearly artistic profile has turned this ensemble into an impressive and unique Belgian ambassador in concert halls, both at home and abroad.

97 SPECIAL GUESTS and stage, including the Alison Balsom, Salvatore Emmy-nominated score Accardo, Sara Sant’Ambrogio, Dirk Brossé for the BBC/HBO series, Anthony Mcgill, John Williams, (BE) Parade’s End. Other scores Toots Thielemans, Hans include Prince of Africa, Zimmer, Elmer Bernstein, Daens, Sacco & Vanzetti, Emma Thompson, Kenneth Tintin, Rembrandt, Ben X, Branagh, Randy Crawford, Pauline & Paulette, 14-18 and Gabriel Yared, Lisa Gerrard, Scrooge. Maestro Brossé’s Mel Brooks, Maurane, Mark versatility is evident in com- O’ Connor, Maurice Jarre, missions written for age-old Michel Legrand, Youssou instruments around the world, N’Dour, Marcel Khalifé, John an enthusiasm that has led Malkovich. He has worked Dirk Brossé is an internation- him to champion variety with directors Stijn Coninx, ally acclaimed conductor and in repertoire and integrate Susanna White and Roland composer, currently Music broad cultural traditions in his Joffé and with writer Gabriel Director of The Chamber programs for the Chamber Garcia Marquez. Orchestra of Philadelphia. Orchestra of Philadelphia. His Considered one of He is also professor of “Pictures at an Exhibition”, in- Belgium’s foremost cultural composition and conducting spired by a series of paintings luminaries and world am- at the Royal Conservatory on display in the Philadelphia bassadors, Dirk Brossé has of Music at his hometown Museum of Art, was com- been awarded virtually all of Ghent, Belgium. missioned by the Chamber Belgium’s highest artistic hon- Dirk Brossé has guest-con- Orchestra of Philadelphia ours, including knighthood. ducted many major orches- in 2015 and had its world He is a member of the Royal tras throughout the world, premiere in Perelman Hall, Flemish Academy of Belgium among them, the London followed by a performance in for Science and the Arts and Symphony Orchestra, London New York City’s Carnegie Hall. a Fellow in Arts & Humanities Philharmonic Orchestra, Maestro Brossé is a versa- at the Brussels University Royal Philharmonic, Opéra tile and creative performer VUB as well as recipient of de Lyon, Hong Kong Chinese with a keen interest in cin- the Global Thinkers Forum Orchestra, l’Orchestre ematic music and an early Award for Excellence in de la Suisse Romande proponent of bringing movie Cultural Creativity. and the Philharmonic scores to orchestral venues. An enthusiastic “artistic cit- Orchestras of Brussels, He was chosen by John izen” of Philadelphia, Maestro Antwerp, Rotterdam, Basel, Williams to conduct the Star Brossé has been associated Glasgow, Goteborg, Prague, Wars in Concert World Tour with the Chamber Orchestra Copenhagen, Shanghai, Hong in 2009, the first world tour of Philadelphia since 2010. Kong, Seoul, St Petersburg, of its kind. He is also director His tenure with the ensemble Caracas, Hiroshima, Osaka, of The World Soundtrack has been associated with Munich, Dublin, Krakow, Academy at the prestigious creative programming de- Budapest, Vancouver, and Los Ghent Film Festival. signed to cultivate a broader Angeles. He has made more than appreciation for the unique Maestro Brossé is also a 100 CD recordings and experience and enduring highly-regarded, award-win- has collaborated in diverse relevance of the chamber ning composer whose body artistic projects with world orchestra in contemporary of some 400 works encom- class artists such as José music life, and a keen appre- passes concerti, oratorios, Van Dam, Barbara Hendricks, ciation for the versatility and lieder, chamber music and Julia Migenes, Claron virtuosity of the Chamber symphonic pieces, as well as McFadden, Julian Lloyd Orchestra of Philadelphia. scores for cinema, television Webber, Sabine Meyer, www.dirkbrosse.be

98 the Coldstream Guards In 1998 Nick joined the Jean-Pierre Dassonville (UK) Coldstream Guards Band, (BE) The Coldstream Guards is a becoming Principal horn part of the Guards Division, in 2008. Foot Guards regiments of Mick Rimmer was born in the British Army. 1970 and studied at the Royal It is the oldest regiment in Military School of Music. He the Regular Army in continu- has been an Army Musician ous active service, originating for 32 years starting his in Coldstream, Scotland, in career with the Royal Tank 1650 when General George Regiment Band based in Monck founded the regiment. Germany then moving to the Jean-Pierre Dassonville be- The Regiment had drummers Army Air Corps band and gan his musical studies under and a "Band of Music" from finally joining the Band of the the guidance of his father, fin- 1742, formed of eight civilian Coldstream Guards in 2014. ishing at the Mons and Liège musicians who were hired by Chris Shelton hails from Royal Conservatories with the month by Officers of the Chelmsford Essex. He spent Nico De Marchi. He continued Regiment to provide music many of his formative years his studies with Francis Orval for the Changing of the playing with in various wind and Claude Maury. Guard at St.James' Palace. bands at events across the He was soon engaged The modern band consists of UK and Europe. He decided in various orchestras, suc- 44 musicians and one officer to turn this hobby into his cessively with the Belgian Director of Music, currently profession and in 2007 he military band, the national Major Simon Haw MBE. joined the Army. In 2014 radio (RTBF) orchestra, the Coldstream Guards Horn Chris was posted into the Flemish Opera and currently quintet at IHS51: world of State Ceremonial as first horn in the Royal Danae Eggen started duties as co-principal of Monnaie Opera orchestra in playing the horn at the age of The Band of The Irish Brussels. sixteen in her hometown of Guards. He has since gained He is also intensely involved Vancouver, Canada. She then a first-class honours degree with the baroque natural horn, studied at McGill University’s and has become a keen on which he is now a fre- Schulich School of Music musical arranger for the quently-heard performer. He and is currently pursuing Household Division. has played first horn with Ex a Master of Music at the In his spare time Chris Tempore, Il Gardellino, l’Or- Royal College of Music as a can be found wearing chestre des Champs Elysées Needley Family Scholar. In Lederhosen and performing and the Collegium Vocale 2017 she became a member with his Bavarian-style under Philippe Herreweghe. of the Band of the Irish Oompah Band, The In chamber music, both Guards and is excited to be Munich Maestros. on modern and early instru- taking part in the London LCpl Chris Howlings was ments, he performs with, Sinfonietta Academy and Principle horn of RAF Central among others, the ensembles Berlin Opera Academy later Band from 1991-2003, since of the Monnaie, Il Gardellino, this summer. then I’ve been a Freelance the Wolf collective. Many Nick Stones was born in player in and around sound and video recordings Leeds in 1966 and studied at London and a member of have resulted from these the Royal Scottish Academy the Honourable Artillery collaborations. of Music and Drama. Company Reserve Band. As a soloist he performed After various orchestral Chris is a regularly plays with the Monnaie Orchestra trials he became Co-Principal as a member of the Cold under Kazushi Ono, the Horn of the Orchestra of stream Guards Horn section. Ensemble Orchestral of Scottish Ballet. Brussels, the Orchestre

99 Lyrique de Région Avignon horn of the Belgian National Alec Frank-Gemmill divides Provence and the orchestra Orchestra in 2008 under his time between concertos, Bruocsella. At the Vire horn Walter Weller. Since then recitals, chamber music and festival he premièred the con- Anthony Devriendt worked orchestral playing. He is certo of Roland Schoelinck, as a guest solo horn in all the widely recognised for pushing dedicated to him. He is a other Belgian Orchestra’s and the boundaries of the French regular guest at festivals also abroad. Like the ‘WDR horn, whether by commis- as Avignon, Montréal and Funkhausorchestra’ Köln, sioning new music, making Annecy, the 46th International ‘Orchestre Philharmonique transcriptions of chamber mu- Horn symposium in London, de Radio France’ Paris, sic or through historically-in- and lately in Liverpool for ‘Philharmonie Zuidnederland’ formed performance practice. the British Horn Society. Eindhoven, Korean Broadcast Alec was a member of the Jean Pierre is a much-south Service Symphony Orchestra BBC New Generation Artists masterclass teacher and Seoul etc. scheme 2014-16, appearing as appeared as such in numer- Anthony Devriendt is also soloist with the BBC orches- ous festivals, gatherings and active as a chamber music tras on numerous occasions, educational contexts. player as a member of ‘I including in performances The International Horn solisti’ and as a prime guest at of rarely-heard repertoire by Society has recognized Jean- ‘Oxalys Ensemble’ Brussels. Ethel Smyth, Malcolm Arnold Pierre Dassonville as one of Next to these ensembles he and Charles Koechlin. He has the great representatives works also for ‘Het Collectief’ been a regular soloist with the of the ‘European’ horn style. and for ‘Nederlands Blazers Scottish Chamber Orchestra, Under its auspices he played Ensemble’. Also, he appears performing concertos by a recital in London in August as a soloist playing concertos Mozart (on the natural horn) 2014, on a six-piston instru- with the ‘Musique Royale with Richard Egarr, Ligeti and ment by Adolphe Sax. He is des Guides’ and with the Strauss with Robin Ticciati, also laureate of a concert ‘Orchestre Royal de Chambre and Schumann with John on Alpenhorn—another of de Wallonie’ next to invita- Eliot Gardiner. In 2017 Alec his interests—in Nendaz, tions by amateur orchestra’s gave the premiere of James Switzerland. around the country. Macmillan's Concertino As a teacher Anthony for Horn, conducted by Anthony Devriendt Devriendt is member of the Andrew Manze. (BE) I solisti young stars program Often invited as a guest and gives masterclasses principal horn, Alec has in various schools like the frequently appeared with Nikolai Rimsky Korsakov the Royal Concertgebouw Conservatory in Saint Orchestra, London Symphony Petersburg. Orchestra and Chamber Orchestra of Europe. He Alec Frank-Gemill also performs as part of (UK) period-instrument groups, most notably with Ensemble © Koen Broos Marsyas. Their latest album The Belgian horn player “Edinburgh 1742: Barsanti & Anthony Devriendt ob- Handel” was critically ac- tained his Master’s degree claimed and singled out for its in 2006 at the Koninklijk solo horn playing. Alec is the Conservatorium Brussels in recipient of a Borletti-Buitoni the class of Luc Bergé. After a Fellowship, which enabled him brief period as 4th horn in the to make two recordings for Liège Opera he became 1st © Jen Owens the BIS label: a disc of 19th

100 Century works for horn and includes works by Swiss Piotr Kowalski have been piano with Alasdair Beatson, composers in its programs, playing together since 2009, and baroque concertos such as Jean-François constantly working on unique, with the Swedish Chamber Michel, Étienne Crausaz or homogeneous sound. Taking Orchestra conducted by Daniel Schnyder. It regularly part in competitions both in Nicholas McGegan. Both commissions new pieces Poland and abroad (Marseille, albums have been highly to expand its repertoire: for Enschede, Warsaw) resulted praised in the press. example, a new commission in many prizes as well as Alec is Professor of Horn at from Richard Dubugnon for invaluable experience. In the Guildhall School of Music the 2019-20 season. June 2017 they took part and Drama in London, his The ensemble wishes to in 49’th International Horn alma mater. He also studied in present this original rep- Symposium in Natal / Brasil Cambridge, Zürich and Berlin. ertoire during its frequent as a Contributing Artist, international tours, thus po- also they won first price on Geneva Brass Quintet sitioning itself as one of the horn quartet competition. In (CH) leading Swiss ambassadors April 2015 they took part in of chamber music for brass. the 7th International Music Created in 2001, all the Competition for Soloists and Geneva Brass Quintet's musi- Chamber Music Ensembles cians hold master's degrees SVIREL, winning the Silver from the Geneva University Medal. Hornet Quartet is of Music. They participate co-hosting „War Horns”, an in the organisation of the international project and a Geneva Brass Festival, an platform for education and international event dedicated music. Its premiere took Like the famous Swiss army to brass which has taken place during the Festival knife, the Geneva Brass place in Geneva every year Solidarity of Arts in August Quintet is a multi-purpose, since 2010. Regularly invited 2015 in Gdansk. multi-talented chamber to Espace 2 radio station's The following world re- music group. Its marvelously Schubertiade, the Quintet has nowned French horn players warm sound is equally good recorded three discs which have been invited to partici- when sharply rendering a reflect its character: eclectic. pate in the project: Stefan de Bach fugue as when sweetly These have been very well Leval Jezierski, Luca Benucci, murmuring a Cosmas ballad received by the critics. David Bonet Piris, Alexandru or a traditional Alphorn Afanasiev, Grzegorz Curyła. melody. The Quintet can be Hornet Quartet They are a resident artist in both powerful, when playing (PL) CORNO – Brass Music festi- alongside an organ, big band val in Poland. They co-create or wind section, and full of CORNO Brass Ensemble sweetness, when accompa- with world known brass nying a choir, panpipes or artists as Adam Rapa, Roland even a harp. The ensemble Szentpali, Alistair Mackie, also likes to join forces with Zoltan Kiss and many others. other disciplines, such as his- In June they recorded first tory or science, and children CD album with polish and are not forgotten: two shows American music. have already been created Hornet Quartet consists especially for them. of leading players of major The Geneva Brass Quintet polish symphonic orchestras. is an ardent supporter of Gabriel Czopka, Michał Swiss culture and regularly Szczerba, Łukasz Łacny and

101 Patrick Housen that are de- contextualised Mallet-Horn Jazz Band hasn’t (BE) & deconstructed as to be invented a new instrument, re-organised & reshaped in they’ve invented a new his own chosen narrative. assembly, a new sound born ~SoundSculpting~ from instruments whose In this framework he tries origins have faded into the to research the impact of age of time… a marimba, a immersive sound on the hu- vibraphone, a double-bass, man perception. In his artistic drums and a horde of French research he constantly tries horns led by Maestro Arnaud to look for & create dialogues Delépine. They don’t upset Patrick Housen (1990), between him & his audience, the jazz and big band reper- Belgian composer & as well as in between himself toire, they revisit it, twist it, sound-artist originating from and his fellow artists. His pre- shout it, whisper it… Genk (BE) and residing in ferred toolset is a technical So, now you know about Ghent (BE). Obtained his set-up of a multi-media kind the band, but it’s guaranteed Master of Arts of Music with that he tries to incorporate that you’ve never heard as main subject: Composition into these dialogues. Always sounds like this before… at the ‘School of Arts’ in looking for new ways to fill his A brilliantly hewn rhythm Ghent with Frank Nuyts auditive canvas by interdisci- section, with the talents of (BA) and Daan Janssens plinary collaborations that aim Mogan Cornebert—drums (MA). After obtaining his for new artistic challenges. and Ivan Gélugne—double- Teachers-degree, he partic- This ‘quest’ gave him a bass, embellished with two ipated in 2016-2017 as the transdisciplinary framework keyboards forged in metal: sole Belgian artist in EPAS that lead to collaborations Benoit Lavollée and Renaud – European Postgraduate in with many different artists Détruit—vibraphones, bound Arts in Sound which brought & production houses. to the claws of the French him more hands-on expe- He is currently working as horns using such a broad rience as a sound-artist on “young maker” for: C-mine spectrum of colours, nuances a national and international Cultuurcentrum (BE), and tonal ranges. An extra scale: He collaborated at Dommelhof (BE), Intro In vagant line-up for standard the Dutch Film Academy Situ (NL), Via Zuid (NL). jazz repertoire and original in Amsterdam (Holland), compositions. International Filmschool Mallet Horn Jazzband ofCologne (Germany), (FR) Ignace Michiels KASK (Belgium), … (BE) ORGAN His sonorous roots lay in avant-garde contemporary music as well as in progres- sive metal. Cross-overs & thinking outside the (black-) box are key elements in his praxis. His passion for creating & Well after the Bronze Age, a developing (auditive) immer- new alloy was created from sive worlds fuel his artistic the foundries of the Loire, Ignace Michiels (°1963) choices and adventures. Each France: romance assembled studied organ, piano and project he attempts to create with the after beat, screams harpsichord at the Academy a ‘playing field’ by experi- married to virtuosity and the of Bruges (Belgium), his mentation in which sounds & devil’s primal song welded hometown. music are the building blocks onto an infernal rhythm. The In 1986 he was prizewinner

102 at the Institute Lemmens in (Dom), Paris (Notre-Dame), OCT'Horn Ensemble Louvain. He successively Madrid, Amsterdam, Nicolas Ramez improved his talent as a musi- Moscow, Warsaw, New York, (FR) cian with Robert Anderson Washington but also in Brazil, at the Southern Methodist Argentina and Uruguay. University in Dallas, at the Furthermore, he is a well- Royal Academy of Brussels seen guest in the jury for with Herman Verschraegen international organ contests and with Odile Pierre at the and professor in work- Paris National Conservatoire shops and masterclasses. where he obtained the pres- Ignace Michiels also realized tigious Prix d' Excellence. several CD productions. He also obtained the Higher Nicolas Ramez was born in Diploma of organ music at NU CORNO Ensemble 2017 in Paris, after a series of the Royal Academy of Ghent. Steven Cohen concerts where the spotlight Ignace Michiels is organ (US) was entirely on film music. professor at the Faculty Founded in 2015, The NU The musicians - some of Music of the University CORNO Ensemble is dedi- still students at the College Ghent. He also cated to commissioning and Conservatoire National teaches organ at the performing works written for Supérieur de Musique et Academy of Music in horn ensemble with the goal de Danse de Paris, others Bruges and is titular-or- of adding new works to the already engaged in different ganist at the St Saviour’s vast and wonderful repertoire orchestras in France – felt Cathedral in this city, where that exists for the genre. the desire to create a horn he organizes the yearly Over the past four years, the octet devoted exclusively international organ festival. ensemble has commissioned to this repertoire, often well Michiels conducted the over 10 works, presenting known to the general public oratorio choir ‘Cantores’ their world premieres on and written rewardingly for 15 years and performed recitals at the 47th, 48th, for the horn. Turning out a numberless oratorio in and 50th International Horn a more diverse repertoire Belgium and abroad together Symposia, along with the IHS than one might imagine, with famous orchestras. and US premieres of works ranging from Danny Elfman In 2001 he founded the for horn choir. The ensemble to the omnipresent John ‘Reger-Chor-International’ is made up of a roster of in- Williams, Hans Zimmer and together with his German ternationally recognized horn Ray Parker. Writing their own colleague Gabriel Dessauer. players who come together arrangements as much as The choir consists of about at the International Horn possible makes this project 30 selected Flemish chorists Symposium to bring these even more ambitious to the and 30 German chorists. new works to life. Throughout ensemble but also promises His repertoire includes the its four-year history, The them an interesting journey complete works for organ of NU CORNO Ensemble has to a bright future! Bach, Franck, Mendelssohn, collaborated such compos- Dupré and Messiaen, the ers as Kerry Turner, Eric symphonies of Widor and Ewazen, Jenni Brandon, Dana Vierne, the organ sonatas of Wilson, James Naigus, and Guilmant and Rheinberger. Daniel Baldwin, among many As an organist, he gives others. For more information concerts both as a soloist about the ensemble and the and with orchestra or choir works it has commissioned in many places around and performed, visit the world like Cologne www.nucornoensemble.com

103 Francis Orval numerous institutions. He have taken place in Sweden, (BE) directs various ensembles Russia and USA. and, an accomplished After a year working in chamber artist, has founded the Norwegian Opera, she several groups. In 1987 joined the Oslo Philharmonic Francis Orval received the orchestra and played as First Prize at the Louise co-principal until 1991. She D. McMahon International has performed under such Music Competition, conductors as Herbert in Lawton, Oklahoma. Blomstedt, Bernhard Haitink, Among Orval’s nu- Mariss Jansons, Kirill Francis Orval, internationally merous recordings are: Kondrashin, Zubin Mehta, renowned soloist and record- BrahmsTriowiththelate Pierre Monteux, Esa Pekka ing artist, is Professor for A. Gmmiaux, – violin andG. Salonen and many others. Horn at the Musikhochschule Sebok, piano (Philips), In addition to her orchestral in Trossingen, Germany. Born Haydn (Rosetti?) Concerto activities, she has been an in Liège, Belgium, he became for two horns (Decca), active soloist and chamber an American citizen in 1986. Belgian Contemporary musician, mostly in Europe Francis Orval has had 20 Music (Polydor- Deutsche and North America. years’ experience as principal Grammophon), Schumann’s As a teacher Ms. Wekre horn with major orchestras in Konzertstück, Saint-Saëns’ was Professor of Horn Belgium and Luxembourg, Morceau de Concert, and Chamber Music at the and in 1983 he went to Weber’s Concertino, etc. Norwegian Academy of America where he held (VOX/ Turnabout) and the Music until 2011. Nowadays professorships Mozart Hom Concerti (CD she is travelling worldwide at several universities. Marcophon). On natural hom, giving master classes. During his first European he has recorded the Berwald Her book, “Thoughts on period, Francis Orval served and Beethoven septets Playing the Horn well” has as professor at the music with the Uppsala Chamber been translated into several conservatories in Liège Soloists (Sweden) and languages. More than 40 and Luxembourg. Other several works with “La Petite compositions are written for administrative positions Bande” directed by Sigiswald her, some of which have been have included: co-director of Kuijken (Belgium). recorded on the labels of the Grêtty Music Academy SIMAX, CRYSTAL and 2L.no in Liège, Artistic Music Frøydis Ree Wekre Frøydis Ree Wekre is an Director for the “Académie (NO) Honorary Member of the Internationale d’Eté de International Horn Society, Wallonie”, and founder/ where she also was the organizer of two International president during a period. Horn Competitions in 1977 For many years she has been and 1981. He served as adju- associated with the Sarasota dicator for several competi- Music Festival, USA, Banff tions and is a member of the Festival of the Arts and International Horn Society’s Domaine Forget, Canada. advisory council. Francis Orval, invited Horn soloist and teacher around the world as soloist, Frøydis Ree Wekre from recitalist and chamberist, Oslo, Norway, was studying on both modern and natural piano and violin before turn- horn,isfrequMitly called ing to horn at the age of 17. to give master classes at Outside of Oslo, her studies

104 Anneke Scott Her critically acclaimed solo in 1967. At the age of eleven (UK) recordings also include three he entered the Moscow discs focussing on the music Military Music School. One of the leading Parisian horn of most unusual Russian player of the nineteenth cen- musicians, Arkady plays tury; Jaques-François Gallay. French horn, flugelhorn, Anneke enjoys collabo- alphorn and many more wind rating with a wide group of instruments that are unusual. musicians and is a key mem- From 1978 to 1985 he was a ber of a number of chamber member of the orchestra of music ensembles including the Bolshoi Theatre. With this © John Croft nineteenth century period world-famous orchestra and Anneke Scott is a leading brass ensemble The Prince as a member of the Moscow exponent of historical horn Regent's Band, the harmo- Philharmonic Orchestra playing. Her work takes her niemusik ensemble Boxwood from 1985 to 1989, he under- throughout the globe and & Brass, historic wind ensem- took numerous worldwide throughout the centuries ble Syrinx and ensembleF2. concert tours. of music with a repertoire She regularly works with Since 1990 he has been incorporating music and leading period keyboardists a member of the Moscow instruments from the late including Steven Devine, Neal Art Trio along with Misha seventeenth century through Peres da Costa, Geoffrey Alperin and Sergey Starostin, to the present day. Govier and Kathryn Cok and occasionally playing in other Anneke is principal horn of period harpist Frances Kelly. formations as well. a number of internationally 2019 sees the publication Shilkloper played with renowned period instrument of the first in a series of Lionel Hampton, Elvin Jones, ensembles including Sir “Historic Horn Handbooks” Lew Soloff and Herb Ellis. John Eliot Gardiner’s in which Anneke draws upon He also has worked with Orchestre Révolutionnaire et her experience as a teacher Pierre Favre, Louis Sclavis, Romantique and The English and researcher. Anneke Rabih Abou-Khalil, Jon Baroque Soloists, ensemble teaches historic horns at Christensen, Bob Stewart. Pygmalion, The Orchestra of the Royal Welsh College of Since 1997, Arkady is part the Sixteen, the Irish Baroque Music and Drama and the of two Russian trios: one with Orchestra, and the Dunedin University of Birmingham. St. Petersburg’s best jazzmen– Consort and Players and www.annekescott.com acoustic bassist Vladimir many others. She is similarly Volkov and piano player Andrei in great demand as a guest Arkady Shilkloper Kondakov, and the other with principal horn regularly (RU) Vladimir Volkov and Sergei appearing with orchestras Starostin. In 2000, Arkady put and ensembles worldwide. together the Mauve Trio with Anneke enjoys an inter- Brazilian guitar player Alegre national solo career and Correa and Austrian bassist discography embracing Georg Breinschmid. Their three centuries of virtuosic debut album ‘Mauve’ (Quinton, horn works. Her expertise 2002) was awarded the in baroque horn repertoire prestigious Hans Koller Prize ensures that she is frequently of Austria as the ‘CD of The to be heard performing the Arkady Shilkloper was born Year’. Arkady Shilkloper gives famous obligato arias of in 1956, in Moscow, Russia. concerts and master-classes composers such as Bach He began to study playing around the world. and Handel as well as solo alto horn at the age of six His talent and style were concertos from this period. and switched to French horn praised many a time.

105 Kenneth Theunissen Kerry Turner over the past several years. (BE) CARILLON (LU) His works for horn in combination with virtually every genre of chamber music continue to be heard literally around the world. He has been commissioned by many organizations, including the Leonard Slatkin and the Detroit Symphony, United States Air Force Kenneth Theunissen studied Kerry Turner has become Heritage of America piano and percussion at one of the most recognized Band, the Luxembourg the Music Conservatory names, not only in the horn Philharmonic, the Japanese of Hasselt. world, but in brass playing Horn Ensemble, and the In 1993, he graduated at in general. Whether as a horn sections of the Houston the Royal Carillon School of composer or a performing and Dallas Symphonies, Mechelen, Jos D’hollander and artist on the horn, he appears just to name a few. Eddy Mariën being his teach- regularly on the great con- ers. He won prices at carillon cert stages of the world. Mr. Mieke Ailliet contests at Munich, Venlo and Turner’s major ensembles (BE) in 1995, he won the 1st prize with whom he performs at Zwolle. Also, in 1995, he ob- include the world-famous tained his Master’s degree title American Horn Quartet, the in percussion with the highest stunning Virtuoso Horn Duo, award at Leuven's ‘Lemmens as well as the Luxembourg Institute’, Leo Ouderits being Philharmonic Orchestra. As a his teacher. member of these prestigious As a percussionist, Kenneth organizations, he has con- performed in the 'Royal certized on four continents. Muntschouwburg Orchestra', He is also a frequently Mieke Ailliet studied at the the 'Philharmonic Orchestra of invited soloist and clinician, Royal Ghent Conservatory Liège', the 'Ballet of Flanders' having performed and taught with prof. Luc Bergé where and for several years, he was all over the world. she obtained first prizes for first percussionist in the ‘Les A native of San Antonio, solfège, chamber music and a Misérables’ in Germany. Texas, Kerry Turner received first prize as well as a soloist Currently he teaches his Artist’s Diploma from diploma for the horn. She has percussion at the Music the Manhattan School of been a permanent member of Conservatory of Hasselt Music in New York and, as Brussels Philharmonic since and Lanaken. In 2008, a Fulbright Scholar, contin- 1991, being third horn next Kenneth got appointed as ued his studies with Hermann to the legendary André Van City Carillonneur of Hasselt. Baumann at the Stuttgart Driessche for nearly a decade That same year, he won College of Music. Following and has played in many the 1st prize of the 'Queen his studies, he placed 5th award-winning recordings of Fabiola Contest for Carillon', at the Geneva International this fine orchestra. She also the most prestigious contest Horn Competition and is a dedicated teacher of for carillonneurs which won the Bronze Medal at brass at the City Music school takes place every other five the 39th Prague Spring of Tielt (West-Flanders) years in Mechelen. In 2013, International Competition. where she was horn teacher Kenneth got appointed as Mr. Turner’s compositional to IHS51 host Jeroen Billiet City Carillonneur of Gent. career has skyrocketed from 1989 to 1995.

106 Svenja Van Driessche concert halls, including the up with pianist Liebrecht (BE) Semperoper Dresden, the Vanbeckevoort to give Salzburger Festspiele and concerts as a duo and realize the London Royal Albert a first cd recording (with Evil Hall. She was also invited Penguin Records). to join the 2013 and 2014 Svenja is holder of the title tours led by Philippe Jordan of ‘Musician in Residence’ and Herbert Blomstedt. In conferred by KULeuven. September 2011, Svenja passed the admission test for Haute Ecole de Musique © David Plas of Lausanne where, in June Svenja has been a rising 2014, having benefited from star for several years. She training by Pavel Vernikov, has played recitals and she earned her bachelor’s concerts with reputed degree. In addition, she orchestras both in Belgium completed the International and abroad, including the Competition Training module Brussels Philharmonic under the supervision of and the Kamerfilharmonie. Professor Vernikov at the Conductors she has already Scuola di Musica di Fiesole worked with include Michel and at the Accademia Santa Tabachnic, Marc Soustrot, Cecilia in Bergamo. and Edwin Outwater. In 2016, having taken Having successfully com- classes with Professor pleted masterclasses with Tatiana Samouil, she earned leading violinists, she has her Master’s degree from been invited to numerous Koninklijk Conservatorium international festivals. Both Antwerpen. For her final in 2007 and in 2010, Svenja exams for the violin, she became the first laureate received a summa cum laude of the Rotary Breughel assessment with congratu- Competition for strings and lations from the jury. Svenja was awarded the Grand Prix has continued her studies Rotary Breughel. In 2009, at Escuela Superior de she won the second prize at Enseñanza Musical Katarina the international violin com- Gurska in Madrid, under the petition Bravo. supervision of Professor With the Brussels Zorik Tatevosyan. Philharmonic, Svenja re- Recently, Svenja performed corded ‘Méditation de Thaïs’ as a soloist at various of Jules Massenet for a cd concerts, together with the entitled ‘Feestelijk Klassiek’. Brussels Philharmonic con- After successful auditions ducted by Edwin Outwater for the Gustav Mahler for Klara Festival, both in Jugendorchester, Svenja Belgium and abroad. was the only Belgian and the For the 2018-2019 season, youngest participant at the many concerts have been Summer Tour 2011 led by Sir scheduled at prestigious Colin Davis, having been cho- festivals and renowned sen to perform in renowned concert halls. She will pair

107 SUPPORTING ARTISTS pieces. The confrontation of only to thorough preparation & ENSEMBLES these very different worlds and carefully considered not only supplies oxygen to interpretation but also to American double the ensemble's creativity, but the works’ presentation. The (US) also surprises many listeners. musicians introduce their American Double was The ensemble enters the concerts and they often also founded in 2001, with a concert podia in divergent collaborate with specialists vision of enriching their formations, from duo to in other artistic disciplines. performances with works chamber orchestra in pocket Members of the audience by composers of American format. The ensemble plays nonetheless most frequently heritage. Members are: lively and inspired concerts of comment on the interaction Violinist Philip Ficsor is based high quality. Through intense between the musicians in Denver. He received his cooperation in the last 26 themselves. DMA from Boston University, years, the group has devel- www.arcobaleno.be an MM from Yale University, oped a distinct timbre and and his BA in Violin from style of playing. Jacqueline Berndt The University of Michigan. Arco Baleno believe that the (BE) FLUTE The Strad called his record- performance and recording Jacqueline Berndt is currently ing of Bolcom’s Suite for Solo of new works by Flemish pursuing her Master’s degree Violin “beautifully managed contemporary composers in flute performance at the and well-prepared." From is of paramount importance. Koninklijk Conservatorium 2006-2013, he taught at Their efforts in this respect Brussels, studying with Westmont College. Pianist have been frequently Prof. Carlos Bruneel. She Constantine Finehouse has recognised, notably by the completed the International performed extensively in the award of the Pelemansprijs Studienjahr course in U.S. and abroad since re- and their appointment 2016 at the Hamburger ceiving his MM in Piano from as Artistic Ambassadors Konservatorium (GER), Yale as a student of Boris of the Government of studying with Prof. Jürgen Berman. He completed his West Flanders. Franz, and received her undergraduate work at The Arco Baleno has also made undergraduate degree from Juilliard School under the a speciality of introducing Ball State University (USA), guidance of Herbert Stessin classical music to children, studying with Dr. Mihoko and Jerome Lowenthal. for which they were awarded Watanabe. She is a graduate the Debut Prize of Jeugd of Interlochen Arts Academy Arco Baleno en Muziek Vlaanderen. (2010) and attended the (BE) The ensemble has toured Interlochen Arts Camp. She string quartet extensively in the USA, is a Bowling Green Concerto Germany, the Netherlands, Competition Finalist, an Slovenia and France. Honorable Mention from Arco Baleno realized more the Ball State University’s than twinty CD projects. Concerto Competition Their live CD recordings (2014), and a Finalist of the of Mozart’s flute quartets, National Foundation for the Haydn’s London symphonies Advancement of the Arts’ and concertos by Vivaldi Young Artist Competition © Mirjam Devriendt were greeted enthusias- (2010). She has performed Arco Baleno is known for its tically by the international in masterclasses with broad programming, boldness musical press. Prof. Patrick Gallois, Prof. in tacking older and less- A performance by Arco Davide Formisano, Prof. er-known repertoire, and the Baleno is always an experi- Jürgen Franz, and Prof. willingness to explore new ence. They pay attention not Jean-Ferrandis.

108 Amandy Bandeira such as Bartók, Stravinsky, of a foundation for the pur- (BR) CLARINET Messiaen and Francesconi. chase of string instruments The clarinetist Amandy The orchestra’s historic home and the partnership with Bandeira has his DMA port is the Flagey building, Brussels Airlines, the orches- degree from the University where it rehearses and per- tra embraces innovation in of Georgia (USA) under forms in Studio 4, in acoustic every area and all levels of its the guidance of Dr. D. Ray terms one of the top concert activities. McClellan, his Master’s halls in the world. The recordings of Brussels degree is from the University The French top conductor Philharmonic (Deutsche of South Carolina (USA) Stéphane Denève is the Grammophon, Palazzetto Bru with Joseph Eller and his music director of the Brussels Zane, Klara/Warner Classics, Bachelor is from the UFPB Philharmonic. His passion Film Fest Gent, Brussels (Brazil) with Carlos Rieiro. for music of the 21st century Philharmonic Recordings) Dr. Bandeira is the clarinet and his personal mission to have been warmly received professor at the Universidade open up a dialogue between by the international press and Federal do Rio Grande do the repertoire of the past and awarded an ECHO Klassik, Norte (Brazil) and artistic that of the future ties in with Choc de Classica de l’année director of the “Orquestra the DNA of the orchestra. and Diapason d’Or de l’année, Potiguar de Clarinetas”. He The online platform CffOR amongst others. The Brussels was also the principal clarinet (Centre for Future Orchestral Philharmonic is an institution at the Sergipe Symphonic Repertoire) plays an import- of the Flemish Community. Orchestra. As soloist, Dr. ant role in this regard, seeking Bandeira performed with to collect core information Stephen Campbell the Paraiba State Young about symphonic composi- (US) TRUMPET Orchestra, João Pessoa tions since the year 2000, Stephen Campbell joined Chamber Orchestra, Rio and thus initiating a broad the faculty at Ball State Grande do Norte Symphonic international dialogue about University as visiting the Orchestra and Sergipe State compositions that will with- professor in August of 2017. Symphonic Orchestra. Dr. stand the test of time. Stephen is the principal Araujo enjoys his free time At the international level, trumpeter of the Lexington brewing his own beer. the Brussels Philharmonic Philharmonic Orchestra, has made a name for itself, Lexington, KY; associate Brussels Philharmonic with regular appearances in principal trumpet of the (BE) the major European capitals. West Virginia Symphony The international represen- Orchestra, Charleston, WV; tation by IMG Touring brings In addition to his duties in further tours and concerts these orchestras, Stephen in amongst others Japan is often called upon to and the USA. In addition, the perform as a substitute orchestra is internationally player with orchestras such acclaimed for its expertise in as the Cincinnati Symphony film music, one highlight being Orchestra, Cincinnati the Oscar-winning score for Chamber Orchestra. The Brussels Philharmonic ‘The Artist’. In addition to his active role was founded in 1935 by the Meanwhile, the orchestra as a professional musician, Belgian public broadcaster has proven to be a pioneer in Stephen was previously (NIR/INR). It enjoys an excel- other respects as well, with Visiting Professor of Music lent reputation for performing ground-breaking initiatives at Stephen F. Austin State premieres of new works including the Tax Shelter, University; an instructor at and has collaborated with the Symphonic Sporting Sinclair Community College; world-renowned composers Jacket, the establishment Bellbrook Public Schools;

109 Bellbrook, OH; and Scott as duo partner, chamber Barron, Scott Hartman, and County Schools, Scott musician and orchestral John Fedchock. Prior to his County, KY. Several of his pianist. Chowning is the appointment at OSU, Paul private students have ex- music director for the vocal taught at North Central Texas perienced success in State series of the Bar Harbor College and the University of competitions, solo contests Music Festival, a frequent North Texas. He has enjoyed and have sat alongside him in guest on recital series and an extremely versatile career, professional orchestras. has been broadcast on with extensive experience as Public Television and Radio. a solo, symphonic, jazz, and Cléber Campos She regularly performs at chamber music performer. (BR) PERCUSSION conventions of the National Cléber Campos has a Flute Association, NASA Fanfare Toeterdonk bachelor (popular music), and the International Double Haacht a Master and a doctorate Reed Society. This season Simon Van Hoeke degree from the State she partners in recitals with (BE) University of Campinas. For Bernhard Scully, Timothy the Graduation courses he McGovern, John Dee, Harold had the guidance of Jônatas Meers, Janinah Burnett and Manzolli. As a drum player, Audrey Babcock. Cleber has played with many Chowning has prepared famous ensembles/artists. opera and musical theater Cleber has taught at the Tatuí productions at the profes- Conservatoire of Music and sional, young artist, and Drama and currently teaches collegiate level and has the Drums and percussion at served on the music staff of the Federal University of Rio Cleveland Opera, Lyric Opera Tsvetana Gigova Grande do Norte. Cleveland, Opera Cleveland, (BG) PIANO Kansas Lyric Opera and Born in Bulgaria, Tzvetana Eléonore Cavalière currently teaches at Ball Gigova graduates from the (BE) PERCUSSION State University. National School of Music in Plovdiv in the class of the dr. Andrew Cheetham Paul Compton distinguished pedagogue Julia (US) TRUMPET (US) TROMBONE Girginova. In 1994 she pursues Dr. Andrew Cheetham, Paul Compton has been her studies at the National Assistant Professor of Associate Professor of Conservatory of Music in Sofia Trumpet, joined the faculty Trombone at Oklahoma in the class of prof. A. Kurtev, at Texas State in 2018. Dr. State University since 2003. where she obtains her diploma Cheetham has taught trum- He studied trombone at the of completed high education pet and jazz at Eastern Illinois University of North Texas as pianist – instrumentalist. University, Oklahoma State with Vern Kagarice and In 2002 she graduates from University, and served as a Tony Baker, at the University the Brussels Conservatory of musician in the U.S. Army. of Texas at Arlington with Music in the class of prof. B. Andrew M. Russell, at the Vodenitcharov (Master’s de- Cara Chowning Henry Mancini Institute with gree in Music), where later in (US) PIANO Bruce Paulson and Andy 2006 she obtains the diploma Equally at home in vocal Martin, and at the Alessi of Specialization in Chamber and instrumental reper- Seminar with Joseph Alessi. Music and Piano. toire, Cara Chowning has Paul has also performed Since 2012 Tzvetana works performed extensively in master classes for as an accompanist for the throughout the United States, Christian Lindberg, Denis classes of violin, oboe, horn, South America, and Europe Wick, Ben van Dijk, Ron trombone, tuba and guitar at

110 the Koninklijk Conservatorium alphorn as of 2005) has been Ariane Jacob Brussel. From the same year the key element throughout (FR) PIANO dates back her experience as all the performances and piano teacher at the EU school events the Greenfields in Sint Lambert –Woluwe. participated in. Tzvetana is an official From the very beginning accompanist of the Vocal the choice was made to play competition “Triumph de l’ art” the French hunting horn as 2016, as well as the master- a natural horn in an aca- classes of Daniel Ottevaere demic way. Apart from the (bass), Ana Samuil (soprano), typical hunting signals, our Christiane Stotijn (mezzoso- repertoire contains a large Ariane Jacob se produit dans prano), Julietta Kotcharova amount of compositions by les grandes salles et festivals (soprano) in Brussels. one of our founders, Arthur français et internationaux She‘s been regularly invited Cnapelinckx. He was also depuis plus de vingt ans. to accompany the auditions the first conductor of the Parmi ses nombreux parte- of the orchestras of De Munt, Greenfields up until 2012, naires de concerts, citons De Philharmonie, Het ONB, when he passed the baton Philippe Bernold, Hervé The Brussels Symphonic to Boris Cnapelinckx (who is Joulain, Barbara Hendricks, Orchestra as well as those currently still our conductor). Laurent Korcia ou le comé of the EUYO, the ONJ In the past 50 years The dien Didier Sandre. Youth orchestras. Greenfields had a lot of per- Premier prix du Currently she collaborates formances, including our own Conservatoire National with singers and instrumental- concerts as well as numer- Supérieur de Musique de ists in the field of choral and ous Sint-Hubertus- and Sint- Lyon dans la classe d’Eric chamber music. Elooi-celebrations, openings Heidsieck, elle est primée She’s a winner of national and/or closings of the hunt, au Concours international and international piano and hunting diners and multiple de piano Maria Canals de chamber music competitions processions (for example: Barcelone en 1999. and performs in Brussels de Gouden Boomstoet Ses disques de musique and abroad (Macedonia, in Brugge, het Vlaams de chambre ont été très Luxembourg, France, Austria, Nationaal Zangfeest, de Sint- remarqués (Erato, Harmonia Germany and Japan). Paulusprocessie in Opwijk, Mundi, Saphir) et elle a de 3-oktober optochten in réalisé de nombreux enreg- The Greenfields Leiden, de Pikkelingen in istrements sous la direction (BE) HUNTING HORNS Aalst, and many more). de Kent Nagano au sein We are very honored de l’Orchestre de l’Opéra to be a part of the 51st national de Lyon où elle International Horn a été chef de chant. Symposium and we hope Ariane Jacob ensei- you enjoy our performance. gne au Conservatoire à Rayonnement Régional de Paris, au Pôle Supérieur Paris Boulogne-Billancourt et régulièrement au Japon. Originated in 1961 Ariane Jacob performs in The Greenfields has been large French and internation- a group of enthusiastic als concerts halls for more musicians of all ages. than twenty years. For over 50 years the love She plays with such mu- for the hunting horn (and the sicians as Philippe Bernold,

111 Hervé Joulain, Barbara was broadcast on PBS as a Atlantic Brass Quintet, U.S. Hendricks, Laurent Korcia part of Indiana’s Bi-centennial Army Field Band Horns) or the actor Didier Sandre. celebration. She has also and large ensembles (such Graduated with honor made several appearances as Melbourne Symphony from the National Superior in concert, singing Carl Orchestra, The Australian Music Conservatory in Orff’s Carmina Burana at Voices, and Orchestra of the Lyon, she got a prize in the Palladium Theatre in National Radio of Ukraine). Barcelona International Carmel, Indiana. She will Catherine’s pieces have Piano Competition “Maria be performing Beethoven’s been played at several Canals” (Spain) in 1999. Ninth Symphony this April at international events, includ- Her chamber music re- the beautiful Hilbert Circle ing four International Horn cordings have been praised Theatre in Indianapolis, Symposiums and two World by the biggest names in the Indiana. Ms. Kosin is finishing Saxophone Congresses. Her industry (Erato, Harmonia her studies at Ball State recent residencies include Mundi, Saphir) and she took University where she is the University of Connecticut, part to many recordings pursuing a Doctor of Arts the University of Georgia with Lyon National Opera degree in Voice Performance and North Carolina New Orchestra and his con- and Musical Theatre Studies. Music Initiative. She was the ducter Kent Nagano. Ms. Kosin is currently winner of the International She teaches at Paris teaching voice as an adjunct Horn Society Composition Conservatory – CRR, at faculty member and academ- Contest (virtuoso division) PSPBB and often in Japan. ic advisor for the Ball State and the recipient of several www.arianejacob.com School of Music. awards, including two grants from the Australia Council for Kelci Kosin Pamela Kurau the Arts. Her music can be (US) SOPRANO (US) SOPRANO heard on Cala, Albany and Soprano Kelci Kosin has Associate Professor of Equilibrium Records. been an active performer Voice and Vocal Area Catherine holds a throughout the Midwest, Coordinator/ SUNY-Geneseo bachelor’s degree in jazz most recently singing in Former Assistant Professor piano from Kyiv Glière performances throughout of English Lyric Diction/ Music College and a five- Indiana, Illinois, and Michigan. Eastman School of Music year post-graduate degree Originally from Evansville, in composition from the Indiana, Ms. Kosin has Catherine Likhuta Tchaikovsky National Music performed Rosalinda in (AU) COMPOSER/PIANO Academy of Ukraine (Kyiv Die Fledermaus, Mimi in La Catherine Likhuta is an Conservatory). She is Boheme, Fiordiligi in Cosi Australian-based composer, currently pursuing a PhD in Fan Tutte, Suor Angelica pianist and recording artist. composition at the University in Suor Angelica, and Lola Her music exhibits high of Queensland. She has in Gallantry. She sang the emotional charge, program- delivered presentations on role of Trang in the Chicago matic nature and rhythmic her work at a number of premiere of Daron Hagen’s complexity. Catherine's works institutions, including Arizona opera Amelia. Most recently have been played throughout State University, Bowling she performed the title role the United States, Europe Green State University, Butler in Suor Angelica in Ball State and Australia, as well as in University, Cornell University, Opera Theatre’s 100th year Canada, Mexico and Brazil. Ithaca College, Queensland celebration production of Her music has enjoyed perfor- Conservatorium, Syracuse Puccini’s Il Trittico. Ms. Kosin mances by many prominent University and the Union of sang in the premiere perfor- soloists (such as Peter Luff, Composers of Ukraine. mance of Marjorie Rusche’s Andrew Pelletier), chamber Catherine is an active Middletown Chronicles which ensembles (such as PLEXUS, performer, often playing her

112 own music. She was the Mengal Ensemble The Mengal Ensemble is soloist on the premiere and (BE) invited to perform the Horn the CD recording of Out Octets of Léon Du Bois and Loud, her piano concerto Martin-Joseph Mengal at commissioned by the Cornell the 46th international horn University Wind Ensemble, symposium in London in and the pianist on Adam august 2014. Unsworth’s CD Snapshots. Besides their work as a Together with her collabora- professional music group, tors, she has given numerous the Mengal Ensemble is recitals, including ones an important actor on the at the 50th International The Mengal Ensemble, field of music pedagogy Horn Symposium (Muncie, named after the famous in Belgium. The popular IN, USA). 19th century Horn Virtuoso “Horn Days”, an event for Martin-Joseph Mengal enthusiast horn players of Prof. dr. Francis Maes (°Ghent 1784-1851) was all ages, counted over 200 (BE) founded in 2008 by 4 horn participants in their last Prof. dr. Francis Maes players sharing a profound edition. In February 2014, doctoreerde in de musicol- interest in adventurous the ensemble organized a ogie aan de UGent, waar repertoire, historical in- successful roadshow with 50 hij nu ook doceert. Hij was struments, research and players from several regional artistiek directeur van het musical experiment. music academies, including 5 Festival van Vlaanderen Founding members Jeroen concerts on one day at public voor de afdelingen ‘Gent en Billiet, Bart Indevuyst, venues in Flanders, and de Historische Steden’ en Mark De Merlier and Frank ending with a much-attended ‘Brussel-Europa’ en schreef Clarysse all studied with spectacular open-air perfor- o.a. een studie over de ges- professor Luc Bergé and mance in the historical heart chiedenis van de Russische have established important of Bruges. muziek. In 2019 publiceert carreers as orchestral players The ambition of the group hij “Een geschiedenis van de and teachers. is to continue its work as a Europese muziek tot 1900” During its 6 years of ex- pioneer in the rediscovery bij Academia Press. istance, the Mengal Ensemble and reconstruction of valu- has thrilled audiences with able unknown repertoire, dr. Martin McCain surprisingly diverse pro- research playing techniques (US) TROMBONE grammes, ranging from 19th and style of historical instru- Dr. Martin McCain Jr, Asso century duets for horn and ments and to enlarge the ciate Professor of Trombone, harp up to full-scale historical knowledge on and public is a sought-after performer, brass ensembles, and even interest in the horn. clinician, and educator as a live television broadcast- a bass trombonist fluent in ing featuring 3 alphorns. classical and jazz styles. The group was invited to Dr. McCain joined the Texas the main concert stages State faculty in 2010 and has in Belgium, as “de Bijloke” since released three solo in Ghent, and the Bruges CD's and regularly travels “Concertgebouw” and per- worldwide to perform. formed at several festivals. In 2010, a CD “Fall now Blows its Horn” (Phaedra 65) was released, featuring unknown works by Belgian composers.

113 Royal Band of conductor of the Band of Karel Schoofs the Belgian Guides the 1st Regiment of the Line, (BE) OBOE (BE) Jean Valentin Bender, to form a band, ‘The King’s Own’, at- tached to his personal guard. The successive illustrious conductors managed to increase constantly the quality of this band that soon was to be considered as one of the world’s foremost wind bands. Successful concert tours During his studies at the The Royal Band of the in Canada, Spain, the USA, Royal Flemish Conservatory Belgian Guides Regiment Thailand and Turkey, as well of Antwerp which he conclud- consists of a Symphonnic as numerous concerts in ed as primus of his academic Band composed of 84 Denmark, France, Germany, year, Karel Schoofs became strictly selected artists and Great Britain, Hungary, a member of the Royal a Trum¬peter Corps of 19 Italy, Luxembourg and Philharmonic of Flanders. first class musicians. Due The Netherlands enlarged In 1996 he was appoint- to its exceptional qualities, the band’s long list of ed as principal oboe at the band has incessantly achievements. the National Orchestra fascinated many composers, In November 2007 the of Belgium under chief ranging from Berlioz to ‘Royal Academy of Sciences, conductors Yuri Simonov, Stravinsky, as well as large Literature and Arts of Mikko Franck and Walter audiences in Belgium and Belgium’ awarded the Arts Weller. Since 2008 he holds abroad, since its foundation Prize to the band. the same position at the in 1832. This excellent Yves Segers is the conduc- Rotterdam Philharmonic symphonic band has always tor of the Guides Band since under chief conductors had as its principal vocation March 2008. He fervently Valerie Gergiev and the defense of Belgian music continues the tradition Yannick Nézet-Séguin. and, especially of original perpetuated by his illustrious He is been invited for Belgian wind band music. It predecessors as is already concerts and recordings pursuits this object by means illustrated by several remark- with most orchestras and of numerous concerts in able recordings and numer- opera houses in Belgium Belgium and abroad as well ous prestigious concerts and the Netherlands and he as radio concerts and com- often with renowned soloists. is sought after as chamber pact disc recordings. In August 2011, the band musician with ensembles Still today, famous foreign had the privilege to be invited like Oxalys, Quatuor Danel, composers such as Roger to perform at the Kremlin Combattimento Consort Boutry and Derek Bourgeois Palace in Moscow. As part of Amstyerdam, I Solisti del and Belgian composers the celebrations of the 75th Vento… He also appeared such as Frederic Devreese, anniversary of the National at international chamber François Glorieux and Orchestra of Belgium, the music festivals such as Robert Groslot call on the Guides Band was invited to Storioni Festival and Symphonic Band of the join this orchestra for a per- Schiermonnikoog Chamber Belgian Guides to create formance of the Triumphal music Festival. their new compositions and and Funeral Symphony Karel Schoofs is also active record them on compact of Hector Berlioz on in other culture domains: in disc. The band’s origin June 8, 2012. Jazz-music with the ‘Dowland dates back to 1832 when project’ and in the theater King Leopold I invited the productions ‘verses of Live

114 and Death’ and ‘Watermusic’. accompanying and keyboard tuba players in Belgium and In 2010 he made his history, and also was the Europe. Winner of the 2006 debut as a soloist with the coach/accompanist for the Lieksa Brass Week in Finland, Rotterdam Philharmonic opera workshop program. Gold at the “Concours playing music of Mozart and She has appeared regularly Europeënne pour jeunes Bellini. He also played as in chamber ensembles and solistes 2006” in Luxemburg a soloist at the Festival of recitals throughout the Inland Even before graduating Flanders, with the Belgian Northwest of the United his Master’ss degree he Kamerfilharmonie, the States as well as concert got his first job at “Holland Brabant Orchestra and venues across the United Symfonia”. Afterwards at the World exhibition States and Europe. he played with the in Shanghai. In 2014 he John S. Neurohr, D.M.A., “Netherlands Philharmonic played the Dutch première is Associate Professor Orchestra”. As of 2009 he of James MacMillan’s of Trombone at Central is playing with the “Antwerp oboe concerto with the Washington University. His Symphony Orchestra”. Rotterdam Philharmonic. duties include teaching trom- As a soloist he played— Karel Schoofs is member bone lessons, directing the among others—with the of the chamber music group CWU Trombone Choir, and Mikkeli String Orchestra, MP21, which was founded teaching the Brass Pedagogy Antwerp Symphony Orches at the music festival ARAM and Literature courses. He is tra, Spectra Ensemble and in France where he also also a member of the Faculty the Royal Symphonic Band gave masterclasses. Brass Quintet. In addition of the Belgian Air Force. Since 2007 he forms a to his duties at CWU, Dr. Bernd was guest profes- musical duo with Anneleen Neurohr is also Principal sor with the Luca School Lenaerts, solo-harp of the Trombonist of the Cheyenne of Arts, Lemmens campus Wiener Philharmoniker. Symphony Orchestra (WY), in Leuven. Since 2013 he the Oregon East Symphony, teaches as tuba professor Triskelion Trio and the Seattle Wind at the Royal Conservatoire (US) Symphony. John has been of Antwerp and teacher of Jason Johnston a regular substitute/extra tuba, saxhorn and Low brass musician with the Seattle at “dé Kunsthumaniora” and Symphony as well as having “Mago” in Antwerp. appeared on movie score As a chamber musician soundtracks. John is an avid he is associated with the educator who is in demand Ottone Brass Quintet and nationally as a clinician. Benny Wiame's New Brass Directions and he works Bernd Van Echelpoel freelance for several other (BE) TUBA top ensembles. As a conduc- Catherine Anderson, M.M., tor Bernd works with many was on the faculty of the different brassbands. University of Idaho Lionel Bernd has a fondness Hampton School of Music for for new compositions and ten years prior to moving to contributed to several new Seattle in 2006. She coordi- works by Jelle Tassyns, nated the piano proficiency Geert Callaert, Wim Bex, program at U of I and super- Steven Verhelst and Roger vised the graduate assistant Derongé. He premiered class piano teachers. She © Koen Broos various previously unknown taught applied lessons, Bernd Van Echelpoel is pieces for solo tuba in the sophomore class piano, one of the most prominent Benelux. Aside to playing

115 the tuba, teaching and With this orchestra he has Jan Vermeire conducting, Bernd loves toured throughout Europe (BE) ORGAN spending time with his family and made many recordings. and has a passion for food For the last 20 years he has and gardening. focused mainly on historical instruments. He is a regular Steven Vande Moortele member of B’Rock orchestra, (BE) Il Gardellino, l’Orchestre des Steven Vande Moortele is Champs Elysées, Anima Associate Professor of Music Eterna, Les Musiciens du Theory at the University of Louvre, Concerto Köln and Toronto, where he is also the La Chambre Philharmonique. Jan Vermeire (°May 1968) director of the Centre for the With these ensembles he received his early musical Study of Nineteenth-Century has performed on the five training on the organ with Music. His principal research continents, and has made Robert Deleersnyder at the interests include theories of many recordings for the Music Academy of Veurne. musical form, the analysis Harmonia Mundi, Ricercar, He continued studying at of large-scale instrumental Zig¬Zag Territoires, Accent the Royal Conservatoire music from the late eigh- and Passacaille labels. in Brussels with Professor teenth to the early twentieth Being a specialist of the Hubert Schoonbroodt. He century, and the works of nineteenth¬century cor was coached several years Richard Wagner and Arnold anglais, Stefaan Verdegem by the Viennese musical Schoenberg. has performed and recorded pedagogue Hedda Szamosi. He is the author or editor much of its orchestral reper- He also studied Choir of numerous articles, reviews toire on period instruments, Direction with Professor as well as several books, ranging from Rossini to Florian Heyerick at the Royal the most recent of which, Poulenc. At the same time, he Conservatoire in Ghent. The Romantic Overture and lectures regularly about the Jan Vermeire is the or- Musical Form from Rossini to nineteenth century oboe, and ganist of the new Lapon Wagner (Cambridge, 2017), has published articles in The organ (2011) in the modernist won the 2018 Wallace Berry Galpin Society Journal (UK), Church of Our Lady of the Award from the Society for The Double Reed (USA), Dunes (“The Cathedral of Music Theory. Rohrblatt (DE), and The Light”) in Koksijde. He is Many years ago, he studied Grove Music Encyclopedia often invited as a recitalist at horn with Luc Bergé, as well (Oxford Music Online). prestigious organ festivals, as horn and natural horn with In 2011 he was awarded over the last years he has Jeroen Billiet. the ‘Darche’ prize for his been playing concerts in research activities. Belgium, France, Germany, Stefaan Verdegem the Netherlands, Andorra, (BE) RESEARCHER/PRESENTER Portugal, Spain, Italy, Stefaan Verdegem is a Switzerland, Poland, Slovakia, researcher ad cor anglais the United Kingdom, Australia teacher at the Koninklijk (Sydney & Melbourne) and Conservatorium Brussel. the United States of America Being an all-round musi- (recitals in New York, cian, for several years he Washington DC, Shenandoah has combined a freelance University and on the fa- career as a baroque oboist mous organ of the Mormon with a job as cor anglais Tabernacle in Salt Lake City). soloist in the Royal Flanders Jan Vermeire is the artistic Philharmonic Orchestra. director of the International

116 Organ Festival Koksijde, Lyon with Fabrice Pierre. Haringe and Veurne- As a young talent Emma Nieuwpoort, and also of the got prizes at the National Festival International d’Orgue Rotarycompetition for en Flandre (France). harp (2008, 2nd price and He has made several re- price for young talent), the cordings on historical organs Belfiuscompetition (2009, in Flanders and was broad- first price), the International casted in a series on Dutch competition Félix Godefroid Radio 4. In 2008 he recorded (2010, 1st price) and the a disc on the marvellous Competition Martine Géliot Woehl organ in Cuxhaven (2010, 3th price). She was (Germany), together with invited to the Heidelberger the Ottone Brass Quintet, Frühling Festival in 2012, in 2009 on the historic where she performed with Jacobus Van Eynde organ the Danel Quartet. (1716) in Ver-Assebroek Emma is plays regularly (Bruges). In 2012 a disc in Symphonic and Opera was released with Johann orchestras such as Brussels Sebastian Bach’s organ Philarmonic, the Orchestra works on the Jürgen Ahrend of La Monnaie, Flanders organ of Porrentruy in Symphony Orchestra, Switzerland. In 2016 he was Sinfonieorchester Aachen. involved in a project by the As a passionate chamber German classical music label musician, Emma is part Fagott-Orgelverlag to make of the duo 'Aznèm', she recordings of the complete founded with her twinsister works of SamuelScheidt. Astrid, cello. She is also www.janvermeire.be playing in a duo with her sister Mathilde Wauters who Emma Wauters is a professional harpist (BE) HARP too. They played recently in Bozar, De Bijloke, Amuz, Concertgebouw Brugge. Emma was assistant harp at the Royal Conservatory of Antwerpen from 2014 to 2017 and is currently teaching in Bruges and Torhout.

Emma Wauters grew up in a musical family. She studied at the Royal Conservatory of Antwerp with Sophie Hallynck, where she graduated with the highest distinction. In 2017, she obtained a Master’s degree at the Conservatoire National Supérieur de Musique de

117 IHS51 ACCOMPANISTS of the Fontys University of creating new music by Gavin Applied Sciences, Tilburg, Bryars with stage director Geert Callaert The Netherlands. Different Edouard Lock. (BE) composers - Marc Yeats The virtuoso pianist, com- (UK), Robert Groslot Jan Huylebroeck poser and author Geert (Belgium), Michael Sahl (BE) Callaert (www.geertcallaert. (USA), Idin Samimi Mofakham be) has obtained the highest (Iran), Martyna Kosecka degrees for piano, chamber (Poland), Kee Yong Chong music, piano accompani- (Singapore), have written ment, advanced musical their most beautiful piano analysis, composition and music for him. Geert Callaert conducting (the special prize is a member of the artistic LemmensTinel) at the former board, a co-founder of the Lemmens Institute. In 2002 HERMESensemble and a he graduated at the Orpheus core performer in the ensem- © Tom Van Reybroeck Institute with a project on the ble (www.hermesensemble. Jan Huylebroeck, pianist, piano music and chamber be). At the beginning of percussionist-timpanist and music with percussion of 2016 the Union of Belgian arranger-composer started Stockhausen, Xenakis and Composers has awarded his professional career in Wuorinen. During his forma- him the FUGUE Trophy for 1975. He combined a full tive years he participated in the performance of Belgian schedule of stage work with many seminars, among them art music in a unanimous piano teaching until 1985. the Stockhausen courses vote. He often collaborates As a piano-soloist, he has (Stockhausen Courses with different professional performed several concertos 1998, 1999, 2000, Kürten, ensembles and orchestras with orchestral accompani- Germany) and seminars at in Belgium and he is a wel- ment. He has also acquired the IRCAM in Paris. Today, come guest at festivals and a solid reputation as an he is much sought after international competitions accompanist in song recitals as a soloist and chamber worldwide. In May and June and competitions. After 10 musician at home and 2015, he has performed years, Jan Huylebroeck was abroad because of his large Green Table during the a pianist-accompanist at the and virtuoso repertoire, concert tour "In Flanders Bruges Music Conservatory ranging across the whole Fields" with Operaballet until 2016. Besides this, he gamut from classical to new Vlaanderen read a superb plays the cembalo, the pipe music. His compositions concert critic in the Financial organ and digital keyboards. and writing abilities have Times of May 12th, 2015. As a timpanist, he played in a constantly gained interest April 2016 he was performing regional symphonic orches- worldwide. His performances all Persian and Belgian new tra for nine years and then as a pianist and a conductor music as a star soloist at the undertook a freelance career as well as his own music First Contemporary Music with various orchestras compositions can be found Festival in Tehran (Iran). playing period instruments on over 30 CDs and DVDs. He has published different (La Petite Bande and Anima He collaborated on different articles and texts in the past Eterna). As a brass player he film scorings as a performer on contemporary music and performs on ophicleide and and his name pops up on a art in general for different oc- serpent. regular base in the credits of casions. September-October In 1985 he started to films such as High Rise and 2017 and March-April 2018 explore the possibilities of many others. He is currently he has been a music director the synthesizer by forming a professor piano in the for two new productions with the concert trio (later a Master of Music Programme the Royal Ballet of Flanders quartet) ‘CD-LIVE’ in 1986,

118 a group exploring in the Marc Masson Toby Sermeus musical possibilities of the (BE) (BE) synthesizer, not just the tech- Marc Masson completed his nical. The group gave mainly Master in Piano with ‘highest school-concerts but was distinction’ in the class of also frequently asked to give Claude Coppens at the Royal regular concerts and musical Conservatory of Ghent, performances. CD-Live split specializing in harmony, up in 2005. Jan Huylebroeck counterpoint and fugue under is also well known as a Anna-Maria Van Haute. member and the brain of He performed at The ‘Mannen Met Baarden’ (Men House of Composers in is a Belgian pianist and with Beards), a concert trio St. Petersburg (R), the harpsichordist, specialized in comprising a trumpet player, Concertgebouw in Bruges historically informed perfor- a clarinet player and Jan (B), The Tabernacle in London mance practice. himself as a multi-instrumen- (UK), Eglise des Arméniens He performs, researches talist. This trio is still active. in Paris (F), Handelsbeurs in and explores repertoire on He is a composer-arranger of Ghent (B), The Théatre Royal harpsichord, historical and repute, warmly appreciated de la Monnaie in Brussels modern piano as a soloist for his live-sounding sympho- (B), Bijloke in Ghent (B)… and as a chamber musician, nies! synthesizer orchestra- At the Walloon Festival he often using his own instru- tions, whose work extends performed with Ex Tempore ments by Pleyel (1854) and to chamber music, music for ‘Der Rose Pilgerfahrt’ Erard (1899). Presently, Toby solo instruments, brass band by Robert Schumann. Sermeus lives in Brussels. and symphonic orchestra. He won the Bach Until 1997 he was musical Prize (Royal Academy of director of the RBVV Musical Performing Arts, Aalst, B), Company-Flanders-Belgium, and ‘The Link’-Prize in Tilburg and he made all arrange- (NL) for Best Contemporary ments and orchestrations of Music Performance. Jerry's Girls, Broadway Baby, He accompanies the Hollywood by Night, Yours University Choir of Ghent, Anne, Sound of Music, Chess, together they performed in and Sacco &Vanzetti (a New York (US), Bratislava musical by Dirk Brossé). With (Sl), Stockholm (Sw), Jeroen Billiet, he recorded Valencia (SP), Verona (I)… the internationally acclaimed Accompanying the Belgian CD « Fall now blows its Horn Boys Choir Cantate Domino » featuring first recordings of he performed in South Korea, Flemish romantic horn music Russia, Japan, South Africa, (Phaedra 65, 2010). Argentina, India, China… In his spare time, he flies He teaches at the Royal (he is a licenced pilot), and Conservatory of Ghent drives diesel trains on a tour- (Counterpoint, Fugue, istic railway, historical buses Harmony) and at the and his old-timer Renault Municipal Academy of Deinze Dauphine built in 1963. (piano and orchestral con- www.janhuylebroeck.be ducting). Recently he started conducting symphonic repertoire, creating works by Frank Nuyts amongst others…

119 CONTRIBUTING horn player. ensembles such as the above ARTISTS & ENSEMBLES Recent solo appearances as well as with the Händel include Mozarts Sinfonia Solisten in Karlsruhe, the Bart Aerbeydt Concertante and Telemanns Norwegian Windensemble (BE) double Horn Concerto both and also on modern with the Freiburg Baroque horn with the Deutsche Orchestra, Mozart 4 with Kammerphilharmonie the Australian Brandenburg Bremen. Orchestra, the Horn The Alexander Technique Concerto of Graun and continues to play an im- Handels famous Va Tacito portant role in her teaching with Andreas Scholl at the and performing. Renée has Ernen festival (Switzerland)… presented her research on His musical output is breathing, the Alexander © Karen Ketels documented on numerous Technique and accessing Bart Aerbeydt received his recordings. Bart teach- inspiration in conservatories first horn lessons at the es natural horn at de in London, Moscow, Oslo, Adriaen Willaert Academy Kunstacademie Gent. Brussels, Paris and Germany. of Musical and Theatrical Arts from Stefaan Vanlede. Renée Allen Katy Ambrose He continued his studies (CA/DE) (US) modern horn at the Royal Renée Allen graduated from Conservatory of Gent and McGill University in Montreal Antwerp with Luc Bergé and and played in the Québec Rik Vercruysse. His interest Symphony and the Canadian in the colorful and expressive national Ballet orchestra sound of the natural horn before going to Germany already originates from those to study natural horn with days. After obtaining his Hermann Baumann in 1981. Master’s diploma he special- She played several years in ized on the natural horn at the the German opera orchestras Katy Ambrose joined the Sweelinck Conservatorium of Mainz and Stuttgart before faculty of the McIntire in Amsterdam with Teunis devoting herself to the natural Department of Music at van der Zwart. horn and the F.M. Alexander the University of Virginia Bart Aerbeydt collaborates Technique. She has taught and Principal Horn of the regularly with orchestras natural horn at the conser- Charlottesville Symphony such as The Orchestra of the vatories of Leipzig, Freiburg in Fall 2015. Katy is involved 18th Century, Akademie für and Wurzburg and has been with the Boulanger Initiative, Alte Musik Berlin, Orchestre teaching the Alexander a not-for-profit organization des Champs-Elysées, Technique since 1993. based in Washington, DC that Collegium Voca- le Gent and She can be heard on high promotes music by women. Concerto Köln, to name just a and low horn in recordings She has performed with few. In this context he worked with the Freiburgerbarock many orchestras throughout with renomated conductors Orchestra, Anima Eterna, the country, including the as Frans Brüggen, René Hannoverische Hofkapelle, Philadelphia Orchestra, Opera Jacobs, Philippe Herreweghe, La petite Bande, Balthasar Company of Philadelphia, and Ivor Bolton and many others. Neuman Ensemble, Concerto others. Katy is especially in- After many years as a guest Copenhagen, Concerto Köln terested in mentoring younger musician in the Freiburg and Musica Antiqua Köln musicians and has taught for Baroque Orchestra, Bart amongst others. She contin- and developed programs for was chosen as their principal ues to perform with historical several education programs

120 including the Philadelphia and the Pasdeloup and the Degree Chamber Music at Orchestra School Partnership Lamoureux orchestras. In Luca School of Arts Leuven. Program and the “El Sistema”- addition to his professional Since 2004 she is 2nd/4th inspired programs “Tune-Up”, experiences as horn player, horn in Brussels Philharmonic, “Philly” and “Play On, Philly!”. he studied Musicology at formerly known as the She holds degrees from the Sorbonne University. Flemish Radio Orchestra. Yale University, Cincinnati- He taught the horn at a In addition, since 2011 she Conservatory, and the Conservatory for many holds the same position in University of Michigan. years while also teaching in the Casco Phil Orchestra, public schools. He has written the former ‘Belgische Amity Trio numerous articles that have Kamerfilharmonie’. (US) been published by The French As a freelance musician The Amity Trio is a chamber Horn Association and The she is frequently asked as ensemble for Soprano, Horn, British Horn Society. He is a low horn player in many and Piano that desires to currently pursuing a doctorat orchestras and ensembles, fuel the model of new music at the Sorbonne about the including the Antwerp speaking to/for contempo- French Wind School during Symphony Orchestra, Opera rary audiences--not of being the Belle Epoque. As part of Vlaanderen, Oxalys and an intellectual elitist activity, his research, he has recently Sinfonia Rotterdam. Evi but rather of being a vehicle participated in several inter- also participated in several for building communication national musicological semi- CD recordings and in the and reflection for our global nars (Conservatoire National scoring of film music. community. Amity Trio has Supérieur de Musique de She teaches Horn and spent the past eight years Paris, Royal College Nothern Chamber Music at the Music collaborating in performance of Music of Manchester, Academies of Hamme and and teaching on various proj- University of Glasgow). Lokeren. It’s here that the sev- ects, including Reimagining en-year-old Evi Baetens pro- Opera for Kids, Recitals at Evi Baetens duced her first horn sounds. Indiana University, University (BE) of New Mexico, Brooklyn Luc Bartholomeus Conservatory of Music, (BE) Chamber Music Campania, Luc Bartholomeus, and the International Horn (Poperinge, °1960) grad- Society 50th Symposium. uated at the Lemmens Amity Trio is comprised Institute in Leuven and at of hornist Michael Walker the Royal Conservatory in (Professor of Horn, University Brussels for french horn, of New Mexico), soprano chamber music, harmony, Katie Dukes (Choral Director, Evi Baetens studied French counterpoint and fugue. University of New Mexico Horn at Brussels Royal He studied orchestral Music Prep School), and pia- Conservatory with Professor conducting with Ronald nist Kimberly Carballo (Opera André Van Driessche, for- Zollman in Brussels and Coach, Indiana University). mer 1st Horn in the Flemish with Diego Masson in Radio Orchestra. In 2001 she Dartington (Great Britain). Vincent Andrieux obtained the title of ‘Master As an assistant conductor (FR) in Music’ with Luc Bergé and he was responsible for the After studying horn in went on to hone her skills preparation of the concerts Marseille, Paris and Geneva, as a low horn player with Ina of the symphony orchestra Vincent Andrieux performed Bijlsma, 4th Horn at the Opera of the Brussels conservatory in various ensembles such of Solingen, Germany. In 2015 for 2 years. As a teacher as the Opéra de Marseille she specialised in a Master’s didactic ensemble play /

121 chamber music, he was also Luc Bergé studied the horn with Muncie Symphony a teacher at this institution for at the Antwerp en Brussels Orchestra, Southwest Florida five years. conservatories. He graduated Symphony, where he has Luc Bartholomeus is with honors under André been a featured soloist, co-founder of and conducted Van Driessche and went and a Principal horn of many concerts with the on to complete his studies Traverse Symphony. Prior chamber orchestra “Chapelle under the famous horn to his appointment at Ball de Lorraine”. He was a regular player Hermann Baumann. State University in 2010, Mr. conductor from 1990 to 1994 Luc Bergé was successively Berger was a member of and from 2003 to 2004 with principal horn at the Opéra the Cincinnati Symphony the “Brussels International de Wallonie, in the Belgian Orchestra and The Florida Youth Orchestra”. Since 2006 National Orchestra, the Orchestra. He can be heard he has been the conductor of Nieuw Belgisch Kamerorkest on numerous recordings Brussels Sinfonietta. and I Fiamminghi. He has with the Cincinnati Pops With various ensembles and equally applied himself to Orchestra conducted orchestras, he gave concerts studying the natural and by Erich Kunzel and the in the Netherlands, France, the romantic horn, which Grammy-winning recordings Portugal, Hungary, Austria resulted in several invitations of the Cincinnati Symphony and Great Britain. This not from famous orchestras, Orchestra under conductor only covered the standard including Les Musiciens du Paavo Järvi. orchestra repertoire, but also Louvre under the direction recreations of lost work by of Marc Minkovski, les Arts Bruce Bonell Brussels masters such as Florissants under William (US) H.J. De Croes, P. Van Maldere Christie, etc. Luc Bergé has and creations of contem- several solo CDs to his name: porary compositions from "Chamber Music For Horn" home and abroad. with the Arriaga Quartet, Together with various Mozart's "Hornconcerto nr. 4" soloists, he conducted nu- with Prima La Musica con- merous concerts. His beloved ducted by Dirk Vermeulen, repertoire also includes works the horn trios of Brahms for choir, vocal soloists and and Ligeti, etc. These CDs orchestra by Händel, Fauré, received critical acclaim A chamber music specialist, Schubert, Mozart, Webber from the international music Dr. Bruce Bonnell has en- and Rutter. press. Luc Bergé pursues joyed a successful career Luc Bartholomeus is direc- his career as a free-lance as an orchestral performer, tor of the Music Academy horn player. He was for 18 soloist, clinician and peda- of Anderlecht. years the horn soloist of gogue on the horn and nat- the Orchestre des Champs ural horn throughout North Luc Bergé Elysées and the hornist of America and Southeast Asia. (BE) the Prometheus Ensemble. Dr. Bonnell holds degrees from Memorial University of Gene Berger Newfoundland, Northwestern (US) University and Indiana Gene Berger is the Associate University where he received Professor of Horn at Ball his DM in 2003. Bonnell was State University and host of Second Horn in the Hong the 50th International Horn Kong Philharmonic from Symposium in 2018. In addi- 1991- 1994, Principal Horn in tion to his teaching position, the Malaysian Philharmonic Mr. Berger is Principal Horn from 1998-2000 and has

122 been Principal Horn with Conservatorium. During her of the Symphonic ‘Alumni’ the Saginaw Bay Symphony studies here, she was the Orchestra at the University Orchestra since 2005. recipient of Orchestral Wind of Leuven. Presently, Bruce is Professor and Brass scholarships Hans conducted several of Horn at Central Michigan and performed Richard world-premieres and has University’s School of Strauss’ Horn Concerto worked as a conductor Music and a member of the No. 2 in Eb Major with the with world-class soloists Powers Woodwind Quintet Conservatorium Orchestra. from the international clas- and CMU Faculty Brass Furthering her interest sical music scene such as Quintet. An enthusiastic in historical horn perfor- Anneleen Lenaerts (Vienna performer of new works for mance, she is currently Philharmonic), Liebrecht horn, Bruce has given the undertaking a Master of Vanbeckevoort and Yossif world premiere performanc- Music Performance at the Ivanov (both Laureates es of David Gillingham’s Sydney Conservatorium of the Queen Elisabeth "Baker’s Dozen" at the studying with natural horn Competition), Jeroen 2001 International Horn specialists Anneke Scott and Berwaerts, Simone Lamsma, Symposium, Gillingham’s Darryl Poulsen. Her research Noa Wildschut, Jef Neve Concerto for Horn and focuses on the technical and and Candy Dulfer among Symphonic Band in St. stylistic practices associated many others. John’s, Newfoundland in May with performing the baroque of 2007, "Supernatural: Music horn without the use of Steven Cohen for Natural Horn with Live hand-stopping or vent-holes. (US) Electronics" by Jay Batzner Marlane has performed at the 45th International with several New Zealand Horn Symposium in and Australian ensembles Memphis, Tennessee in 2013, including the Christchurch and "Timepiece" for two Symphony Orchestra, horns and piano by David Sydney Conservatorium Gillingham with Andrew Early Music Ensemble and Pelletier at IHS 50 in 2018. the newly formed Apollo His principal teachers include Opera Collective. Kjellrun Hestekin, Richard Steven Cohen has been heard Bissill, Paul Tervelt and Hans Casteleyn internationally as an orches- Michael Hatfield. (BE) tral, Broadway, and chamber Hans Casteleyn graduated musician. A freelance horn Marlane Campbell with honors in 1996 as a player based in New York, (AU) Master in Music, option he is in demand as a recital piano and french horn, at the soloist, as well as a guest with famous Lemmens Institute orchestras throughout the (Leuven, Belgium). In the United States. In February same year he also received of 2019, Cohen was the first his teaching certificate cum horn player to present a full laude. He finished more recital on WQXR’s Young studies in 1999 as a Master Artists Showcase. He has in Conducting with honors been a featured artist at as well as getting a degree numerous horn workshops Originally from New Zealand, in musical analysis, harmony, and events throughout the Marlane completed her counterpoint and fugue. He United States, and was a undergraduate studies in is the chief-conductor of the Contributing Artist at the 45th, modern horn performance Euregio Youth Orchestra 48th and 50th International at the University of Tasmania since 2002 and since 200 Horn Symposiums. From

123 2010-2012, Cohen was Kristine Coreil is Professor of modern horn, performing Principal Horn with The New Music at Northwestern State solo and chamber recitals 25th Anniversary Production University in Natchitoches, annually. She has performed of Les Misérables. As a Louisiana, teaching horn and solo recitals at venues chamber musician, he has conducting the NSU Horn in Manchester, England; performed with the Inverness Choir. She is a member of Brussels, Belgium; and in all Chamber Players, as well as the Shreveport Symphony, regions of the United States. the Ad-Venturi Horn Duo, of the Rapides Symphony, and She has presented lectures which he is a member. the Marshall Symphony at the Midwest-International A proponent for the creation orchestra horn sections, and Band and Orchestra Clinic of new music, Cohen has performs regularly with the in Chicago; International commissioned and premiered Shreveport Opera and Ballet, Horn Society Symposia, in over 25 works for horn from South Arkansas Symphony, Texas, Florida, and Oregon; a distinguished collective of and Texarkana Symphony. Southeast and Mid-South composers. His debut album, She has also performed with Regional Horn Society Cruise Control, features the the Longview Symphony, Workshops in Louisiana, world premieres of five major the Lake Charles Symphony, Texas, Arkansas, Mississippi, works for horn. In addition, Baroque Artists of Austin, North Carolina, Georgia, Cohen oversees The NU TX, the Beloit-Janesville Florida, and Alabama; CORNO Ensemble. Symphony (WI), the Madison and the Louisiana Music Cohen’s love of the horn Chamber Orchestra (WI), Educators Association far extends just being a the Upper Peninsula Festival convention in Baton Rouge. performer. He has presented Orchestra (MI), and the She enjoys living in beautiful lectures at the national and Cabrillo Festival Orchestra historic Natchitoches, with international level. Cohen’s (CA). Dr. Coreil received her husband Jeff Mathews, presentations, “from ON stage the Doctor of Musical Director of Bands at to UNDER it: Transforming Arts in Horn Performance Northwestern State, and their from an Orchestral to Pit degree from the University two daughters. Hornist,” and “J.S. Bach: An of Wisconsin in Madison, Exploration of Teaching and studying with horn professor Bart Cypers Performance Practice,” have Douglas Hill; the Master of (BE) been presented at numerous Music in Horn Performance International Horn Symposia, degree from Northwestern various national workshops, University in Illinois, studying and universities worldwide. with Dale Clevenger; and the Aside from his presentations, Bachelor of Music Education he is sought after as a clini- degree from Northwestern cian, presenting masterclass- State University, studying es at universities throughout with Richard Jennings. She the United States. plays a 1722 Halari model Seraphinoff natural horn, and Bart Cypers studied at the Kristine Coreil has performed in Louisiana, conservatories of Brussels (US) Texas, Arkansas, Oklahoma, and Geneva with teachers Wisconsin, Michigan, North like Luc Bergé, Jean-Pierre Carolina, and the United Dassonville, Bruno Schneider, Kingdom. She was awarded André Van Driessche, the 2005 Mildred Hart Bailey Nico di Marchi and Jakob Research Award for her Slagter. He is an alumnus of research and performances the European Union Youth on the natural horn. She is Orchestra and currently also an avid soloist on the holds the position of solo

124 horn in the orchestra of the Nico de Marchi different orchestras and Flemish Opera / Opera Ballet (LU) formations. His repertoire Vlaanderen. In addition, as spreads from the concerto a horn soloist he is regularly by the baroque composer asked to play with most Graun to Penderecki's of the Belgian and Dutch Sextet, a work he premieres orchestras. As a specialist in Belgium. in natural horn and baroque Nico De Marchi has been horn playing, he regularly regularly invited to teach performs and records with horn and chamber music at orchestras like the Orchestra the Central Conservatory of des Champs-Elysées and © Tysje Severens Music of Beijing. He played Les Talens Lyriques and Nico de Marchi was born in different Mozart concertos is asked by dedicated ba- Dudelange, Grand-Duchy of with the China Philharmonic roque groups like Collegium Luxemburg. At the age of 10 Orchestra and the Central Vocale Gent, B’Rock, Vox he starts hornplaying with Conservatory Orchestra. Luminis, Les Arts Florissants, Mr. François Tommasini in his His recording of the Mannheimer Hofkapelle, hometown. After obtaining complete works for solo Ensemble Baroque du the Médaille d’Or (Gold horn and orchestra by W. A. Leman, Vocalensemble Medal) at the Conservatoire Mozart was presented to the Rastatt and Les Favorites. Régional National in Metz public the same day he found Having played in most (France) he continues his himself on stage performing major concert halls in Europe studies with Mr. Francis the Romance by Camille and having toured in Japan, Orval, in Luxemburg-City and Saint-Saëns and Reinhold China and South America, he at the Conservatoire Royal Glière’s Concerto with the is active in the field of cham- de Musique in Liège, Belgium. Liège Royal Philharmonic ber music as well, on modern In 1980, he is appoint- Orchestra, Jean-Pierre horn with groups such as ed to teach at the Royal Haeck conducting. the Prometheus Ensemble, Conservatory of Music in In February 2019, he I Solisti del Vento, Champ Liège. Since 1981, he plays premiered Gwenaël Mario d’Action, Ictus Ensemble, 1st horn with the Liège Royal Grisi’s Adventures for horn Oxalys and Belgian Brass. He Philharmonic Orchestra. and orchestra, with the Liège is a founding member of the In 1982 is awarded the Royal Philharmonic and David Eburon Brass Quintet, with Jeunesses Musicales Prize Chan conducting. whom he won the ‘Premier of Belgium. Prix Ville de Lyon’ and the Since 2002 Nico De Marchi Mark De Merlier ‘Coup de Coeur Bayer’ at is teaching horn at the (BE) the ‘Concours International Institut Supérieur de Musique de Musique de Chambre de et de Pédagogie (IMEP) in Deaf Cat Quartet Lyon’. On historical instru- Namur, Belgium and contin- ments, in various flexible ues to give masterclasses dr. Ignace Dekeyser chamber music formations, in Belgium and abroad. (BE) he performs with ensembles With the Liège Horn Ignace Dekeyser holds a like Northern Light and the Quartet, he recorded the Cd Ph. D. in Musicology from Edding Quartet and is a Modern Classics with works the University of Ghent. He founding member of the by J. Koetsier, G. Senon, subsequently taught music in Wolf Ensemble, a group V. Reynolds, P. Hindemith high schools and film music that specializes in histori- and R. LoPresti. in a Film Academy. He en- cal performances of wind In the early eighties he tered the Musical Instrument instrument repertoire. starts to multiply his ap- Museum in Brussels in as a pearances as a soloist with part-time scientific assistant

125 and became assistant an active performer Nicole Corinne Edom director under Prof. Malou has performed throughout (US) Haine in 1995. Between 2007 the United States. She had Ensemble Cors et and 2011, he has been Head the honour of presenting her Âmes - Yves Tramon of the Ethnomusicological research including “Not Yet: (FR) Section of the Royal Museum Using the Growth Mindset to for Central Africa in Tervuren Empower your Students and (Belgium). Since 2012, Yourself” and “Sticky Note he is active as a musico- Practice Logs” at the last two logical researcher, and a Midsouth Horn Workshops in freelance lecturer. 2018. Nicole’s major teachers His publications cover the include Marty Hackleman, famous wind-instrument Dr. Michael Walker, JD Shaw, makers Adolphe Sax and and Dr. John Ericson. Charles Mahillon, the role of Victor Mahillon in the de- Tim Duerinck Eli Epstein velopment of organology in (BE) (US) the West and cross-cultural As a researcher on the items. He is co-author of School of Arts Ghent, Tim several exhibition catalogues Duerinck makes and investi- on musical instruments and gates violins and cellos from author of numerous concert new materials. He uses mate- reviews. He appeared many rials like the stiff and light- times as an interview partner weight carbon, see-through for radio and TV emissions. glass fibre or the local and ecological flax fibre to create Nicole Deuvall new music instruments that © David Green (US) sound great. For IHS51 he Eli Epstein enjoys a leaves his comfort zone multi-faceted career as and looks to the horn. What performer, educator, con- benefits could new materials ductor, and author. Epstein bring? He shares his insights was second horn of the on the versatility these ma- Cleveland Orchestra (1987- terials bring when it comes 2005), and horn instructor to adapting the sound and at the Cleveland Institute playability of an instrument. of Music (1989-2005). He shows how he makes his He has appeared several Nicole Deuvall holds de- instruments completely by times as soloist with the grees from the University hand and discusses what Philadelphia Orchestra and of Missouri- Kansas City, making techniques horn mak- the Cleveland Orchestra. University of New Mexico, ers could use to create horns Epstein left Cleveland in and Arizona State University. from carbon, glass- or flax 2005 and moved to Boston Nicole had the privilege of fibres. We end this lecture to devote more time and teaching as the Adjunct with an open discussion. Can energy toward educational Professor of Horn at composite materials offer and creative endeavors. Washburn University in the benefits for the sound and An active chamber musi- Fall of 2018. She been a part playability of horns, and what cian, he has performed at of two CD recordings with would that be? We hope to Jordan Hall, Severance Hall, the UNM Wind Symphony find out together. Tanglewood, Philadelphia’s including Arrows of Time Academy of Music, the and Concerto Grosso. As Kennedy Center, Music

126 Academy of the West where Robert Fant musician. As a former finalist he served on faculty (2005- (US) (and the only hornist to that 2013) and the Aspen Music point) for the Gold Medal Festival where he served as Competition, Robert has principal horn of the Aspen been fortunate to perform as Chamber Symphony (2000- a soloist / recitalist with in- 2012). Epstein is currently creased frequency; Steinway on the faculty of New Artist series, Wigmore Hall England Conservatory and series, and the Aspen Music Professor of Horn at Boston Festival Recital series. Conservatory at Berklee. Recordings include Deutsche Epstein's students hold posi- Robert Fant is currently Grammophone, NAXOS, BBC tions as chamber musicians Professor of Horn at SWOSU. Radio, BBC TV, REAL TV, and teachers and have won Summer 2019 Robert will Medici Records, University of posts in more than 25 major teach children in India music Michigan Records, Reference orchestras in North America. for a charity and perform Recordings, Klavier Records, Epstein’s book, Horn at the IHS. and NPR Radio. He has been Playing from the Inside Out Performances in the US, a part of winning a GRAMMY, (third edition published in Asia, South America, and Lesser Foundation Award, 2016) includes astonishing Europe has led to positions and a Royal Philharmonic images from the MRI Lab in orchestras, recitals, Society award. He is also the at the Max Planck Institute recording, and solo work. only horn on the SONY Film in Göttingen Germany. This Previous positions include “The Tattooist” and was multi book was celebrated in the London Mozart Chamber, tracked to create the score. International Horn Society’s Teatro Municipal de Santiago, Robert’s BM is Michigan, journal as “an overwhelmingly Guiyang, Philharmonie der MM from College stimulating and productive Nationes (Berlin), Auckland, Conservatory of Music, treatise…that will yield Verbier, and Symphony Diploma from New England positive influence on legions of India. Playing as guest Conservatory, and DMA of horn players…” It was or extra with Halle, BBC from the University of also commended in Horn Phil, NCPA (Beijing), Wisconsin. While he has Matters: "Without a doubt the Taiwan National, LPO, had the privilege to study most physiologically correct Hessisches Staatstheater and seek out many mentors book ever published on horn Wiesbaden, Thuringer and pedagogues in his past, playing. Epstein presents a Symponiker, Saalfeld- his primary teachers are pedagogy that is truly in- Rudolstadt, Staatstheater Froydis Ree Wekre, Randy formed by science, with new Hannover, Boston Pops, Gardner, Jerome Ashby, insights that should not be San Antonio, Indianapolis, and Louis Stout. ignored." Orchestral Excerpts Dallas Winds, Memphis for Low Horn, Epstein’s Symphony, Arkansas Randall Faust companion album released in Symphony, Oklahoma City (US) 2014, was acclaimed by Horn Philharmonic, Portland Randall Faust is both a hornist World as a "perfect sequel Symphony, LSO, Royal Ballet and composer. He has a long to (Krebiehl's) original horn (UK), Opera North (UK), history of service to the IHS excerpts CD.” The Horn Call BBC Wales, RSNO, BBC having served as an adjudi- penned: “Every performance Symphony, and an appren- cator, reviewer, performer, provides a sonic paragon, a ticeship with Vienna under Advisory Council member, rubric worthy of emulation Wolfgang Tombock. and Coordinator of the IHS by student and professional Robert has maintained a Composition Contest. Faust alike.” www.eliepstein.com regular schedule as a recit- has been associated with alist, soloist, and chamber both the Horn Society and

127 The Composition Contest Quintet and LaMoine Brass As singer, Aviram perfor over four decades. A Quintet. Furthermore, he has formed as soloist in recitals, lifelong composer of horn taught Horn at the National concerts and opera. music, whose works have Music Camp/Interlochen As a composer he concen- often been heard at IHS Horn Arts Camp, Auburn trates mainly in operas and Workshops and Symposia, he University, and Shenandoah vocal works. served as both a judge and Conservatory of Music. As a lecturer, he was reviewer for the Composition Recipient of the IHS Punto featured twice at the Israeli Contest in 1981and in 1983 Award in 2009 and Honorary Musicological society's he performed the winning Membership in 2016. conventions. work—THE EVERLASTING VOICES by Francis Chan Aviram Freiberg Michelle Garasi at The International Horn (IL) (US) Symposium. Throughout the 1980s, as a member of the IHS Advisory Council, he was actively associated with the contest and coordinated a program on IHS Contest winners at the 1985 Horn Workshop in Baltimore. In 1999 he served as an adju- dicator for the Composition Israeli musician – horn player, Michelle Garasi has es- Contest; in 2009 he coor- baritone singer, composer, tablished herself as a dinated the presentation teacher and researcher. dynamic horn instructor in of IHS Compositions at the Aviram holds B.Mus de- Albuquerque, NM within the International Horn Symposium gree from the New England last 16 years. Her teaching at Western Illinois University, conservatory (Boston) in philosophy is one that and since 2013 has worked Horn Performance, M.A in incorporates the classical as the Coordinator of the Musicology from Bar-Ilan disciplines of pedagogy, International Horn Society’s University (Israel) and cur- music theory, sight singing, Composition Contest. rently is a Ph.D candidate in music history, and technical Randall Faust has served Musicology at University of mastery of the horn – in the the International Horn Society Haifa (Israel). historical context of the as Composition Contest Aviram has played with pieces played. Ms. Garasi Coordinator, Advisory most Israeli ensembles encourages emotional and Council Member, Secretary, and orchestras. He was a social development through President, and as Host member of the Jerusalem mentorship and service, as of the 41st International Symphony Orchestra, well as activism to promote Symposium held at Western The Haifa Symphony social and artistic aware- Illinois University in 2009. Orchestra and Ra'anana ness for all her students. In addition, he hosted the Symphonette. As a soloist he Ms. Garasi, is an active annual Western Illinois Horn performed Yehezkel Braun's horn clinician, working with Festival from 2002-2018. His Horn concerto with the Programs from Las Cruces most recent teaching and Havelsymphoniker. During his to Cimarron and surrounding performance experience education he was a recipient areas, where the horn sec- includes having served as of America-Israel cultural tions have been recognized Professor of Horn at Western Foundation's scholarships as among the best in the Illinois University where he as well as merit scholarships state. In 2018 and 2019, over performed as Hornist of from the New England 50% of all horns selected to the Camerata Woodwind Conservatory. participate in the NMMEA

128 Allstate Festival, heralded Filarmonica Bohemia of Ivo Hadermann from her studio. Ms. Garasi Prague, and the Orchester (BE) has been a featured lec- der Stadt Vöcklabruck in turer at the 2018 NMMEA Austria. His residencies Allstate Festival, the the 50th include those at the Beijing International Horn Society Central Conservatory, Symposium, 2018 MidSouth Hornclass and the Ameropa Horn Symposium, and 2018 International Chamber Utah State Horn Symposium. Music Festivals in the Czech Michelle is the New Mexico Republic, First International International Horn Society Music Festival at SIAS Representative. University in China, artist Ivo Hadermann studied at faculty at the Crescendo the conservatories of Antwerp Steven Gross Summer Institute in Tokaj, and Brussels with amongst (US) Hungary, as well as guest others André Van Driessche principal horn with the and Theo Mertens. He ob- Hunan Symphony in China. tained his superior degrees In South Africa, he was for French horn and chamber clinician and soloist at two music with the highest South African Horn Society distinction. workshops. American Double Afterwards he went abroad was founded in 2001, with to perfect his art with re- a vision of enriching their nowned horn players such performances with works as Alan Civil (BBC London), Steven Gross is Professor by composers of American Dale Clevenger (Chicago) and of Horn and Head of the heritage. Members are: Ib-Lenzky Otto (Stockholm). Wind, Brass, and Percussion Violinist Philip Ficsor is based In 1978 he became laureate Area at the University of in Denver. He received his of the International Soloist California–Santa Barbara. DMA from Boston University, contest Tenuto. In 1979 he Dr. Gross is also a former an MM from Yale University, obtained the Maurice Van member of the Atlanta and his BA in Violin from The Bockstaele price. Symphony, National University of Michigan. The Since 1978 he is principal Symphony, Santa Fe Opera Strad called his recording horn soloist at the Belgian Orchestra, and for 24 of Bolcom’s Suite for Solo National Orchestra. years was Principal Horn Violin “beautifully managed As a soloist he performed of the Cincinnati Chamber and well-prepared." From many times with the VRO- Orchestra. Dr. Gross has 2006-2013, he taught at orchestra (Brussels Philhar released four solo CDs with Westmont College. Pianist monic), the Belgian National orchestra on the Summit Constantine Finehouse has Orchestra, I Fiamminghi, label. He has given numerous performed extensively in the Sinfonie-orchestra Flanders, international masterclasses U.S. and abroad since re- with concerti by Mozart, and solo appearances, which ceiving his MM in Piano from Haydn, Vivaldi, Telemann, include the Prague Horn Yale as a student of Boris Schumann, Strauss, Glière, International Music Festival, Berman. He completed his Britten, Saint-Saëns… Moscow Conservatory, undergraduate work at The He playes many solo-recitals Royal Academy of Music in Juilliard School under the with piano-players F. Geevers, London, L’Abri International guidance of Herbert Stessin D. Blumenthal, R. Groslot, L. Arts Festival in Switzerland, and Jerome Lowenthal. Kende, D. Protopotescu, A. De Nairobi Symphony in Kenya, Groote, J.C. Vanden Eynden NTUA Wind Ensemble and violinists O. Charlier in Taiwan, Camerata and A. Margulis.

129 His discography com- recordings by the Lone Star Performing Arts Center with prises about 50 CD’s with Wind Orchestra, Eurobrass, the Santa Fe Symphony amongst others solo-works and the Cincinnati Pops. and Santa Fe Pro Musica by Vivaldi, Telemann, Mozart, As a soloist, Hagelstein has Chamber Orchestra in Santa Saint-Saëns, Schumann performed with the Lone Star Fe, New Mexico. She has and works for chamber Wind Orchestra, the Tarleton also performed with the music by Mozart, Poulenc, State University Wind New Mexico Philharmonic Herzogenberg, Francaix, Ensemble, the McLennan for ballets, piano concerto Dvorak and Strauss. Community College Wind competitions and pops Since 1987 he is con- Ensemble, the University concerts. Blair is principal nected to the Royal Music of Missouri University horn on the University of Conservatory of Antwerp Philharmonic Orchestra, New Mexico C.D., “Arrows (Artesis Plantijn Hogeschool) and the Northland Symphony of Time”, conducted by Eric where he occupies the post Orchestra. She has also Rombach-Kendall with so- of principal teacher of cham- performed and lectured at re- loists John Marchiando and ber music and transposition gional and international horn Chris Buckholz. Blair has vast and is equally coordinator for workshops. Hagelstein has performance experience in all brass classes. degrees from the University chamber music as well as so- of Missouri-Columbia and loing with choirs, in musicals, dr. Kim Hagelstein the University of Cincinnati jazz bands, and alternative (US) College-Conservatory of rock bands. Blair also per- Music, where her primary formed in the World Premier teachers included Randy of Sur “La Choisy” for horn Gardner, Marcia Spence, choir by Ryan Chase at the Duane Dugger, and Southwest Horn Convention Elizabeth Freimuth. in Phoenix, Arizona and plans to bring new music to the Blair Hamrick horn literature. She is cur- (US) rently working on a DMA in the studio of David Jolley at Dr. Kim Rooney Hagelstein Stony Brook University. teaches Applied Horn at Tarleton State University Jukka Harju in Stephenville, Texas and (FI) McLennan Community College in Waco, Texas. In addition to teaching, Hagelstein performs regularly as Second Horn of the Waco Blair Hamrick grew up in Symphony Orchestra and Fairfax, Virginia where she Principal Horn of the Temple started in music at a young Symphony Orchestra. In age. Blair is currently a previous years, Hagelstein freelance horn player in New has performed both domesti- York, performing at Merkin Jukka Harju has not the most cally and abroad with groups Hall with the Manhattan ordinary way to become a including the Lone Star Wind School of Music, as well as professional horn player. Orchestra, Eurobrass, the with the New Amsterdam When an 11-year-old boy Carl Rosa Opera Company, Opera, and New York performed Mozart's KV447 and the New Sigmund Concert Opera. Before for European TV-stations Romberg Orchestra. moving to New York, she everything seemed very ob- Hagelstein can be heard on performed at the Lensic vious. The international youth

130 orchestras like GMJO and Hiebert). Dr. Hiebert has Hornucopia Quartet EUYO led by Claudio Abbado also performed as a mem- (US) were natural continuation but ber of many orchestras, the unpredictable came at including the Boston Lyric the age of 20: the studies in Opera, Wisconsin Chamber technical physics, electrical Orchestra, Nebraska engineering and audiovisual Chamber Orchestra, Lincoln culture. And yet seven years Symphony, and the Junge later he graduated as a film Deutsche Philharmonie. director. During the long He has been principal break away from the horn horn of Fresno's Orpheus Jukka's only touch to the Chamber Ensemble since Hornucopia Quartet is an music was composing, mainly 1987 and has performed as all-female horn quartet sound tracks and advertise- acting principal horn of the founded in 2018. It consists ments. In 2003 Jukka started Fresno Philharmonic. His of four graduate students to play again, first in Tampere solo performing experience currently studying at the and Helsinki Philharmonic is wide ranging—from a University of Maryland. The Orchestras. In 2005 he concerto performance members yield from estab- won the International Horn of Richard Strauss’ Horn lished schools including the competition in Lieksa Brass Concerto No.1 with the University of Michigan, the Week. Last ten years he has Tulare County Symphony University of Tennessee, been the solo horn of Finnish to a concert of solo works Indiana University, and Radio Symphony Orchestra. performed on Baroque nat- California State University, He teaches at the University ural horn by G.P. Telemann, Long Beach. Their primary of Arts Helsinki. Jukka has Vernsberg and “Mr. Charles” teachers include Phil Munds, acted as a guest principal at the 25th Musical Gregory Miller, Adam horn in Oslo, Stockholm, Instrument Symposium Unsworth, Dr. Katie Johnson, Paris, Bamberg, Chamber in Michaelstein, Germany. Dale Clevenger, and Dylan Orchestra of Europe and he Hart. They are striving to plays regularly as a soloist Horn Section continue the representation and chamber musician. of the la Monnaie of women in brass while fos- Opera House tering a stunning and brave Thomas Hiebert (BE) environment of inclusiveness, (US) Jean Pierre positivity, and excellence. Dassonville Ulrich Hübner (DE) Horns for All Seasons (BE) Bill Coffindaffer

Thomas Hiebert is Professor of Music at California State University, Fresno, where he has taught since 1987. He Ulrich Hübner (1964) studied has concertized widely as the horn with Prof. Erich a recitalist on both valved Penzel at the conservatory in and natural horn (often Cologne. Already in contact with his wife, Lenore Voth with the natural horn during

131 this time, he started his and Percussion Division. Washington, DC area. Winner career as a modern horn He also enjoys an active of the International Horn player in the opera house in and varied musical life as Competition of America in Mainz. Awarded with the 1st pedagogue, soloist, chamber 2013, Lauren has appeared price at the „International and free-lance musician, at music festivals from coast Natural Horn Competition and composer. He is a much to coast, including Marlboro, Bad Harzburg“ in 1993 , he sought-after guest clinician, Spoleto, and Artosphere. left the modern orchestra in teaching masterclasses and A featured performer in 1995 and has been enjoying lecturing at Universities and 2017’s Phoenix Chamber playing natural horn in lead- Conferences across the US Music Festival, she can be ing ensembles of the histori- and abroad. In a recent return heard on an upcoming album cal performance practise all to composition and arranging of Beethoven’s chamber over Europe since then. he has produced a number of works for winds. In addition pieces for the award-winning to performing in international Patrick Hughes UT Horn Choir, most notably: tours with ensembles such (US) From Hildegard, Dancing on as the Youth Orchestra of the Hildegard Horn the Hill, The Wexford Carol, Americas, Lauren has been Ensemble and True Colors. His music especially dedicated to her With a tone and musicality is published through brown- international teaching work described as “pure choc- woodbublishing.com, and in with numerous “El Sistema”- olate”, Patrick Hughes has addition to the horn choir style programs throughout soloed in recitals throughout pieces, his works for horn the Western Hemisphere the US, at annual regional and piano include Morrison’s over the past ten years. horn conferences, and at 10 Jig, Send in the Clowns, and For two years, Lauren served International Horn Symposia. Pange Lingua. His new Solo as horn faculty at Illinois In 2006 he performed the CD, Crossroads (featuring State University, and she has Asian premiere of Kazimierz Colette Valentine and the UT presented masterclasses Machala’s Concerto for Horn, Horn Choir), is scheduled and recitals throughout Winds and Percussion in to be released in Spring of the United States. Bangkok, Thailand. He has 2019. Mr. Hughes is a current also been a featured soloist member of the Advisory Tommy Hyytinen with various ensembles Council for the International (FI) at the University of Texas Horn Society and serves (most recently performing on the Meir Rimon the Hamburg Concerto by Commissioning Assistance György Ligeti), as well as Fund board. He plays a the Northwestern University custom Patterson horn. Percussion Ensemble, the St. Olaf Orchestra, and the Lauren Hunt Dallas Wind Symphony. (US) The Dallas Morning News described Hughes as “…a Tommi Hyytinen is Finnish dream soloist…His tone horn soloist, chamber was warm and honeyed, his musician and pedagogue. virtuosity and legato both He works in Finnish Radio apparently effortless.” Mr. Symphony Orchestra as a Hughes wears many hats at horn player and in Sibelius the Butler School of Music: Academy of the University of Associate Professor of Horn, the Arts Helsinki as a horn Director of Graduate Studies, Lauren Hunt is an active and natural horn teacher. and Head of the Brass, Wind freelancer based in the He is also a member of the

132 Finnish Baroque Orchestra. instructor. He is specialized participated in concerts of He has studied in Sibelius in the musicians' use of chamber music besides as Academy, in Universtät für the body. His horn method soloist concerts. In 2003, Musik und Darstellende “Playing from the Core” Gabriella Ibarra received Kunst Wien and in Universität was published in 2016 and classes with German Brass in Mozarteum Salzburg. his method for all musicians Mexico. She was part of the Hyytinen graduated as “Sounding body” was OSA Horn quartet, playing Doctor of Music from Sibelius published in 2018. the “Concert Piece for Four Academy in 2009. The www.tommihyytinen.fi Horns and Orchestra” op. 86 topic of his artistic doctorate by Robert Schumann. This was the horn music of the Gabriella Ibarra group conducted numerous Romantic era. In his doctoral (VE) educational concerts at concert series, he played the different communities and period instruments of the social spaces (schools, 19th century: natural horn, hospitals, nursing homes, French horn, German horn churches, etc.) along Aragua and Vienna horn. Hyytinen State. For 7 years, she is an active chamber musi- belonged to the Mozarteum cian and has performed in School of Music in Caracas several festivals in Finland as active pupil whose master and abroad. He is a founding was Joel Arias. A few years member of Arktinen Hysteria Gabriella Ibarra began ago, she has been part of Quintet, The Golden Horns her musical studies at “El “Curso Internacional de quartet and Helsinki Brass Sistema” and at the School Corno Natural y Moderno” Quartet. Hyytinen is also of Music “Federico Villena” conducted by the same active in the contempo- where received title of master. In 2009 she obtained rary music scene and has French Horn Professor. a BM at the Universidad premiered several pieces She has participated in Experimental de las Artes. for horn, such as the horn masterclasses with teachers She currently investigates concertos by Atso Almila, as Javier Bonet, Radeck the use of the French horn Tomi Räisänen and Kai Baborák, Radovan Vlatkovic, in Venezuelan colonial music Nieminen, and Northlands, Paul Miller, William Warnick, as part of its work as MD in Album for horn and strings Bruce Heim, Alan Cox, André Latin American musicology by Matthew Whittall. Casalé, Michael Höltzel, at Universidad Central de Hyytinen has released three Fernando Mora, Joel Arias, Venezuela in 2017. Since critically-acclaimed solo Edward Browm, Wolfgang 2009 Ibarra started as discs. Northlands album Gaag, Luiz Garcia, Bruno horn teacher at “El Sistema”, in which Hyytinen plays Schneider, Marie Luise at the School of Music Whittall's Northlands with Neunecker, Canadian Brass, “Federico Villena” and the Finnish Radio Symphony Sonus Brass, Huáskar Conservatory of the Aragua Orchestra and conductor Nils Barradas, Luis Fernando State, where also taught Schweckendiek was chosen Ruiz, among others. Gabriella subjects as musical kinder- as the Album of the Year Ibarra was Assistant garten, orchestral practice, 2017 by Finnish Broadcasting French horn in Aragua chamber music, children Company YLE. Hyytinen Symphony Orchestra since chorus, musical and artistic has given masterclasses in 1997-2018. She has been language, music theory and Hannover Musikhochscule invited to perform in various aesthetic of music. and in Universität Mozarteum Venezuelan orchestras. She Salzburg. In addition to his has participated in nationals Iceland Symphony work as a musician Hyytinen and internationals tours and Orchestra horn section is also a certified Pilates recordings. She has also (IS)

133 Dr. Peter Iltis Jason M. Johnston of Music Education degree (US) Triskelion Trio from Wittenberg University’s Dr. Peter Iltis has been con- (US) School of Music and a ducting research for the past D.M.A., is Assistant Professor Master’s degree in Horn 5 years in collaboration with of Horn at the Lionel Performance at New Mexico both the Institute for Music Hampton School of Music State University. She is Physiology and Musician’s and his current duties include currently in her twenty-third Medicine (Hannover, teaching horn lessons and year as horn professor at Germany) and the MRI Lab at studio classes, directing the NMSU. Nancy is principal the Max Planck Institute for University of Idaho Concert horn of the Las Cruces Biophysical Chemistry and Band, teaching Brass Symphony Orchestra and Biomedical NMR Research Techniques, and coaching second horn of the El in Göttingen, Germany. The chamber ensembles. He is Paso Symphony Orchestra research involves conducting the founder of the Palouse and Opera Company. She high-speed, real-time mag- Brass Company and a mem- has performed at various netic resonance imaging of ber of the Northwest Wind International Horn Society (1) elite horn players and (2) Quintet, Idaho Brass Quintet, Symposiums; International professional horn players Apollo Chamber Brass, Women’s Brass Conferences; who developed embouchure and Korean Summer Winds South Africa’s National Horn dystonia, performing on based in Busan, South Korea. Symposiums, the Brazilian an MRI-compatible horn. Jason is currently Principal National Horn Symposium The elite group includes Horn for the Steamboat and Spanish Brass Symposia. Stefan Dohr, Andrej Just, Symphony Orchestra and In addition to performing Markus Mascuniitty, Fergus Opera Steamboat as well and teaching in Las Cruces, McWilliam, and Sarah Willis as Co-Principal Horn for the Nancy performs solos with of the Berlin Philharmonic; Washington Idaho Symphony, various ensembles and gives Jeff Nelsen and Marie Luise and 3rd horn for the Walla music education clinics Neunecker, renowned horn Walla Symphony. throughout the Southwest. soloists; and Eli Epstein, for- Nancy is currently the mer member of the Cleveland Nancy Joy International Horn Society’s Orchestra. Dr. Iltis and his (US) International Symposium science team have collected Coordinator. Diane Schutz, and analyzed data that point piano Diane retired from to a consistent approach to Las Cruces Public Schools, horn biomechanics among after 30 years of teaching the elite group, which sharply K-12 music. From 2006-2011, contrasts the biomechan- she served as Associate ics of the dystonic group. Director of NMSU Choirs. In Further research has yielded 2002 she was awarded the new findings about horn New Mexico Music Educator technique and what really © Amy of the Year and in 2006 goes on inside the mouth Nancy Joy, horn Growing she was inducted into the and throat. up on a walnut farm in NM Hall of Fame. Diane is a Springfield, Ohio with “blue past recipient of the Dona Japan Horn Society grass” and “gospel” music Ana Arts Council’s Artists in Ensemble in her genes, Nancy Joy Education Award and during (JP) played horn, trumpet, cello, her tenure at LCHS, her sang in the choir and had choirs performed at Carnegie lead theatre roles during Hall and the Kennedy Center. her public-school education. Currently, Diane is the ac- She received her Bachelor companist and organist at St.

134 Pauls’ Methodist Church, the Romantique, Orchestra of Ensemble Orchestral du Loir pianist for the NMSU Horn the Age of the Enlightenment et Cher and was selected Studio, and she continues to and Ensemble Pygmalion. His to participate in the show volunteer for local fine arts passion is the horn’s history. "Prodiges" de France 2. organizations, mentors new He was a recipient of the IHS In 2018 he is invited to teachers and is an accompa- Punto Award in 2014. A part- perform as a soloist : in the nist for local non-profits and time resident in France, he regional tour in the creation schools in Las Cruces and is currently researching a "Call of Cthulhu" by Olivier El Paso. book on The Horn in France. Calmel for 6 horns and Orchestra, at the Or Notes Peter Kurau Florian le Bleis Brass Festival in Gignac, (US) (FR) with the Musique de l’Air W. Peter Kurau Professor from Paris to Saint Pierre of Horn/Eastman School des Corps, and in the Quintet of Music Principal Horn/ for String Quartet and Horn Rochester Philharmonic of Mozart in Avignon and Orchestra Former Vice- at the Festival “Entre Loir President and Secretary/ and Loire” in Vendôme. Treasurer of I.H.S. Host of Florian participates in the 29th International Horn “Prodiges 4” CD with the Symposium (1997) Punto Avignon-Provence Regional Award recipient, 2015 Native of Montoire sur le Loir, Orchestra. He will also Florian 14 years old, started record Olivier Calmel's “Call Chris Larkin the horn at the age of 7 from of Cthulhu” with La Musique (UK) Mr Rodolphe Génesta-Pialat. des Gardiens de la Paix. At the age of 11 he joined the In 2019, he participates in Regional Conservatory of Folles Journées de Nantes, Tours to obtain his Diploma He will perform 2 times as in Musical Studies in 2018. a soloist with the Ensemble He is currently pursuing his Orchestral du Loir et Cher apprenticeship in the class in the 2nd concerto of of Mr Arnaud Delépine. WA Mozart. He frequently perfects He is also invited to Belgium himself in masterclasses with at the IHS51 in Gent. was invited to become 4th soloists and international horn of the BBC Symphony pedagogues. Bernard Le Pogam Orchestra by Alan Civil in In March 2016 Florian wins (FR) 1979. He retired from the 1st prize unanimously at Bernard le Pogam ob- orchestra at the end of the Epinal Artistic Contest, tained First Price at the 2015 after 36 years. He category DEM and Les Clés Conservatoire National has led the London Gabrieli D’Or 2018 in Paris. Florian Supérieur de Musique de Brass Ensemble since 1973, is a member of the OHRC Paris in 1970, the same year researching and directing conducted by Philippe as he became Principal four CDs for the Hyperion Ferro and the Mallet-Horn Horn at the Orchestre label with it. The last of Jazz Band conducted by Philharmonique de Radio these, Antique Brasses, Arnaud Delépine. France. He moved on to the was made using ‘historically In 2017 he performed Orchestre Philharmonique informed’ brass. Chris regu- as a soloist in Emmanuel des Pays de la Loire the larly appears with orchestras Chabrier's Larghetto with next year, where he became such as the Orchestre the OHRC and in the 2nd a founding member of the Révolutionnaire et WA Mozart Concerto with ONPL Brass Quintet. In

135 1981, he won third price at Philharmoniker, where he Lienhard and members of the the J. F. Gallay Natural Horn was co-principal horn player, Berne Symphony Orchestra International Competition. Orchestre National des Pays played the original version of As a teacher, performer, de la Loire, Orchestre de Rossini’s Le rendez-vous de juror and exhibitor, Bernard Paris, Moscow Soloists and chasse for four hunting horns le Pogam has collaborated the Staatskapelle Berlin. and orchestra, probably the with the British Horn Society, Since 2001, he has been first performance of this The Royal Academy of co-principal horn player spectacular version. Music in London, Jeunesses at the Schleswig-Holstein In 1983 he founded the Musicales de France, Symphony Orchestra. Dauprat Horn Quartet with Salzburg Solisten, the Polish Aside from playing the which he still performs Chamber Orchestra and the Horn, Thibault le Pogam is regularly. Warsaw Chamber Orchestra, also an active composer and and with natural horn compe- educator, founding member Francesco Lo Surdo titions organized by Hermann of the North-German French (AU) Baumann in Bad-Harzburg Horn and Brass Teachers and Lowell Greer in Atlanta, Society (Norddeutsches and Cincinatti. Blechwerks-Verein). He currently teaches at the Thibauld Le Pogam Musikschule Flensburg, (FR) as well as at the Europa Universität Flensburg in Germany.

Daniel Lienhard Francesco Lo Surdo was born (CH) in Sydney and began learning the French horn at the age of nine, studying at the Newtown High School of the Performing Arts and participating in the Thibault le Pogam studied Sydney Youth Orchestra. at the Conservatoire à He commenced a Bachelor Rayonnement Régional of Music Performance at d’Angers before moving the Sydney Conservatorium on to the Conservatoire of Music in 2005, studying National Supérieur de Daniel Lienhard, born in Basel with Ben Jacks. Throughout Musique in Paris, where he (Switzerland) in 1955, is cur- Frankie’s studies he worked obtained his French Horn rently low horn in the Berne as a freelance orchestral First Price in 1995. From 1993 Symphony Orchestra. In 1985 and recording musician and to 1995, he was a member he wrote the 3rd volume was a member of the Sydney of the European Union of the Horn Bibliographie, Sinfonia and the Australian Youth Orchestra. In 1997 an important catalogue of Youth Orchestra, the latter he was accepted into the horn music published by as principal horn in 2009. Philharmonie der Nationen Heinrichshofen in Germany. In 2009 he spent a year on and from 1998 to 2000 he For this book he did a lot contract with the Queensland held an Academy post at the of research in libraries and Symphony Orchestra, where Berliner Staatsoper under private collections in Europe he also studied with Andrew Daniel Barenboim. and the USA, discovering Bain and Peter Luff, before He has played with vari- many unknown compositions returning to Sydney to com- ous European orchestras, some of which he later plete his degree. In 2010 such as the Lübecker performed. In 2017 Daniel Frankie gained a position

136 in the Sydney Symphony’s been since 2005. She is pres- Queensland Symphony Fellowship program. ently a member of the Tulsa Orchestra, Melbourne Frankie has appeared with Symphony Orchestra and the Symphony Orchestra, the Australian Chamber Tulsa Opera Orchestra and Sydney Symphony, Australian Orchestra, Sydney Symphony, has performed with groups in World Orchestra, Australian Melbourne Symphony Texas, Arkansas, New Mexico, Chamber Orchestra, West Orchestra, Queensland and Argentina. Lanette has Australian Symphony Orches Symphony Orchestra, performed on more than tra, Queensland Philharmonic Tasmanian Symphony a dozen CD’s, including Orchestra, Hong Kong Orchestra, Australian Opera the critically acclaimed Philharmonic and the Southern and Ballet Orchestra, CD The Manne We Love: Cross Soloists. Peter has Malaysian Philharmonic Gershwin Revisited featuring conducted ensembles includ- Orchestra, and the West the Steve Houghton Quintet ing the Queensland Symphony Australian Symphony and the University of North Orchestra, Brisbane Excelsior Orchestra (of which he has Texas Two O’clock Lab Band. Band and Brisbane Brass. As been a full time tutti member Lanette is the 2014 a recitalist Peter has commis- since 2011). As a chamber recipient of the Wise-Diggs- sioned and premiered new musician, he has performed Berry Award for Teaching Australian works for solo horn with the Sydney Omega Excellence in the Arts. performing in Australia, the Ensemble, Sydney Brass, Students in the OSU Horn United States and in the UK. and the Australia Ensemble. Studio have placed in regional Peter has built a strong reputa- Frankie has toured through- and international competition as a horn teacher, with his out Europe with the Sydney tions and have made several students rated among the top Symphony, the Australian summer music festivals. in the country, many of whom Youth Orchestra and the Graduates of Lanette’s studio can be found in professional Sydney Conservatorium have won professional or- orchestras both in Australia Chamber Orchestra. He chestral positions throughout and all over the world. Peter was invited to participate in the United States including has served as vice president the Bayreuth Young Artists the Philadelphia Orchestra, of the International Horn Festival in 2008, where he Santa Fe Symphony, New Society, was a member of the studied with Will Sanders and Mexico Philharmonic, Advisory Council from 2011 – had the opportunity to see Round Rock Symphony, 2016 and is a recipient of the the Ring Cycle in Wagner's Oklahoma City Philharmonic society’s prestigious “Punto Festspielhaus. As an edu- Orchestra and the Atlanta Award” for his contributions cator, Frankie was invited Symphony Orchestra. to the Australian horn playing to be the horn tutor at the community. Australian Youth Orchestra’s Peter Luff 2014 national music camp in (AU) Johanna Lundy Canberra. In addition to this Associate Professor Peter (US) Frankie continues to have Luff holds a Bachelor of Music a passion for teaching and in Horn performance with is the current horn teaching first class honours from the at the Western Australian University of Adelaide’s pres- Academy of Performing Arts. tigious Elder Conservatorium and a Master’s in Conducting Lanette Lopez Compton from Queensland Conser (US) vatorium Griffith University. Lanette Lopez Compton is As a professional Horn the Associate Professor of player, he has performed Johanna Lundy is the Horn at Oklahoma State with many Orchestras and Principal Horn of the University where she has ensembles, including the Tucson Symphony. She has

137 performed across the United duties, John routinely plays is also a member of the Ni States in solo, chamber, and with period ensembles both Ensemble of Luxembourg orchestral settings. She is in Europe and America, (First prizewinners at the aso a member of the faculty and researches historical 9th International Passau at the University of Arizona, performance practices and Competition) and forms where her teaching focuses the repertoire of the 18th with husband Kerry Turner on efficient, healthy playing and early 19th centuries. He the Virtuoso Horn Duo. techniques and emphasizes regularly returns to Indiana Their critically acclaimed mindfulness skills for perfor- University as an assistant recordings can be found on mance. For over a decade, instructor alongside Richard the Naxos and MSR Classics Lundy has studied Pilates, Seraphinoff at the annual labels. Ms. Mascher-Turner yoga, physical therapy and Natural Horn Workshop. has given master classes and mind/body techniques Horniconography.com performed in over 30 coun- and has worked to inte- tries on six continents. She grate these practices into Kristina Mascher-Turner is currently Vice President horn playing. (US/LU) of the International Horn Society and is the editor of John Manganaro the IHS digital newsletter, (US) “Horn and More.” Horn aside, Kristina is co-owner of Phoenix Music Publications, sings with a semi-professional vocal octet, has a passion for travel, food, and languages, and is a certified Kristina Mascher-Turner, Reiki master. former principal horn of the Brussels Philharmonic Matthew Mauro John Manganaro studied Orchestra, hails from Albany, (US) early music performance Oregon and is based in practice and natural horn Luxembourg. She is a grad- with Richard Seraphinoff at uate of the University of Indiana University. In 2006, Wisconsin-Madison (Douglas he won the first Associate Hill) and the Hanns Eisler Principal Horn position of Conservatory in Berlin (Kurt the Orquesta del Palau Palm,) and also studied pride les Arts Reina Sofia vately with Fergus McWilliam. in Valencia, Spain (now Early in her career, she was Orquestra de la Communitat engaged in various orches- Matthew Mauro is finishing Valenciana). In 2009 he left tras, including the Odense his Doctor of Musical Arts this orchestra to pursue Symfoniorkester (Denmark) Degree at the University a Kunstlische Ausbildung and three tours as principal of Cincinnati’s College- (Artist Diploma) from the horn with the Gustav- Conservatory of Music Hochschule für Musik in Mahler-Jugendorchester (CCM), where he studies Trossingen, Germany, where under Claudio Abbado, with Denise Tryon and is a he later taught natural Pierre Boulez, and Kent Graduate Teaching Assistant horn. In 2012 John won his Nagano. She joined the in Music Theory. Matt has current position of 1/3 Horn world-famous American previously studied with Randy in the Hofer Symphoniker Horn Quartet in 2009, with Gardner, Richard Deane, and in Hof, Germany. Alongside whom she has toured and Elizabeth Freimuth. He has his symphonic orchestra recorded extensively. Kristina performed with the Dayton,

138 Toledo, Springfield, Lima, competition for natural horn and Charlie Weaver of the and Kentucky Symphony in Perpignan, France and in Detroit Symphony Orchestra. Orchestras and has ap- 1984, prize winner of another She received her degree in peared as a soloist with the international competition for Arts Management at Eastern Toledo and Stow Symphony natural horn in Bad Harzburg, Michigan University and Orchestras. He has taught Germany. In 1985, he leaves began her professional career as an adjunct music fac- the Radio Orchestra to be- with Michigan Opera Theatre. ulty member at Northern come a free-lancing career on She continued her career in Kentucky University and has period instruments. Therefore, New York working for Colbert maintained a private teaching he plays on a regular basis Artists Management. The studio in Cincinnati, Ohio for with some of the best orches- Colbert roster at the time several years. Matt holds tras and ensemble playing on included Sir George Solti, a Master’s degree in Horn period instruments, among Alfred Brendel, Dame Joan Performance from CCM and the others La Petite Bande Sutherland, James Morris, a Bachelor’s Degree in Music (Sigiswald Kuijken, Gustav Heinz Holliger and Christoph Education from The Ohio Leonhardt), the Orchestra von Dohnanyi. Katherine was State University. For his final of the 18th Century (Frans recruited into the finance DMA project at CCM, Matt is Brüggen), the Orchestre world and worked for Merrill in the process of writing an des Champs-Elysées Lynch, Deutsche Bank, Caisse etude book which facilitates (Philippe Herreweghe), Les des Dépôts, and ultimately the preparation of standard Musiciens du Louvre (Marc Goldman Sachs. She left the orchestral excerpts. Minkowski), Anima Eterna finance environment to start (Jos Van Immerseel), Les her own consulting practice Claude Maury Arts Florissants (William and has worked on many (BE) Christie), Opera Fuoco (David entrepreneurial ventures. As Stern) and le Parlement de an author, Mrs. McLuskie- Musique (Martin Gester). Ciment looks for subjects Occasionally, he also plays dealing with the reinvention or with the Amsterdam Baroque resurgence and preservation Orchestrata (Ton Koopman), of cultural traditions. Her Concerto Köln, Tafelmusik first book, "Scottish USA," (Jeanne Lamon) The English explored the influences of the Concert (Trevor Pinnock), Scots in the early formation Bach Collegium Japan, etc. of the United States and Born in 1956 in Belgium, He has recorded many solo how many Scottish traditions Claude Maury studies at the and chamber music CD's, persist in America. Conservatoire Royal in Mons mainly on natural horn. He is where he gets the highest dis- now professor of natural horn Diechje Minne tinctions for the modern horn at the conservatoire in Paris (BE) and in chamber music. Then and Versailles. he takes lessons with Francis Orval, André Vandriessche, Katherine Michel Garcin-Marrou and McLuskie-Ciment Hermann Baumann. He gets (US) his first job in the orchestra of Katherine McLuskie-Ciment the Opera Royal de Wallonie is an author, entrepreneur, in 1974, then in 1976 becomes former Horn player, artist member of the French manager and investment Belgian Radio and Television banker. She grew up in At the age of 10, Diechje Orchestra (R.T.B.F.). In 1981 he Detroit, Michigan and studied Minne (°1992) got her first is prize winner of the Gallay Horn with Joseph Buono classes in French horn by

139 Johan Vanneste. MirrorImage Horn Duo dr. Jack Munnecom - Later on, she studied with (US) The Knopf Heritage Rik Vercruysse at the Royal Hornquartet Conservatory of Antwerp, (NL) where she obtained her bachelor’s degree in 2013. After taking classes for one year with Herman Jeurissen at the Fontys Conservatorium Tilburg, where she graduated magna cum laude, she started her Master’s MirrorImage Horn Duo, degree in French horn at the acclaimed horn duo the Conservatorium van of Lisa Bontrager and Dr. Jack Munnecom stud- Amsterdam. Two years later, Michelle Stebleton main- ied at the Conservatory June 2016, she graduated tains an active international Maastricht in the horn with the highest award. performance schedule. class of Willy Bessems, Will From 2012 until 2014 she Multifaceted musicians Sanders and Erich Penzel, was the leader of the horn and professional teachers, where he earned his degrees section in the Euregio Youth Bontrager and Stebleton in music performance and Orchestra. In May 2015, formed MirrorImage to offer teaching in 2004. He had Diechje got selected to take versatile horn music pro- masterclasses with Jacob part in the Academy of the gramming in solo, chamber Slagter, Radovan Vlatkovic Netherlands Philharmonic and educational settings. and Hermann Baumann. Orchestra during season Through their efforts, they Jack has held principal horn 2015-2016. have performed recitals positions at the Royal Dutch As a freelance horn player, throughout the United States, Wind Orchestra, Netherlands she often joins forces with Europe and South America, Students Orchestra, and he the Netherlands Philharmonic and double concerti with played as section horn in the Orchestra, the Netherlands several orchestras. Frequent Philips Symphony Orchestra, Chamber Orchestra, Antwerp grant recipients, MirrorImage the Bayreuth Festival Youth Symphony Orchestra, has commissioned numerous Orchestra, the Netherlands Belgian National Orchestra, works from leading compos- Youth Orchestra and the New Brussels Philharmonic, ers. Their blended sound and York Pops Orchestra. Since Het Residentieorkest, performance style originated 2011, he is Principal Horn ISolisti del Vento, Casco in the highly regarded Louis with TransAtlantic Brass. Phil and many others. J. Stout horn studio, based Jack Munnecom holds a As a soloist, she per- at the School of Music of Master’s degree from Fontys formed Strauss’ first Horn the University of Michigan. University Tilburg and a PhD Concerto, Jan Van der Together they have released in Musicology from Utrecht Roost’ Rhapsody for Horn, three recordings: Harambee, University. In 2014, he won Winds and Percussion and the Music of Paul Basler, the "Albert Smijers Research Otto M. Schwarz’ Cape MirrorImage at the Opera, Prize" from the Royal horn. In October 2019 and MirrorImage on Safari, Society for Music History of she will be performing all on the MSR Classics label. The Netherlands. He was Britten’s Serenade with Contributing Artist at the IHS Het Euregio Kamerorkest. Symposium in Los Angeles (2015) and Ithaca (2016). Jack plays on instruments made by Gebr. Alexander Mainz and Herbert Fritz Knopf

140 Martin Mürner Tanja Nisonen research through Atelier (CH) (FI) Adronie, a workshop specialized in polychrome painted brass instruments. She is also restorer at Metafose in Antwerp, where she assists in restoring both large statues and smaller metal objects.

Oxford Horns (UK) Martin Mürner is a horn Tanja Nisonen is solo horn in Oxford Horns is a group of player and a brass instrument Turku Philharmonic orchestra professional and semi-pro- restorer. He studied French in Finland. She is active fessional players who play horn in Zurich and natural soloist and plays chamber non orchestral repertoire and horn at the Schola Cantorum music as much as she can. new compositions and ar- Basiliensis. Since 1983 he’s She has founded chamber rangements at local concert played with various interna- music sosiety Artsoppa and halls and charitable events. tional orchestras, such as at the moment she is sitting Their all-female octet plays at Freiburger Barockorchester, chairman of Finnish Horn Blenheim Palace every year. the Akademie für Alte Musik Society. Nisonen is teaching Robert Palmer (US) Berlin and Concerto Köln in Turku university of applied Robert Palmer is cur- and in 1993 he joined Anima science. Tanja Nisonen had rently in his second year of Eterna in Bruges. In 1995 he recorded for ALBA records study at the Florida State began an apprenticeship with and ICSM records. University College of Music. the instrument maker Karl He is studying with Michelle Burri in Berne and subse- Isabel Osselaere Stebleton as a brass per- quently started specialising (BE) formance Doctoral of Music his practice on restoring student. Prior to starting at historical brass instruments FSU, he spent two and a applying methods corre- half years as the Director of sponding the instrument’s era. Athletic Bands at Alderson Martin has worked as an Broaddus University in independent restorer for 19 Philippi, West Virginia where years now and oversees the he expanded the athletic instruments in the Karl Burri band program into several collection in Berne. From different avenues, built a 2009 to 2017 he worked Isabel Osselaere studied network of professional also as a research assistant conservation and restoration relationships across the east at the Bern University of techniques at the University coast, and cliniced at over the Arts. www.muerner- of Antwerp, specializing in 100 high schools. restaurierungen.ch wood and metal objects. In He received his bache- her Master’s thesis she com- lor’s and Master’s degrees bined her passion for French in Composition and horn horns and craftsmanship performance from Western and focused on a study of Illinois University, where he the materials and techniques studied with Randall Faust used in two historical natural and Lee Kessinger on horn, horns with polychrome and Paul Paccione, James painted bells. After her Caldwell, and James Romig studies she continued her in composition. He lives in

141 Tallahassee, Florida with his State University in Ohio, (France), Barcelona wife Bekah and two children, since 2004. Symphony Orchestra, Forma Gavin and Sophia. Antiqva, Vespres d’Arnadí, Pennsylvania State Orquestra Acadèmia 1750, Andrew Pelletier University Horn Quartet – Los músicos de su Alteza, (US) Lisa Bontrager Ensemble bcn216 (Spain), (US) MusicAeterna (Russia), Capriccio Barock Orchester Jeffrey Powers (Switzerland) or the Northern (US) Consort (The Netherlands), Jeffrey Powers, Professor among others. of Horn, Baylor University As a researcher, his main (Bachelor of Arts—Austin topics are related to the horn College; Master of Music— and the development of the The Cleveland Institute music profession along the Andrew Pelletier—IHS of Music). His instructors history, early teaching meth- President—is a Grammy were James London, Albert ods and historical hornists Award-winning soloist Schmitter, Myron Bloom, and their repertoires between and respected teacher/ and Roy Waas. Mr. Powers 18th and 20th centuries. mentor. Principal horn of played in the Hong Kong He just finished his PhD the Michigan Opera Theatre Philharmonic, the New Jersey with a thesis about perfor- (Detroit Opera House), Symphony, the Philharmonic mance practices and instru- former principal horn of of Caracas, The Cleveland ments of the horn quartet the Ann Arbor and Santa Orchestra, and the Royal of Pau Casals’ Orchestra Barbara Symphonies, Philharmonic of Flanders. in Barcelona (1920-1937). has appeared as guest Presently he is Principal Horn principal horn for the Los with the Waco Symphony Jorge Renteria Campos Angeles Philharmonic, Orchestra and the Abilene (ES) Detroit Symphony, Toledo Philharmonic Orchestra, Born in Bilbao (Spain), at the Symphony, Toledo Opera, and a member of the Baylor age of 18 Jorge Renteria- Windsor (Canada) Symphony, Winds and the Baylor Brass. Campos joined the Symphony and ProMusica Chamber Mr. Powers has 5 solo CDs Orchestra of his native city. Orchestra. First-prize win- available on the MSR and After four years working with ner of the 1997 and 2001 Potenza Music labels. this ensemble in 1990, he American Horn Competition, moved to London, where he he has soloed at 10 IHS Pepe Reche studied the French horn, early Symposia and has present- (ES) music and conducting at the ed solo performances in His interests on music made Royal Academy of Music. He 30 U.S. States, Australia, him study French Horn and has previously been principal Brazil, Canada, England, Musicology and to spe- horn of ensembles including and Mexico. With Southwest cialize in Natural Horn with the London Philharmonic Chamber Music, he won the Javier Bonet at the Escola Youth Orchestra (1992), 2005 Grammy Award for Superior de Música de European Union Baroque Best Classical Recording Catalunya (Spain). Orchestra (1993), Asturias (small ensemble category). As a performer, he works Symphony (1994), Jerusalem Active in the world of New mainly in historically informed Symphony (1995-96), Music, he has commissioned performance (on period Castilla-León Symphony and premiered over 50 instruments) and in con- (1999-2000). From the 1990s works for the horn. He has temporary music. Pepe has onwards Renteria-Campos's served as the Professor been invited to play with the dedication to historical of Horn at Bowling Green Jeune Orchestre Atlantique instruments led him to

142 combining his teaching work became Professor of Horn at dr. Steven Schaughency as professor of natural horn the Liège Royal Conservatory. (US) at the Conservatory of Music Mr. Richards also per- of the Basque Country with forms as Principal Horn an intense freelance career with the Ictus Ensemble with leading groups in Spain in Brussels specializing in (Seville Baroque Orchestra, contemporary music. As a Capilla Peñaflorida) France member of the Liège Horn (Les Musiciens du Louvre, Quartet he performed as Les Talens Lyriques, Le a Guest Artist in Banff, Cercle de l´Harmonie) Canada and Kalamazoo, Netherlands (Amsterdam Michigan at their respective Even before playing in his Baroque Orchestra) Germany IHS Symposiums in 1998 & first classical orchestra, (Concerto Köln, Freiburger 2001. Bruce performed as a Steve played daily in a jazz Barockorchester, Dresdner contributing artist at the IHS big band on Horn for three Instrumental Consort) Austria 45 Symposium in Memphis years, solidifying an early (Wiener Akademie) Ireland 2013 with a performance on foundation for playing jazz (Irish Baroque Orchestra, Wagner Tuba celebrating the and popular music styles. Italy (Europa Galante, Il composer's 200th birthday. Parallel to a traditional univer- Giardino Armonico) and Bruce performs regularly with sity Horn course of study England (The King's Consort, Belgian chamber ensembles at Ithaca College, he also Orchestre Revolutionnaire et such as; Het Collectief and I completed all the jazz-ori- Romantique). Solisti. He is an active arrang- ented courses offered. This er and transcriber for brass unique focus continued Bruce Richards quintet, brass ensemble, horn through his graduate studies, (BE) quartet and horn ensemble. culminating with an earned He has given masterclasses Doctorate in Jazz Pedagogy in chamber music, horn quar- from the University of tet playing and horn playing Northern Colorado. As a per- in general. Each summer former, he has worked with he teaches at the “Stage internationally recognized International de Musique en jazz artists such as Quincy Province de Liège” in Spa, Jones, Chuck Mangione, Belgium. This brings together Diane Reeves, J. J. Johnson, highly developed young horn Clark Terry, Paul Winter, Dave © Koen Broos players eager to broaden Brubeck, Marvin Stamm, Bruce Richards, born in their skills and horizons. and Rob McConnell. In the Michigan but living and work- Mr. Richards has developed 1990s, Dr. Schaughency ing in Belgium for the past 27 a series of lectures about was lead Horn and soloist years, Bruce Richards blends performance anxiety under with a Stan Kenton tribute various schools of playing. the umbrella title “Breath big band, the Joel Kaye Having studied with Neill and Believe”. These lectures Neophonic Orchestra. Then, Sanders, Johnny Pherigo and discuss various mental for 20 years, Steve was a Francis Orval, Mr. Richards techniques which can help member of the United States brings a diverse range of a performer prepare for, and Air Force Band, performing musical traditions to his play- successfully navigate an all styles of music, from ing and teaching. Since 1991 audition or performance. Classical to Pop, for au- he has been Co-Principal diences on 4 continents. Horn with the Liège Royal Steve has recorded with Philharmonic, and in 2019 will The National Symphonic become 2nd horn. In 2011 he Winds on projects featuring

143 chamber music compositions La Chaux-de-Fonds. His repertoire for him. of Richard Strauss, Max horn teacher, Robert Faller, Withal he has been the Reger and Mozart, as well as played a significant role vice-president of the interna- on “En-Cor!” by the American in his musical education. tional horn-society and has Horn Quartet. Steve has Bruno Schneider went on organised a world-horn-con- also held positions in various to study two years at the gress in 2007 in La Chaux de symphony orchestras in the Musikhochschule in Detmold Fonds, where over 400 horn United States and Europe with Michael Hoeltzel. players participated. and continues to perform After having played for as a freelance artist. As an 15 years as solo horn at Richard Seraphinoffb educator, Dr. Schaughency the Tonhalle Orchestra in (US) has been an adjunct faculty Zürich, at the Bayerischen member at the University of Rundfunks Symphony Northern Colorado, teaching Orchestra in Munich and fi- Jazz History. Most recently, nally with the Orchestre de la Steve has worked as a Suisse Romande in Geneva, clinician at Horn workshops he now teaches at the Haute in Germany, Switzerland, Ecole de Musique in Geneva Sweden and the United and at the Musikhochschule States, teaching Jazz styles/ in Freiburg in Breisgau performance practice to (Germany). Professor of horn - Indiana classically trained musicians. Bruno Schneider regularly University Jacobs School He has also recently pub- teaches in masterclasses of Music where he teaches lished a jazz etude book for all over the world. Since modern horn, natural horn, Horn,” Blues, Bossa, Bebop 2003, he is solo horn in the doctoral brass literature and Beyond”, which is avail- prestigious Lucerne Festival and history courses, and able through Phoenix Music Orchestra under the baton of chamber music. Publications. His teachers Claudio Abbado. Winner of the 1984 have included Louis Stout, He perfoms in all the Erwin Bodky Early Music Jack Covert, Jack Herrick world’s biggest concert Competition and the and Jerry Peel. halls as a soloist and as a 1981 Heldenleben Horn chamber music musician Competition. On modern Bruno Schneider with, amongst others, Radio horn he has performed with (CH) Orchester Basel, Orchestre the Detroit Symphony and – Freiburg in Bresgau de Chambre de Lausanne, Toledo Symphony Orchestras Music University Horn St Galler Tonhalle Orchester, and the Michigan Opera. Ensemble Colorado Symphony On natural horn he has Orchestra (Denver USA), performed with virtually Freiburger Staatsorchester, every Baroque and Classical and with chamber musician orchestra in the U.S. and soloists Sabine Meyer, Has given lectures and Gidon Kremer, Vadim Repin master classes and appeared and Jeremy Menuhin. as soloist at early music A large part of the horn and modern brass work- repertoire has been recorded shops in the United States by Bruno Schneider at EMI, and Europe. Born in Lausanne in 1957, Claves, Arion, Erato and CPO. Has written many articles Swiss horn player Bruno Composers like Norbert for IHS and HBS journals Schneider began studying Moret, Jörg Widmann, Eric and appeared on numerous the horn and singing at Chasalow, Jost Meier wrote recordings. the Music Conservatory in major works of the horn Co-author of "Guide to

144 the Solo Horn Repertoire" Boston University. At Austin with R.Vlatkovic, H. Baumann, (Indiana University press) Peay State University she J.Bonet, B.Schneider, S.Dohr, Recipient of the teaches horn and ear training F.Ree Wekre, P. Myers, Christopher Monk Award and conducts and coaches F.McWilliam, H.Joulain, (Historic Brass Society) and the horn choir and brass W.Sanders, J.de Waal, Punto Award (International ensembles. Dr. Sienkiewicz Z.Tylsar, among others. With Horn Society. Also, a well- earned her Doctor of Ab Koster he started the known maker of Baroque Musical Arts in 2013 from study of the natural horn. He and Classical natural horns. Boston University, the first is a member of the Orquestra dr. Kristen Sienkiewicz horn player in the school's Sinfónica do Porto Casa da (US) history to have earned the Música. As a guest musician A New York native, Kristen degree. She completed her he performed with all the Sienkiewicz is Assistant undergraduate work at the major Portuguese orches- Professor of Horn at Austin Eastman School of Music, tras and several abroad Peay State University in where she received her too. He teaches at Aveiro Clarksville, Tennessee. She Bachelor of Music in both University and at Espinho's is in demand as a freelance Horn Performance and Music Professional Music School, and studio horn player in Theory and was awarded in Portugal. He frequently Nashville and the broader the school's prestigious guides masterclasses region. She can be regularly Performer's Certificate. in Portugal and abroad heard playing with orchestras Kristen continued her studies (Spain, Brazil, Mexico). He from Alabama to Indiana, in Boston at the New England is regularly invited to jury of and as co-principal horn in Conservatory, earning both national and international Middle Tennessee's Gateway her Master of Music and a competitions, has been in Chamber Orchestra. Prior Graduate Diploma with a competitions in Portugal, to moving to Tennessee, concentration in Music-in- Spain and Finland. He has she was an active chamber Education. Dr. Sienkiewicz performed as a soloist, in and orchestral horn player is a member of Pi Kappa recital, chamber music and in Boston and throughout Lambda, the National Music orchestra in many countries New England. Since 2008 Dr. Honor Society. in Europe, Brazil and Mexico. Sienkiewicz has performed He has performed at the IHS with Bala Chamber Brass, a J. Bernardo Silva Symposiums 46 in London, Boston based brass quintet (PT) 36 in Valencia and 34 in with international acclaim. Lahti. He was awarded the Dedicated to promoting a First Prize in the Philip Farkas new standard for the brass Competition organized by the quintet genre, Bala pursues International Horn Society and premieres current repin Lahti, Finland in 2002. His ertoire that is engaging for discography includes several audiences and performers solo works, chamber music alike. Their three commercial- and as a member of OSP. ly available CDs, Revealed, He is a founding member of Deus Ex Machina, and J. Bernardo Silva was the quartet Trompas Lusas. Passports, all include a vari- born in Oporto, Portugal. The group is frequently pres- ety of such commissions and Graduated from Lisbon’s ent in concerts in Portugal previously unrecorded works. Escola Superior, studying and abroad. He performed Dr. Sienkiewicz has served with Jonathan Luxton. He the first world recording of on the faculties of Southern also studied at Hochschule the work 'Jeanne d'Arc' for New Hampshire University für Musik in Hamburg with solo horn and wind band of and Gordon College, and Prof. Ab Koster. He attended the composer Alex Poelman taught and conducted at classes and masterclasses for the label Molenaar.

145 Bernardo has maintained Simpson’s C.D.’s, composi- South Florida Chamber a close relationship with tions and arrangements are Ensemble several composers to extend available at www.mikesimp- Myrna Meerof the original repertoire for the sonsjazzhorn.com. (US) instrument, having premiered many works. J. Bernardo Jeffrey Snedeker Silva plays on Dürk Horns, (US) and exclusive Romera Brass mouthpieces.

Mike Simpson (US) Mike Simpson is a teacher, conductor, composer, and The South Florida Chamber musician in the Pacific Ensemble is a non-tradi- Northwest United States. tional piano trio featuring He holds bachelor’s degrees Jeffrey Snedekerhas taught flute, horn and piano that in music and Education, horn and music history at performs music of all genres and a Master of Arts in Central Washington University including classical, jazz, Teaching from the University in Ellensburg, Washington, world, folk and popular music. of Washington, Seattle, since 1991. Past President The SFCE plays more than where he studied horn with of the International Horn just chamber music, from Christopher Leuba. Simpson Society, Jeff has received opera and ballet to concerti studied Jazz Improvisation several awards for teaching, for other instruments to with legendary saxophonist research, and service, includ- full symphonic works. The Don Lanphere, and has ing the Phi Kappa Phi National mission of the SFCE is to performed with Karryn Artist Award recognizing his improve lives through music Allison, New York Voices, research on the natural horn. and this is achieved through Bobby Shew, Bill Ramsay, Jeff has been a featured artist our wealth of arts integration Jiggs Whigham, Jim Knapp, and lecturer on six continents programs, concert series, Seattle Rock Orchestra, the and is recognized as a leading and partnerships with other Long Winters, and Frank performer and scholar of the organizations to use music Sinatra, Jr. Mike continues to horn, especially solo reper- to solve social problems. As explore improvisation in the toire, jazz, and historical per- a non-profit organization, Horn world. He is a previous formance. He has published our vision is to increase winner of the International over 50 articles on various access to music education Horn Symposium Jazz musical topics, including by providing individual and Horn competition and has entries in The Encyclopaedia group instruction, mentored presented jazz improvisation of Popular Music, journals of ensemble programs, work- performances at the NW the International Horn Society, shops and instruction in how Horn Symposia in Oregon, Historic Brass Society, to run a musical business. Washington, and Idaho. Mike American Musical Instrument We also strive to present has also performed at the Society, Composition Today, lesser known and unknown International Horn Symposia and the second edition of composers, specifically in San Francisco, Memphis, The New Grove Dictionary of American, African American, Ithaca, Brazil, and Muncie. Music and Musicians. He has and female composers. We He has led improvisation released five solo recordings, are dedicated to commis- workshops, and has written including three critically-ac- sioning new works by local works for horn ensemble, claimed CDs of the natural living composers. horn quartet, and horn soloist and early valved horn. with concert band. Mike

146 Michelle Stebleton degrees from the University orchestra, Manchester (US) of Michigan, where she Camerata, Northern Michelle Stebleton is an studied with Louis J. Stout Chamber Orchestra, RTE Associate Professor of Horn and Lowell Greer. She holds and Birmingham Royal Ballet and member of the Florida a diploma from the Prague and has also worked with State Brass Quintet and Mozart Academy. Opera North, CBSO, BBC the Tallahassee Symphony NOW, and Scottish Opera. Orchestra. Since coming dr. Caroline Steiger In 2016 she performed in the to FSU in 1990, she has Texas State Brass Trio highly acclaimed Wager Ring been awarded the Teaching (US) cycle with Opera North. Incentive Program Award, Assistant Professor of Horn, She is a member of an Undergraduate Teaching joined the faculty at Texas Zephyr with whom she plays Award, and several large State in 2016. Dr. Steiger has chamber music concerts research grants. She record- performed with numerous throughout the UK. ed The Horn Works of Paul orchestras across the U.S. Lindsey is passionate about Basler and MirrorImage at and is an advocate for new promoting the horn. She the Opera, a recording of her music and an active chamber also teaches at Chetham’s horn duo with Lisa Bontrager. music performer. School of Music and leads Ms. Stebleton, a Holton- RNCM Young Horns which Leblanc Artist Clinician, Lindsey Stoker encourages local young horn is a six-time prize winner (UK) players. in various divisions of the Keen to bring new aspects American Horn Competition. to her teaching Lindsey has She has traveled to 26 recently completed a teach- countries as a chamber artist ing certificate in Dalcroze and clinician and performs Eurhythmics. regularly as a soloist and Lindsey has tutored the clinician in Paraguay, The Horns at EUYO in summer Czech Republic, and un- 2010 and 2011 and spring der the baton of Philipe 2013 and was herself first Entremont in the bi-annual is the Senior Horn Tutor at horn in the orchestra in 1988 Music Festival Orchestra the Royal Northern College and 1989. in the Dominican Republic. of Music in Manchester. She tutored the horns at At FSU Professor Stebleton She has been teaching NYO in summer 2017 and maintains a horn studio of at the RNCM since 1990. Easter 2018 and NYO inspire about 30 students. She A graduate of the RNCM, 2017 and 2018 offers daily Fundamentals Lindsey studied with Michael Lindsey was a guest tutor Class, weekly Studio Classes, Purton and Derek Taylor. at the Prague Hornclass and Horn Choir. In addition, As a student she played in 2011 along with Radek she teaches the Horn first horn in the Tippett Baborak, and Thomas component of Solo Brass horn Sonata at the IHS Hauschild.and in 2015 Literature. Actively perform- in Detmold in 1986. with Ricardo Matosinhos. ing, she is regularly featured Lindsey was Assistant She has given master- at the International Horn Principal Horn with the Halle classes and workshops Society Symposiums and Orchestra from 1990-2000 with the British Horn Southeast Horn Workshops. and has subsequently Society and in Moscow, She currently serves as on pursued a freelance career St Petersburg, Santiago, the Advisory Council of the alongside her teaching. Oslo and Hong Kong. International Horn Society. She has played principal Professor Stebleton horn with BBC Philharmonic, received B.M. and M.M. RLPO, BBC Concert

147 Christophe Sturzenegger has already performed at a Radegundis Tavares obtained (CH) number of festivals in Europe, his Doctorate, Master’s and South America, South Africa BA in music from the Federal and Japan (Salzburg, Verbier, University of Paraíba. At the Hong-Kong, Istanbul, London, age of 15 debuted as a solo- Budapest, Tokyo, and Aix-en- ist at the Teatro Municipal de Provence) www.christophes- São Paulo. turzenegger.com At the age of 17, he performed as guest first TAMUK Horn Ensemble french horn with the Paraiba Jennifer Sholtis Symphony Orchestra, a po- © Christophe Losberger (US) sition he held until he was 19 Born in Geneva, Christophe The TAMUK Horn Ensemble years old, when he passed a Sturzenegger has won a was established in 1996 by public contest for the post of number of awards given the current horn professor, full-time professor of french by advanced conservato- Dr. Jennifer Ratchford horn at the Federal University ries (Horn, Piano, Music Sholtis. Through the years, of Rio Grande do Norte. Theory, Harmony). the ensemble has not only Radegundis recorded As a horn-player, he played grown in size, but also in rep- two CDs, the first entitled in orchestras (Zürich and utation. The horn students of "UNIVERSAL" and the sec- Basel) under the direction the Javelina Horn Studio are ond “Radegundis Tavares”. of the greatest conductors recognized throughout the Since then he has worked as (Abbado, Levine, Santi, US and abroad as outstand- teacher, soloist and chamber Marriner, von Dohnanyi, ing performers. The TAMUK musician in various major Ashkenazy,) and appeared Horn Ensemble is frequently musical venues in Brazil. as a soloist conducted by showcased at regional and Radegundis was the host of Emmanuel Krivine and Marc international symposia and the 49º International Horn Kissoczy. He teaches piano consistent competitors at Symposium and now serves as a secondary instrument International Horn Society as advisory councilor of the and keyboard harmony at events. Highlight perfor- International Horn Society. Haute Ecole de Musique de mances include TMEA and Genève (Geneva School of IHS Symposia in Alabama, dr. Amy Thakurdas Advanced Music Studies) Denver, Illinois, Denton, (UK) since 2003. As a composer, Switzerland, Germany, and Amy Thakurdas is the musi- has been published by England. Most notably, four cal director of Oxford Horns, Woodbrass Music and has members were winners a unique horn choir founded a catalogue of about 30 of the 2014 International in 2013. Amy has played works, including various Quartet Competition at French horn in London and commissioned compositions the IHS Symposium in Oxford orchestras, as well as (primarily Swiss Musical London, England. in Los Angeles. Competition for Youth, After retiring as a corpo- festivals, Orchestre de la Radegundis Tavares rate lawyer, Amy qualified Suisse Romande, Orchestre Brazialian Horn Ensemble as a Naturopath doctor in de Chambre de Genève, (BR) 1999 specializing in pain Orchestre de Normandie,). and stress management As conductor, he was in using mind/body meditation charge of many productions techniques. For the past 4 in Switzerland and France. years she has been actively Last year, he conducted 50 researching Focal Dystonia shows of “The Threepenny and now provides Dystonia Opera” by Kurt Weill. He workshops and clinics both in

148 the USA and Europe. Rochester Philharmonic some of the world’s top Orchestra, Syracuse ensembles, Hans has travelled Jonas Thoms Symphony Orchestra/ extensively throughout his West Verginia Symphony Syracuse, Toledo career, not only within Europe, Horn Ensemble Symphony Orchestra, and but also Asia, Russia and both (US) West Virginia Symphony North&South America. Orchestra. Mr. van der Zanden can be Thoms is a graduate from heard on a multitude of tele- the Eastman School of Music vision and film soundtracks. (B.M.) and the University His extensive catalog includes of Cincinnati-College films scored by Alan Silvestri, Conservatory of Music (M.M), Elliot Goldenthal and the where he served as the Oscar winning film, “The graduate assistant to the horn Artist” by Ludovic Bource. studio of Randy Gardner. His Mr. van der Zanden gives Jonas Thoms is the Assistant primary teachers include W. regular masterclasses in Professor of Horn at West Peter Kurau, Randy Gardner, Chiaramonte Gulfi (Sicily), Virginia University. He has Elizabeth Freimuth, Kristy Corno di Rosazzo (Italy) served on the applied faculty Morrell, Tom Sherwood, and and Cullera (Spain). Since at the University of Cincinnati- Roger Kaza. He currently September 2018, Mr. van der College Conservatory of serves as the West Virginia Zanden is professor of horn at Music, Wright State University, Representative of the Fontys Academy of Music and the University of Evansville, International Horn Society. Performing Arts, Tilburg (NL). and the MasterWorks Festival. He has presented Hans Van der Zanden Teunis Van der Zwart and performed at numerous (NL) (NL) International Horn Symposia, the Intercontinental regional workshops, and Natural Horn Ensemble universities throughout the United States and has been published in The Horn Call. Thoms has held positions in numerous regional orchestras and performed as a substitute or extra player with the Cincinnati Symphony and © Thomas Legrève Pops Orchestra, Cincinnati While still a student at the Chamber Orchestra, Dayton conservatories of Maastricht © Ton Thomassen Philharmonic Orchestra, and Tilburg (NL) Mr. van der Teunis van der Zwart is one Louisville Orchestra, Albany Zanden received his first of the most versatile horn Symphony Orchestra, invitation from Maestro Jan players of his generation. Artosphere Festival van Steen to play as principal Depending on the music at Orchestra, Atlantic Classical horn in the Neues Berliner hand he performs on baroque Orchestra, Cincinnati Ballet Kammerorchester. Soon after horn, classical horn, valve Orchestra, Columbus he was appointed principal horn and even alto horn. He Symphony Orchestra, horn in The North Netherlands made numerous recordings concert:nova, Fort Wayne Orchestra in Groningen, NL. and concert-tours with Philharmonic, the Huang Currently, Mr. van der Zanden outstanding ensembles like He Symphony Orchestra of is principal horn of Brussels the Amsterdam Baroque Zhengzhou, China, Nashville Philharmonic. Orchestra, Orchestre des Symphony Orchestra, As an invited guest with Champs-Elysées, wind sextet

149 Nachtmusique, Akademie Royal Conservatory of Music. Lafayette, Tempesta di Mare, für Alte Musik Berlin, Bach In 2000 Jos graduated as a Bläserband, and Cambini Collegium Japan, Collegium Master in Music, option Horn. Winds. He has also appeared Vocale Gent. For fifteen In 2001 Jos graduated as soloist with the Bach years Van der Zwart was the in Wind Band conduct- Societies of Washington, principal horn player of the ing with Pierre Kuijpers Philadelphia, Dallas, Madison, Freiburg Baroque Orchestra, at the Conservatory of and San Diego. On the a position he still has with The Maastricht (NL). topic of the natural horn, Orchestra of the 18th Century. He successfully serves he’s conducted lectures With both these orchestras as a conductor in various at the Curtis Institute of he regularly performed as wind orchestra’s in Belgium Music, Eastman School of a soloist and made CD- and in the Netherlands. Music, Oberlin Conservatory, recordings of Mozart’s horn Jos teaches horn at the University of Wisconsin, and concertos for Harmonia Akademie der Deutsch the University of Texas. On Mundi France and Glossa. sprachigen Gemeinschaft the modern valved horn, he With the Japanese Orchestra in Eupen and the Academie is a staple of the Philadelphia Libera Classica and Hidemi Muziek, Woord en Dans music scene performing Suzuki, he made a CD- in Genk. As a free-lance with the Philadelphia recording of Joseph Haydn's musician Jos played in Orchestra, the Chamber Hornconcerto forTDK. the Zomeropera of Alden Orchestra of Philadelphia, His regular chamber Biesen, The Brussels Opera Philadelphia, the music partners include Philharmonic, defilharmonie Academy of Vocal Arts, the Isabelle Faust and Alexander and many others. Pennsylvania Ballet, and the Melnikov, with whom he His transcriptions of Philly Pops. Equally versatile made a CD-recording classical works are available in the Jazz/Popular world, of Brahms’ horn trio for in the publishing house he’s performed with the likes Harmonia Mundi France. 3 horns Music. of Frank Sinatra Jr, Peter As a chamber music player, Gabriel, Elvis Costello, and soloist, both on natural horn Todd Williams Sarah Mcclachlan, to name a and valve horn, teacher and (US) few. Since 2003, he’s served lecturer, he appeared in as solo horn of the opera numerous concert-series and festival Lyrique-en-Mer, festivals throughout Europe, France. He has recorded the USA, Australia, New on such labels as Naxos, Zealand and Japan. Chandos/Chaconne, CORO, Teunis van der Zwart Musica Omnia, and Warner teaches both at the Brothers. Radio broadcasts, Conservatorium van including recorded and live Amsterdam, -at which performances, have aired institution he is head of the Hailed by Gramophone for on Radio France (france early music department-, his “impressive horn playing,” musique), WQXR (New York), and the Royal Conservatoire Todd Williams is an active WETA (Washington, D.C.), in The Hague. performer and educator WGBH (Boston), WWFM based in Philadelphia. A (New Jersey), and WRTI Jos Verjans leading exponent of the and WHYY (Philadelphia). (BE) natural horn in America, he Todd is a graduate of Jos Verjans, born in Bilzen, serves as principal horn of IndianaUniversity. Belgium in July 1977, first the Handel & Haydn Society, studied the horn and music Boston Baroque, Trinity theory with Prof. André van Wall Street, Clarion Society, Driessche at the Brussels Apollo’s Fire, Mercury, Opera

150 Dr. Derek J. Wright in different ensembles demand as an orchestral (US) in Sweden and Norway. and chamber music player. She is a frequently used Originally from Colorado freelancer, and is also (USA), she is currently the former co-principal of working towards a PhD in Norrlandsoperan, and for the Musicology at the University last years she has been the of Regensburg, Germany. She principal of the Läckö Opera. holds two Master’s degrees, Her horn playing is about one in Horn Pedagogy 90% of her work and the rest from the Zurich School of 10% she combines her musi- the Arts, and one in Early is one of the owners of cian’s life with creating yoga Music Performance from the Houghton Horns, a pro- workshops and giving per- Amsterdam Conservatory. fessional brass instrument sonal yoga sessions to make She studied modern horn with specialty shop located near life better for musicians. Marian Hesse, Julie Schleif Dallas, Texas. In addition, She also performs yoga and Nigel Downing, and he plays 4th horn in the concerts in big venues, WITH historic horn with Glen Borling Amarillo Symphony. He has musicians, to spread the and Teunis van der Zwart. performed with the Fort classical music to people and Kathryn has performed Worth Symphony Orchestra, to make them experience the with La Chapelle Ancienne the Phoenix Symphony, the music thru the movements (Switzerland), Theresia Youth New World Symphony, the and BREATHE MUSIC. Lene Baroque Orchestra (Italy), Baton Rouge Symphony Skomedal teach in a fun, un- Nordic Baroque Orchestra Orchestra, and multiple derstandable way with many (Norway), Solomon’s Knot other organizations. As a music words and references. (UK), and countless other en- solo musician, Derek has She has had workshops for sembles across Europe and performed at multiple IHS musicians at the Royal Opera the UK. Her current research symposiums and workshops. in Stockholm and in many interests include the instru- In 2015 he was a semi-finalist other professional orches- mental music of Jan Dismas in the professional division tras, youth orchestras, fes- Zelenka, and eighteenth-cen- at the International Horn tivals, Nordic Horn Seminar tury horn repertoire and Competition of America. and more. In addition, she performance practice. Derek holds degrees from has had open workshops for Arizona State University, musicians in London, Madrid, the University of Minnesota, Oslo, Stockholm, Gothenburg and the University of Illinois. and more. www.yogalene.se

Yoga Lene Kathryn Zevenbergen (SE) (US)

Lene Skomedal has been Kathryn Zevenbergen, skills working as a professional on both the historic and horn player since 2005 modern horn keep her in high

151 EXHIBITORS L'Olifant professional, amateur and student use. The company IHS51 Fa. Dieter Otto e.K. manufactures and distrib- key sponsor Inhaber Martin Ecker utes its products under a variety of well-known brand Engelbert Schmid GmbH Klaus Fehr French Horns names including Selmer, www.engelbert-schmid-horns.com Bach, Ludwig, Leblanc, King, IHS51 Armstrong, Holton and C. Wake the Dragon! event sponsor G. Conn. key sponsor Marcus Bonna – MB Cases Cornford Hans Hoyer – Christopher Cornford has Buffet Crampon Group IHS51 developed in cooperation www.hans-hoyer.com exhibitors with Peter Steidle a new double compensated tripel IHS51 Balu Musik horn which is lighter than concert sponsor was founded in 2002 by usual double horns. The Ion Balu and is a company Tripel horn is patented Gebr. Alexander, comprised of professional 102009008571 Rhein.Musikinstrumenten musicians that serves fabrik GmbH musicians worldwide. We Meister Juhàsz – Duola Bt are known for our famous Paxman Musical world-class mutes, high quali- DürkHorns Instruments Ltd ty instruments, and custom Paxman are celebrating mouthpieces. We take pride Ed. Kruspe & Curia Brass 100 years since Harry in always going above and Traditionally handcrafted Paxman first started the beyond for our customers horns made in Bavaria. Made company as Paxman and ensuring customer of natural horns, Vienna Brothers. In this time, we satisfaction. Please visit our horns and french horns/ have developed some of booth at IHS51 to learn more double horns/descant, the the finest horns available about how we can fulfill all development of a triple horn in the world today, with our of your musical needs. is already in progress. Since own unique designs and the spring 2018 the brands Curia Merewether system. With our C.D. Wiggins Sheet Music Brass and the well-known Ed. horns played by some of the Music at all levels from Kruspe is owned & operated finest soloists and orchestral one to eighteen horns for by Katsushi Sakaino who is players all over the world, teaching, performance or working as a craftsman for you can be sure that any simply for fun. more than 15 years. Paxman horn will live up to your highest expectations. Cantesanu Horns ERGObrass Ltd With the Academy range of has been offering custom produces ergonomic student horns, you can also horns, mouthpieces, custom- playing supports for virtually find an instrument suited to izations and horn services all brass instruments and any stage of a player’s devel- since 2007. Visit out table for saxophones. For the French opment from young beginner something different! horn there are models for to professional player. We playing sitting down or look forward to sharing our Conn-Selmer, Inc. standing up, even walking or centenary year with everyone is the leading manufacturer marching. at IHS51 in Ghent! and distributor of a full line of American made band and Faust Music orchestra instruments for is the source for the Horn

152 Music of Randall Faust, beside you on-stage, readily Symphony, Joseph Buono, the Horn Methods, Solos, accessible and off the floor. It and Marvin Howe. and the Horn Ensembles can also hold a water bottle Ms. McLuskie will be of Marvin Howe, and com- in one of its two soft pouches speaking at the event and positions and horn music if you only need one mute would like to interview as editions by Thomas Jöstlein, on stage with you. Comes many horn players as possi- Travis Bennett and Charles with a transport bag for easy ble while in Gent. Rochester Young. We also storage where you can put distribute brass music a tuner, metronome, even an Kunst Brass editions by Orrin Olson, and IPad along with your regular Daniel Kunst, Handmade selected books—including and stopping mutes. Ask Historical Horns from Arnold Jacobs Song and anyone who’s used it … the Bremen since 2002 Wind by Brian Frederiksen, Dampfer Mitt will become The Horns of Valhalla by indispensible once you try it. Lukas Horns Norman Schweikert, Keys Dan Vidican was born to Transposition by Peter Josef Klier GmbH & C0 KG in 1973 in Cluj, one of the Nowlen, and The Rules of the most beautiful cities in Game by Christopher Leuba. June Emerson Wind Music Transilvania, Romania. I We also stock recordings is an internationally started playing horn at the by Andrew Pelletier, Jeffrey renowned specialist mail age of 12 and won my first Snedeker, Gail Williams, order supplier of woodwind, professional position with David Griffin, Aaron Brask, brass and chamber music. Transilvania Philharmonic at and Willard Zirk. For more We keep a comprehensive the age of 19 where I played information visit us at The selection of music in stock and toured extensively for Faust Music Exhibit at IHS51 from publishers and suppliers 6 years before moving to and/or faustmusic.com worldwide, and are renowned Chicago, United States in for our speedy, knowledge- 1998. I was accepted in the Finke Horns able and friendly service. Graduate Music Performance Come and meet Rachel program at DePaul University Golden River Music Emerson and Stewart Thorp where I studied with Jon is a Belgian Music pub- (both horn players) who have Boen, Principal Horn of Lyric lishing company founded in brought 20 boxes of horn Opera of Chicago and Grant 1994. Over the years they methods, studies, excerpt Park Symphony. In 2000 I have published a varied offer books, pieces and ensemble won a position with Civic of solorepertoire as well repertoire for you to browse Orchestra of Chicago, the as chamber and ensemble through. Don't want to carry training orchestra of Chicago music for brass instruments. your music purchase home? Symphony, where I played Check our site: www.golden- For a very modest fee we'll for two years. During my rivermusic.eu ship it home for you. years with Civic Orchestra of Chicago I won a few Iltis Dampfer Mitt Katherine McLuskie positions with orchestras like Used in orchestras and is an author currently Green Bay Symphony and bands world-wide, the Iltis working on a new book, Illinois Symphony Orchestra. Dampfer Mitt is the horn The Global Horn. The book In 2006 I started working in players solution for safe, examines the state of the Arkansas / Tennessee area quick mute changes, as well Horn and its' community with Arkansas Symphony and as storage and transport of of players world-wide. Memphis Symphony. mutes and accessories. If Ms. McLuskie is originally you do pit work, you’ve got from Detroit, Michigan and to have this. Keep mutes studied horn with Charles and accessories securely Weaver of the Detroit

153 M.Jiracek & sons worldwide. Besides the to hastily dump water is a family business es- unique, powerful sound, 7. free up valuable working tablished at the beginning Ricco Kühn horns are known memory of 1992. Our main activity is for highest standards in 8. drain away a whole lot on the production of wind instru- handcrafted quality and reli- unnecessary stress ments, that is, natural horns, ability. Take your chance on AUTOMATIC WATER Vienna horns, modern Double IHS 51 to get an overview of DRAINAGE. The JoyKey horns, trumpets, flugelhorns. the intelligent product range it works. YOU PLAY n the course of production where every musician will find we rely on the knowledge his perfect instrument. Try Wiseman Cases of the technologies of old the world wide successful Bespoke handmade instru- masters - instrument makers model 293, a free-blowing ment cases, with extremely which are combined with Geyer wrap with a contin- compact designs for the modern technological pro- iously response over the French Horn, providing maxi- cedures. Maximal attention complete range, the powerful mum protection and comfort. is paid to every produced Kruspe-wrap model 273 Featuring real carbon fibre instrument as far as quality or the well-known custom and other Performance workmanship is concerned models like 293X or 293XS. materials. All Wiseman cases as well as the quality of Besides some improved and come with a lifetime guar- the sound. new models, you`ll also get antee and free overhauls. invited to discover Ricco Back pack straps and space Norsk Musikforlag A/S Kühn’s unique and very for music & mutes come as in Oslo-Norway was estab- successful triple horns, which standard with every case. lished in 1909 and is one of are played and loved by pro- Yamaha Music Europe GmbH the main independent music fessional horn players from Founded in 1887, the roots publishers in Scandinavia. all around the world. The of Yamaha Corporation Musikk-Husets Forlag was Ricco Kühn team is looking have always been in music, established in 1939 and forward to meeting you! when Torakusu Yamaha set has since 2004 been a up business repairing reed Daughter company of Norsk S.W. Lewis organs. Over 130 years Musikforlag. www.musikkfor- of dedication, passion for lagene.no Seraphinoff Historical innovation and finest quality Instruments has led to Yamaha becoming Patterson Hornworks Maker of reproductions the World’s largest and most is a builder of fine quality of baroque, classical, and highly regarded musical French Horns. We offer 5 ba- romantic horns since 1983. instrument manufacturer. sic models: 3 Double horns, Yamaha is in a unique posi- Descant, and Triple horns. Stephan Katte – Historische tion to be able to work very Blechblasinstrumente closely with artists from all Phoenix Music Publications over the world and across The JoyKey – Andrew Joy the spectrum of musical Pot Gérald - Alphorns Use the JoyKey for draining genres. This is thanks water automatically to: to our global network of Ricco Kühn Horns 1. keep tapers constant highly skilled technicians, handcrafted in Germany, 2. make pitching notes more artist relations staff and played worldwide! For almost secure specialized R&D facilities. 30 years, Ricco Kühn com- 3. prevent gurgling noises We want to push musicians pany has been developing 4. prevent lost concentration beyond their expectations, and manufacturing first class 5. avoid missed entries empowering them to ex- double-, triple-and Bb-horns 6. prevent accidents plore brave new things and for professional musicians because of having unearth their potential.

154 155 model W 293

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156 157 Dassonville Jean-Pierre French Horn Teacher and Natural

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158 VENUES

159 CONSERVATORY -1

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163 INTERNATIONAL IHS THESIS LENDING British Horn Society, HORN SOCIETY LIBRARY COORDINATOR Vlamo, A.C.I.M.V. Lin Foulk TICKETS GENT Officers Line De Vlaeminck PRESIDENT Find your regional GENT CONGRES Andrew Pelletier IHS representative on Philippe Lefebvre, EXECUTIVE DIRECTOR www.hornsociety .org Kim Liveyns Julia Burtscher GHENT VICE-PRESIDENT Annual IHS General Meeting: Daniël Termont – Honorary Kristina Mascher-Turner Saturday July 6 at 09:00 Mayor of Ghent SECRETARY/TREASURER – Auditorium Goethals SPECIAL THANKS TO OUR Annie Bosler SPLENDID IHS51 ADMINISTRATIVE MEMBERSHIP COORDINATOR ACKNOWLEDGEMENTS AND TECHNICAL SUPERVISORS Elaine Braun Nina Hanssens, ARTISTIC COMMITTEE Hans Denayer, Eline Van 2018-2019 Jeroen Billiet, Rik Vercruysse, den Broeck, Isabel Advisory Council Anthony Devriendt, Osselaere, Patrick Housen, Annie Bosler, Nobuaki Bart Indevuyst, Jean-Pierre thanks to all IHS51 volunteers Fukukawa, Patrick Hughes, Dassonville, Bart Cypers, Louis-Philippe Marsolais, Anneke Scott, Bart Aerbeydt, IHS51 TEAM Kristina Mascher – Turner, Kenneth Theunissen, ARTISTIC DIRECTOR, HOST Susan McCullough, Andrew Jan Huylebroeck, Dr. Jeroen Billiet Pelletier, Justin Sharp, Jeffrey Steven Vande Moortele Rik Vercruysse Snedeker, Michelle Stebleton, SCHOOL OF ARTS GENT IHS51 COÖRDINATOR Radegundis Tavares, Amy Wim De Temmerman, Nina Hanssens Thakurdas, Lydia Van Liene Aerts, Claire Stragier, GENERAL ASSISTENT Dreel, William VerMeulen, Jonas Temmerman, Katrien Eline Van den Broeck Geoffrey Winter Vuylsteke-Vanfleteren, Roos IHS51 EXHIBITS COÖRDINATOR Van Driessche, Dries De Tim Van Gijsegem Coordinators Wit, Regis Dragonetti, Lukas & Editors Huisman, Laurent Derijcke, INTERNATIONAL Stijn Schollaert, Xavier COVER IMAGE SYMPOSIUM COORDINATOR Lietaer, Michael Penson, Jade Kerremans Nancy Joy Marc Goethals, DRUK IHS COMPOSITION INTERNATIONAL HORN SOCIETY Graphius, Gent CONTEST COORDINATOR Heidi Vogel, Julia Burstscher, Randall Faust Nancy Joy, Andrew Pelletier, IHS PUBLICATIONS EDITOR Patrick Hughes, Jeff William Scharnberg Snedecker ASSISTANT EDITOR ARRANGERS & COMPOSERS Marilyn Bone Kloss Dirk Brossé, Bruce Richards, IHS WEBSITE EDITOr Jos Verjans, Jacqueline Dan Philips Kershaw, Frank Clarysse, EDITOR / COORDINATOR, Lowell Greer, Christopher IHS ONLINE MUSIC LIBRARY Wiggins, Catherine Likhuta, Daren Robbins Nicolas Avinée, Patrick IHS SCHOLARSHIP Housen, Frank Clarysse PROGRAM COORDINATOR HORN PLAYER’S ASSOCIATIONS Patrick Hughes Association Française REGIONAL WORKSHOP COORDINATOR du Cor, Nederlands Brent Shires Hoornistengenootschap, Compact. Strong. Comfortable. Stylish & Guaranteed for life.

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